This “S10” model, which is also known as the “Sahara” chair, is without a doubt one of the most elemental works of the French designer Pierre Chapo’s oeuvre. Chapo was a true craftsman, who specialised in handmade wooden furniture using traditional methods.

At first glance, the detailing of this chair may be restrained, but upon a second look, the refined and exquisite methods are obvious. This is especially visible in Chapo’s trademark mortise and tenon joints. These joints feature a complex series of cuts that allow the design to exclude screws and follow the ’48 x 72’ technique. Thanks to this, the chair’s joinery technique is seamless and shows the outstanding craftsmanship. The cognac leather straps are inset into the arms, while the back- and seat rest are attached to the frame by rope.  

The patinated cognac leather and oak give this chair a prestigious look. With its straightforward design, this chair is a seminal work of Chapo and French mid-century wooden design.

SOLD

Condition:

In good vintage condition. Wear consistent with age and use. The leather has a beautiful patina and some scratches and marks.

Dimensions:

26.96 in W x 27.16 in D x 29.13 in H; Seat height 11.22 in

68,5 cm W x 69 cm D x 74 cm H; Seat height 28,5 cm

About the designer:

Pierre Chapo, who was born in Paris on July 1927. He was initially interested in becoming a professional painter, however, after a chance meeting with a shipbuilder who introduced him to wood and woodcrafts, Chapo changed his focus and decided to study architectural studies at the prestigious École nationale supérieure des Beaux-Arts in Paris.

After graduating, Chapo and his wife, the sculptor and painter Nicole Lormier, started traveling extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs.

After returning home Chapo began to create his own designs at the end of the 1950s and started marketing them with the assistance of his wife. It didn’t take long before his designs attracted a devoted clientele. Chapo wanted more than sheer 'utility' and believed that furniture design should be something that was aesthetically pleasing. He championed designs that were individual, timeless and had a universal quality. He was a big advocate of the importance of the golden ratio.

In 1960 Chapo was awarded the gold medal of the city of Paris at an exhibition of arts and crafts. Most of his work at that time was produced at a workshop in Clamart. However, by the late 1960s Chapo wanted a new challenge and he began to depart from his successful designs.  Influenced by the work of Charlotte Perriand, whom he admired a lot, he began to rethink his whole approach to furniture. Along his design work Chapo promoted his views in a series of lectures, in France and abroad, on woodworking and woodcraft and urged students to preserve the traditional crafts. In 1983, the designer was diagnosed with the debilitating Lou Gehrig's disease and died in 1987, just before his sixtieth birthday.

During his 30-year career Chapo never lost his commitment to the traditional crafts of cabinet-making and joinery and believed that they were essential for great furniture. His work can be seen as a fusion of modern design and traditional craftsmanship. In all his work the love of wood and its qualities is evident. ~H.