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Price category: 2,500 - 5,000 usd / eur
20th century European lighting design was shaped by a growing interest in balancing functionality with sleek, sculptural form. Brass became a favoured material throughout the period, valued for its warmth, durability, and ability to bring refinement to otherwise restrained forms. Pendant lamps in particular offered designers an opportunity to experiment with geometry and proportion, creating fixtures that could define a space while providing soft, atmospheric illumination.
This pendant lamp reflects those qualities through a striking combination of clean geometry and material richness. The fixture is crafted entirely from brass, composed around a tapered central body that descends elegantly from a slender suspension rod. The perforated shade creates a striking silhouette that feels architectural. The perforated pattern runs around the shade and when the light is lit, creates a subtle light that is evenly distributed. The design’s focus on the characteristics of the brass itself and the artistic ability to easily connect line and material is especially visible in this unique model. Ceiling lamps, such as this piece have an important role to create an ambience that is cosy and stylish while not compromising on quality and functionality.
The composition and clever decorative elements give this hanging lamp a stylish look that is guaranteed to set the tone of its interior. The modern, sleek design’s organic lines create a perfect balance between the ornamented features of the early 20th century and the later phase of mid-century modernism with its more minimal, simplified lines.
Condition:
In good vintage condition. Wear consistent with age and use. The hanging lamp has recently been reconditioned. The brass is patinated. There are minor dents and scratches in the metal. Due to the age and nature of the brass, the lamp has marks and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
10.63 in ø x 36.22 in H
27 cm ø x 92 cm H
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Price category: 20,000 - 30,000 usd / eur
Finland and Helsinki are extremely important in mid-century modern design history, and one of the most famous designers of the period was Alvar Aalto. In contrast with the functionalism of the international style, Aalto brought a refreshing breath of humanism to modern design, as evidenced by this pair of Model “400” armchairs.
There is a saying that “Functionalism is a Finnish thing”, and it is hard to argue with that when looking at this pair of chairs. Functionality is without a doubt one of the most important aspects of Finnish design, however, there is also a demand for the highest quality, both in design and materials. Alvar Aalto is the Finnish icon of functionalism, and through this “400” or “Tank” model it is easy to see why. The design is first and foremost functional, combining practicality and aesthetics. These chairs feature a solid wooden frame with a striking silhouette. The arms are particularly distinctive thanks to their geometric look. They create a sculptural line that complements the simplicity of the overall form. The wood is painted black and pairs beautifully with the green upholstery, offering a restrained yet sophisticated material contrast. The choice of green allows for a sense of luxury and richness while still remaining grounded.
Aalto's free-form designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s. This model can be a design statement in any space while also serving its functional purpose.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The pair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.51 in W × 34.64 in D × 25.98 in H; Seat height 15.35 in; Seat depth 23.62 in; Arm height 19.29 in
77.5 cm W x 88 cm D x 66 cm H; Seat height 39 cm; Seat depth 60 cm; Arm height 49 cm
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Price category: 12,500 - 15,000 usd / eur
Art Deco was an era-defining movement in furniture making. These chairs were created during an age of aesthetic creativity and instantly recognisable design. As these armchairs show, European furniture designers’ artistic approach was anchored by characteristic Art Deco refinement, expressed through graceful forms and traditional methods. Though Art Deco furniture took many different forms across Europe, shape, material and craftsmanship remained central to its character, with curved wooden structures providing some of the period’s most expressive seating designs.
This pair immediately catches the eye with its bold outline, defined by the pronounced curve of the wooden arms. The arms create a hollow form, allowing the beautiful upholstery to remain visible from the sides while further complementing the gentle curvature. Each arm sweeps forward before curving down and around the lower body of the chair, creating a continuous wooden structure that frames the upholstery. The walnut veneers beautiful grain and colour variation stand out thanks to the upholstery’s restrained, elegant beige colour. To keep the visual balance, the backs feature straighter lines, contrasting with the flowing shape of the side structures. The tightly upholstered seats and backs, while adding comfort and cosiness to the design, do not take attention away from the wood. The seats have softly rounded fronts, while the tall backrests are slightly inclined and finished with two subtle tufted buttons. The combination of upholstered bodies and open wooden sides creates a particularly effective contrast between volumes. The obvious quality of the craftsmanship complements the design through the choice of materials, techniques and well-thought-out details, with the continuous curves giving the chairs their distinctive streamlined appearance.
Created during an age of innovation in materials, shapes and techniques, these chairs showcase how European furniture designers coupled geometry and craftsmanship to create elegantly impressive additions to their interiors. Perfect for those looking to add some vintage character to a space, the pair can bring warmth and a distinctive presence to a living room or conversation area.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks, scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.93 in W x 35.62 in D x 32.28 in H; Seat height 19.68 in; Seat depth 21.06 in; Arm height 25 in
73.5 cm W x 90.5 cm D x 82 cm H; Seat height 50 cm; Seat depth 53.5 cm; Arm height 63.5 cm
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Price category: 7,500 - 10,000 usd / eur
Paavo Tynell was one of Finland’s most important lighting designers and came to be known as the “man who illuminated Finland”, thanks to his notable models. As a master craftsman, his designs combined a traditional aesthetic with a modern sensibility and an extensive use of glass and brass. His work with Idman followed the company’s acquisition of the majority of shares in Taito Oy in 1953, after which Tynell continued designing on a freelance basis.
This set of four Model “80113” ceiling lamps embodies the sleek and simple aesthetic that characterised Finnish lighting design of the mid-century period. Tynell’s designs merge together simple shapes and carefully considered materials. Each lamp has an eye-catching, shallow rounded milk glass shade with a broad upper section and a softly curved lower profile. The opaque ivory-white glass conceals the light source while allowing the illumination to spread evenly across the entire shade. The edges are just as soft as the light the lamps emit, giving the glass an organic shape despite the simplicity of the design. Thanks to the concealed ceiling holders, the lamps are flush mounted without any prominent exposed parts other than the glass shades. This keeps the construction visually clean and leaves the attention on the material and the quality of the illumination. When lit, the milk glass produces a warm, atmospheric glow and emphasises the smooth curvature of the shades. Used as a set, the repetition of the same compact form creates an effective rhythm across a ceiling while distributing light over a larger area.
The best qualities of Finnish mid-century light fixtures are their atmospheric glow and disciplined, functional design, and these lamps embody those qualities particularly well. The construction makes them suitable for hallways, bedrooms or rooms with lower ceilings, while the simple glass forms integrate naturally into the surrounding architecture. Combining Tynell’s sensitivity to light with Idman’s Finnish manufacture, the model “80113” lamps offer an elegant example of his more restrained ceiling designs.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned. Due to the age and nature of the materials, the lamps have marks, scratches, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
9.84 in ø x 4.72 in H
25 cm ø x 12 cm H
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Price category: 9,000 - 12,500 usd / eur
Finnish designer, Carin Lisa Johansson-Pape, was among the most significant Finnish designers in the second half of the 1900s. She designed made for Stockmann and participated in New York’s World Fair of 1939 and the Milan Triennial IX. The 1940s marked a golden era for interior design, amidst a booming economy and a newfound sense of optimism. Designers like Johansson-Pape sought to create furniture that felt both modern and human, moving away from the stark metal and glass of the machine age toward objects that could bring warmth and comfort to domestic life.
The design of this pair is full of modern energy that has, and surely will continue to endure for generations thanks to its classic look, quality materials and evident quality of the craftsmanship. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their design by the demands of the human body. With these chairs, Johansson-Pape arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. She followed the mid-century modern philosophy guided by functionality and simplicity. The elegance and honesty of the frames is enhanced by the upholstery which complements both the shape and wooden legs gracefully. The streamlined body and soft fabric create not only a modern and elegant look, but also allows great comfort. The dark colour of the wood contrasts with the sheepskin upholstery creating visual interest while maintaining the perfect aesthetic balance of the chairs. This complementing nature can also be felt on a textural level, with sheepskin adding a tactile dimension through its soft, fluffy appearance, while the tapered legs add a modern, smooth feel.
Quality materials, organic curvature and innovative shape define the design of this pair. With the power to offer feelings of cosiness and comfort, these timeless chairs sit as well in contemporary spaces as they did in 1940s Finnish homes.
Condition:
In good vintage condition. Wear consistent with age and use. The lounge chairs have recently been reconditioned. The wood has some scratches and stains. Due to the age and nature of the sheepskin, the chairs may have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 29.53 in D x 29.53 in H; Seat depth 22.05 in
76 cm W x 75 cm D x 75 cm H; Seat depth 56 cm
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Price category: 2,500 - 5,000 usd / eur
Mid-century Danish design is celebrated for its clarity of form, refined material use, and quiet sophistication. Throughout the mid-20th century, Danish designers like Svend Aage Holm-Sørensen focused on creating objects that were as functional as they were elegant, emphasising proportion, restraint, and craftsmanship. Lighting in particular became a defining element of this era, with a focus on design that brought warmth and atmosphere into everyday interiors.
This floor lamp is attributed to Svend Aage Holm-Sørensen. He was a Danish designer best known for his wide collection of light fixtures. As a licensed ornamental metalworker, Holm-Sørensen started his design career in the 1950s, and many of his designs feature metal surface with different ornaments and perforations. The lamp featured three slender brass stems that rise from a compact conical base before coming to the mid-point to transition into two stems branching outward. The wooden element introduces a warm touch, complementing the metals. Each arm terminates in an individually adjustable brass neck, allowing the fabric shades to be directed independently for reading, accent, or ambient lighting. The contrast between the warm brass, dark lacquered base, and textured fabric shades gives the lamp visual richness while remaining understated.
Holm-Sørensen’s work consistently balanced precision and character, and this piece reflects that philosophy. It honours the Scandinavian tradition that valued craftsmanship as much as innovation. The timeless simplicity of this design allows it to integrate into both contemporary and vintage interiors, standing as a testament to the enduring refinement of Danish mid-century lighting design.
Condition:
In good vintage condition. Wear consistent with age and use. The floor lamp has recently been rewired and reconditioned. The shades were custom made by our in-house atelier. The item has some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
29.52 in W x 15.94 in D x 56.49 in H
75 cm W x 40.5 cm D x 143.5 cm H
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Price category: 12,500 - 15,000 usd / eur
Robert Guillerme and Jacques Chambron established Votre Maison in 1949 together with cabinetmaker Émile Dariosecq, and developed a distinctive body of French furniture during the post-war decades. Their work is particularly associated with solid oak, sculptural woodworking and upholstered seating, with the wooden structure often remaining clearly visible as an important part of the design. This pair of armchairs from the 1960s brings these characteristics together through expressive oak frames and generously upholstered seats and backs.
The chairs are built from solid oak frames with a particularly distinctive construction at the back. A series of vertical wooden spindles follows the curved outline of each backrest, creating an open framework that remains fully visible from behind. The spindles vary in their angle and position, giving the rear of the chairs a strong architectural rhythm while supporting the wide upholstered back cushions. These cushions curve along the backs and are finished with button tufting, adding depth to the textured striped fabric. Broad seat cushions sit above the upholstered lower sections, creating a comfortable body within the exposed wooden structure. The armrests have a gently shaped profile and extend forward to meet thick upright supports, which continue downward into curved front legs. Their rounded surfaces highlight the natural grain and warm tone of the oak. At the rear, the lower ends of the frame curve outward into small feet, adding another carved detail to the silhouette. The muted red, beige and cream tones of the upholstery complement the oak while allowing the elaborate woodworking to remain in focus.
The pair shows why Guillerme et Chambron’s seating is so recognisable within French design of the period. Their furniture gave traditional cabinetmaking a highly individual character through carved oak, unusual structural solutions and an emphasis on comfort. These armchairs are particularly effective as a pair as their open spindle backs make them interesting from every direction.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration. The cushions have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 29.92 in D x 33.46 in H; Seat height 16.14 in; Seat depth 20.07 in; Arm height 21.25 in
77 cm W x 76 cm D x 85 cm H; Seat height 41 cm; Seat depth 51 cm; Arm height 54 cm
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Price category: 5,000 - 7,500 usd / eur
The European perspective on cabinetmaking is exceptional, and wood was an omnipresent material in mid-century modernism. This sumptuous rounded armchair features the immediately recognisable touches of Modernism: excellent materials, craftsmanship, and elegantly curved shapes.
This armchair holds all the characteristics that define Berga Möbler’s style, from the playful softness, to the organic sophistication. The chair is slightly tilted backwards by the tapered front legs. The curved and rounded backrest and armrests are a few elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests provide an excellent seating experience, making the chair a wonderful choice for any contemporary living space. Not only this, but the back is tufted with two large buttons that give the pieces a pleasant and welcoming appearance. The upholstery's texture adds to the visual appeal. It enhances the tactile experience, making it a delight to sit on. The frame is constructed from high-quality wood, ensuring durability and sturdiness. Furthermore, apart from being structurally integral, the legs add a touch of mid-century modern flair with their outward bend and smooth finish. The design of this chair possesses an elegant homely curviness, an aesthetic balance that is only seemingly easy to achieve, but this armchair exudes it.
Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both its visual and material quality.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 34.25 in D x 32.67 in H; Seat height 18.11 in; Seat depth 19.68 in; Arm height 23.62 in
75 cm W x 87 cm D x 83 cm H; Seat height 46cm; Seat depth 50 cm; Arm height 60 cm
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Price category: 50,000+ usd / eur
Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. While combining the simple, honest forms of the traditional nordic “allmoge” furniture common in Swedish rural culture, with the international 20th century Modernist movement, Hjorth designed the “Sportstugemöbler” series, (“sports cabin furnishings”) a collection of wooden furniture designed for country homes.
The “Lovö” chair was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new, growing demand for furnishings for leisure houses, thus Hjorth used local pine to create a model that unites the robust and straightforward Nordic style with skilful handcrafting. The result is a modest, yet visually interesting presence with a strong and tall outline. These chairs are crafted from local pine wood, while the backrests feature iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chairs combine simple and honest forms of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The seats feature loose, removable cushions, upholstered in a textured fabric. The cushions further increase the chairs’ special character, increasing both comfort and charm. The design is completed by four square, straight legs.
The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The chairs show marks and dents Due to the age and nature of the materials, the chairs may have additional scratches or discolouration. The pillows were costum made by our in-house atelier in a premium fabric. In addition, the chairs can be purchased including their original striped cushions. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.5 in W x 20.86 in D x 37.4 in H; Seat height 17.71 in; Seat depth 16.54 in
47 cm W x 53 cm D x 95 cm H; Seat height 45 cm; Seat depth 42 cm