Hans Hopfer "Mah Jong" Sofa for Roche Bobois, France 1970s (sold)
Hans Hopfer "Mah Jong" Sofa for Roche Bobois, France 1970s (sold)
In the 1970s Hans Hopfer created the Mah Jong lounge sofa, Roche Bobois’s most recognized and iconic design. The freedom of form that this fully modular low seating system allows broke the design mould and encouraged a completely new way of organizing living spaces. Upholstered in simple plain fabrics at the beginning, today it is ‘dressed’ by some of the world’s finest couturiers.
This spectacular modular sofa model named 'Mah Jong' is composed of twelve cushions arranged into six modules, three corner modules, two straight modules, and a separate module that can be used in a number of ways, such as an ottoman, a table or foot rest. Hopfer is regarded as the inventor of "seating landscapes", and looking at this sofa gives meaning to that title. This sofa’s ingenious and versatile design offers basic elements that can be stacked, aligned and grouped in different ways, allowing for a variety of layouts. This Roche Bobois edition model has a unique upholstery with brown short velvet which lends a stylish, modern look to the modules that is remains reminiscent of the 1970s. The tufted, futon-like elements assure great comfort and cosiness and the absence of legs adds to this character. However, the individual modules are arranged, this model commands the space it is placed in, and is sure to draw attention.
In 1970, Hans Hopfer met the Roche Bobois management team. The collaboration began, and less than a year later, the Mah Jong Sofa was born, and it quickly became a benchmark of creativity that has strongly influenced interior design professionals. Since 1990, the Mah Jong sofa has been the number one seller for the Roche Bobois company, and the brand has a workshop specializing in the manufacture of Mah Jong. Hans Hopfer worked as a designer, painter and sculptor in Buenos Aires, in Nuremberg, and in Paris. He has received various international awards for his work as a designer and is considered one of the greatest interior design professionals of the 20th century.
SOLD
Condition:
In medium vintage condition. Wear consistent with age and use. Fabric looks thin in some parts, some discoloration, some small stains (although they are not that noticeable). Although the fabric is still good, please also don’t hesitate to each out to us for the possibilities for re-upholstery.
Dimensions:
Sofa:
149.6 in W x 76.37 in D x 25.19 in H; Seat height 14.96 in
380 cm W x 194 cm D x 64 cm H; Seat height 38 cm
Stool:
35.43 in W x 38.18 in D x 14.96 in H
90 cm W x 97 cm D x 38 cm H
About the designer:
Hans Hopfer was born in 1931 in Germany. He began his career in 1964, when he joined the growing company, Mabiliar-Basar in Nuremberg at Fleeischbrücke. Part of his contract with Mabiliar-Basar stated Hopfer would only design and develop products under his own name. Therefore, the brand name Hans Hopfer was born.
During Hans Hopfer's first year as a designer with Mabiliar-Basar, he started developing his line and materializing his concepts. Hopfer knew he wanted to produce a clean, modern, and streamlined variety of products that would also be useful and comfortable. He wanted to design a line for longevity.
His first release under his self-titled brand name was the Bausystem in 1965. To enhance Hopfer's goal of a streamlined appearance, the design contained no seams or gaps. This design set the stage for what was to come. The Mobiliante, created in 1967, was the first sofa collection offering a sofa, love seat as well as an ottoman. Customers were able to purchase one or all three. In keeping with Hopfer's vision, the final construction contained minimal details while providing comfort for the modern consumer.
In 1969, Hopfer released “The Lounge”, a 3-piece matching collection providing extra room for the consumer to fully relax. After the release of The Lounge, Hopfer took a much-needed break. It is believed that during this time, his life changed dramatically with the birth of his daughter, Patricia. According to co-workers and friends, Hopfer decided consumers needed a family-friendly product that could still be considered a work of art. It has been said the birth of his daughter was the reason Hopfer decided to adjust his product line. Hopfer returned to his designs in 1971 with this sentiment.
The variety of products Hans Hopfer gifted to the world is wide and spectacular. Regardless of what style will be popular in years to come, the designs Hopfer offers will stay in style. Consumers are focusing more on functional, comfortable, and art-like items, and less on the frills of highly decorative pieces. This is exactly what a person can expect from Hans Hopfer. He had a style that will never grow old. ~H.
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Price category: 9,000 - 12,500 usd / eur
French industrial designer Oliver Mourgue obtained his degree in Interior Design at the prestigious École Boulle, from where he went on to pursue his passion in furniture design at the École Nationale Supérieure des Arts Décoratifs in Paris. After training in Finland and Sweden, he then began his collaboration with Airborne International, one of France’s most successful and influential design companies of the modernist era.
In 1965 he designed the ‘Djinn Series’, inspired by the figure of the ‘djinni’ (genie), a mystical creature of Arabian fairy tales capable of morphing into human or animal form. This fluid uncertainty is clearly visible in the elegant shape of the daybed, where curved edges and softly folded ends connect seamlessly with the low-slung seating. The carefully crafted ergonomic design moulds perfectly to a resting human figure. Without distinctive breaks and different components, the daybed suggests effortless comfort - its relaxed form inviting the person for moments of unhurried rest, aligning with the decade’s easing of societal mores. The strapped rectangular pillow at the headrest is a unique complement that adds visual interest and breaks the flat surface of the piece. This daybed has been reupholstered in a premium fabric, which guarantees outstanding comfort and softness. The light colour of the upholstery, covering every part of the daybed also contributes to its uniqueness, truly making it a statement piece in any interior.
The ‘Djinn Series’ gained immense fame after the ‘Djinn Chair’ (1965) was featured in Stanley Kubrick’s film 2001: A Space Odyssey (1968). The vivid red chairs - used to furnish the sterile Hilton lobby of Space Station Five - granted a truly futuristic yet functional ambiance for the room. With an eye-catching form, this daybed is a visually outstanding piece that will transform any environment with its bold character.
Condition:
In good vintage condition. Wear consistent with age and use. The daybed has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
68.89 in W x 24.80 in D x 24.40 in H
175 cm W x 63 cm D x 62 cm H
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Price category: 7,500 - 10,000 usd / eur
Throughout the 20th century, Italian design managed to distinguish itself. The 1960s was a boom time in Italy especially, a decade of mass production and innovation that signaled the end of the post-war rebuilding programme. Still, one off designs and the overflow of creativity were just as present, giving birth to outstanding pieces such as this modular “Superonda” sofa.
The “Superonda” sofa, designed in 1967 by the radical Florentine design collective Archizoom Associati, and produced for Poltronova, is a pioneering piece that challenged the conventions of traditional furniture design. The Superonda blurs the line between object and artwork, inviting interaction rather than passive use. It can serve as a sofa, a bed, or a chaise, making it as versatile as it is visually striking. Composed of two interlocking, elements, the Superonda departs from the conventional frames, legs, and backs, instead offering a sculptural, modular form that can be arranged in multiple ways. Its bold, wave-like silhouette reflects the playfulness of the Italian Radical Design movement, a rebellion against bourgeois taste and rigid functionalism.
Produced by Poltronova, a manufacturer known for championing avant-garde Italian design, the Superonda remains an unforgettable piece in design history. Its enduring relevance lies in its conceptual boldness, embodying the ideals of a generation that sought to redefine the relationship between people and their environments. Today, the Superonda stands not only as a collectible design icon but as a symbol of radical creativity and the power of design to question societal norms.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
94.88 in W x 44.88 in D x 15.74 in H
241 cm W x 114 cm D X 40 cm H
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Price category: 15,000 - 20,000 usd / eur
The designer of this sofa pair evidently attached great and equal importance to form and function. With an open design profile, this two-seater model carries with it some of the fundamental characteristics and ideals of mid-century modernism.
Clutter-free and disciplined, they are as functional as they are aesthetically pleasing. The round shape is reminiscent of the Artifort style in that it has a sinuous and expressive quality that is harmonious and organic. There is also a certain quiet power to the design that is pared-down to the essential, exuding simplicity and timelessness. The open construction is made up of the generous seat cushion and the large back that flows towards the front to form the shell of the seat. This creates an inviting and open look which is a signature characteristic of mid-century modernism. Thanks to the sinuous, large surfaces, the velour fabric dominates the overall look, accentuating the round shapes and curves. The short, splayed legs prevent the sofas from looking heavy by slightly lifting them off the ground, while their warm brown colour nicely compliments the elegant colour of the body.
Without any ornamentation, the focus here is on the round, flowing lines of the body and the upholstery. From the muted colour scheme to the material choices, this streamlined design is essentially mid-century modern and therefore, can add that cosy charm into any space.
Condition:
In good vintage condition. Wear consistent with age and use. The sofas are upholstered in a brown velour fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
70.07 in W x 34.84 in D x 30.31 in H; Seat height 16.92 in
178 cm W x 88.5 cm D x 77 cm H; Seat height 43 cm
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Price category: 5,000 - 7,500 usd / eur
Henning Kjærnulf was a Danish mid-century designer and architect whose work is associated with the broader Scandinavian modern movement. Although relatively little is known about his personal biography, his furniture designs reveal a strong commitment to craftsmanship and carefully structured forms. Kjærnulf worked with several Danish manufacturers and developed pieces that combined traditional woodworking with modern lines and sculpted forms.
This two-seater sofa reflects those qualities through its solid oak frame and clearly defined architectural presence. The most striking feature is the wooden side and back panels that come together to form a frame for the piece. The frame acts as both a structural support and a visual boundary for the seating area. These panels give the sofa a grounded, natural feel through the deep grain of the oak. The upholstery contrasts with this structure through a layered composition. The seat, backrest, arms are covered in green textile, while the cushions are upholstered in a striped fabric that introduces rhythm across the surface. The pattern emphasizes the geometric shape of the sofa constructed on straight lines. The combination of exposed oak structure and patterned upholstery produces a clear dialogue between rigid frame and soft interior. At the same time, the carving details as well as the metal studs placed alongside the frame provide another dimension of interest, proving the complexity and attention to detail of the maker.
Together, these elements create a piece that is both functional and visually distinctive. Through the use of different materials and balanced clarity of structure, this sofa offers a great example of mid-twentieth-century Nordic seating.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. The fabric has some imperfections. The wood has some scratches and dents. Due to the nature and age of the materials, the item may have some marks and discolouration. The item comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
57.48 in W x 34.64 in D x 29.92 in H; Seat height 17.12 in; Seat depth 22.44 in; Arm height 29.52 in
146 cm W x 88 cm D x 76 cm H; Seat height 43.5 cm; Seat depth 57 cm; Arm height 75 cm
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Price category: 9,000 - 12,500 usd / eur
In France, as in the UK and much of Europe, there was something of a design renaissance in the decades following the Second World War, due to developments in materials and technology. Maison Regain was a prominent French furniture manufacturer active during this period, associated with the rise of rustic modernism. The studio became known for its use of solid woods combined with clean architectural lines and honest construction. Working at the intersection of traditional craftsmanship and modern living, Maison Regain embraced functional design that reflected changing domestic needs.
This daybed exemplifies Maison Regain’s approach to understated yet purposeful design. Constructed from solid wood, the piece features a long, low-profile frame that emphasizes horizontal lines and architectural clarity. Integrated storage is seamlessly built into the structure, offering concealed compartments that enhance functionality without disrupting the visual balance. The wood grain remains clearly visible throughout, reinforcing the tactile quality and natural character of the piece. The design allows the beauty of the wood to define the piece. The upholstered mattress and cylindrical bolster cushions introduce softness and contrast against the structured wooden base, creating a harmonious interplay between comfort and structure. Every element appears carefully proportioned, with the silhouette remaining minimal yet bold and charming. Overall, this piece allows the craftsmanship and material quality to speak without unnecessary ornamentation.
Both practical and visually refined, this daybed with integrated storage is ideal for modern living spaces where versatility is essential. Combining French craftsmanship, functional innovation, and a warm natural presence, it stands as a strong testament of postwar European design that remains relevant and appreciated today.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the daybed may have minor marks, scratches, and discolouration. The daybed has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach our for more information.
Dimensions:
115.15 in W x 31.88 in D x 17.12 in H
292.5 cm W x 81 cm D x 43.5 cm H
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Price category: 12,500 - 15,000 usd / eur
This beautiful Danish three-seater sofa features the recognizable touch of Danish Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sofa is often referred to as the “banana” or “boomerang” style.
The visual appearance of this sofa echoes Danish design and directs the eyes to the voluptuous body, that is the result of the exquisite craftsmanship. Many of the well-known Danish architects of the era felt the urge to try their hand at three-seater sofas, adhering to the period’s streamlined modernism. In combination with the unadorned styles of mid-century design, this sofa brings together the best attributes of the era. The rounded conical wood legs add an organic feel, while also matching the rounded profile of the sofa. The back legs differ from the front ones as they are tapered to reinforce the sofa’s stability. The masterful sense of proportions, the curved back and the soft upholstery guarantee functionality and comfort. While most curved sofas of the era feature tufting and other forms of decoration, this model is free from unnecessary ornamentation, resulting in a sleek, elegant and modern look. This sofa has been reupholstered in a premium light bouclé fabric, accentuating the stained wooden legs and the luxurious feel and look.
Derived from the French word meaning “curled” or “ringed,” bouclé provides a unique range of benefits; it is abundant in texture yet breathable. This durable fabric makes for an easy way to add instant texture and interest to any modern space, and despite its resurgence around 2020, is a timeless trend with longevity that will stand the test of time. Bouclé pairs incredibly well with curvilinear shapes as demonstrated by this sofa.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
78.14 in W x 43.50 in D x 29.13 in H
200 cm W x 110,5 cm D x 74 cm H
About the Designer:
This Danish-made sofa reflects the core traditions and ideals of Danish design, while recalling the shapes of the Art Deco movement. What both movements valued highly is the highest level of craftsmanship and attention to details.
Mid-century pieces such as this early sofa were of great design, using fantastic wood like teak or beech. The mid-century was the heyday of the production by master craftsmen. Mid-century Danish design is world-famous for the partnership between designer and manufacturer, resulting in ground-breaking creations. The Danish design idiom was centred on warm woods, quality fabrics and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The “Great Danes” believed furniture should be shorn of aesthetic detail and be an amalgam of form and function.
A master cabinet-maker is not a carpenter, as this was a rare breed of craftsman who had to be recognized by the Danish government after several years of toiling at his craft, as well as having to ace gruelling design competitions before becoming a master cabinet-maker. Since Denmark was a special instance of tempered industrialization, it managed to preserve sound traditions and continue to safeguard values of craftsmanship, materiality and usability.
Today, Danish furniture is sought after by collectors for classic looks, storied designs and solid quality, works that are truly soulful and timeless. ~H.
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Price category: 9,000 - 12,500 usd / eur
Though the advent of new materials like plastic, foam, and fibreglass revolutionized the production process, Scandinavian designers still valued craft over industrialization. This sculptural sofa is a beautiful evidence of this heritage and the mastery of Danish cabinetmakers.
Many of the most renowned Danish designers were trained architects as well. This knowledge and training can be clearly traced in the structure of this stunning sofa. Many elements emblematic of mid-century design are also apparent: sleek lines, simple geometries, an open layout, and the impeccable quality of the materials and craftsmanship. The design is defined by its angles, starting with the tilted back and the raised seat towards the front. The sculptural wooden arms and legs follow these lines, creating visual balance. The mostly rounded edges are broken by the pair of straight stretchers set between the front and the back legs. The button tufting on the backrest rhymes greatly with the long horizontal lines, and is a stylish feature in itself as well. Though mid-century Danish manufacturers may not have the name recognition as designers do in the mass market, they were evidently just as integral in developing a modern aesthetic in Europe. The sleek and stylish look of this sofa, from the unique wooden frame to the upholstered body and the visible joinery, embodies this aesthetic.
The designer of this model clearly prized the marriage of form and function. Young Scandinavian designers still look to the mid-century masters for inspiration, which should come as no surprise looking at this sofa.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric.
Dimensions:
72.44 in W x 33.85 in D x 29.92 in H; Seat height 13,77 in
184 cm W x 86 cm D x 76 cm H; Seat height 35 cm
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Price category: 12,500 - 15,000 usd / eur
Edward Wormley took the best elements from classical, historical Scandinavian and other European furniture design and translated them into a Modern vernacular. The result was furniture like this exceptional “New York” sofa - sophisticated, stylish, understated and exceptionally well-made.
Officially known as model “5316”, this sofa was originally designed for the American furniture company, Dunbar in the 1950s. This sofa version of “5316”, was made on license in Sweden by Ljungs Industrier/ DUX. Wormley's USA-based company, Dunbar, collaborated with the Swedish furniture manufacturer DUX, who presented a series of what they called "Bra Bohag", where this version was marketed as "New York" in the most expensive price category. The design stands as a timeless example of the enduring appeal of modernist aesthetics in the world of furniture design. This iconic model epitomizes the clean lines, functionality, and understated elegance that define the modernist movement. The solid wood frame holds the upholstered body effortlessly with an airy arrangement that lets the individual parts all stand out. This is mostly the result of the straight lines with rounded edges, a harmonious blend of form and function. While the design is shorn of decorative elements, the screws, the upholstery and the tufted buttons all serve as ornamentation as well. It is specifically this ability that Wormley's genius lies in: to seamlessly marry the practical with the aesthetically pleasing. The frame's precise angles and proportions give the sofa a sense of balance and proportion that is both pleasing to the eye and comfortable to the body.
The sofa's clean, straight lines and unadorned surfaces exemplify the modernist principle of minimalism, stripping away unnecessary ornamentation in favour of pure, functional design. This “New York” sofa is truly a masterpiece of modernist design, a real statement piece.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium linen fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
90.15 in W x 31.49 in D x 30.51 in H; Seat height 18.05 in; Arm height 25.19 in
229 cm W x 80 cm D x 77.5 cm H; Seat height 47 cm; Arm height 64 cm
Literature:
Henschen & Blomberg (ed), "Svenskt Möbellexikon", Förlagshuset Nordens Malmö 1961, II, p 747.
Berglund & Engdahl, "Möbelråd", Uppsala, 1961, p 71 (wrongly attributed to Alf Svensson)
About the designer:
Edward J Wormley (December 31, 1907 – November 3, 1995) was an American designer of modern furniture. In 1926, he briefly studied at the Art Institute of Chicago. Due to financial restrictions, he began work as an interior designer for Marshall Fields & Company department store. During the Depression, Wormley was introduced to the president of Dunbar Furniture Company of Berne, Indiana, who hired him to upgrade their product line.
Dunbar made a good choice, as he met immediate success with Wormley's work. In 1944 the company decided to focus strictly on Modern lines, and Edward Wormley rose to the task, incorporating European and Scandinavian innovations.
His eye for quality and the exacting craftsmanship at Dunbar made for furniture that was elegant, understated and exceptionally well-made. Wormley was never really at the forefront of Modern design. Instead, he took the best elements from classical, historical design and translated them into Modern vernacular. The result was furniture that was sophisticated, yet mainstream and very successful.
Wormley's inclusion in the Good Design Exhibitions staged by the Museum of Modern Art and the Merchandise Mart between 1950 and 1955 elevated him to a respected place alongside more cutting edge designers like Bertoia, Nelson and Eames. In 1938 MoMA launched an exhibit they called Useful Objects, in which they showcased “design intended for present-day life, in regard to usefulness, to production methods and materials and to the progressive taste of the day.”
In the wake of America’s postwar prosperity, the exhibit was later renamed Good Design and largely focused on modern furnishings. The exhibit reopened in 1950 under the name Good Design with three of Edward Wormley’s works on display: an adjustable upholstered wood armchair, a “Short John” coffee table with laminated wood legs, and a “Repartee” gray carpet.
Wormley’s inclusion in the exhibit proved that traditional forms still had a place in the modern design movement. During the exhibit’s run thirty Wormley pieces were awarded Good Design designation, cementing him as a peer among other high-profile designers of the era. Wormley understood the essential elements of Modernism but never limited himself to one ideology. His furniture represented a convergence of historical design and 20th century innovation that greatly appeals to today's collectors.
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Price category: 7,500 - 10,000 usd / eur
This rare oak settee is a delightful piece even if measured against the other seating models in the repertoire of the French designer duo, Robert Guillerme and Jacques Chambron. This model truly deserves adjectives such as unique or even iconic, both in terms of quality and design. It visually represents the very reason Votre Maison, the French duo’s company significantly influenced French design history.
From every angle, this settee’s design has unique solutions that are unmistakable. Starting with the duo’s trademark oak frame to the sculptural legs and backrests, while also featuring details that are one-of-a-kind. Such a detail is the curving seat and its joinery, that shows expert craftsmanship and creativity. The curve also serves as a table, adding much functionality and practicality to the sculptural look. The unusual seat resembles a slatted bench, while the two, individual backrests break the flat surfaces and emerge like thrones. The spindles enhance this appearance, especially with the longer, middle spindles that also serve as back legs. The armrests and legs are sculpted with precision to serve a double purpose: an aesthetic role, and a functional one. The corner segment adds a lot of openness to the design, preventing it from looking heavy. The curving shape and thick, comfortable seat and back cushions provide plenty of comfort, therefore this settee is perfect for cosy lounging.
Guillerme et Chambron’s work at Votre Maison not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic - which they played a pivotal role in shaping. Their emphasis on quality craftsmanship and the use of noble materials like oak has undeniably left a lasting imprint in the world of furniture design, solidifying their legacy in the French design landscape during the mid-century era. Together, they defined new furnishings concepts. As this brilliant settee shows, well-crafted structures, polished wood and thick cushions created the now world-famous reputation of their seating designs.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches on the wood. The settee has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
79.92 in W x 42.51 in D x 36.61 in H; Seat height 14.96 in; Arm height 23.42 in
203 cm W x 108 cm D x 93 cm H; Seat height 38 cm; Arm height 59.5 cm
About the Designer:
Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983. ~H.
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Price category: 20,000 - 30,000 usd / eur
During the mid-20th century European designers turned their attention to rethinking domestic comfort, exploring how new ideas of form and proportion could transform the experience of sitting and living. Moving away from traditional ornament and into a culture of experimentation, they began focusing on honest materials, balanced lines, and structure. This was a period when modernism evolved into a human-centered vision of living.
This pair of modular sofas capture that spirit with its thoughtful interplay of geometry and tactility. The frames, crafted in solid wood with box joinery, celebrate craftsmanship while maintaining a striking simplicity. The low, grounded stance gives the pieces a quiet strength, while the broad seats invite relaxed, informal lounging. To complement the solid frame, the backrests feature circular cushions, an unexpected sculptural element that softens the sofas’ rectilinear frames and adds visual interest without unnecessary embellishment. Upholstered in richly textured bouclé fabric, the sofas pair a tactile, inviting surface with the clean lines of their timber base, achieving a compelling balance between warmth and restraint. The traditional joinery details are left visible, underscoring a mid-century belief in structural honesty and the inherent beauty of well-made construction.
As a pair, the sofas are both understated and iconic, a reminder that modern design is not about excess, but about clarity and intention. More than just a functional pair, they reflect a postwar European ethos that embraced innovation while remaining deeply connected to craft and the human experience of comfort.
Condition:
In good vintage condition. Wear consistent with age and use. The sofas may have some marks, scratches, and discolouration due to the age and nature of the materials. The cushions has been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.36 in W x 31.10 in D x 31.50 in H (including cushion); Seat height 16.93 in; Seat depth 20.47 in
69.5 cm W x 79 cm D x 80 cm H (including cushion); Seat height 43 cm; Seat depth 52 cm
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Price category: 9,000 - 12,500 usd / eur
Originating in the postwar years, the Mid Century Modern movement embraced clean lines, organic forms, and an honest use of materials, rejecting the heavy ornamentation of earlier eras in favour of functional beauty. By the 1960s, European furniture designers had moved past the stark functionalism of early modernism and began exploring new ideas of comfort through foam and plush forms. The result was a generation of sofas that felt architectural yet approachable - models that defined a room while welcoming people into it.
This three-seater sofa exemplifies these ideals with quiet elegance. Its gentle curves encourage a relaxed posture while maintaining a beautiful silhouette that feels both modern and timeless. The fully upholstered body, wrapped in soft, textured fabric, creates a comfortable and tactile experience, while the deep button tufting along the seat and back adds a rich visual character that breaks up the volume with subtle sophistication. Its arms slope gently, balancing openness with support, while the wooden base gives the piece a light, floating quality despite its solid construction. The sofa’s proportions are carefully considered: wide enough to command presence in a room but refined enough to integrate into different interior styles, from minimalist to eclectic.
The sofa offers a place to gather, rest, and anchor a living space. For collectors and designers, its enduring appeal lies in the blend of form and function, a testament to the way mid-century makers brought artful innovation to life.
Condition:
In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The sofa has been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
78.74 in W x 30.11 in D x 35.82 in H; Seat height 17.32 in; Seat depth 21.26 in; Arm height 25.19 in
200 cm W x 76.5 cm D x 91 cm H; Seat height 44 cm; Seat depth 54 cm; Arm height 64 cm
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Price category: 7,500 - 10,000 usd / eur
This gorgeous daybed model by the Danish furniture maker Bernhard Pedersen & Søn was inspired by classic Danish furniture design and simplicity.
The streamlined solid wood frame features a curvy top and geometric runner legs. From the minimalist design to the visible joints, “Model 159” has the characteristic “honest” look that Bernhard Pedersen and Søn is known for. The sleek appearance is created by the clean lines, functional design, and expert craftsmanship. The body supports the newly-upholstered cushion, which blends effortlessly into the frame. The attached cylindrical pillow breaks the flatness of the body, adding a modern visual interest, while the premium bouclé fabric makes this daybed an elegant addition to any space.
The period between 1950 and 1970 in particular was characterised by some of the most stunning and well-executed pieces in Bernhard Pedersen & Søn’s history. While they manufactured other designers’ models, they are renowned for their own designs, including this daybed model. Each piece was assembled by hand and numbered individually, according to their tradition.
Condition:
In good vintage condition. Wear consistent with age and use. This daybed has been recently reupholstered in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Frame
80.51 in W x 40.74 in D x 13.97 in H
204.5 cm W x 103.5 cm D x 35.5 cm H
About the designer:
Bernhard Pedersen & Søn, is a Danish furniture maker company with a long and strong tradition in furniture and cabinetmaking, stretching all the way back to the company’s start in 1902. Through three generations the family firm has created and sold classic Danish furniture to many parts of the world.
The period between 1950 and 1970 in particular was characterized by some of the most stunning and well-executed pieces in Bernh. Pedersen & Søn’s history. Especially the classic mid-century sideboards and daybeds designed by Danish furniture designers, including the world-renowned Johannes Andersen, Svend Aage Madsen and Kurt Østervig who were – and still are – highly valued by customers worldwide.
Every piece of furniture is made in the same factory built by the Bernh. Pedersen family in 1902, located in a small community in the Danish countryside. The workshop and its skilled cabinetmakers are known for their exquisite and dedicated work based on strong Danish craft traditions; traditions recognized around the world for timeless design, high-quality craftsmanship and outstanding longevity. Unique techniques, special tools and original machinery are maintained and used to produce the sideboards in keeping with the first original pieces. The sum of it all is captured in the phrase: Made in Denmark.
Today, the fourth generation in the family, Thomas Bernhard Pedersen is focusing on an exclusive selection of the company’s most exquisite sideboards designed by Danish furniture designers, including the world-renowned architect Johannes Andersen. Every piece of furniture is made in Denmark by skilled cabinetmakers and in keeping with the strong Danish craft traditions. In 2015, great-grandson Thomas Bernhard Pedersen re-established the company and started focusing exclusively on relaunching some of the exquisite furniture designed in the 1950s and 1960s.