Oak Worpsweder Armchair by Willi Ohler for Erich Schultz, Germany 1920s




























Oak Worpsweder Armchair by Willi Ohler for Erich Schultz, Germany 1920s
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Price category: 2,500 - 5,000 usd / eur
This beautiful 'Worpsweder' armchair was designed in the 1920s by German artist, Willi Ohler and was manufactured by Erich Schultz in Germany. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs.
The “Worpsweather” style’s design language and materiality is embodied in this pair: the structures are made up of solid oak elements. The seats and backs are woven braided from rush. This chair carries with it the same beloved modernist characteristics applied to American, Scandinavian, and Italian mid-century design – simple, functional – and shows the generally less known early 20th century rustic side of German design. The woven rush seat and back define the armchair’s aesthetic. The straight wooden lines of the minimalist wooden frame serve as the perfect canvas to showcase the appealing and artistic rush weaving. The structure has an airy impression despite being sturdy that is further enhanced by the absence of stretchers between the legs. With the additional organic charm provided by the woven rush seats, this chair is an ideal accent piece. The expert rush weaving pairs beautifully with the solid wood body, and gives this Worpsweder chair its rustic and organic charm.
Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. One of the most famous members of this colony was Paula Modersohn-Becker. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.
Condition:
In very good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood and rush panels.
Dimensions:
30.51 in W x 25 in D x 32.87 in H; Seat height 18.5 in; Arm height 27.17 in
77.5 cm W x 63.5 cm D x 83.5 cm H; Seat height 47 cm; Arm height 69 cm
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Price category: 5,000 - 7,500 usd / eur
Bas Van Pelt (1900-1945) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s are regarded for their progressive design and quality.
While Bas Van Pelt's creative work was primarily influenced by the 1920s’ straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid oak, this armchair has an open feel to it. The arms and backrests showcase a sense of airiness, highlighted by the slats on the back. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are slightly inclined, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The sitting comfort is pleasant, aided by the upholstered cushions. The textured upholstery of the seat and back cushion beautifully complements the frame. The chair embodies comfort and cosiness through the mix of proportions and expertly selected materials. The rich shade of the wood pairs perfectly with the cream upholstery.
Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have minor marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 29.92 in D x 34.25 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 24.40 in
65 cm W x 76 cm D x 87 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 62 cm
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Price category: 5,000 - 7,500 usd / eur
During the 1950s, Danish designers led the way in furniture design, with Danish mid-century seating pieces to this day being some of the most iconic of their time.
This armchair embodies the characteristics and ethos of its period. Georg Thams designed this chair in line with his minimalistic, yet functional style for Danish manufacturer Vejen Polstermøbelfabrik, showcasing attention to detail through qualities such as the shape and mix of materials used in the construction. Oak and teak wood are amongst the most durable and naturally beautiful choices of material, making this armchair into a long-lasting and classically elegant piece. Originally, wingback chairs were designed to protect occupants from drafts and offer a touch of privacy, and have since become synonymous with comfort and timeless style. The traditional wingback design is reinterpreted in the mid-century fashion of this piece, moving from the classic rounded and closed structure to a more modern silhouette. The curved sides of the chair maintain their winged look, while the teak armrests feature an open construction. The high, curved back of this piece ensures comfort, transforming the chair into a statement piece of decor with additional subtle details such as the five tufted buttons placed horizontally on the backrest. The brown tones of the angled teak arms and tapered oak legs combine with the soft green coloured upholstery to give the piece a natural, earthy feel.
The quality materials of this armchair ensure durability, while the shape intertwines the traditional design with a quintessential Danish mid-century touch. The beauty of this piece is evident through both its form and function, making it a great addition to a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. This chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 37.80 in D x 39.37 in H; Seat height 17.12 in; Seat depth 21.26 in; Arm height 23.42 in
77 cm W x 96 cm D x 100 cm H; Seat height 43.5 cm; Seat depth 54 cm; Arm height 59.5 cm
Literature:
Mobilia no. 2, February 1956, p. 10, in the advertisement.
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Price category: 5,000 - 7,500 usd / eur
Danish designer Illum Wikkelsø believed that furniture should be built to last, to indulge the body, and to please the eye. He belonged to a group of cabinetmakers who represented the Golden Age of Danish design during the 1950s and 1960s. With his clear design aesthetic and deep understanding of materials, he was one of the key protagonists in making Danish design style an international phenomenon.
The model “ML 91" effortlessly combines function and aesthetic, keeping the form in service of the user while maintaining an elegant and modern look. The union of the shell-shaped, upholstered body and the crossed wooden legs create a timeless form. While the design is organic and not broken by any heavy ornamentation, the beautifully textured upholstery is utilised to highlight the modern and cosy shape of the piece. This lounge chair also embodies the concept of "hygge," a Danish term that refers to a sense of cosiness, comfort, and well-being. The chair's form promotes relaxation and contentment, inviting one to sit back and enjoy a moment of peace. Its understated elegance creates an alluring atmosphere, making it a perfect piece for the purpose of evoking a hyggelig (cosy) environment in any home.
The Danish modern movement, rooted in the mid-20th century, was not a fleeting trend but a lasting shift in design philosophy. Its principles, grounded in simplicity, functionality, and a deep appreciation for natural elements, have not only withstood the test of time but have become foundational for many contemporary design approaches.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the frame of the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
35.82 in W x 34.25 in D x 35.43 in H; Seat height 15.55 in; Seat depth 20.07 in
91 cm W x 87 cm D x 90 cm H; Seat height 39.5 cm; Seat depth 51 cm
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Price category: 2,500 - 5,000 usd / eur
Saying mid-century modernism had a revival would be a serious understatement. In reality, the designs have never gone out of style completely, especially in Scandinavia. Danish cabinetmaker pieces are timeless thanks to their expert craftsmanship, their visual, and the material quality. This armchair showcases this timelessness with its modern form.
This elegantly constructed chair combines comfort with style. From as early as the 1920s, cabinetmakers and architects frequently collaborated to produce exceptional pieces like this. The chairs’ elegant curves, precise angles and structure all testify of this partnership’s success. Thanks to its low back the design appears very grounded. With straight and curving lines following each other, the model has a dynamism rooted in organicity. Unlike pieces from outside the continent, Danish designers’ products weren’t flashy but rather well-made to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of mid-century modernism. As an object, the chair reflects the mid-20th century Danish pursuit of everyday beauty, objects designed not just to serve, but to enrich domestic environments.
The classic charm and versatility of this design allows it to be used as a desk chair, an occasional piece in a curated corner, or part of a formal dining set, this chair can bring quiet sophistication to any setting. It is an ideal choice for a range of interior styles thanks to its thoughtful materials, and subtle craftsmanship.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and reupholstered in premium leather. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.19 in W x 18.89 in D x 28.14 in H; Seat height 19.09 in; Seat depth 17.32 in; Arm height 26.57 in
64 cm W x 48 cm D x 71.5 cm H; Seat height 48.5 cm; Seat depth 44 cm; Arm height 67.5 cm
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Price category: 2,500 - 5,000 usd / eur
While the Klismos chair model originated in ancient Greece, the style made its way throughout the globe, being revived in several design movements and eras. This particular Klismos-inspired chair is a beautiful reflection of the Nordic interpretation of the ancient Greek form.
This chair model boasts a functional, well-thought-out structure, crafted from quality materials. The openness of the piece is highlighted by the frame, which is quite distinctive; the wide backrest shows an interesting curvature that is characteristic of the Klismos style. The back legs also retain the design’s distinctive stance - splayed and curved. The upholstered seat, designed for comfort, is finished in a warm, earthy fabric that complements the natural wood tones, emphasizing the organic and utilitarian principles of the early 20th-century era. Chairs from this period also often appeared as accent pieces, however, thanks to their blend of neoclassical influences and Scandinavian restraint, they became versatile enough with their timeless appeal to stand out. This chair’s simple yet refined structure allows it to integrate into various interior styles, from vintage-inspired rooms to more contemporary settings, where it adds a touch of old-world charm.
The Danish design idiom was centred on warm woods, quality fabrics, and gentle yet robust support for the spine - qualities that engender contentment and well-being, a defining characteristic of Danish culture. These aspects are evident in this chair, allowing the piece to be extremely modest and confident at the same time.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reconditioned. Due to the nature and age of the wood, the frame may have some marks, scratches, and discolouration. The seat has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.54 in W x 19.29 in D x 32.87 in H; Seat height 19.68 in; Seat depth 16.33 in
72.5 cm W x 49 cm D x 83.5 cm H; Seat height 50 cm; Seat depth 41.5 cm
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Price category: 2,500 - 5,000 usd / eur
Designed by Henning Kjaernulf, this so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.
This armchair combines the traditional kurul structure with a rounded and curved appearance with an upholstered seat and backrest that gives the historic look a modern edge. The oak frame is carved and sculpted in an unmistakeable way, showing the skills of both the designer and the manufacturer. The body is composed of two slats of wood of equal length in the front and back, fastened together in a saltire formation (resembling the letter X) which are extended up at the top and back to form the armrests and the backs as well. The seat, upholstered in soft sheepskin, is stretched between the front and back slats connecting the two. Kjærnulf removed the folding function of the historic design, giving his model a more stable, organic look. This impression is further enhanced by the solid oak, which is carved with great precision into straight and curving lines. The rich sheepskin melts these carved and straight lines together, contrasting to the oak’s smoothness. While the historic kurul chair was often decorated with intarsia, this model only showcases subtle decor elements such as the scalloped bridge under the seat, and the curving armrests.
While the kurulstol is a Renaissance classic originating from ancient Rome, thanks to Kjaernulf, Scandinavian modernism remains at the core of the design. Kjærnulf’s designs are easy to spot in a crowd thanks to his originality, making his pieces like the razorblade chair and this model eternally unique. This chair was manufactured by EG Kvalitetsmobel in Denmark during the 1960s.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood. The chair has been reupholstered recently in premium sheepskin.
Dimensions:
24.8 in W x 26.77 in D x 31.29 in H; Seat height 17.32 in; Arm height 26.18 in
63 cm W x 68 cm D x 79.5 cm H; Seat height 44 cm; Arm height 66.5 cm
About the designer:
Danish mid-century designer and architect, Henning Kjaernulf is somewhat of a mystery. A lot more is known about his designs than Kjaernulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjaernulf mainly designed for the Danish manufacturers EG Kvalitetsmøbel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table design. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjaernulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish the designer from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjaernulf if anything, adds more charm to his pieces. ~H.
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Price category: 5,000 - 7,500 usd / eur
The duo of Robert Guillerme and Jacques Chambron and their company, Votre Maison denote a landmark of French mid-century design history. Their focus was as keenly attuned to functionality as to the creation of innovative design. For the pair of designers, the home was envisioned as a place where the family could live both comfortably and in aesthetic harmony. Robert Guillerme, who designed most of the work, possessed a limitless creative ambition, producing designs for everything from grand dressers and sideboards to sculptural armchairs like this model.
This chair’s aesthetic is elegantly expressed through clean lines and geometric precision, while creating a harmonious balance between form and function. The oak construction showcases the skillful artistry of the design duo while highlighting great balance of lines. The careful execution of the oak frame, with the gently curved and sculptural armrests is the most apparent visual feature of the chair, while the more subtle details, such as the back frame and upholstered seat and back cushions, make this model visually interesting. The very subtly curved armrests serve a double purpose: on one hand functional, on the other one aesthetic. The chair promises a comfortable and relaxed seating experience, while visually breaking the continuity of the outer line. The soft seat and back cushions, upholstered in a cream fabric, provide plenty of comfort paired with the slightly reclined backrest. This armchair truly exemplifies the thoughtful design and timeless appeal of Guillerme et Chambron’s work, blending natural materials with mid-century modern aesthetics.
Not only did Votre Maison produce over two thousand models during the latter half of the twentieth century, its output also served as a model for a vast field of liveable contemporaneous design. This steady output of beautiful furniture bucked convention not merely in the equal emphasis Guillerme et Chambron placed on function and aesthetics, but in the almost paradoxical creation of a consistent style that was as staid as it was arresting.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.95 in W x 35.03 in D x 37.40 in H; Seat height 179.13 in; Seat depth 27.5591 in; Arm height 24.01 in
71 cm W x 89 cm D x 95 cm H; Seat height 45,5 cm; Seat depth 70 cm; Arm height 61 cm
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Price category: 1,000 - 2,500 usd / eur
Bridge Chairs - Fauteuil Bridge - from France are generally lightweight, often part of a set of matching chairs and bridge table. They were originally designed in the late 1930s for ladies for leisure activities, such as for games of bridge, afternoon tea, and gossiping. As this bridge chair exhibits, the models are stylish, well-made, and comfortable.
This solid oak “Fumay” is part of a dining group designed in 1965 by the world-famous French duo, Robert Guillerme and Jacques Chambron. As the version with arms, this chair’s frame is quite distinctive; the decorative elements on the backrest and armrest show an interesting curvature that is characteristic of the designer duo. These sculptural elements paired with the tapered legs are carved out of the blonde oak in an artistic way, testifying of the quality that the duo’s company, Votre Maison became famous for. The stretchers arranged between the legs at different heights in the fronts and sides are another clever detail. The genius of the design lies in these details that no matter how different, still complement each other. The sleek look is completed by the upholstered cushion in light bouclé fabric, that pairs beautifully with the colour of the blonde oak.
The French designers’ models are considered as a reference among the furniture of the 1950s through the 70s. This dining chair from the 60s gives a visual explanation why: the proportions, the subtle decorative elements, and the quality of woodworking is of the highest-quality, and the result is an immediately recognisable look that will never go out of style.
Condition:
In good vintage condition. Wear consistent with age and use. This chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
22.04 in W x 20.86 in D x 32.28 in H; Seat height 18.11 in
56 cm W x 53 cm D x 82 cm H; Seat height 46 cm
About the designer:
Robert Guillerme graduated in 1934 from the École Boule where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the Twentieth Century, with Jacques’ son Hervé Chambron, a designer and graduate of the Ecole Boulle, having taken the reins in 1983.
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Price category: 5,000 - 7,500 usd / eur
This rare oak lounge chair is a delightfully unique piece even if measured against the other seating models in the repertoire of the French designer duo, Robert Guillerme and Jacques Chambron. This curving, spindle back model truly deserves the title of iconic, both in terms of quality and design. It visually represents the very reason Votre Maison, the duo’s company, significantly influenced French design history.
From every angle, the lounge chair’s design has unique solutions that are unmistakeable and blur the line between furniture and sculpture. From the oak frame to the sculptural legs, arms and backrest, this model is characteristic of the designers’ unique style, while also featuring details that are one-of-a-kind. Such a detail are the freestanding, sculpted armrests that form the front legs as well. This design element shows expert craftsmanship and creativity. The unusual backrest emerges from the seat like a throne. The spindles enhance this appearance, especially with the back cushion’s loops attached to them. The legs are similarly sculpted with great precision to serve a double purpose: an aesthetic role, and a functional one. Thanks to the ergonomic curves and thick, comfortable seat and back cushions, this chair is perfect for cosy lounging. The light bouclé fabric is a great choice, as it highlights the oak’s smooth surface and colour as well.
Guillerme drew the furniture designs for Votre Maison while Chambron played the part of salesman. The pair worked with master cabinetmaker, Émile Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. As this brilliant chair shows, well-crafted structures, polished wood and thick cushions created the now world-famous reputation of their seating designs.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches on the wood. The cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.14 in W x 30.51 in D x 34.05 in H; Seat height 15.94 in; Arm height 22.04 in
71.5 cm W x 77.5 cm D x 86.5 cm H; Seat height 40.5 cm; Arm height 56 cm
About the Designer:
Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983.
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Price category: 2,500 - 5,000 usd / eur
In the realm of mid-century modernism, Danish designers and manufacturers stand as exquisite exemplars of craftsmanship, embodying a timeless blend of comfort, style, and superb woodworking.
This chair’s aesthetic is elegantly expressed through clean lines and geometric precision, while creating a harmonious balance between form and function. H. Brockmann Petersen sought to create furniture that can seamlessly integrate into contemporary living spaces while preserving the warmth and character of natural materials, ideals deeply rooted in the Danish tradition. The oak construction of this armchair showcases the skillful artistry while highlighting great balance of lines. The careful execution of the oak frame, with the gently curved and sculptural armrests is the most apparent visual feature of the chair, while the more subtle details, such as the back frame and upholstered seat and back cushions, make this model visually interesting. The light, off-white fabric, with its blue stripes is beautifully framed by the chair’s armrests, highlighting the captivating look of both materials. The removable cushions are also quite rotund; therefore offering seating comfort. This armchair was created in the golden days of Danish mid-century modernism, when designers, like Petersen, joined hands with master cabinetmakers and manufacturers, like Komfort, to create products that last a lifetime and eventually become heirloom pieces. Therefore, this chair is sure to stand the test of time.
There is hardly a better choice than mid-century Danish pieces - the unquestionable quality of design make this timeless model an excellent addition to any space.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.57 in W x 31.49 in D x 32.28 in H; Seat height 17.32 in; Seat depth 19.68 cm; Arm height 21.06 in
67.5 cm W x 80 cm D x 82 cm H; Seat height 44 cm; Seat depth 50 cm; Arm height 53.5 cm
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Price category: 5,000 - 7,500 usd / eu
The 1990s saw a revival of Scandinavian design as ‘New Nordic Design’ with the resurgence of an appetite for mid-century modernism that had been perfected in Denmark in the post-war era.
There is a warmth to wooden Danish furniture that you don’t find in tubular-steel framed Bauhaus designs. In December 2016, the term "hygge" was so popular that the New York Times ran an explainer on the concept. This ideal of comfortable warmth can be expressed in many ways, including furniture and thus, this beautiful easy chair. With a clear preoccupation with geometry, this model’s outstanding architectural frame speaks of the mastery of the designer and of the producer. All the decorative elements are in service of functionality, including the rope backrests piercing through the elongated legs, the appealing angles, and triangular side profile. The refined linearity lays at the basis of this piece’s the overall aesthetic, with crisp, architectural lines. On the decoration front, the seat is upholstered in a rich dark fabric, which complements the light-coloured wood and rope. The material choice is quintessentially Danish, focusing on neutral colours and natural materials.
Crafted with precision from solid wood, finished with a clear attention to detail and care for the aesthetic dimension as well, this "MG31" chair is sure to stand the test of time thanks to both its visual quality and construction.
Condition:
In good vintage condition. Wear consistent with age and use. Minor marks and scratches on wood. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.11 in W x 35.23 in D x 33.07 in H
76.5 cm W x 89.5 cm D x 84 cm H
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Price category: 12,500 - 15,000 usd / eur
Generally, Czech mid-century modern designs tend to be more sober than their French, German, American, and even Scandinavian counterparts. However, works by Pavel Novak are an exception - as evidenced by chair. The Czech designer’s repertoire is finally starting to surface, and as this chair shows, we are lucky to witness it.
Novak often worked with a gouge, that originally never had any other vocation than to furnish his farm. This piece is made of hand gouged oak, which is in itself a time-consuming and rare woodcarving technique. While most woodworkers offer help with fixing gouges in wood, Novak used the technique to create this rustic looking body that can be considered to be a functional sculpture. Thanks to the unique, hand-carved texture, the lounge chair is one of a kind, with a unique pattern. The leather seat is suspended between the three legs, one of which is elongated to serve as a backrest. The joinery technique is seamless and shows the outstanding craftsmanship and vision of Novak. The leather straps are inset into the legs in a rough, yet sophisticated way.
In fact, rough yet sophisticated are the adjectives that best define the overall aesthetic of this chair, reflected in the pairing of the materials as well. The patinated leather’s smooth surface contrasts beautifully with the gouged, coarse look of the oak. With its straightforward design, this oiece is a seminal work of Pavel Novak.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor cracks. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration.
Dimensions:
40.94 in W x 30.71 in D x 48.82 in H; Seat depth 20.08 in
104 cm W x 78 cm D x 124 cm H; Seat height 51 cm