Spanish Cabinetmaker Mid-Century Brutalist Armchairs, Spain ca 1960s (sold)
Spanish Cabinetmaker Mid-Century Brutalist Armchairs, Spain ca 1960s (sold)
Red-caped matadors, knights in armour battling windmills, cabinets. All of these things are quintessentially Spanish, and so are these chairs, but all in different ways. The Brutalist touch offers dark oak frames with few distractions, so that the beholder can become aware of the subtle qualities of the design that make this pair entirely unique.
One more thing that defines Spain is its design history. While mid-century design is not the first thing that comes to mind, post-war Spanish modernism is out there to be rediscovered, and thankfully it is. The strong impulses in Spain toward tradition and minimalism are evident in these brutalist armchairs. Thanks largely to its extended holy war, Spain maintained a medieval attitude much longer than the rest of Europe. In their furniture, exemplified by this pair, this was reflected in large wooden furniture that was often somewhat crude compared to other European styles. Spanish furniture had a rustic, rough quality to it, that suited the extreme climates of Spanish regions, like the Extremadura. Following in this vein, these chairs preserve a lot of the material’s visible marks of making, which suggest a history and a bit of mystery. The frames are not too polished or sterile, instead, they have a clear preference for texture, roughness, and depth all of which are greatly enhanced by the dark stained oak. The skilful mortise and tenon joinery further add to the rustic aesthetic, not only joining the separate parts of the frames, but also serving as decorative elements. The edges are gently rounded to counter the Brutalist impression. Further softening and enlivening the look is the brown sheepskin in which the seats and backs are covered.
From the short arms, wide stretchers and joinery to the visible handwork of the craftsman, these Spanish cabinetmaker chairs are artisan pieces with a belief in purity of structure and truth in materials that we identify with. Thanks to the Brutalist design process, this pair has arrived at something essential and honest, proving that luxury can be less rather than more.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The chairs are upholstered in brown sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.88 in W x 25.59 in D x 31.49 in H; Seat height 17.71 in
81 cm W x 65 cm D x 80 cm H; Seat height 45 cm
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Price category: 5,000 - 7,500 usd / eur
Brutalist design - deriving from the French word brut, meaning “raw” – is characterised by a deliberate plainness and crudity. It emerged in the mid-20th century and gained popularity in the late 1950s and 1960s. In furniture and décor, the Brutalist movement was somber, giving importance to eerie organic and rugged shapes in dark, earthy tones. The defining characteristics of Brutalist furniture design can be observed in these chairs.
This pair is inherently simplistic, both in visual and technical terms. Yet, the design is balanced with well-thought-out proportions. The solid dark wood defines the look with a natural pattern and texture. The chairs are a nod to modernist design with traditional craftsmanship and boast a robust, almost industrial aesthetic, marrying form and function. Furthermore, the solid wooden slats are seamlessly connected through traditional joints, showcasing the commitment to meticulous craftsmanship. The design of these chairs projects an air of strength and solidity. The curved backrests and seats provide comfort, while the sturdy frames and legs guarantee a solid base. This pair is truly expressive and attention-grabbing. The overall form of the chairs evokes the architectural roots of Brutalism, while the solid wood keeps the pair from feeling industrial. It is at its core, frank craftsmanship.
Today, Brutalism is seen as a reaction against artificiality and lightness, reevoking the appreciation for raw, yet vigilant design. The brutalist pieces, exemplified by this beautiful set of chairs, lend a unique eccentricity to any interior or collection.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reconditioned. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration.
Dimensions:
19.48 in W x 27.75 in D x 30.31 in H; Seat height 15.94 in; Seat depth 20.27 in
49.5 cm W x 70.5 cm D x 77 cm H; Seat height 40.5 cm; Seat depth 51.5 cm
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Price category: 5,000 - 7,500 usd / eur
As with the UK and much of Europe, something of a design renaissance took place in 1950s France due to developments in materials and technology after the war. French designers were often also architects, whose focus on functionality and quality resulted in sculptural models, such as this pair of chairs.
The craftsmanship of this pair is confident yet discreet, visible in the clean junctions and honest detailing of the joinery. Upholstered in off-white ponyskin, the chairs gain their quiet luxury through material rather than embellishment. The hide’s softness and natural irregularities lend warmth to the geometry of the frame, while its muted tone enhances the overall sense of comfort. Together, the wood and hide establish a dialogue between texture and form: one smooth, one tactile, both grounded in natural beauty. The chairs also feature beautiful brass-capped legs - the lines are crisp and elegant, aiding the stability and comfort. 1950s design prioritised clean lines, simplicity, and a connection with nature, this pair truly exemplifies these principles. The maker of this model not only had a preference for its main characteristics and materials, but a deep respect as well. The functionality, longevity and clean lines are all in favour of the user, maintaining the focus on authentic simplicity. Though many mid-century French designers may not have the name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these chairs highly sought after.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chairs may have marks, scratches, and discolouration. The chairs have recently been reconditioned and reupholstered in premium ponyskin. Each of our items can
be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more
information.
Dimensions:
23.81 in W x 23.42 in D x 33.85 in H; Seat height 18.89 in; Seat depth 19.48 in; Arm height 26.37 in
60.5 cm W x 59.5 cm D x 86 cm H; Seat height 48.5 cm; Seat depth 49.5 cm; Arm height 67 cm
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Price category: 15,000 - 20,000 usd / eur
This pair of oaken “Grand Repos” lounge chairs deserves its title of iconic, both in terms of quality and design. This model visually represents the very reason Votre Maison, the French duo, Guillerme et Chambron’s company significantly influenced French design history.
Guillerme and Chambron are known for their high-quality, solid oak furniture and the “Grand Repos” model is without a doubt their most distinctive seating design thanks to its spindle backrest and distinctive frame with plenty of curvature. With a solid wooden frame, the support for the back of each chair consists of six, symmetrically arranged wooden spindles extending upwards. The backrests are slightly tilted for comfort, aided by the generous seats and back cushions. The back cushions are adorned with tufted buttons that add depth to the textured bouclé upholstery. The standout feature of this model are the creative overarching spindles that create an almost throne-like, grandiose effect. The curvature of the arms follows the lines of the backs, and gently curve outwards. “Grand Repos” stands for “great rest” in French, and with a well-though out, elegant design, this pair is sure to provide exactly that. The elegant light colour of the upholstery of the seat and back cushions beautifully compliments the light oak frames. The back cushions are secured with loops that attach to the back spindles, ensuring that the cushions stay in position.
The woodworking truly shows the overall quality of this pair, the frames are refined and the attention to the smallest detail shows the design and manufacturing skills of Robert Guillerme and Jacques Chambron. Since each chair was created by hand, they differ marginally in size and shape visible in the backs and legs, making them even more unique.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs’ cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Chair 1
31.69 in W x 35.43 in D x 42.32 in H; Seat height 15.15 in; Arm height 21.65 in
80.5 cm W x 90 cm D x 107.5 cm H; Seat height 38.5 cm; Arm height 55 cm
Chair 2
31.1 in W x 38.58 in D x 41.14 in H; Seat height 15.35 in; Arm height 21.85 in
79 cm W x 98 cm D x 104.5 cm H; Seat height 39 cm; Arm height 55.5 cm
About the Designer:
Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983. ~H.
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Price category: 2,500 - 5,000 usd / eur
Bridge Chairs - Fauteuil Bridge - from France are generally lightweight, often part of a set of matching chairs and bridge table. Bridge chairs were originally designed in the late 1930s for ladies for leisure activities, such as for games of bridge, afternoon tea, and gossiping. As this pair of bridge chairs exhibits, the models are stylish, of small proportions, well-made, and extremely comfortable.
This solid oak “Fumay” pair is indeed, part of a dining group designed in 1965 by the world-famous French duo, Robert Guillerme and Jacques Chambron. As the version with arms, this pair’s frames are quite distinctive; the decorative elements on the backrests and armrests show and interesting curvature that is characteristic of the designer duo. These sculptural elements paired with the tapered legs are carved out of the blonde oak in an artistic way, testifying of the quality that the duo’s company, Votre Maison became famous for. The structures have unexpected details, such as the seats, with sides that are covered by the cushions, making them look invisible. Another such detail are the stretchers arranged between the legs at different heights in the fronts and sides. The genius of the design lies in these details that no matter how different, still complement each other. The sleek look is completed by the upholstered cushions in light bouclé fabric, that pairs beautifully with the colour of the blonde oak.
The French designers’ models are considered as a reference among the furniture of the 1950s through the 70s. This pair of dining chairs from the 60s gives a visual explanation why: the proportions, the subtle decorative elements, and the quality of woodworking is of the highest-quality, and the result is an immediately recognizable look that will never go out of style.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs’ cushions have been reupholstered recently in a light bouclé fabric.
Dimensions:
21.85 in W x 19.68 in D x 32.08 in H; Seat height 18.5 in; Arm height 26.37 in
55.5 cm W x 50 cm D x 81.5 cm H; Seat height 47 cm; Arm height 67 cm
About the designer:
Robert Guillerme graduated in 1934 from the École Boule where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the Twentieth Century, with Jacques’ son Hervé Chambron, a designer and graduate of the Ecole Boulle, having taken the reins in 1983. ~H.
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Price category: 5,000 - 7,500 usd / eur
Bas van Pelt’s progressive designs were, in many ways, ahead of their era. The Dordrecht-born designer’s furniture models are quite rare, a few are preserved in the Stedelijk Museum Amsterdam for modern art, contemporary art, and design. This pair of rare chairs are testimonies to the less talked about, but brilliant era of early Dutch modernism.
This elegant pair of chairs embody the distinctive design principles of the Haagse School (The Hague School) movement, which emerged in the Netherlands during the early 20th century. Renowned for its blend of modernist and traditional influences, this style emphasizes clean lines, functional form, and quality craftsmanship. One thing that connects Haagse School furniture is the appreciation of beautiful, quality wood and artisanal woodworking. These armchairs have stunning solid wood frames with geometric and symmetrical angles, most apparent in the square backs and legs. While chairs like these are generally more utilitarian, this pair still manages to look cosy and warm thanks to the upholstered seats. The fabric not only boasts an eye-catching colour but also offers a tactile experience, thus the pair is as comfortable as it is stylish.Additionally, the woodwork, with its smooth finish and natural grain, contrasts beautifully with the plush red upholstery, creating a balanced, yet visually striking appearance.
This pair of armchairs is a rare find that speaks to the elegance and artistry of the early 20th century. Whether used to enhance a modern space with a nod to the past or as a statement piece in a period room, these chairs promise to bring warmth and beauty into your home.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration. Please reach out for more information.
Dimensions:
22.83 in W x 24.40 in D x 35.82 in H; Seat height 20.86 in; Seat depth 18.89 in; Arm height 28.74 in
58 cm W x 62 cm D x 91 cm H; Seat height 53 cm; Seat depth 48 cm; Arm height 73 cm
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Price category: 20,000+ usd / eur
Francis Jourdain was known to be vocal about modern art and aesthetics, and he heavily criticized contemporary French design for its ostentatious luxury. His designs were straightforward in construction and less pompous in nature. This set is in line with his views, showing French tradition, while taking advantage of natural materials and clever construction.
French furniture and interior designers of the mid-century are known as masters of elegantly organic forms. As such, these chairs and footstools are characterised by clean lines and a free spirit. The design is focused on sinuous curves, especially on the contoured arms with a carefully sculpted and carved shape that runs down to form the legs as well. The straight lines of the seat and backrests are masterfully broken by this curvature. Furthermore, this set combines remarkable style with balance, functionality and premium materials. Rattan, used for everything from basket weaving to furniture making had found extensive use and appreciation in the context of modern 20th century design. Thanks to its unique characteristics, rattan adds an element of texture and lightness, contributing to the overall visual balance of the set. Not only do the materials complement each other, but the shades of brown, and textural variety go perfectly together, adding depth. Moreover, thanks to the outstanding ergonomics of the reclined backrests and use of footstools, the whole body of the sitter is supported.
Though many mid-century French designers may not have the name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these lounge chairs and footstools highly sought after.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
27.16 in W x 39.96 in D x 28.93 in H; Seat height 11.22 in; Seat depth 18.50 in; Arm height 21.85 in
69 cm W x 101.5 cm D x 73.5 cm H ; Seat height 28.5 cm ; Seat depth 47 cm ; Arm height 55.5 cm
About the designer:
Francis Jourdain was born on 2 November 1876, son of the architect Frantz Jourdain. His father was the founder of the Salon d'Automne collection. He benefited from the relationship of his parents with the era's famous intellectuals (Émile Zola, Alphonse Daudet) and artists (the circle of Alexandre Charpentier). Jourdain said of the society in which he grew up that it was dominated by people who were highly opinionated and quick to take sides.
Jourdain became a painter, and was a pioneer of the Art Nouveau style, in which he was distinguished as a decorator of the Villa Majorelle in Nancy. A stencilled panel by Jourdain with elegant, cleanly silhouetted images was shown at the 1900 Exposition Universelle in Paris. In 1911 Jourdain began to design furniture, following the teachings of Adolf Loos (1847–1933). He opened Les Ateliers Modernes in 1912, a small furniture factory. With his built-in furniture and storage systems he was able to make small areas appear spacious. He owned a furniture shop by 1919, Chez Francis Jourdain. Jourdain was a regular exhibitor from 1913 to 1928 at the Salon d'Automne and the Societé des Artistes Décorateurs, and published many articles on modern art and aesthetics in which he attacked the ostentatious luxury that was typical of contemporary French design. His own designs were simple, with straightforward construction.
He collaborated with Le Corbusier in 1920 in publishing a journal titled L'esprit nouveau, subsidized by the government. It advocated standardization and industrial production as an alternative to individual design, required to rebuild the shattered French society and economy of the years following World War I. Jourdain was a prolific writer on art in the period after World War II (1939–45). At the end of his life, Jourdain acted as president of the Secours populaire français. He died in Paris on 31 December 1958 at the age of 82. ~H.
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Price category: 7,500 - 10,000 usd / eur
The company Votre Maison is one that has left an indelible mark on the history of French design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House”). Their focus was as keenly attuned to functionality as to the creation of innovative design. The 'Denis' model chairs, designed by Robert Guillerme along with his sales partner Jacques Chambron, are a stunning examples of the works created at Votre Maison during the 1950s.
This type of “fauteuil bridge” (or, "bridge chairs") from France are generally lightweight, often part of a matching set of chairs and bridge table. "Bridge chairs" were originally designed in the late 1930s for leisure activities, such as card games, afternoon tea, and catching up. The typical models are stylish, of small proportions, well-made, and extremely comfortable - as this set greatly exemplifies. With an interesting open construction, this chair model's frame is very distinctive, with the armrests' curvature flowing into the chair’s front legs. Through this subtle, yet powerful detail, the straight lines of the legs and backrest are softened by the rounded shape of the arms. The gentle feel is further enhanced by the cushion’s rectangular shape with slightly rounded edges. The partially open backrest creates a light and open impression that is further amplified by the lighter coloured upholstery, which contrasts with the wood. Another distinctive feature is the pair of stretchers set parallel between the front and back legs, which join the legs together with an inward curve that mimics the curve of the backrest.
The elegant tones of both the upholstery and the wooden frame highlight the timeless allure of this set. From the refined wood color to the carefully thought-out structural details, this model is characteristic of Robert Guillerme and Jacques Chambron’s unique style and manufacturing skills.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, items may have some marks, scratches, and discolouration. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.63 in W x 23.22 in D x 29.92 in H; Seat height 17.71 in; Seat depth 19.48 in; Arm height 25.59 in
60 cm W x 59 cm D x 76 cm H; Seat height 45 cm; Seat depth 49.5 cm; Arm height 65 cm
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Price category: 12,500 - 15,000 usd / eur
Art Deco (or streamline moderne, as it’s often referred to), was originally named Art Décoratifs. The design style received its “Art Deco” name after the Exposition Internationale des Arts Décoratifs et Industriels Modernes, hosted in Paris in 1925. The Art Deco period peaked in popularity around the mid 20th century, then spread across Europe and the Unites States up to the start of World War II.
Incorporating Art Deco furniture pieces into interiors is a brilliant way of gracefully achieving the essence of luxury and glamour. This design style is one-of-a-kind; it incorporates geometric shapes often resembling sleek futuristic forms, and these lounge chairs are a perfect example of this. The lounge chairs’ symmetry and distinctive look is characteristic of a style that celebrates modernity and industry. The designer of this set beautifully couples soft upholstery with the sharp lines and angular shape of the iron body, which will no doubt add a sense of boldness to a space.
As a testament to the enduring allure of Art Deco furniture, these lounge chairs showcase the marriage of form and function, exquisite materials, and masterful design.
Condition:
In good vintage condition. Wear consistent with age and use. The frames have been later repainted in black powder coating. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
39.37 in W x 23.62 in D x 27.56 in H; Seat height 17.72 in; Arm height 27.56 in
100 cm W x 60 cm D x 70 cm H; Seat height 45 cm; Arm height 70 cm
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Price category: 9,000 - 12,500 usd / eur
As with the UK and much of Europe, there was something of a design renaissance in France in the decades following the Second World War, due to developments in materials and technology. In France, designers were often also architects, whose focus on functionality and quality resulted in sculptural models, such as these lounge chairs.
The solid elm wood structures immediately stand out, their vertical and horizontal lines are cleverly combined to create the unique look. The frames showcase the exceptional level of woodworking with seamless joinery techniques and a structural composition that assumes architectural knowledge as well. From the spindles forming the back to the arms, to the sturdy legs and their stretchers, these lounge chairs show clear evidence that they are the products of a highly skilled craftsman. With the exception of the four stretchers connecting the legs, the frames have rounded edges and subtly curved elements such as the armrests and the headrests. Since the chairs are composed of several individual parts, they exude an airy look despite their solid elm bodies. Elm wood is very durable thanks to its interlocked grain that also gives it a visually stunning look. The design is further elevated by the newly upholstered back and seat cushions with a stylish bouclé fabric with a rich texture. The back cushions have a round shape so that besides complementing the overall impression of the lounge chairs, they also allow the decorative backs to stay visible.
In France, the 1970s saw brilliant designers and architects working to create furniture of the highest quality that explored modern shapes and forms. This pair of sculptural lounge chairs shows how successful these experiments were. Their sleek lines and curved contours are a testament to the mastery of form and function that defined the French design movement of the time.
Condition:
In very good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.28 in W x 35.03 in D x 32.67 in H; Seat height 11.02 in; Arm height 19.68 in
82 cm W x 89 cm D x 83 cm H; Seat height 28 cm; Arm height 50 cm
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Price category: 5,000 - 7,500 usd / eur
The 1940s in France marked a period of quiet refinement in furniture design, shaped by the influence of Art Deco and a renewed focus on craftsmanship and comfort. Designers of the era often pared down ornamentation in favor of strong silhouettes and high-quality materials, creating pieces that were both practical and elegant. This pair of upholstered armchairs, made in France circa 1940s, perfectly reflects these values.
The chairs feature a solid wooden frame with a striking angular silhouette. The arms are particularly distinctive thanks to their geometric look. They create a sculptural line that complements the simplicity of the overall form. The wood has a deep, rich tone that pairs beautifully with the neutral upholstery, offering a restrained yet sophisticated material contrast. The seats and backs are proportioned and comfortably padded, with the upholstered surfaces neatly tailored in a woven fabric that adds visual depth. The legs are subtly tapered, providing both structural stability and a sense of lightness, while the open armrests contribute to an airy, modern presence. Though modest in decoration, the chairs' form and craftsmanship convey a sense of understated luxury characteristic of mid-century French interiors.
Elegant yet grounded, this pair of armchairs is ideal for a living room, study, or refined dining space. Their timeless design, quality materials, and sculptural woodwork make them versatile additions to both classic and contemporary interiors, embodying a quiet sophistication that transcends stylistic boundaries.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
21.85 in W x 24.80 in D x 32.08 in H; Seat height 17.51 in; Seat depth 18.11 in
55.5 cm W x 63 cm D x 81.5 cm H; Seat height 44.5 cm; Seat depth 46 cm
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Price category: 5,000 - 7,500 usd / eur
The 1940s were an iconic time in the world of design, representing the meeting point of two of the best known movements- Art Deco and mid-century modern. From tables, to sofas and armchairs like this beautiful French pair, 1940s pieces combine the timeless Art Deco silhouettes and the mid- century modern pursuit of uncomplicated functionality to arrive at truly unique furniture elements.
Rooted in the ethos of the period, this pair of chairs reflect the timeless elegance of French design. The solid oak frames showcase clean lines and a straightforward look, perfectly capturing the balance between functional simplicity and honest charm that defined their time. The chairs are thoughtfully crafted with high backrests featuring three slats, ensuring support while maintaining an open feel. The rush seat, masterfully woven, adds a touch of organic texture, providing both comfort and visual warmth. Tapered armrests frame both sides of the seat, inviting relaxation through their practical use. To round off the well thought-out design, the four legs supporting each chair feature stretchers which enhance durability and stability, ensuring these chairs are as practical as they are beautiful.
These armchairs transcend their era, through the appeal of their design. Not only do they pair seamlessly with a variety of interiors, but they serve as the graceful representation of achieving function while not expecting quality craftsmanship or aesthetics.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
27.56 in W x 25.6 in D x 51.37 in H; Seat height 18.7 in; Seat depth 19.7 in; Arm height 27.36 in
70 cm W x 65 cm D x 130.5 cm H ; Seat height 47.5 cm ; Seat depth 50 cm ; Arm height 69.5 cm
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Price category: 5,000 - 7,500 usd / eur
French mid-century seating frequently combined elements of regional craftsmanship with the cleaner lines associated with modernist furniture. Rush weaving, long used in traditional French chairs, remained present throughout the post-war period, particularly in pieces that favoured natural materials and visible construction over heavy upholstery. Rather than concealing how a chair was made, designs like this highlighted joinery, wood grain, and woven surfaces.
This pair of armchairs brings together that approach through a restrained oak frame and handwoven rush seats. The structure is built from slender uprights and gently tapering legs, giving the chairs a light visual presence despite their size and proportions. The tall backrests are composed of vertical slats that introduce rhythm to the silhouette while keeping the form open and airy. The armrests extend from the back before projecting forward in a clean horizontal line, reinforcing the architectural quality of the design. The woven rush seats introduce texture and warmth, contrasting with the smoother surfaces of the wood. The natural fibres soften the geometry of the frame while also emphasizing the craftsmanship involved in the construction.
Together, the chairs inspire a quiet elegance that comes from masterful craftsmanship. The combination of materials creates richness without excess, allowing the structure to remain the focal point. Their silhouettes feel grounded in traditional French furniture making, yet the simplicity of the lines ensures the qualities of mid-century modern design.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the armchairs may have some marks, scratches, and discolouration. The wicker seating of the chairs show signs of wear.
Dimensions:
27.17 in W x 22.45 in D x 38.98 in H; Seat height 18.51 in; Seat depth 19.49 in: Arm height 26.38 in
69 cm W x 57 cm D x 99 cm H; Seat height 47 cm; Seat depth 49.5 cm; Arm height 67 cm