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Price category: 7,500 - 10,000 usd / eur

The postwar boom years of the 1950s through to the 1960s were one of the periods of greatest influence of Italian designers. The models created during this period paved a way to a more aesthetical approach to products as opposed to their utilitarian predecessors, resulting in exceptional pieces like this “Hall” armchair.

This stunning piece was designed by Roberto Menghi, a renowned Italian designer who was the recipient of two Compasso d’Oro awards and two Grand Prizes at the Triennale di Milano. This piece effortlessly showcases Menghi’s design prowess and architectural precision. The design epitomises the unique blend of style, craftsmanship, and innovation that characterised Italian design in the mid-20th century. There are several features that show these different style elements starting with the fully upholstered, sculptural body and tapered metal legs. With its outward pointing armrests and the dynamic lines of the seating, the chair combines modern forms and ideals to obtain a timeless, impressive piece of furniture. Furthermore, the blue mohair fabric adds a rich and luxurious look and feel, with the deep, warm hue of the upholstery creating a sense of opulence, making it an ideal choice for an eye-catching interior. The mohair’s tone enhances the sculptural qualities of the form, contrasting the crisp, linear frame with a plush, inviting surface.

The "Hall" armchair is not only functional and comfortable but is also a statement of artistic craftsmanship, making it a perfect addition to any interior. With its timeless appeal and unique character, this chair captures the essence of Italian mid-century design, inviting admiration and comfort.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

39.37 in W x 31.10 in D x 31.88 in H; Seat height 16.14 in; Seat depth 20.47 in; Arm height 22.04 in

100 cm W x 79 cm D x 81 cm H; Seat height 41 cm; Seat depth 52 cm; Arm height 56 cm

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Price category: 7,500 - 10,000 usd / eur

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This “Canada” or model P110 chair was designed by Osvaldo Borsani in 1965 and manufactured by the Borsani brothers’ company, Tecno. The chair is enriched with mechanical components that give it versatility in terms of composition, shape and arrangement.

The Borsani brothers’ company, founded in 1953, had strong ideals, mainly a philosophy of quality. Just like the company’s name in Italy, this “Canada” lounge chair is unmistakable. The wooden structure serves as the base for the upholstered sections that are divided into three parts. Immediately standing out are the oversized buttons, seven on both sides, that secure the cushions in place, while also increasing the visual quality of the chair. The extraordinary heritage of craftsmanship in the treatment of materials, in the attention to detail, in the interpretation of the shape defines this chair. Thanks to the innovative language of the design, this model can fit perfectly into any interior while still standing out visually.

The “Canada” lounge chair shows the rigor of form, the quality of materials and workmanship, and the attention to the opportunities of technology that Tecno is known for. The chair is upholstered in leather, which contrasts beautifully to the peculiar body.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches on the back. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.28 in W x 33.46 in D x 33.07 in H; Seat height 15.74 in; Seat depth 22.04 in; Arm height 21.06 in

82 cm W x 85 cm D x 84 cm H; Seat height 40 cm; Seat depth 56 cm; Arm height 53.5 cm

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Price category: 5,000 - 7,500 usd / eur

Ergonomic in its structure, this mid-century armchair showcases the best characteristics of post-war Italian design. These postwar boom years of the 1950s through the 1960s were a greatly influential - and experimental - period for Italian creatives. Striking in its balanced proportions and clean architectural lines, this armchair was born of careful decision making, where every curve, joint and surface was conceptualised with comfort and sculptural grace in mind.

The elegant lines of the chair create a pleasing visual balance, a result of the gently rounded back and pointed wingback crown. The silhouette, with its open construction, is comprised of an enveloping back that flows down in a curve towards the generous seat, forming a cocoon for the sitter. Creating a welcoming impression, the sheltering arms hug the person even further, adding a further layer of relaxation. The arms, slightly overturning at the ends, unfold the form of the design and emphasise its openness and welcoming spirit even further. The dark, splayed legs ensure stability, and their minimal shape allow the chair’s body to shine as the focal point. Acting as complementary elements, the tapered legs on the bottom are in harmony with the sharp peaks at the top of the backrest. Meanwhile, along the midsection, the elegant overspill of the armrests traces the sides, opening up the structure and introducing another intriguing dimension that deepens the visual presence of the piece. The armchair is full of unique design elements, but rather than working against each other, they instead unify the design through their shared aesthetic characteristics. In their own unique way, these small details are striving for the same sophisticated style. Recently upholstered in premium fabric, the chair flourishes in a beautiful, neutral colour that complements any interior.

The subtle colour of the chair, combined with its elegant form, provides a beautiful visual cohesiveness. This armchair is not just a functional sitting element, but also brings its own refined character into the atmosphere of the room, making it simultaneously both charming and practical.

Condition:

in good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

33.07 in W x 31.49 in D x 40.55 in H; Seat height 15.15 in; Seat depth 18.70 in; Arm height 21.45 in

84 cm W x 80 cm D x 103 cm H; Seat height 38.5 cm; Seat depth 47.5 cm; Arm height 54.5 cm

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Price category: 2,500 - 5,000 usd / eur

Italian designer Giancarlo Piretti emerged as a leading figure in postwar furniture design, known for combining technical ingenuity with sculptural forms. A longtime collaborator with Anonima Castelli, Piretti developed several groundbreaking pieces in the 1960s and 70s, many of which explored modularity, and ergonomics. His works, such as the iconic Plia folding Chair and Plia Table won multiple international design awards, and still find their home in museums word-wide, from Austria to the Czech Republic, Slovenia and the United States.

The “Alky” lounge chair, first released in the early 1970s, is among his most celebrated works and reflects the experimental spirit of the period while maintaining a strong sense of comfort and approachability. The chair showcases its signature curvilinear form, expertly upholstered in a soft off-white bouclé that enhances the chair’s inviting charm. The piece is organic, almost reminiscent of a cloud, both thanks to its plushy shape and soft fabric. The design features a continuous silhouette from backrest to seat to base, all supported by a lightweight aluminium structure. The sled frame rests on two aluminium feet, ensuring the stability of the chair. Its organic shape hugs the body and provides a comfortable sitting experience, highlighting Piretti’s attention to ergonomics. The design is balanced, as the textile surface adds warmth, contrasting the modernist structure with a sense of softness.

This “Alky” chair remains an example of 1970s Italian design and a perfect illustration of how form and function can harmonise effortlessly. Ideal as a statement piece in a living room, lounge, or studio, it offers timeless comfort and a sculptural presence that continues to resonate in contemporary interiors.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.38 in W x 32.28 in D x 27.56 in H; Seat height 16.14 in; Seat depth 22.05 in

67 cm W x 82 cm D x 70 cm H; Seat height 41 cm; Seat depth 56 cm

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Price category: 2,500 - 5,000 usd / eur

This individualistic chair possesses a look that is eternally relevant regardless of current trends, a charm that would likely be called ‘the mid-century modern style’. Even after decades, interior items from Italian manufacturers look like works of art. This lounge chair exemplifies modern design that leans toward a minimalist approach with open spaces and clean, refined lines.

The design language is entirely dedicated to the organic-modern style of the 1950s. Much like in Scandinavia, the mid-century era in Italy gave form to furniture pieces defined by quality, functionality, and reliability. The curved seat gives this model a sculptural and striking appearance. The splayed legs made of lacquered brass are very characteristic of the era, adding a modern touch to the body. The black lacquered legs are quite simple, which is a great design choice that contrasts with the colour and soft texture of the upholstery, while also letting it stand out. This lounge chair can seamlessly integrate into a variety of design schemes, enhancing the overall aesthetic and imbuing the space with a touch of timeless Italian elegance.

Like their international contemporaries, Italian designers prized the marriage of form and function, but there are a few key differences that set Italian mid-century design apart. In Italy, good design was generally defined by unique forms, perfect execution, and a strong sense of exclusivity.

Condition:

In good vintage condition. Wear consistent with age and use. Visible scratches and marks on the lacquer. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.56 in W x 26.38 in D x 30.91 in H; Seat Height 12.60 in; Arm Height 22.83 in

70 cm W x 67 cm D x 78.5 cm H; Seat height 32 cm; Arm height 58 cm

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Price category: 7,500 - 10,000 usd / eur

This rare oak easy chair showcases the homely curviness that defined the design of the 1950s in the Nordic countries. Hiort af Ornäs developed the model for his own furniture company, ‘Hiort Tuote Valmistaja Puunveisto Helsinki’, or ‘Hiort Product Manufacturer Puunveisto (woodcarver) Helsinki’.

The body has a soft, sculptural shape paired with an ergonomic and firm construction. Hiort af Ornäs was very firm about two things regarding his chair designs: the sitting comfort and that the model must look good from every single angle. Much like the “Pedro” model, this easy chair easily fulfils these principles, as even from the bottom, it showcases the expertly carved oak structure. The removable seat cushion, framed by the open body, ensures the sitting comfort. The seat, back- and armrests are all formed from a single piece that has an organic, outward curving look that is highly inviting and stylish. Especially on the armrests, the curves highlight the texture of the velvet upholstery and vice versa. The fabric is most appealing on rounded, curving forms, therefore it is a perfect match for this easy chair. The legs on the other side have a more straightforward design, creating an interesting contrast with the upholstered body. They are gently splayed and bent to support the seat and display the oak’s beautiful, darker shade. The craftsmanship and quality of Hiort af Ornäs is very visible in this easy chair.

The seating designs of the architect/designer have been gradually more and more recognized world-wide, which resulted in a recent exhibition titled “Forgotten Ornäs”. Form follows function is a principle of design associated with early and mid-20th century architecture and furniture design, stating that the shape of a building or object should primarily relate to its intended function or purpose. This was evidently an important principle for the designer, seen in the design of both the structure and aesthetic elements.‎

Condition:

In good vintage condition. Wear consistent with age and use. This chair has been reupholstered recently in premium velvet. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

34.05 in W x 31.49 in D x 30.31 in H; Seat height 18.11 in

86.5 cm W x 80 cm D x 77 cm H; Seat height 46 cm

About the designer:

Carl-Gustaf Vilhelm (nicknamed “Nalle”) Hiort of Ornäs was born on 27 February 1911 and lived most of his life in Tapiola/Espoo in Finland and in his later life moved to Spain. He is remembered as a Finnish interior architect and designer known to be uncompromising.

Before the Finnish wars (1939-1944), Hiort af Ornäs spent his time in Pori, working at Björneborgs Mekaniska Verkstad. He studied at the Helsinki University of Technology to become an architect but never graduated. He did, however, become known as an interior designer, and eventually even more known as a furniture designer.

In 1945, Hiort af Ornäs founded the furniture company Puunveisto Oy, for which he developed versatile techniques for shaping plywood. He started the furniture manufacturing shop on Lauttasaari in Helsinki (Veneentekijäntie 14) together with his brother. The wood shop, showroom and office were all located in the same building in Helsinki. Rolf Mesterton was the man in charge of producing the furniture but there were several other carpenters at work in the woodshop. Hiort af Ornäs’s furniture was exhibited and sold by the shop Nupponen who also distributed Olavi Hänninen’s designs, while Puunveisto’s furniture were also sold by Gösta Westerbergs Möbler in Stockholm, Sweden but, in spite of a good selection of chairs, tables and shelves, did not do too well. Since production costs were high, Hiort af Ornäs faced economic troubles. The company was later sold to Nupponen after which Hiort af Ornäs’s interest in the company waned.

Hiort af Ornäs spent his retirement in Spain, and designed several buildings for Fuengirola’s Los Pacos neighbourhood, which has a large Finnish population. His house that he drew and built in Tapiola, Espoo, Finland, ‘Villa Hiort’, still stands and houses some of the designer’s original drawings. It is a beautiful example of 1950s Modernism and the talent of Hiort af Ornäs that brought him recognition that lasts to this day. ~H.

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‎Price category: 5,000 - 7,500 usd / eur

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The 1950s saw brilliant Italian designers working to create furniture of the highest quality that explored truly modern shapes and innovative techniques. Designers experimented with new materials and construction methods but, crucially, they kept the elegance inherent in Italian design. This sculptural wingback lounge chair is a prime example of form’s marriage to function.

With a clear preoccupation with geometry, this chair’s outstanding architectural frame speaks of the mastery of the designer and of the producer. Still, all the decorative elements are in service of functionality, including the “wings”, the appealing angles of the seat, and the thick seat and back cushions. Furthermore, the back’s inclination is adjustable in three stages, making this model a perfect chair for the ultimate lounging experience. The clearly lined wood frame contrasts beautifully with the upholstery. The padded velvet fabric highlights the shapes and angles, such as the pointed “wings” at the top that add a lot of character.  The dark stained wooden frame’s most dominant feature are the ‘V’ shaped legs joined with visible screws. The refined linearity defines the overall aesthetic, with crisp and elegant lines. On the decoration front, the chair isn’t in need of much thanks to the brilliance of the design itself, therefore the sole decorative element remains the design itself.

The design was created in the golden days of Italian mid-century modernism, when Italian design giants like Gio Ponti and Paolo Buffa worked as well. With an outstanding design, quality materials and Italian design elements, this lounge chair is sure to provide comfort and style in any interior.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium velour fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 40.94 in D x 35.43 in H; Seat height 15.35 in; Arm height 23.22 in

70 cm W x 104 cm D x 90 cm H; Seat height 39 cm; Arm height 59 cm

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‎Price category: 5,000 - 7,500 usd / eur

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These individualistic chairs possess a look that is eternally relevant regardless of current trends, a charm that would likely be called ‘the mid-century modern style’. Even after decades, interior items from Italian manufacturers look like works of art. As this lounge chair exemplifies, modern design from the country leaned towards a minimalist approach with open spaces and clean, curvy lines.

The design language is entirely dedicated to the organic-modern style of the 1950s. Much like in Scandinavia, the mid-century era in Italy gave form to furniture pieces defined by quality, functionality, and reliability. The organically shaped seat gives this model a sculptural and striking appearance. This lounge chair’s sleek lines and a stylish selection of materials immediately stand out, and even make the classic combination of black and white interesting. The body is formed like a shell, with smooth and flowing lines that surround the sitter. The wide back, seat, and outward curving armrests are not separated, rather they are united and create an open and welcoming look. The splayed legs made of thin tubular metal are very characteristic of the era, adding a modern touch to the organic body. The black lacquered legs are quite simple, which is a great design choice that contrasts with the colour and soft texture of the wool blend upholstery while also letting it stand out. Thanks to its well-thought-out construction and proportions, the sitting comfort this chair provides is also outstanding.

The classic pairing of black and white makes this one-of-a-kind model an elegant and stylish addition to any space. Through the design, materials, and level of craftsmanship, it displays many of the qualities why Italian mid-century furniture design continues to intrigue and impress.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium wool blend fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

42.12 in W x 33.07 in D x 28.74 in H; Seat height 16.53 in; Arm height 23.22 in

107 cm W x 84 cm D x 73 cm H; Seat height 42 cm, Arm height 59 cm

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Price category: 5,000 - 7,500 usd / eur

The mid-20th century marked a golden era for Italian interior design. Amidst a booming economy and a newfound sense of optimism, Italian designers began to explore new materials, experiment with form and function, and create iconic pieces that defined an entire era.

This armchair exemplifies the era's design principles with its understated elegance and meticulous craftsmanship. Its beautifully curved body and wooden legs exude a sense of harmony and balance. The fully upholstered body enhances visual comfort, adorned with tufted buttons on the backrest. These buttons not only emphasize the chair's contours, but also add depth to the light fabric, creating a subtle yet striking decorative effect. The upholstery showcases a textured look, with subtle color variations further enhancing the silhouette of the design. The stained and tapered wood legs complement the organic form of the body, with back legs splayed slightly for more structural stability. The armchair's sloping armrests embrace the sitter, offering a cosy and inviting feel. The seat cushion, seamlessly integrated into the chair, further contributes to its smooth and cohesive aesthetic.

The craftsmanship of the cabinetmaker is evident in every detail, reflecting a masterful understanding of proportions and design. This inviting armchair not only lives up to its mid-century Italian heritage, but also elevates it with luxurious upholstery and superior quality. It stands as a testament to the era's innovation and enduring charm, making it a true icon of Italian interior design.

Condition:

In good vintage condition. Wear consistent with age and use. fabric. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.50 in W x 31.50 in D x 29.13 in H; Seat height 15.55 in; Arm height 23.23 in

80 cm W x 80 cm D x 74 cm H; Seat height 39.5 cm; Arm height 59 cm