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Price category: 5,000 - 7,500 usd / eur
Valinte Oy, established in Finland during a time of great design exploration, was known for its commitment to crafting distinctive lighting solutions. The company was celebrated for its attention to detail and ability to merge form and function seamlessly. Valinte Oy's designs have always embodied the spirit of Finnish craftsmanship and have often incorporated elements of nature, evoking a sense of purity and simplicity.
Lights like this pair can easily create an intimate and cosy experience in a dining room or enhance the ambience of a living room with a warm glow, without creating harsh shadows. These lamps can also draw attention to any architectural element, guiding the eye with a strong first impression. Crafted from brass and opal glass, and thanks to its minimalist form and neutral colour palette, they are quintessentially Finnish modern. Opal glass is durable and resistant to heat, which made it suitable for the functional demands of lighting fixtures. Furthermore, the material allows for a wide range of shapes and designs, thus designers often took advantage of its versatility, shaping it into intriguing and organic forms that could transform a room while being a piece of art in themselves. This adaptability gave designers the creative freedom to experiment and innovate, resulting in lighting fixtures such as this model: both functional and aesthetically pleasing. Another distinctive detail of this lamp pair is the brass netting around the bottom part of the shades. The harmonious fusion of opal glass and brass in this model showcases the maker's dedication to quality and craftsmanship.
As a whole, the lamps embody the understated elegance of Finnish design during the mid-20th century. They bring together a thoughtful form and sensitivity that feels distinctly Nordic. As functional objects, the pair offers illumination that feels inviting and enveloping. This balance of sculptural character and atmospheric softness is what makes the pair resonate so strongly today, fitting seamlessly into various interiors.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. There are minor dents and scratches in the metal. Due to the age and nature of the materials, the lamps may have marks, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. This lamp is compatible with an E26 / E27 (standard) fitting.
Dimensions:
5.12 in ø x 35.43 in H
13 cm ø x 90 cm H
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Price category: 12,500 - 15,000 usd / eur
The 1950s and 1960s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and forms. These designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design.
These armchairs were crafted in the manner of Paolo Buffa, an impactful designer who made his mark in the Italian mid-century modern style alongside other renowned creators such as Gio Ponti. Gio Ponti and Paolo Buffa’s influence is clearly visible in these chairs. This pair with the upholstered bodies and polished wooden arms show the general mid-century modern characteristics with an ergonomic and functional design. The characteristic shape of the arms sets the tone of the overall look, creating dynamism. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the materials. From all angles, these chairs offer beautiful textures and eye-catching forms, combining Italian elegance and modern aesthetics to create a timeless look which is full of modern energy that will endure for generations. This is also thanks to the exceptional visual quality and uncompromising level of craftsmanship.
These chairs encapsulate the essence of Italian mid-century modern design, marrying uniting sophistication with artistry. They are a testament to the enduring allure of this design era, where form meets function, and beauty is eternally intertwined with utility. Whether placed in a contemporary, or a retro-inspired space, this pair is a timeless statement piece.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.44 in W x 32.67 in D x 30.9 in H; Seat Height 15.35 in; Seat Depth 21.06 in; Arm Height 23.81 in
57 cm W x 83 cm D x 78.5 cm H; Seat Height 39 cm; Seat Depth 53.5 cm; Arm Height 60.5 cm
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Price category: 9,000 - 12,500 usd / eur
The 1950s were a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This decade celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful.
Furniture from the 1950s embraced soft curves and beautiful textures, perfectly showcased by this lounge chair that was crafted in the manner of Jean Royère. The ovoid shape creates an inviting and open look, which is enhanced by the soft upholstery that is undoubtedly its main visual feature. The combination of solid wood and high-quality upholstery is traditional in mid-century design for good reason; the two materials complement each other by highlighting their unique qualities. This chair has the power to transform a seat into a safe haven, a place to unwind and reflect. The designer clearly understood the comfortable allure of an ovoid shape. Moreover, this lounge chair is the perfect illustration of how the mixture of craftsmanship, high-quality materials, and luxurious upholstery create exceptional pieces.
A true representation of 20th-century European design, this lounge chair reflects the period's focus on practicality combined with artistic refinement. Ideal for both formal and casual settings, this chair can provide a perfect balance of elegance and comfort, making it an excellent addition to any interior setting
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The lounge chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.88 in W x 27.95 in D x 27.16 in H; Seat height 14.17 in; Seat depth 18.11 in
81 cm W x 71 cm D x 69 cm H; Seat height 36 cm; Seat depth 46 cm
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Price category: 12,500 - 15,000 usd / eur
This pair of upholstered armchairs beautifully exemplifies the balance of tradition and forward-thinking design that characterised the first half of the 20th century. Unlike designs from outside the continent, European pieces weren’t flashy but rather well-made to fit a warm, comfortable and welcoming interior.
The chair model is defined by a clear, well-proportioned silhouette and upholstered bodies. The design expertly combines a geometric impression and high quality materials to create a balance that defines the overall form. The wooden curved armrests frame the seats, creating a grounded and sturdy presence. These exposed wooden frames feature a continuous linear structure around the chairs, bending outward into broad armrests before descending directly into the sled-style bases. That uninterrupted curve gives the silhouette a strong architectural quality. The bodies are upholstered in a striped fabric, the pattern introduces rhythm and subtle contour without overpowering the shape. The vertical stripes emphasise the chairs’ height and give structure to its soft silhouette, while the fabric’s texture adds depth and tactility.
This armchair model is a strong example of how 1930s design prioritised comfort while embracing modern restraint. The understated elegance allows the pair to blend easily into both classic and contemporary interiors, whether used as a bedroom accent, or part of a larger seating arrangement. Timeless in form and honest in construction, the pair offers both visual clarity and lasting comfort, making it versatile with an enduring appeal.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.8 in W × 35.4 in D × 29.5 in H; Seat Height 14.2 in; Seat Depth 22.0 in; Arm Height 21.5 in
65.5 cm W x 90 cm D x 75 cm H; Seat height 36 cm; Seat depth 56 cm; Arm height 54.5 cm
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Price category: 2,500 - 5,000 usd / eur
By the 1950s, Finland had established itself as a force for innovation in design. The best qualities of Finnish light fixtures are their atmospheric light and disciplined, functionalist design that is not short of unique decorative elements. This lamp was manufactured by Itsu, or Itä-Suomen Sähkö (eng. Eastern Finland Electricity), a small, then lesser-known manufacturer that produced characteristic models in small quantities.
The form of this brass light is made up of versatile geometric shapes; circle, cylinder, and a cone. What makes the design so compelling is its mix of restraint and personality. The lamp feels open and airy, with negative space functioning as an essential part of the model. At the same time, the craftsmanship is of the highest quality, standing the test of time. Accentuating the different shapes is the polished brass that features a nice patina. Overall, the composition of the shapes and clever decorative elements give this lamp a personality that isn’t loud but still stands out, which is an essentially Finnish design virtue. The refined work and unique aesthetic of Finnish lighting designers has made their creations increasingly valued by collectors in the know.
This wall lamp is a wonderful example of the appeal of Finnish mid-century lighting. Its construction allows it to function equally well as a practical light source and decorative object. Whether installed in a hallway, bedroom, or living space, the model brings warmth, sophistication, and a sense of understated luxury to an interior. The enduring design demonstrates why Nordic lighting from this period continues to be so highly regarded today.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Minor chips on the inner shade. Due to the age and nature of the material, the item has some marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage. All lighting can be converted for US usage.
Dimensions:
8.26 in W x 9.25 in D x 9.84 in H
21 cm W x 23.5 cm D x 25 cm H
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Price category: 15,000 - 20,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.
In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.