Elegant Danish Three-Seater Sofa with Beech Legs, Denmark ca 1930s (sold)






























Elegant Danish Three-Seater Sofa with Beech Legs, Denmark ca 1930s (sold)
This beautiful Danish two-seater sofa recalls the Art Deco style of the 1930s with the recognizable touch of Danish Modernism. Thanks to its elegantly curved shape, this type of sofa is often referred to as the “banana” style.
Apart from the visual appearance, the exquisite craftsmanship of this sofa echoes Art Deco as well. Many of the well-known Danish architects tried their hands at “Nordic Art Deco”, even though the style’s focus on luxury and decorative elements is in its nature in opposition to the ideas behind Danish design and constitutes a creative contradiction to the period’s streamlined modernism. Nevertheless, in combination with the unadorned style of Danish mid-century modern design, this sofa brings together the best of both styles. Unlike many of the banana sofas of the era, this model has sharper edges, which gives it an elegant, modern appearance. Even under the fully upholstered body, the frame’s precise, crisp lines stand out. The beech legs provide an appealing contrast to the fabric’s colour, while also balancing out the groundedness of the sofa’s profile.
There is something more inviting about the open, curved construction of the Danish sofas of the era, which is undoubtedly why they are so desired today. This elegant three-seater model has not only these qualities, but also impeccable craftsmanship and an upholstery that accentuates the defining shapes, creating a luxurious feel and look.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
78.74 in W x 31.49 in D x 29.13 in H; Seat height 17.32 in
200 cm W x 80 cm D x 74 cm H; Seat height 44 cm
About the designer:
This Danish-made sofa reflects the core traditions and ideals of Danish design, while recalling the shapes of the Art Deco movement. What both movements valued highly is the highest level of craftsmanship and attention to details.
Mid-century pieces such as this sofa were of great design, using fantastic wood like teak or beech. The mid-century was the heyday of the production by master craftsmen. Mid-century Danish design is world-famous for the partnership between designer and manufacturer, resulting in ground-breaking creations. The Danish design idiom was centred on warm woods, quality fabrics and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The “Great Danes” believed furniture should be shorn of aesthetic detail and be an amalgam of form and function. A master cabinet-maker is not a carpenter, as this was a rare breed of craftsman who had to be recognized by the Danish government after several years of toiling at his craft, as well as having to ace gruelling design competitions before becoming a master cabinet-maker.
Since Denmark was a special instance of tempered industrialization, it managed to preserve sound traditions and continue to safeguard values of craftsmanship, materiality and usability. Today, Danish furniture is sought after by collectors for classic looks, storied designs and solid quality, works that are truly soulful and timeless. ~H.
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Price category: 7,500 - 10,000 usd / eur
Throughout the 20th century, Italian design managed to distinguish itself. The 1960s was a boom time in Italy especially, a decade of mass production and innovation that signaled the end of the post-war rebuilding programme. Still, one off designs and the overflow of creativity were just as present, giving birth to outstanding pieces such as this modular “Superonda” sofa.
The “Superonda” sofa, designed in 1967 by the radical Florentine design collective Archizoom Associati, and produced for Poltronova, is a pioneering piece that challenged the conventions of traditional furniture design. The Superonda blurs the line between object and artwork, inviting interaction rather than passive use. It can serve as a sofa, a bed, or a chaise, making it as versatile as it is visually striking. Composed of two interlocking, elements, the Superonda departs from the conventional frames, legs, and backs, instead offering a sculptural, modular form that can be arranged in multiple ways. Its bold, wave-like silhouette reflects the playfulness of the Italian Radical Design movement, a rebellion against bourgeois taste and rigid functionalism.
Produced by Poltronova, a manufacturer known for championing avant-garde Italian design, the Superonda remains an unforgettable piece in design history. Its enduring relevance lies in its conceptual boldness, embodying the ideals of a generation that sought to redefine the relationship between people and their environments. Today, the Superonda stands not only as a collectible design icon but as a symbol of radical creativity and the power of design to question societal norms.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
94.88 in W x 44.88 in D x 15.74 in H
241 cm W x 114 cm D X 40 cm H
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Price category: 9,000 - 12,500 usd / eur
In France, as in the UK and much of Europe, there was something of a design renaissance in the decades following the Second World War, due to developments in materials and technology. Maison Regain was a prominent French furniture manufacturer active during this period, associated with the rise of rustic modernism. The studio became known for its use of solid woods combined with clean architectural lines and honest construction. Working at the intersection of traditional craftsmanship and modern living, Maison Regain embraced functional design that reflected changing domestic needs.
This daybed exemplifies Maison Regain’s approach to understated yet purposeful design. Constructed from solid wood, the piece features a long, low-profile frame that emphasizes horizontal lines and architectural clarity. Integrated storage is seamlessly built into the structure, offering concealed compartments that enhance functionality without disrupting the visual balance. The wood grain remains clearly visible throughout, reinforcing the tactile quality and natural character of the piece. The design allows the beauty of the wood to define the piece. The upholstered mattress and cylindrical bolster cushions introduce softness and contrast against the structured wooden base, creating a harmonious interplay between comfort and structure. Every element appears carefully proportioned, with the silhouette remaining minimal yet bold and charming. Overall, this piece allows the craftsmanship and material quality to speak without unnecessary ornamentation.
Both practical and visually refined, this daybed with integrated storage is ideal for modern living spaces where versatility is essential. Combining French craftsmanship, functional innovation, and a warm natural presence, it stands as a strong testament of postwar European design that remains relevant and appreciated today.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the daybed may have minor marks, scratches, and discolouration. The daybed has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach our for more information.
Dimensions:
115.15 in W x 31.88 in D x 17.12 in H
292.5 cm W x 81 cm D x 43.5 cm H
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Price category: 12,500 - 15,000 usd / eur
This beautiful Danish three-seater sofa features the recognizable touch of Danish Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sofa is often referred to as the “banana” or “boomerang” style.
The visual appearance of this sofa echoes Danish design and directs the eyes to the voluptuous body, that is the result of the exquisite craftsmanship. Many of the well-known Danish architects of the era felt the urge to try their hand at three-seater sofas, adhering to the period’s streamlined modernism. In combination with the unadorned styles of mid-century design, this sofa brings together the best attributes of the era. The rounded conical wood legs add an organic feel, while also matching the rounded profile of the sofa. The back legs differ from the front ones as they are tapered to reinforce the sofa’s stability. The masterful sense of proportions, the curved back and the soft upholstery guarantee functionality and comfort. While most curved sofas of the era feature tufting and other forms of decoration, this model is free from unnecessary ornamentation, resulting in a sleek, elegant and modern look. This sofa has been reupholstered in a premium light bouclé fabric, accentuating the stained wooden legs and the luxurious feel and look.
Derived from the French word meaning “curled” or “ringed,” bouclé provides a unique range of benefits; it is abundant in texture yet breathable. This durable fabric makes for an easy way to add instant texture and interest to any modern space, and despite its resurgence around 2020, is a timeless trend with longevity that will stand the test of time. Bouclé pairs incredibly well with curvilinear shapes as demonstrated by this sofa.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
78.14 in W x 43.50 in D x 29.13 in H
200 cm W x 110,5 cm D x 74 cm H
About the Designer:
This Danish-made sofa reflects the core traditions and ideals of Danish design, while recalling the shapes of the Art Deco movement. What both movements valued highly is the highest level of craftsmanship and attention to details.
Mid-century pieces such as this early sofa were of great design, using fantastic wood like teak or beech. The mid-century was the heyday of the production by master craftsmen. Mid-century Danish design is world-famous for the partnership between designer and manufacturer, resulting in ground-breaking creations. The Danish design idiom was centred on warm woods, quality fabrics and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. The “Great Danes” believed furniture should be shorn of aesthetic detail and be an amalgam of form and function.
A master cabinet-maker is not a carpenter, as this was a rare breed of craftsman who had to be recognized by the Danish government after several years of toiling at his craft, as well as having to ace gruelling design competitions before becoming a master cabinet-maker. Since Denmark was a special instance of tempered industrialization, it managed to preserve sound traditions and continue to safeguard values of craftsmanship, materiality and usability.
Today, Danish furniture is sought after by collectors for classic looks, storied designs and solid quality, works that are truly soulful and timeless. ~H.
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Price category: 7,500 - 10,000 usd / eur
This rare oak settee is a delightful piece even if measured against the other seating models in the repertoire of the French designer duo, Robert Guillerme and Jacques Chambron. This model truly deserves adjectives such as unique or even iconic, both in terms of quality and design. It visually represents the very reason Votre Maison, the French duo’s company significantly influenced French design history.
From every angle, this settee’s design has unique solutions that are unmistakable. Starting with the duo’s trademark oak frame to the sculptural legs and backrests, while also featuring details that are one-of-a-kind. Such a detail is the curving seat and its joinery, that shows expert craftsmanship and creativity. The curve also serves as a table, adding much functionality and practicality to the sculptural look. The unusual seat resembles a slatted bench, while the two, individual backrests break the flat surfaces and emerge like thrones. The spindles enhance this appearance, especially with the longer, middle spindles that also serve as back legs. The armrests and legs are sculpted with precision to serve a double purpose: an aesthetic role, and a functional one. The corner segment adds a lot of openness to the design, preventing it from looking heavy. The curving shape and thick, comfortable seat and back cushions provide plenty of comfort, therefore this settee is perfect for cosy lounging.
Guillerme et Chambron’s work at Votre Maison not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic - which they played a pivotal role in shaping. Their emphasis on quality craftsmanship and the use of noble materials like oak has undeniably left a lasting imprint in the world of furniture design, solidifying their legacy in the French design landscape during the mid-century era. Together, they defined new furnishings concepts. As this brilliant settee shows, well-crafted structures, polished wood and thick cushions created the now world-famous reputation of their seating designs.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches on the wood. The settee has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
79.92 in W x 42.51 in D x 36.61 in H; Seat height 14.96 in; Arm height 23.42 in
203 cm W x 108 cm D x 93 cm H; Seat height 38 cm; Arm height 59.5 cm
About the Designer:
Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983. ~H.
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Price category: 20,000 - 30,000 usd / eur
During the mid-20th century European designers turned their attention to rethinking domestic comfort, exploring how new ideas of form and proportion could transform the experience of sitting and living. Moving away from traditional ornament and into a culture of experimentation, they began focusing on honest materials, balanced lines, and structure. This was a period when modernism evolved into a human-centered vision of living.
This pair of modular sofas capture that spirit with its thoughtful interplay of geometry and tactility. The frames, crafted in solid wood with box joinery, celebrate craftsmanship while maintaining a striking simplicity. The low, grounded stance gives the pieces a quiet strength, while the broad seats invite relaxed, informal lounging. To complement the solid frame, the backrests feature circular cushions, an unexpected sculptural element that softens the sofas’ rectilinear frames and adds visual interest without unnecessary embellishment. Upholstered in richly textured bouclé fabric, the sofas pair a tactile, inviting surface with the clean lines of their timber base, achieving a compelling balance between warmth and restraint. The traditional joinery details are left visible, underscoring a mid-century belief in structural honesty and the inherent beauty of well-made construction.
As a pair, the sofas are both understated and iconic, a reminder that modern design is not about excess, but about clarity and intention. More than just a functional pair, they reflect a postwar European ethos that embraced innovation while remaining deeply connected to craft and the human experience of comfort.
Condition:
In good vintage condition. Wear consistent with age and use. The sofas may have some marks, scratches, and discolouration due to the age and nature of the materials. The cushions has been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.36 in W x 31.10 in D x 31.50 in H (including cushion); Seat height 16.93 in; Seat depth 20.47 in
69.5 cm W x 79 cm D x 80 cm H (including cushion); Seat height 43 cm; Seat depth 52 cm
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Price category: 7,500 - 10,000 usd / eur
This upholstered French daybed exemplifies the refined elegance and sculptural minimalism that defined much of the late 20th century’s design innovation. French designers of this era often embraced organic silhouettes and thoughtful craftsmanship to create pieces that combined understated luxury with everyday functionality.
The daybed’s asymmetrical form with the back sweeping upward in a single, fluid motion creates a sense of movement and balance, echoing the era’s fascination with soft geometry and architectural grace. Its restrained profile ensures that while sculptural, it does not overwhelm a space, instead it offers a sophisticated yet inviting presence. The plush, textured fabric adds warmth and tactility, complementing the bed’s clean lines and gently contoured frame. Resting on a dark wooden base, the contrast between the luminous fabric and the rich, grounded bottom creates a striking visual interplay, giving the impression that the daybed floats effortlessly above its support. This tension between weight and lightness was a hallmark of many late 20th-century French interiors, where designers sought to merge comfort, practicality, and artistry into a single, cohesive form. The quality of construction, evident in the seamless upholstery and precise joinery, speaks to the French traditional craftsmanship.
As a versatile design statement, this daybed works beautifully as a standalone focal point or integrated into a broader arrangement of contemporary and vintage furnishings. This balance of function and artistry reflects the 20th century desire to elevate utilitarian objects into expressions of aesthetic refinement.
Condition:
In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The daybed has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
66.92 in W x 27.55 in D x 25.59 in H; Seat height 13.77 in; Seat depth 21.26 in
170 cm W x 70 cm D x 65 cm H; Seat height 35 cm; Seat depth 54 cm
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Price category: 9,000 - 12,500 usd / eur
Rino Levi was one of the pioneers of the modern movement in Brazil, advocating for simple, practical and economical design, disparaging the imitation of classicism. ‘Classical spirit’ rather than classical forms was his ideal.
Levi was instrumental in spreading the fame of Brazilian modernism through his furniture designs as well. As this beautiful Brazilian wood sofa shows, by the 1960s, Levi abandoned Italian rationalism in favour of an approach closer to that of the Rio modernists both in his architectural and furniture designs. As a piece of true Brazilian mid-century design, the beauty of the wood and organic shapes and lines dominate this three-seater sofa. The tilted, architectural lines of wood making up the armrests create a visually distinct and exciting appearance. The additional horizontal lines connecting to the backrest are a creative addition, while also supporting the overall stability. The frame with its joinery praises Rino Levi’s craftsmanship and architectural expertise. The beautiful colour of the wood is highlighted by the light upholstery of the body in a premium bouclé fabric, including the three removable cushions.
This sofa model is rare to find, for as during Brazil's military dictatorship, it was against the law to export furniture. The ban on exports only ended in the 1980s, but it still took some time for things to change, not to mention that handmade pieces were created in limited editions. Therefore, it is no exaggeration to say that this sofa is special, and a real rarity.
Condition:
In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
86.41 in W x 28.74 in D x 30.31 in H; Seat height 16.14 in
219.5 cm W x 73 cm D x 77 cm H; Seat height 41 cm
About the Designer:
Rino Levi was a Brazilian architect important to the development of modernism in Brazil. Levi was born to Italian Jewish parents on December 31, 1901 in São Paulo, Brazil. After graduating from Colégio Dante Alighieri in São Paulo, Levi studied in Milan and Rome under Marcello Piacentini.
In 1924, he moved to the School of Architecture of Rome. There, he met Adalberto Libera (1903 - 1963) and Marcello Piacentini (1881 - 1960) in whose office he did practice. In 1925, he published in O Estado de S. Paulo. He returned to Brazil in 1926 and worked for a year in the Santos Construction Company.
Following his return to São Paulo, Levi established the firm Rino Levi Arquitetos Associados. Levi was known for an architectural practice particularly dissociated from the construction process for his era. In the early 1930s, Levi designed a number of modernist houses in São Paulo for Italian clients. Towards the end of the decade, Levi's practice shifted to the design on theaters including the Cine Ufa Palace and Teatro Cultura Artistic.
His first major work was the Columbus Building at Avenida Brigadeiro Luís Antônio (first apartement complex in the metropolis, demolished in 1971 ), the Cine Ufa Palace in St. John Avenue, the Medici residence in Santo Amaro and Sarti Building in Republic Square. These rationalist buildings have simple volumes, with evident structure. The project Cine Ufa Palace (1936) was a role model for other cinemas projects: Cine Universe (1936), Cine Art-Palace Recife (1937), the Cine Ipiranga (1943) and the Theatre Culture Arts (1942).
Rino Levi participated in the formation and construction of the Institute of Architects of Brazil and was an active member until his death. He is remembered today as a key figure in introducing modernism to Brazil. ~H.
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Price category: 7,500 - 10,000 usd / eur
This elegant three-seater sofa is a quintessential example of mid-century Italian design. Visually, it represents modernism by rejecting the common design choices of the past, such as heavy ornamentation and the prioritisation of form over function.
The design elements of this sofa - from the curved lines, to the dark wood and luxurious upholstery - not only create an intimate gathering place, but also define the look of a room whilst keeping the warmth and cosiness that is often associated with mid-century design. The piece aims to maximise comfort while putting an emphasis on elegance and refinement. With its high winged-backrest the sofa combines both form and function. Originally intended to shield the sitters from drafts, the wingback design also contributes to the stately silhouette. The understated tone of the upholstery allows the sculptural lines of the sofa to stand out, while still offering a neutral look that will integrate seamlessly into both contemporary and vintage interiors. The seat cushion is generously padded, providing a balance of comfort and support. Further adding to the stability are the tapered wooden legs that the piece rests on, the dark tone of the wood subtly elevates the design and reflects the minimalist aesthetic of the era. Free from unnecessary decoration, the aesthetic of this sofa is sleek, elegant, and modern. With its interesting shape, it is perfect to break the rigour of any space, keeping an elegant appearance elevated by the light upholstery.
Though many mid-century Italian designers may not have the name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding Italian pieces like this sofa highly sought after.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
77.55 in W x 36.22 in D x 36.41 in H; Seat height 20.07 in; Seat depth 20.66 in; Arm height 22.44 in
197 cm W x 92 cm D x 92.5 cm H; Seat height 51 cm; Seat depth 52.5 cm; Arm height 57 cm
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Price category: 9,000 - 12,500 usd / eur
The duo of Robert Guillerme and Jacques Chambron and their company, Votre Maison, denote a landmark of French mid-century design history. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to beautiful sofas like this “Mathilde” model.
For the pair of designers, the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. This sofa possesses design elements that encapsulates the duo’s vision with its gentle, cosy aesthetic and use of quality materials, such as solid oak. It showcases an angular structure that gives a feeling of strength and durability, while the form of the back and armrests provide artistic flair. The woodworking truly shows the overall quality of this sofa: the frame is refined, and the attention to detail exemplifies the design and manufacturing skills of Guillerme et Chambron and the pieces created at Votre Maison. This sofa was evidently constructed with extraordinary care - the joinery technique is impeccable, the surfaces smooth, and the stability unquestionable. The elegant, lightly textured upholstery of the seat and back cushions beautifully complements the warm tones of the frame. This model can be placed in any environment to enhance the visual quality of its surroundings, perfect to bring understated elegance into any space.
Through their establishment of Votre Maison, Guillerme et Chambron significantly influenced how to blend functional and aesthetic choices. With this sofa model, both designers effortlessly highlight how certain stylistic decisions can create harmony through forms and the use of negative space.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
96.85 in W x 48.42 in D x 37 in H; Seat height 17.71 in; Seat depth 24.40 in; Arm height 22.24 in
246 cm W x 123 cm D X 94 cm H; Seat height 45 cm; Seat depth 62 cm; Arm height 56.5 cm
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Price category: 20,000 - 30,000 usd / eur
The “Camaleonda” (Italian word play combining the words for ‘chameleon’ and ‘wave’) sofa is Mario Bellini’s contemporary classic. The playful, modular design offers endless options for the user, which also inspired the model’s name. Camaleonda has passed through five decades of design history as a true icon.
The elements that made this sofa a contemporary classic are the individual modules, their original cutting patterns and the polyurethane padding that forms the characteristic capitonné (a style of upholstery in which the material is drawn in at intervals) design. The four separate segments of this “Camaleonda” were manufactured with the innovative system of cables, hooks, and rings created by Bellini in 1970, which defines the characteristic look and modularity. The fundamental characteristic of Camaleonda is specifically this unlimited modularity, a geometric pattern that allows each element to become an enormous pixel through which to define your home environment. The four modules’ versatility and the attached tie-rods and rings make it possible to create custom forms. Furthermore, the modules can be unhooked and recombined at will, allowing the sofa to adapt to an evolving taste and needs. A concept which is dear to Mario Bellini: “Of all the objects I have designed, Camaleonda is perhaps the best in terms of its sense of freedom. There are infinite numbers of possible configurations.”
The modules of this sofa defined the aesthetics of an entire era of interior design, and are constantly featured in most international design. Considering the inherently modern and innovative design, this shall comes as no surprise.
Condition:
In good vintage condition. Wear consistent with age and use. The four modules are upholstered in a brown velour fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Large segments:
147.63 in W x 37.79 in D x 26.37 in H; Seat height 15.35 in; Arm height 19.68 in
375 cm W x 96 cm D x 67 cm H; Seat height 39 cm; Arm height 50 cm
Literature:
Domus n. 523, giugno 1973, pubblicità; G. Gramigna, Repertorio del design italiano 1950 - 1980, Milano 1985, p. 341.
About the designer:
Mario Bellini (born February 1, 1935, Milan) is an internationally renowned Italian architect and designer. He received the Golden Compass Award eight times and the Medaglia d’Oro, that was conferred on him by the President of the Italian Republic. The MoMA in New York already dedicated a personal retrospective exhibition to him in 1987. At the time the museum already included 25 of his works in its permanent collection, including a remarkable set of Olivetti machines as well as the furniture for B&B and Cassina.
He graduated from the Milan Polytechnic - Faculty of Architecture in 1959 and began working as an architect himself in the early 1960s. Like many other Italian architects, his activities range from architecture and urban planning to product and furniture design.
His career as a product and furniture designer began in 1963, and from 1963 to 1991 he was chief design consultant for Olivetti. For many years he designed furnishing products and systems for B&B Italia and Cassina, TV sets for Brionvega, and hi-fi systems, headphones and electric organs for Yamaha. Bellini was also the editor of Domus magazine between 1985 and 1991.
Since the 1980s, Bellini has been dedicating himself to architecture almost exclusively, designing a wide range of buildings all around the world, including the Portello Trade Fair district in Milan, the Tokyo Design Centre in Japan, the National Gallery of Victoria in Melbourne, the Deutsche Bank Headquarters in Frankfurt, and the Department of Islamic Art at the Louvre in Paris to just name a few. In 2015 the Milan Triennale awarded him the Gold Medal for his career in architecture and in 2017 dedicated a retrospective exhibition to him. Contemporary Italian design has been synonymous with Mario Bellini’s name ever since the 1960s. ~H.
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Price category: 5,000 - 7,500 usd / eur
This model visually represents the very reason Votre Maison and Guillerme et Chambron significantly influenced French design history. From every angle, this sofa’s design has unique solutions that are unmistakable and blur the line between furniture and sculpture.
Featuring a solid oak frame with sharply angled arms, six legs, and vertical slat detailing along the backrest, this sofa is a hallmark of Guillerme et Chambron's structural language. The frame is striking through its composition, yet the look is enhanced even further thanks to the large, circular back cushions, which immediately draw the eye with their playful geometry. Like most of their designs, this sofa model displays a beautiful contrast between the wooden frame and the elegant light fabric of the seat and back cushions. The backrest - which is undoubtedly the main design element - consists of several spindles framed by oak rails on the top, sides and the bottom. The woodworking and joinery truly show the overall quality of this sofa, the frame is refined and the attention to the smallest detail shows the manufacturing skills of Guillerme et Chambron. The expert woodworking is especially visible in the armrests, their peculiar shape greatly adding to the visual interest of the sofa.
Guillerme et Chambron's work continues to resonate for its balance of charm, function, and artisan quality, all of which are on full display in this distinctive piece.
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
55.5 in W x 36.6 in D x 40.55 in H; Seat height 17.3 in; Seat depth 27.55 in; Arm height 22.04 in
141 cm W x 93 cm D x 103 cm H; Seat height 44 cm; Seat depth 70 cm; Arm height 56 cm
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Price category: 9,000 - 12,500 usd / eur
French industrial designer Oliver Mourgue obtained his degree in Interior Design at the prestigious École Boulle, from where he went on to pursue his passion in furniture design at the École Nationale Supérieure des Arts Décoratifs in Paris. After training in Finland and Sweden, he then began his collaboration with Airborne International, one of France’s most successful and influential design companies of the modernist era.
In 1965 he designed the ‘Djinn Series’, inspired by the figure of the ‘djinni’ (genie), a mystical creature of Arabian fairy tales capable of morphing into human or animal form. This fluid uncertainty is clearly visible in the elegant shape of the daybed, where curved edges and softly folded ends connect seamlessly with the low-slung seating. The carefully crafted ergonomic design moulds perfectly to a resting human figure. Without distinctive breaks and different components, the daybed suggests effortless comfort - its relaxed form inviting the person for moments of unhurried rest, aligning with the decade’s easing of societal mores. The strapped rectangular pillow at the headrest is a unique complement that adds visual interest and breaks the flat surface of the piece. This daybed has been reupholstered in a premium fabric, which guarantees outstanding comfort and softness. The light colour of the upholstery, covering every part of the daybed also contributes to its uniqueness, truly making it a statement piece in any interior.
The ‘Djinn Series’ gained immense fame after the ‘Djinn Chair’ (1965) was featured in Stanley Kubrick’s film 2001: A Space Odyssey (1968). The vivid red chairs - used to furnish the sterile Hilton lobby of Space Station Five - granted a truly futuristic yet functional ambiance for the room. With an eye-catching form, this daybed is a visually outstanding piece that will transform any environment with its bold character.
Condition:
In good vintage condition. Wear consistent with age and use. The daybed has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
68.89 in W x 24.80 in D x 24.40 in H
175 cm W x 63 cm D x 62 cm H