REQUEST PRICE HERE

Price category: 12,500 - 15,000 usd / eur

In an era marked by unprecedented cultural dynamism and bold artistic expression, the Art Deco movement emerged as a testament to modernity and sophistication. This period witnessed the creation of exquisite furniture pieces that epitomised the union of form and function, with this pair of armchairs standing out as a prime example.

In line with the Art Deco movement during which they were designed and manufactured, these chairs illustrate the bold, rich and luxurious aesthetic of the era. Before giving way to mid-century modernism and its focus on function over form, Art Deco pieces coupled geometry and craftsmanship to arrive as elegantly impressive additions to the era’s interiors. The upholstery is soft but controlled, with clean planes and subtle curves rather than excess padding. The seats are deep and inviting, designed for practical use, while the proportions remain compact enough to feel composed in a room. The wooden elements frame the upholstery and emphasise the chair’s structure, reinforcing its Art Deco character. Every detail works together, from the block-like legs to the precise transitions between wood and fabric, creating a chair model that feels deliberate, balanced, and quietly strong.

As a pair, this design captures the lasting appeal of Art Deco furniture: comfort shaped by discipline and elegance rooted in form rather than ornament. It works equally well as a statement chair in a living room or as a refined accent in a bedroom or study. Its presence offers visual weight without heaviness and comfort without excess, in true Art Deco fashion.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the age and nature of the materials, the items have marks and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.8 in W × 37.8 in D × 31.5 in H; Seat Height: 13.4 in; Seat Depth: 19.7 in; Arm Height: 22.0 in

65.5 cm W x 96 cm D x 80 cm H; Seat Height 34 cm; Seat Depth 50 cm; Arm Height 56 cm

REQUEST PRICE HERE

Price category: 2,500 - 5,000 usd / eur

‎‎‎‎By the 1950s, Finland had established itself as a force of innovation in design. During this era, the country saw the birth of many of its most iconic lighting models; it was a period of consistency in excellence and sophisticated design. Itsu, short for Itä-Suomen Sähkö (eng. Eastern Finland Electricity), was one of the lesser known gems of Finland’s lighting manufacturers. Founded in 1945, after World War II, Itsu produced characteristic models in small quantities, that endure to this day through their masterful design and great quality.

This ceiling light exemplifies that restrained approach through its striking inverted conical shade made from finely pleated fabric. The tightly gathered pleats radiate from the central brass fitting, creating a crisp geometric pattern that gives the large shade a light, even and ethereal appearance. The brass finial anchors the centre of the fixture, while the shade itself covers the ceiling mount, and thus remaining the visual focus. When illuminated, the pleated fabric softens and diffuses the light evenly across its broad surface, producing a warm ambient glow. This quality even further emphasizes the rhythm of the folds. The generous diameter makes the lamp an effective central ceiling fixture, yet its clean silhouette prevents it from overwhelming a space. The combination of fabric and brass, together with the disciplined geometry of the pleated form, demonstrates how simple materials can achieve a refined and highly architectural result.

This ceiling lamp is the perfect way to add a touch of elegance to any space without being overwhelming. Its emphasis on creating comfortable, atmospheric light, as well as its unique character illustrate the qualities for which Finnish mid-century lighting is appreciated.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the items may have minor marks, scratches, and discolouration. The shade is a later replacement which was custom made by our in-house atelier. All lighting can be converted for US usage.

Dimensions:

27.55 in ø x 11.02 in H

70 cm ø x 28 cm H

REQUEST PRICE HERE

Price category: 15,000 - 20,000 usd / eur‎

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.

These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.

In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.‎

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.

Dimensions:

18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in

48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm

Literature:

Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art

Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

Floor lamps produced across Europe in the mid twentieth century often explored new material combinations while maintaining the restrained forms associated with modern design. During this period, artists frequently experimented with metals, finishes, and details to create lighting that felt contemporary while remaining practical for everyday interiors. The combination of the brass body and rattan shade of this floor lamp represents the period.

The lamp’s material choice gives the piece a subtle warmth and sophistication, creating a timeless aesthetic that blends understated luxury with functional craftsmanship. The piece strikes a great balance: while the metal structure provides strength and stability, natural materials soften the overall appearance. The circular brass base transitions into the stem, gracefully curving to support the striking shade. Not only is the brass durable but it develops a beautiful patina over time, adding to the aesthetic value. The adjustable rattan empire lampshade creates a cosy effect when the lamp is lit, as the light peeks through the woven gaps. Since the head of the lamp is adjustable, it allows the user to tailor the light direction, making it a versatile piece. This technical detail allows the expressive structure to combine functionality with visual appeal.

This floor lamp is the perfect way to add a touch of elegance to any space without being overwhelming. Its expert craftsmanship and unique character showcase the beauty obtained when industrial manufacture meets traditional crafts such as rattan weaving.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Minor dents on the brass base. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

22.05 in W x 19.69 in D x 56.30 in H

56 cm W x 50 cm D x 143 cm H

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

The mid-20th century was a transformative era for design throughout Europe. Around this period, furniture began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This period celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful, like this armchair.

Works from this era embraced soft curves and beautiful textures, perfectly showcased by this piece. This armchair encapsulates the mid-century modern ethos, standing as a testament of the era’s focus on human-centred design and timeless versatility. The piece features harmonious, seamless curves, breaking the classic angularity of most armchairs, while evoking natural fluidity, through material and colour. The frame is quite distinctive even beyond its curved arms. The shape and construction show the signs of a master cabinetmaker as the chair has an almost sculptural look. The backrest is visually “unattached” to the seat which creates an impression of weightlessness. The piece has an overall flow to it which adds to the visual interest. The light fabric adds to the stylish look as well, as it highlights the wood’s gorgeous colour and pattern. European designers often believed that a chair should always be comfortable to sit on and beautiful to look at from all sides and angles and this piece is evidence of that.

Unlike designs from outside the continent, European furniture wasn’t flashy but designed to be well-made and to fit a warm, comfortable and welcoming home. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of modern design.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.61 in W × 25.98 in D × 34.65 in H; Seat Height 15.75 in; Seat Depth 21.26 in; Arm Height 24.02 in

62.5 cm W x 66 D x 88 cm H; Seat height 40 cm; Seat Depth 54 cm; Arm Height 61 cm

REQUEST PRICE HERE

Price category: 2,500 - 5,000 usd / eur

Olle Alberius was one of Sweden's foremost ceramic and glass designers during the 20th century. After studying at the Konstfack University of Arts, Crafts and Design in Stockholm, he joined Rörstrand in 1963, where he designed both unique stoneware and glass pieces. Founded in 1726, Rörstrand is one of Sweden's oldest and most celebrated ceramic manufacturers, renowned for combining artistic innovation with exceptional craftsmanship over nearly three centuries.

Alberius' work for the company is admired for its refined forms, expressive glazes, and sensitive understanding of ceramic material, all qualities perfectly encapsulated in this table lamp. This piece is defined by its tall stoneware body, finished in a deep blue glaze that shifts in tone across the surface, from rich navy to a sandy-grey. This vertical movement of colour enhances the form. The surface retains slight irregularities, reflecting the handmade nature of the piece. Above, the broad, conical shade introduces a strong geometric element, diffusing the light evenly and balancing the expressive base. The relationship between these two elements creates a cohesive and well-proportioned composition. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.

With its refined form and aesthetic, this model “8303” table lamp is more than a source of light—it is a statement piece that reflects Swedish design principles of the mid-century period. Its organic feel and modern influences allow it to blend seamlessly into contemporary settings, while still embodying the unique heritage of mid-century Scandinavian artistry.

Condition:

In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

14.96 in ø × 25.00 in H

38 cm ø x 63.5 cm H