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Swedish mid-20th century lighting design is infinitely captivating, thanks to it featuring one-of-a-kind models crafted by renowned architects and craftsmen following in the footsteps of Swedish classical design and designers, with unmistakeably Modernist elements and high-end craftsmanship and quality.

Hans-Agne Jakobsson made a significant mark on the design world during the 20th century, particularly through his exploration of minimalist aesthetics and innovative lighting solutions. While Jakobsson designed and produced various types of furniture, his lighting received greater international attention, not without a good reason. As these wall sconces showcase, the Swedish designer mastered both the materials and modernist impression of his lighting designs. The allure of Swedish mid-century lighting still endures, thanks to the timeless inventiveness of models such as these wall sconces. Crafted during an era defined by clean lines, organic forms, and a harmonious marriage of function and beauty, these sconces showcase Jakobsson's keen eye for balance and simplicity. These wall lamps combine a brass structure with characteristic opaline glass shades. The sconces feature a distinctive composition: three opaline glass shades are affixed to the minimalist brass structures. What sets them apart is the unique shape of the glass shades, reminiscent of cones with rounded tops. This design choice not only adds a touch of playfulness but also contributes to the diffusion of light in a gentle and inviting manner. Opaline resembles the milk glass of 16th-century Venice and the opaque, white glass associated with Bristol, Eng., in the 18th century. One of its main influences was Venetian Lattimo or 'milk glass' produced in the 1500s, which, as the name suggests, has a milky semi-opaque appearance. As such, the colour and surface enhance the cone shape as well as the screws fixing the shades to the structures. The brass mainly features straight lines, except for the decorative spheres in which the elongated middle rods end. The middle shade sits slightly higher than the other ones, resulting in an airier arrangement that lets the shades stand out even more. The slender, unobtrusive arms elegantly and firmly support the cones, allowing the shades to take centre stage. This deliberate restraint in the design ensures a perfect equilibrium, where the warm glow of the light interacts harmoniously with the understated brass framework.

Whether turned on or off, the opaline glass shades provide great contrast to the patinated brass structures. The sleek, round backplates and spherical finials in combination with the straight arms create interesting angles. These sconces represent a marriage of form and function, a hallmark of Swedish mid-century modern design. Hans-Agne Jakobsson's legacy endures through pieces like these – timeless examples of how simplicity, combined with thoughtful craftsmanship, can result in lighting fixtures that transcend their utilitarian purpose, becoming works of art in their own right.

Condition:

In good vintage condition. Wear consistent with age and use. Small marks on the brass with a beautiful patina.

Dimensions:

12.99 in W x 10.62 in D x 29.13 in H

33 cm W x 27 cm D x 74 cm H

About the Designer:

Born in 1919 in Gotland, Sweden, Hans Agne Jakobsson is one of the most well-known Swedish lighting designers. He did his carpenter apprenticeship before studying architecture in Gothenburg.

First working as an industrial designer for General Motors, he later founded his own company after being an assistant to the designers Carl Malmsten and Werner West. In 1950, due to Christmas, he added a model of hanging lamps in small strips of pine in one of his stores to soften the lively lighting of the shop window. The people who were passing by were immediately seduced by this hanging lamp, which started it all. He established his own company in 1951: Hans Agne Jakobsson AB and began producing this model in his factories and achieved success abroad as well. In 50 years, he designed more than 2000 lamps with unique designs.

He used materials and experimented with multiple techniques, for example using fabrics with fringes, blown glass of colour and smoked glass. His great diversity resulted in a wide range of timeless lighting models. These pieces continue to seduce design lovers, as they adapt themselves to any interior, without blending into the background.

Today, Jakobsson’s works can be found in private homes as well as public institutions throughout Sweden. The designer passed away in 2009 in Sweden, leaving behind a great legacy. ~H.