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Price category: 12,500 - 15,000 usd / eur

This pair of upholstered armchairs beautifully exemplifies the balance of tradition and forward-thinking design that characterised the first half of the 20th century. Unlike designs from outside the continent, European pieces weren’t flashy but rather well-made to fit a warm, comfortable and welcoming interior.

The chair model is defined by a clear, well-proportioned silhouette and upholstered bodies. The design expertly combines a geometric impression and high quality materials to create a balance that defines the overall form. The wooden curved armrests frame the seats, creating a grounded and sturdy presence. These exposed wooden frames feature a continuous linear structure around the chairs, bending outward into broad armrests before descending directly into the sled-style bases. That uninterrupted curve gives the silhouette a strong architectural quality. The bodies are upholstered in a striped fabric, the pattern introduces rhythm and subtle contour without overpowering the shape. The vertical stripes emphasise the chairs’ height and give structure to its soft silhouette, while the fabric’s texture adds depth and tactility.

This armchair model is a strong example of how 1930s design prioritised comfort while embracing modern restraint. The understated elegance allows the pair to blend easily into both classic and contemporary interiors, whether used as a bedroom accent, or part of a larger seating arrangement. Timeless in form and honest in construction, the pair offers both visual clarity and lasting comfort, making it versatile with an enduring appeal.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.8 in W × 35.4 in D × 29.5 in H; Seat Height 14.2 in; Seat Depth 22.0 in; Arm Height 21.5 in

65.5 cm W x 90 cm D x 75 cm H; Seat height 36 cm; Seat depth 56 cm; Arm height 54.5 cm

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Price category: 12,500 - 15,000 usd / eur

Art Deco furniture combined luxurious materials with bold architectural forms, favouring strong silhouettes. Seating from the period often emphasised generous proportions and solid construction, creating pieces that conveyed both permanence and comfort. Club chairs became one of the movement's defining furniture types, pairing deep upholstered seats with expressive frames that reflected the era's fascination with geometry and craftsmanship.

This pair or armchairs is distinguished by their bold oak frames, the broad panelled sides form the armrests and give the chairs an imposing presence. The thick timber construction contrasts beautifully with the upholstery, creating a balance between visual weight and inviting comfort. The wood constructing the frame not only showcase a beautiful natural grain, but is also durable and resistant, sure to maintain the look and functionality for generations. Still, arguably the most striking aspect of this pair is the natural deer hide that covers the seat and back cushions. The distinctive white spotting makes each chair unique and introduces an organic counterpoint to the disciplined geometry of the frame. The warm brown tones of the hide complement the rich grain of the wood, while the exposed timber surfaces allow the quality of the wood to remain a central feature of the design, both in perfect balance. Slightly recessed plinth-style bases visually ground the chairs, which enhance the architectural character without adding unnecessary detail.

Every element is carefully designed, allowing the strong construction and exceptional materials to define the overall expression. They exemplify the Art Deco interest in honest materials and forms, offering comfortable seating while making a strong architectural statement within an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The chairs have recently been reupholstered in premium deer hide. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.13 in W x 33.46 in D x 27.17 in H; Seat height 16.54 in; Seat depth 21.46 in; Arm height 23.03 in

74 cm W x 85 cm D x 69 cm H; Seat height 42 cm; Seat depth 54.5 cm; Arm height 58.5 cm

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Price category: 7,500 - 10,000 usd / eur

French mid-century seating frequently combined elements of regional craftsmanship with the cleaner lines associated with modernist furniture. These chairs are exemplary of the main ideals of mid-century modernism, characterised by clean, simple lines, honest use of materials, and a lack of unnecessary decorative embellishments. Instead, the focus is on craftsmanship and clever design.

The pair, crafted in the manner of Jacques Lardin, is confident yet discreet, with clean junctions and honest detailing of the joinery. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their form by the demands of the human body. With these armchairs, the designer arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. The warm tone of the wood highlights the natural grain, adding visual depth and character to the clean, architectural structure. Upholstered in off-white fabric, the chairs gain their quiet luxury through material rather than embellishment. Together, the wood and fabric establish a dialogue between texture and form: one smooth, one tactile, both grounded in natural beauty. They function effortlessly as statement pieces while remaining practical for everyday use. Timeless in form and character, the pair offers an expression of 1940s craftsmanship that fits with ease into both modern and classic interiors.

Though many mid-century French designers may not have the same name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these chairs highly sought after.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The items have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.88 in W x 25.59 in D x 31.29 in H; Seat height 18.89 in; Seat depth 18.50 in; Arm height 24.80 in

50.5 cm W x 65 cm D x 79.5 cm H; Seat height 48 cm; Seat depth 47 cm; Arm height 63 cm

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Price category: 12,500 - 15,000 usd / eur

The “Oskar” armchair was designed in 1939; a busy year for Carl Malmsten as he also participated in the New York World Fair. It was at this fair where the expression “Swedish Modern” was coined, but Malmsten remained a traditionalist, mainly concerned with comfort in the home.

As with so many of Malmsten’s pieces of furniture, Oskar was modelled on an earlier design. This pair belongs to Carl Malmsten's earlier works, and the structures are made of solid pine from Swedish forests. As it can be expected from the “Master of Wood”, the frames are expertly designed, with ergonomic and aesthetic principles at their core. While these armchairs may seem less “Malmstenesque”, they already have the gentle curves that defined his later designs. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The gently bent backrests are tufted with dark yellow stitches that contrast with the light bouclé upholstery both in colour and texture to create a stylish, visually interesting look. The structures are supported by the tapered, solid pine legs that add an organic touch to the design. This chair model is reminiscent of the furnishings of the sitting room of Ulriksdal Palace, which was given to the crown prince and princess, Gustav and Louise, by the Swedish people in 1923. Malmsten was commissioned to create the decor for the room, and the Oscar armchair may have been a template for this period and perhaps that is why Carl Malmsten gave the chair a royal-sounding name.

The company known today as O.H. Sjögren was established as early as the 1870s. Carl Malmsten, who had hitherto only produced the most exclusive and unique furniture for a limited and affluent clientele, sought manufacturers who were able to produce his furniture in larger volumes without compromising the high demands he placed on craftsmanship and quality. He chose O.H. Sjögren, and together they developed and marketed the many items of upholstered furniture that have become classics today.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 29.92 in D x 37.4 in H; Seat height 16.33 in

73 cm W x 76 cm D x 95 cm H; Seat height 41.5 cm

About the Designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today.

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Price category: 5,000 - 7,500 usd / eur

During the mid-twentieth century, European furniture makers increasingly combined the clarity of modernist design with traditional materials and time-honoured woodworking techniques. Designs often celebrated exposed joinery, solid timber construction, and woven fibres, creating furniture that was both visually light and durable. This pair of armchairs reflects that approach, pairing a geometric wooden frame with hand-woven wicker elements in a composition that is both architectural and inviting.

The chairs are constructed from solid wood elements, their rectilinear frames defined by broad square-section legs connected by robust stretchers that emphasize stability and craftsmanship. The armrests are flat, yet carved ergonomically, and they extend in a clean horizontal line, framing the seat. The distinctive backrests consist of solid triangular wooden panels with a blunted upper corner and a gently carved details, introducing a sculptural quality that contrasts with the openness of the surrounding frame. Below, hand-woven wicker panels form both the back support and seat, their tightly woven texture softening the angular construction and adding warmth to the composition. The interplay between smooth timber surfaces and the tactile weave creates visual depth, while the careful proportions prevent the substantial construction from feeling heavy. Every joint and transition is clearly expressed, allowing the quality of the materials and the precision of the craftsmanship to define the character of the chairs, from the woven panels to the leg stretchers.

The result is a pair of armchairs that balances architectural structure with natural texture. Their restrained detailing, honest construction, and thoughtful use of wood and wicker make them versatile seating pieces, equally suited to modern interiors and spaces that celebrate the enduring appeal of European mid-century craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor marks, scratches, and discolouration.

Dimensions:

26.97 in W x 19.29 in D x 33.46 in. H; Seat height 18.50 in; Seat depth 17.72 in; Arm height 25.78 in

68.5 cm W x 49 cm D x 85 cm H; Seat height 47 cm; Seat depth 45 cm; Arm height 65.5 cm

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Price category: 9,000 - 12,500 usd / eur

This pair of armchairs is rooted in the European Art Deco movement. It was a period defined by confidence, structure, and a belief in modern luxury. Art Deco design emerged between the wars as a response to earlier ornament-heavy styles, favouring clarity of form, strong geometry, and refined materials. Furniture from this era often balanced comfort with a distinctly architectural presence, drawing inspiration from both classical proportion and the clean lines of modern industry. This chair reflects that mindset perfectly, presenting a strong and confident silhouette that feels intentional rather than decorative.

The form of the pair is solid and grounded, built within a strong wooden frame that gives the piece its architectural weight. The arms are outlined by smooth and sharply defined wood, creating a sense of enclosure that feels both protective and confident, while the backrests soften the geometry and add comfort. The rich beige colour of the upholstery highlights the chairs’ sophistication, and the minimal, carved legs in dark wood give the model a grounded feel that contrasts beautifully with the softness of the upholstery. The clean lines and geometric proportions balance the luxurious, soft texture of the fabric with the sturdiness of the frame, creating an object that is both sculptural and functional. This pair of armchairs exudes the confident yet refined impression typical of the Art Deco style.

Perfect for those looking to add some vintage glamour to a space, these pieces will bring timeless allure to any room. The design offers a perfect blend of style and comfort, which will endure through the ages while exemplifying Art Deco craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 35.03 in D x 34.25 in H; Seat height 15.35 in; Seat depth 22.44 in; Arm height 25.59 in

75 cm W x 89 cm D x 87 cm H; Seat height 39 cm; Seat depth 57 cm; Arm height 65 cm

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Price category: 12,500 - 15,000 usd / eur

The “Laila” model by the Finnish designer, Ilmari Lappalainen, originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection.

This pair of armchairs are from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic mid-century modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating, that it prevented back problems. These armchairs have a cosy modern style, modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushions and back with five tufted buttons. The bodies have the classic Nordic look, which explains the contemporary popularity of these armchairs both among the public and museums. The modern aesthetic is further elevated by the soft sheepskin upholstery that complements the shape and the wooden, tapered legs as well.

Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. These chairs were created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930, the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s present Laila armchairs.

Condition:

In good condition. Wear consistent with age and use. Due to the nature and age of the material, the chairs may have some marks, scratches, and discolouration. The chairs have been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.67 in W x 34.64 in D x 34.44 in H; Seat height 17.71 in

83 cm W x 88 cm D x 87.5 cm H; Seat height 45 cm

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Price category: 7,500 - 10,000 usd / eur

This pair of armchairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

Impressive in its simplicity, this pair carries with it the beloved modernist characteristics of simplicity and functionality yet shows the rustic side of European design of the era. The chairs feature sturdy wooden frames with a rich, dark finish that accentuates the natural grain and depth of the wood. The meticulous craftsmanship of the wood’s joinery further enhances the chairs' allure; impeccably constructed with no visible screws, the seamless connections speak volumes about the artisan's dedication to precision and quality. The absence of visible hardware not only contributes to the chairs' aesthetic purity but also underscores the skilled craftsmanship that went into their creation. The grounded stance gives the chairs a quiet strength, while the broad seats invite relaxed, informal lounging. Upholstered in a textured beige fabric, the cushions pair a tactile, inviting surface with the clean lines of the wood and wicker base, achieving a compelling balance between warmth and restraint. The combination of materials and finishes results in visually appealing pieces while adding warmth and comfort to the overall design. The dualism within these chairs is amazing: they can fulfill their functional purpose in an interior while also achieving their aesthetic role. 

The essence of early 20th century French design is beautifully captured by this pair of armchairs. Functional yet sculptural, rustic yet refined, they stand as enduring testaments of the striking balance only master woodworkers are able to create.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The cushions have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.02 in W × 23.62 in D × 38.58 in H; Seat height 16.34 in; Seat depth 21.26 in; Arm height 22.83 in

61 cm W x 60 cm D x 98 cm H; Seat height 41.5 cm; Seat depth 54 cm; Arm height 58 cm

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Price category: 5,000 - 7,500 usd / eur

Swedish design is characterised by a minimal, clean approach that seeks to combine functionality with beauty. The mastery of Swedish designer and architect, Bertil Fridhagen lies in creating a model that is, as its name suggests, aristocratic and minimal at the same time.

This stunning pair of solid walnut armchairs combines elements of classical and modern design with utmost quality. The solid walnut beautifully frames the upholstered bodies, outlining the welcoming silhouette of the chairs. The frames have a stunning curvaceous design, that is visually appealing from all angles. The embracing body’s curve enhances the beautiful original chenille upholstery with small deep-stitched buttons. Swedish design prefers colours rooted in nature, muted tones that aren’t screaming about their presence, but still attract the eye naturally. The chairs’ yellow chenille upholstery is a wonderful example of this ideal. The cushions are removeable and reversible, adding to the comfort of the sitter.

Bröderna Andersson, the chairs’ manufacturer is first and foremost characterised by Swedish quality, Småland craftsmanship and professional pride. At Bröderna Andersson's, the entire production chain was under one roof. From the choice of wood species to the production of frames, and careful attention so that the last seam is in place, quality is Bröderna Andersson’s word of honour.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The chairs retain their original upholstery or have been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.08 in W x 32.48 in D x 32.48 in H; Seat height 19.48 in

81.5 cm W x 82.5 D x 82.5 cm H; Seat height 49.5 cm

About the Designer:

Bertil August Julius Fridhagen was born on February 16 in1905 in Norra Sandsjö parish, Jönköping county, and was a renowned Swedish architect and furniture designer.

Bertil Fridhagen grew up in Bodafors. His father was a carpenter and he also started as a carpenter at AB Svenska Möbelfabrikerna in Bodafors, where he became the student of the architect Carl Erik Ekholm. Later, he decided to further his education at Konstfack in Stockholm. In a reversed way, Fridhagen started out gaining experience in cabinetry before completing his formal education in architecture.

He returned to Bodafors in 1937, where at first, he was employed at Sandsjö Möbelfabrik (1937-39) and then became chief architect at Svenska Möbelfabrikerna in Bodafors, where he succeeded his teacher, Ekholm. He became an important figure for the success of Svenska Möbelfabrikerna and in 1964 Bertil Fridhagen's models accounted for two thirds of home furniture production, which was an extreme success. For comparison, the much more well-known designer, Carl Malmsten's models accounted for a quarter. Bertil Fridhagen's biggest sales success was the combination series “Variett”.

Fridhagen won numerous prizes at various design competitions, including in Denmark in 1954, the California State Fair in Sacramento with the Librettserien in 1956, in Italy in 1966, 1968 and 1970 and in Tennessee in 1972. He also designed buildings, but above all interiors, he is remembered for the Bodafors church. The designer is remembered for his versatile models which are beautiful examples of Swedish design ideals. ~H.

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Price category: 12,500 - 15,000 usd / eur

During its heyday, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress. The movement peaked in popularity around the 1930s, spreading across Europe and the United States up to the start of World War II. Art Deco designs featured rare, expensive, innovative materials and exquisite craftsmanship.

In line with the Art Deco movement during which they were created, these chairs illustrate the bold, rich and luxurious aesthetic of the era. Before giving way to mid-century modernism and its focus on function over form, Art Deco pieces coupled geometry and craftsmanship to arrive at elegantly impressive additions to interiors. This pair of armchairs live up to their rich history through their strikingly geometric form. Both the backs and the armrests introduce clear angles and wooden elements with multiple edges. The chairs feature back and seat cushions, upholstered in a soft deep green fabric that draws in the eye, bringing a warmth and an earthy richness that pairs beautifully with the beech frames. The armrests are stripped down to their wooden structure, with a tapering element further highlighting the sculptural quality of the model. The short legs, with their carved ridges, balance out the voluptuous bodies, while flowing effortlessly as a continuation of the armrests to ensure the stability of the armchairs.

Created during an age of innovation - from materials, to shapes and techniques - these chairs showcase that the European furniture designers’ artistic approach was anchored in the Art Deco movement. Through their form and quality craftsmanship, this pair of armchairs makes for the perfect stylish touch of warmth and charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items may have minor marks, scratches, and discolouration. The chairs have been recently reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.8 in W x 31.88 in D x 31.29 in H; Seat height 14.56 in; Seat depth 21.45 in; Arm height 22.83 in

63 cm W x 81 cm D x 79.5 cm H; Seat height 37 cm; Seat depth 54.5 cm; Arm height 58 cm

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Price category: 15,000 - 20,000 usd / eur

These Guillerme et Chambron ‘Grand Repos’ lounge chairs display a beautiful contrast between the light oak frame and the elegant light fabric of the cushions. With a solid wooden frame, the support for the back is made with six wooden spindles extending upwards yet slightly curved, resulting in a rounded backrest. The backrest is slightly tilted for comfort, aided by the generous seat and back cushions.

The pillow for the backrest has been embellished with tufted buttons on the front and back, as well as with loops encompassing the spindles that ensure the cushion stays in position. The bottom consists of a cushion framed by the curved wooden armrests which extend to the legs.

The standout feature of this model are the creative overarching spindles that create an almost throne-like, grandiose effect. The woodworking truly shows the overall quality of these chairs, the frame is refined and the attention paid to the smallest detail shows the design and manufacturing skills of Robert Guillerme and Jacques Chambron.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs’ cushions have been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.5 in W x 36.22 in D x 40.94 in H; Arm height 23.03 in

77.5 cm W x 92 cm D x 104 cm H; Arm height 58.5 cm

About the Designers:

Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.

In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.

The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983. ~H.