‘Danish master cabinetmaker’ or “snedkermester” has become a commonly used term for Danish furniture makers, even though the expression is quite exclusive and only applies to certain craftsmen. Frits Henningsen is justly one of the most renowned master cabinetmakers, with this sofa illustrating why.

The typical elements of Danish modern furniture, the straight lines, the clear design, had developed with time, starting on the long path from the historical style that was still predominant in the 1920s. Architect and furniture maker, Frits Henningsen had a significant role in paving this path. The shape of this sofa model shows Henningsen’s opposition to the younger designers in the 1940s who preferred strictly straight lines. Henningsen on the other hand, believed furniture design needed to maintain curvature which contributed to a homely look. This generous three-seater sofa was designed in this period, and features the uncompromising designer’s personal axioms: a simple, timeless piece that retains its own formal language. Accordingly, the mahogany frame is nothing short of highest quality craftsmanship, most visible in the curved armrests that continue into the front legs. The back and sides of this sofa are all upholstered in an elegant blue fabric that highlights the mahogany frame that visually outlines the sofa.

Henningsen viewed quality craftsmanship as the most important element of his work, making it his focus when developing new furniture. Unlike other cabinetmakers, Henningsen always created his own furniture pieces, and this sofa is no exception, being a true Danish snedkermester piece.

SOLD

Condition:

In good vintage condition. Wear consistent with age and use. Normal patina due to age and use, including scratches, marks and minor chips. Original upholstery.

Dimensions:

88.77 in W x 33.26 in D x 30.31 in H; Seat height 17.32 in

225.50 cm W x 84.5 cm D x 77 cm H; Seat height 44 cm

Literature:

Bodil Busk Laursen, Søren Matz and Christian Holmsted Olesen, eds., Mesterværker: 100 års dansk møbelsnedkeri, Copenhagen, 2000, pp. 38-39, 136 for a similar example

About the Designer:

Frits Henningsen (1889–1965) was a Danish furniture designer and master cabinetmaker (a term he preferred himself), who led a team of cabinetmakers in central Copenhagen. As an active member of the Cabinetmakers Guild from 1927, Henningsen became a major driver of the furniture exhibitions of the period, gaining recognition for the high-quality of his craftsmanship and his vibrant personality.

Many of Henningsen’s pieces were crafted in exotic woods such as palisander and mahogany. All his furniture was handmade in line with traditional, labour-intensive methods from the 19th century. His pieces are noted for their elegance, above all, for the soft curves in the arms of his chairs and sofas, demonstrating his traditional approach, aiming to combine style and comfort.

In 1942, Henningsen started distancing himself from the younger designers of the day who increasingly used straight lines in their work, believing furniture design needed to maintain curvature which contributed to a homely look. Unlike many other designers, Henningsen didn’t experiment with a wide range of different styles, instead went with his own distinctive style, creating a body of work that is instantly recognizable and much-loved. ~H.