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Price category: 2,500 - 5,000 usd / eur

Derived from the French "brut", meaning raw, Brutalism describes the architectural style that emerged in the mid-20th century, featuring minimalist constructions that showcase bare materials and structural elements over decorative design. It originated post–World War II, when low-cost housing and government buildings were composed of mainly raw, unrefined materials. Similarly, in furniture design, Brutalism inspired creators to follow the same look of deliberate simplicity, honesty and strength.

This armchair stands as evidence why many European architects succeeded at the craft of furniture design; the precision of the structure and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the designer’s focus was evidently on practicality, structural stability, and construction in favour of these principles. The straight lines and the absence of excess decoration are very typical of the era’s designers, who saw possibilities in the aesthetics of modernist design and materials. This beautiful chair’s simplicity and honest look combined with brutalist influences enhances the exceptional craftsmanship. The woven back and upholstered seat gives the piece an organic and cosy impression, all while staying very functional. It is perfect to bring natural charm to a minimalist space. The oak has a beautiful patina due to its age, feature that enhances even more its charm.

Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This armchair serves as both an homage to the past and a testament to the timeless allure of Brutalism.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has marks, and scratches. The arms show discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.19 in W x 27.95 in D x 26.77 in H; Seat height 15.74 in; Seat depth 20.86 in; Arm height 23.62 in

64 cm W x 71 cm D x 68 cm H; Seat height 40 cm; Seat depth 53 cm; Arm height 60 cm

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Price category: 5,000 - 7,500 usd / eur

This “Krister” armchair is among Swedish design icon Arne Norell’s cosiest works. This high-back armchair’s comfort is equalled by its stylishness and elegance.  

The chair is raised on a stained wood frame covered by beautiful, light coloured bouclé upholstery. A standout feature of this model is the adjustable and removable headrest, a sign of the Scandinavian design principle of functionality. The sitter of this chair is “hugged” by the ear flaps or wings on both sides of the backrest, that give it its unique silhouette, and by the loose seat cushion on the raised bottom. Norell had a unique design idiom, which is clearly visible in this model: function, durability, timeless design, and perhaps above all, comfort. This traditional yet playful “Krister” armchair combines all of these attributes, which makes it one of the most sought after works of Norell.

This chair is marked with ‘Möbel AB Arne Norell’, and its bouclé fabric upholstery it complements and enhances its elegance and comfort. The factory in Aneby, Sweden has been famous for its furniture manufactured by hand. Norell Furniture still operates to this day, keeping the legacy of the great Swedish designer alive.‎

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The armchair has recently been reupholstered in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.95 in W x 30.31 in D x 41.53 in H; Seat height 14.96 in

71 cm W x 77 cm D x 105.5 cm H; Seat height 38 cm

About the designer:

The Swedish designer, Arne Norell was born in 1917 in Åsele, Sweden, and was active in the post-war era, at the height of international fascination with Scandinavian design.

While little biographical information is available about his formative years, it is known that he opened a furniture workshop in Stockholm in 1954. In 1958, he launched his eponymous manufacturing company, “Møbel AB Arne Norell”, on a two-acre farm in Småland. Through the course of his prolific career, this idyllic setting remained Norell’s central source of inspiration and the site where he designed and produced all of his furniture until he passed away in 1971.

Norell is often praised for pioneering “conceptual” furniture, because he employed traditional materials - leather, turned wood, bentwood, and metal, for example - in unexpected forms, often with lyrical results. His designs have an affinity with those of Danish designer Kaare Klint (1888-1954), who, a generation before, brought time-honoured, vernacular forms into modernist expression. In fact, Klint’s iconic Safari Chair (1933) inspired Norell to create the Sirocco Safari Chair (1964), which is lightweight, collapsible, and held together by leather support straps instead of glue or screws. Norell’s wood-framed InkaArmchair, Indra Sofa, and IlonaSofa are likewise held together by leather.

While Norell’s designs found a solid market within his lifetime, his greatest recognition came posthumously: The British Furniture Manufacturers Association awarded Norell’s low-slung, steel-framed, leather-clad Ari Chair (1966) “Show Piece of the Year” in 1973. Norell’s pieces have become increasingly collectible in the 2010s.

Today, Norell’s daughter and son-in-law, Marie Norell-Möller and Thomas Möller, carry on his work, operating under the name Norell Møbel AB. In 2014, the company celebrated its 60th anniversary. It is the only Swedish company that has continuously manufactured the entirety of Norell’s catalogue since the 1950s.