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Price category: 2,500 - 5,000 usd / eur

Danish sculptor and industrial designer Jens Quistgaard (1919–2008) had a distinguished career in Denmark and the United States, and was especially active during the 1950s and '60s. Initially trained as a sculptor by his father, Jens Quistgaard expanded his skills by learning from carpenters and metal smiths, all contributing to his versatility as a master craftsman with the expertise to combine materials and techniques in novel ways. Quistgaard quickly became known for his fluid lines and for using unusual materials, often in combination. His most renowned and commercially successful works were created for the American company Dansk Designs. The company introduced Quistgaard and his minimalist Nordic design aesthetic to the United States, significantly contributing to the American appreciation of Danish Modern design. By the late 1950s, Quistgaard's work was synonymous with modern living. This teak side table is a clear example of his philosophy and clear aesthetic choices.

Intriguing and fantastical, the variety of forms Jens Quistgaard created expanded the vocabulary of functional design, calling on an array of familiar references, including natural shapes. This side table has precise forms without ornamentation, showcasing Jens Quistgaard's high-quality craftsmanship skills. Humble in its material and size, this table draws attention thanks to its distinctive look and personality. It has a round reversible top, which is characterised by the wood's grain and warm colours. The circular pattern has a constant rhythm and visually creates a beautiful alternation between darker and lighter tones. The pattern does not overwhelm the table - instead, it is an understated but clever addition to the design. The four legs are joined together by cross stretchers, which also serve the purpose of holding the top in place, gently letting it rest with no need for additional joinery or screws. This manner of combining the two separate parts is a detail that certainly derives from Quistgaard's sculptural training. The legs are slightly larger at the bottom, providing stability and visual interest. As can be expected from Danish design and craftsmanship, visually appealing elements usually also serve a functional role. In this case, the wooden elements under the table reinforce the stability of the structure in this ingenious manner, with the table top being supported gently by the legs.

Throughout his career, Quistgaard received numerous awards, including the Lunning Prize in 1954, the Neiman Marcus Award for Distinguished Service in the Field of Fashion in 1958, and Munch's Der Goldene Löffel in 1962. His work has been exhibited in museums worldwide, such as the Danish Museum of Art and Design in Copenhagen, the Victoria & Albert Museum in London, and the National Museum in Stockholm. This teak side table showcases Quistgaard's skills and adds an elegant touch to any living space.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

22.24 in ⌀ x 17.12 in H

56.5 cm ⌀ x 43.5 cm H