Blonde Oak "Kurul" Chairs by Henning Kjærnulf (attr.), Denmark 1960s (sold)
































Blonde Oak "Kurul" Chairs by Henning Kjærnulf (attr.), Denmark 1960s (sold)
Designed by Henning Kjærnulf, this model is a version of the so-called “kurulstol” or kurul chair. The inspiration for this model is an ancient type of folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.
The design of this pair features a distinctive silhouette that is evocative of Ancient Roman stools and their later reinterpretations by Renaissance and Regency-era furniture makers. Danish designer, Henning Kjærnulf made the historic silhouette his own with a quarter-sawn white oak construction, simple pared-down lines, and hand-sculpted details. The bodies are composed of two slats of wood of equal length on the sides, fastened together in a saltire formation (resembling the letter X) which are extended in the back to form the armrests and the backs as well. The result is a statement look that can easily adapt to a variety of décor styles - from traditional to modern. The upholstered seats and backrests give the historic look a modern edge and elegance. The light bouclé fabric accentuates the blonde oak and the curves sculpted from it. Kjærnulf is among the exalted few designers to possess a voice so singular and a body of work so prolific as to be credited with the invention of an entire design style. Kjærnulf's iconic "Danish Brutalist" furniture combines elements from the Arts & Crafts, Rococo, and Jacobean Movements with Modernist sculptural details and a Scandinavian palette of natural blonde woods to create a look that is both entirely unique and instantly recognizable.
While the kurulstol is a historic classic originating from ancient Rome, thanks to Kjærnulf, Scandinavian modernism remains at the core of the design. The designer’s models are easy to spot in a crowd thanks to his originality, making his pieces like these chairs unique accent pieces.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood. The chairs have been reupholstered recently in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.4 in W x 24.8 in D x 36.22 in H; Seat height 18.11 in; Arm height 25.98 in
62 cm W x 63 cm D x 92 cm H; Seat height 46 cm; Arm height 66 cm
About the designer:
Danish mid-century designer and architect, Henning Kjaernulf is somewhat of a mystery. A lot more is known about his designs than Kjaernulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjaernulf mainly designed for the Danish manufacturers EG Kvalitetsmøbel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table design. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjaernulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish the designer from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjaernulf if anything, adds more charm to his pieces. ~H.
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Price category: 7,500 - 10,000 usd / eur
Danish Modernism can be visually described by this beautiful wing-back chair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsmanship of the country’s cabinetmakers. This chair is a testament to the quality and craftsmanship of Villy Sørensen.
From the welcoming winged body and the solid wood frame to the cosy sheepskin upholstery, this chair expresses a quality of hygge and a feeling of contentment. The distinctive shape is a result of the two “ears” that encompass the sitter. One of the most notable chair styles that embodies Scandinavian modern design is the wing-back chair. The history of this type of chair can be traced back to the 17th century when they were originally designed to provide protection from drafts in grandiose, often chilly, European homes. With high backs and "wings" on each side to shield the sitter from cold air, these chairs were originally a symbol of prestige and comfort. To balance the sculptural, upholstered body is the beautiful solid wood frame that is left exposed on the sides as it also functions as a decorative element with its geometric angles and curves. The arms and tapered legs are formed from the same piece of wood resulting in a sleek impression. The wood’s colour and smooth surface contrast brilliantly with the sheepskin’s light colour and texture. Thanks to the properties of the sheepskin, this chair provides great, soft comfort as well.
Villy Sørensen had a unique design idiom, which is clearly visible in this model: function, durability, timeless design, and perhaps above all, comfort. This traditional yet playful chair combines all of these attributes, which makes it ideal to be the stylish focal point of any space.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.92 in W x 32.28 in D x 38.98 in H; Seat height 14.96 in; Seat depth 22.83 in
76 cm W x 82 cm D x 99 cm H; Seat height 38 cm; Seat depth 58 cm
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Price category: 12,500 - 15,000 usd / eur
This rare "Roset" chair is a striking creation by the Danish designer duo Ole Gjerløv-Knudsen and Torben Lind, manufactured by Mogens Kold in Denmark in the early 1970s. Introduced in 1972, the “Roset” model stands out for its sculptural form and innovative construction, embodying the spirit of Danish modernism with a playful and organic twist.
The chair’s design is both functional and deeply expressive. Its unusual shape evokes the comfort of a nest, welcoming the sitter into a softly embracing form. The chair’s broad circular seat and gently curved split backrest encourage a relaxed lounging posture, creating an intimate and cocoon-like experience for the user. The feet, resembling fins, not only provide visual dynamism but also ensure stability, giving the piece a grounded yet airy presence. The body is constructed from three laminated plywood panels, precisely joined with visible brass screws that lend a subtle industrial touch while highlighting the craftsmanship and attention to structural detail. The model is upholstered in a premium wool and alpaca blend fabric, chosen for its softness, warmth, and luxurious texture. The light, tactile quality of the upholstery enhances the chair's inviting character and complements the warm natural tones and grain of the plywood shell.
The “Roset” model remains a rare piece that offers both sculptural impact and everyday warmth. It is an ideal statement chair capturing the balance between innovation, comfort, function, and aesthetics, that defines the best of Danish design from the period.
Condition:
Wear due to age and use. Some scratches and marks. Recently reupholstered in premium alpaca - wool blend fabric.
Dimensions:
35.63 in W x 31.50 in D x 23.43 in H; Seat Height 14.17 in
90.5 cm W x 80 cm D x 59.5 cm H; Seat Height 36 cm
About the designer:
Ole Gjerløv-Knudsen (1930-2009) was a Danish furniture architect. He studied at the School of Crafts, graduating in 1952 and then at the Academy of Fine Arts in Copenhagen until 1955. Gjerløv-Knudsen designed furniture series for both carpentry and industrial production in collaboration with fellow Danish furniture designer Torben Lind (1928-2016) from 1962.
Lind’s works showed a commitment to using the finest materials and extraordinary precision to create one-of-a-kind designs. Together, they became well-known for their light furniture in beech and plywood. The duo worked together at PP Møbler, creating furniture that became a trademark of Danish design.
During their long collaboration, Gjerløv-Knudsen and Lind designed numerous successful chair designs representing Danish mid-century modern, with special attention to outstanding comfort and ensuring long-lasting value by using quality materials. Many of their designs were produced by France & Son and Mogens Kold Møbelfabrik. The latter produced some of the most coveted furniture of the mid- 20th century. ~H.
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Price category: 5,000 - 7,500 usd / eur
Ole Wanscher was one of the leading figures of 20th century Danish design. Trained as an architect and later a professor at the Royal Danish Academy of Fine Arts, Wanscher’s work is characterised by restraint, clarity, and a deep respect for craftsmanship. Makers like him believed that good furniture should feel appropriate in its proportions, neither excessive nor incomplete, and that belief is evident throughout his designs.
Model “1755” exemplifies this disciplined yet elegant approach. The chair’s back is composed of three gently undulating horizontal slats that introduce movement without disrupting the overall symmetry of the frame. These shaped rails provide ergonomic support while creating a subtle decorative rhythm across the backrest. The uprights are slightly tapered, lending lightness to the silhouette and preventing the form from feeling heavy. The arms extend from the back, curving forward in a subtle arc that supports the sitter while maintaining visual continuity with the backrest. Transitions and joinery are seamless and organic, demonstrating careful attention to structural flow. The legs are slender and proportioned with precision, connected by thin stretchers that reinforce stability without drawing attention away from the main lines. Every element feels considered, from the thickness of the rails to the spacing between slats, resulting in a chair that is visually calm yet structurally assured. The upholstered seat introduces a measured softness that balances the architectural clarity of the wooden frame. Its tailored form provides comfort while maintaining the light, refined character of the design.
Suitable for use at a dining table, desk, or as an occasional armchair, model “1755” reflects Wanscher’s enduring commitment to proportion, craftsmanship, and the thoughtful reinterpretation of historical furniture making within a modern context.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The seat cushion was newly produced and upholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.60 in W x 26.37 in D x 33.85 in H; Seat height 17.12 in; Seat depth 19.68 in; Arm height 25.19 in
62.5 cm W x 67 cm D x 86 cm H; Seat height 43.5 cm; Seat depth 50 cm; Arm height 64 cm
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Price category: 12,500 - 15,000 usd / eur
This armchair and footstool exudes quality and personality from all angles. The basic Danish design principles are all present - the pair is functional, simple at its core, well-crafted, and free of unnecessary ornamentation. During the 1950s, Danish makers led the way in furniture design, with seating pieces to this day being some of the most iconic of their time, and this model is no exception.
The generous seat and back of the armchair are welcoming, with the latter curving in such an angle that the sitter is gently “hugged”. This type of backrest style is called a wingback, originally, it was created as a way to help shield a person from drafts of cold air, and to trap the heat from a fireplace. That is why wingback chairs are sometimes called fireside chairs, as it was a popular style of chair to have pulled up in front of or flanking a fireplace. The embracing back and the curved arms create a welcoming impression, while the back’s elongated corners create visual interest. The generous padded armrests add another layer of relaxation for the sitter, and the luxurious, soft sheepskin upholstery provides great comfort in the name of functionality, while also transforming the chair into a beautiful addition to any interior space. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. The production quality is evident throughout this pair and takes the mid-century idea of “furniture that last for generations” seriously.
The design of this armchair and footstool promotes relaxation and contentment, inviting one to sit back and enjoy a moment of peace. The understated elegance and natural tones create an alluring atmosphere, making it perfect for the purpose of evoking a hyggelig (cosy) environment in any home.
Condition:
In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. The chair has been reupholstered recently in a premium sheepskin; the footstool is a later addition, upholstered in the same fabric as the chair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Chair:
34.64 in W x 35.03 in D x 38.77 in H
88 cm W x 89 cm D x 98.5 cm H
Footstool:
24.40 in W x 21.26 in D x 15.16 in H
62 cm W x 54 cm D x 38.5 cm H
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Price category: 2,500 - 5,000 usd / eur
In the decades after World War II, furniture across Europe pursued a careful balance between simplicity and craftsmanship. In the Netherlands as well as in Scandinavia, there was a rejection of heavy ornament and instead the focus fell on materials like solid wood and textiles while keeping the overall form simple and purposeful. Chairs from this period often reflect a belief that good design should be both visually pleasant and functionally comfortable.
This modernist armchair, in the manner of Jan den Drijver, illustrates these principles through a straightforward yet thoughtful construction. The frame is built from solid wood, finished to reveal a warm, natural grain that highlights its organic beauty. The backrest rises with a gentle backward slope, providing ergonomic support without excess bulk, and the wide, flat armrests extend forward in a smooth and sleek line that aligns with the sitter’s posture. The seat and backrest surround the upholstery, a textured fabric that contrasts softly with the wood while maintaining a neutral palette. The cushions are padded to increase comfort. The legs are sturdy and substantial, ensuring support while not taking away from the rest of the design. This unadorned construction allows the quality of the piece to remain the focus - the clear form, the seamless joinery, and the dialogue between materials allows for the chair to feel timeless and considered rather than fleeting or overtly stylised.
Functionally and visually, this armchair demonstrates how mid-20th century European design could bridge tradition and modernity without sacrificing comfort or structural clarity. It is well suited to domestic living rooms, libraries, or quiet seating nooks while its understated modernism makes it versatile alongside both mid-century and contemporary interiors.
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches and discolouration. Due to the nature of the material, the item may have some additional marks. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.36 in W x 31.49 in D x 30.31 in H ; Seat height 16.33 in; Seat depth 21.85 in; Arm height 22.04 in
69.5 cm W x 80 cm D x 77 cm H ; Seat height 41.5 cm; Seat depth 55.5 cm; Arm height 56 cm
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Price category: 7,500 - 10,000 usd / eur
Around the middle of the 20th century Danish furniture design began blending the streamlined elegance of modernism with the inviting charm of skilled craftsmanship. This period celebrated functionality, comfort, and organic forms by creating pieces that were as practical as they were beautiful.
This chair and ottoman pair showcases an organic look which is grounded and cosy. To keep the pair from being overcrowded visually, the design is kept simple with gently rounded lines and no other form of decoration. An impressive aspect of this chair and ottoman is that the craftsmanship expected from Danish cabinetmakers is still visible despite the full coverage of the fabric. The shape of the chair resembles that of a club chair with a wide and open profile where the arms and back are on the same level. Thanks to this, the sheepskin upholstery truly stands out; the colour and texture pairs very well with the smooth outlines of both pieces. This effect is further enhanced when the chair and ottoman are placed together as a set. The overall design values simplicity in both form and function, leaving the emphasis on the upholstery.
The most traditional use for this type of pair is in the living room, but they work especially well in an open floor plan. The early mid-century modern aesthetic lends itself well to most styles as it is timelessly elegant and high-quality in terms of materials and execution. In the case of this chair and ottoman, they are guaranteed to stand out no matter their placement or surroundings.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, items may have marks, scratches, and discolouration. The ottoman is a later addition. The items have been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
Chair:
31.10 in W x 31.49 in D x 28.34 in H; Seat height 15.35 in; Seat depth 21.65 in
87 cm W x 86 cm D x 69 cm H; Seat height 38 cm; Seat depth 55 cm
Footstool:
24.40 in W x 21.26 in D x 15.16 in H
62 cm W x 54 cm D x 38.5 cm H
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Price category: 5,000 - 7,500 usd / eur
Bas Van Pelt (1900-1945) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s are regarded for their progressive design and quality.
While Bas Van Pelt's creative work was primarily influenced by the 1920s’ straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid oak, this armchair has an open feel to it. The arms and backrests showcase a sense of airiness, highlighted by the slats on the back. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are slightly inclined, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The sitting comfort is pleasant, aided by the upholstered cushions. The textured upholstery of the seat and back cushion beautifully complements the frame. The chair embodies comfort and cosiness through the mix of proportions and expertly selected materials. The rich shade of the wood pairs perfectly with the cream upholstery.
Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have minor marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 29.92 in D x 34.25 in H; Seat height 17.32 in; Seat depth 17.71 in; Arm height 24.40 in
65 cm W x 76 cm D x 87 cm H; Seat height 44 cm; Seat depth 45 cm; Arm height 62 cm
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Price category: 5,000 - 7,500 usd / eur
The Art Deco movement, which emerged in the early 20th century, is known for its bold geometric shapes, luxurious materials, and an emphasis on streamlined forms. Art Deco came as a reaction against the flowing organic lines of Art Nouveau, thus opting for symmetry, order, and elegance. Influenced by modernity and industrialisation, furniture from this design era often features rich fabrics, polished finishes, and an overall sense of opulence, designed to elevate everyday spaces.
This armchair reflects the defining characteristics of Art Deco with its sleek geometric form. The curving armrests, which showcase the skilfully shaped and polished wooden overlays, flow gracefully into the generous backrest and seat, emphasizing their fluidity. The sumptuous burnt orange mohair upholstery brings a deep, velvety texture that enhances the chair’s inviting character while adding a dramatic touch of colour to any interior. The mohair also enhances the tactile appeal, its surface catching light and representing one of the only decorations of the pair, while also ensuring a deep sense of comfort. In true Art Deco fashion, well-thought-out details offer glamorous touches to the chair, as can be seen from the carved details on the front legs and armrests.
This armchair illustrates the perfect marriage of geometry and function combined with expert craftsmanship. Perfectly suited for a vintage or contemporary interior, the model combines artistry and comfort, and is sure to become the focal point of any space.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the frame of the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.95 in W x 38.18 in D x 31.69 in H; Seat height 17.71 in; Seat depth 21.25 in; Arm height 24.02 in
71 cm W x 97 cm D x 80.5 cm H; Seat height 45 cm; Seat depth 54 cm; Arm height 61 cm
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Price category: 5,000 - 7,500 usd / eur
Celina Decorações, a Rio de Janeiro-based manufacturer, founded in 1938 by Celina Zilberberg, was most active in the mid-20th century era until the 1980s. The company began as an upholstery studio though once Munis Zilberberg, Celina’s son, took over it transformed into a place that emphasized quality, artisanal craftsmanship, and functionality. This armchair is a perfect example of the craftsmanship created at Celina Decorações.
With a clear preoccupation with geometry, this chair’s outstanding architectural frame speaks of the mastery of the designer and of the producer. Material quality was also critical to many mid-century design pieces. Next to a very early emphasis on wood, the fabric choice was just as important in the case of upholstered chairs like this armchair. The upholstery is made of a soft, textured earthy-toned green fabric, which brings further visual interest to the piece. The maker of this chair paid attention to its soft elegance and functionality, making it timeless in every sense of the word. The body has effortlessly flowing lines with a squared yet open profile. The arms curve outwards highlighting the shape. It is evident from every single angle that the body was designed with the sitter in mind, offering a great ergonomic design. This model is built in a slightly reclined position, which is a key feature; the reclined backrest and raised seat provide ultimate comfort both for the eyes and the body. The softly round edges create a nice balance by contrasting with the solid wood legs’ tapered shape.
In general, qualities of mid-20th century furniture include simple clean lines without excess decoration, made with utmost care and knowledge. With gentle, rounded edges and a warmth expressed through the design, this armchair shows how moving into the machine age, life became somewhat easier, and functionalism evolved into also meeting the emotional needs of people.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.71 in W x 34.65 in D x 38.98 in H; Seat height 18.11 in; Seat depth 22.05 in; Arm height 21.26 in
78 cm W x 88 cm D x 99 cm H; Seat height 46 cm; Seat depth 56 cm; Arm height 54 cm
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Price category: 5,000 - 7,500 usd / eur
Among the pantheon of talented individuals who have worked for Artifort, Theo Ruth was the acclaimed Dutch furniture manufacturer’s first permanent designer. Ruth’s work significantly advanced Artifort’s laudable reputation, specifically through his designs for chairs. Thus, this 'Model 105' hairpin chair is a representative example of Ruth’s craftsmanship and talent.
This chair is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in The Netherlands and the rest of Europe. The flowing structure displays beautifully curved lines and rounded edges, ensuring extreme comfort and emphasizing its ergonomic design. The round edges of the upholstered body create a nice balance with the hairpin legs. As with most armchairs, this model is also built in a permanently reclined position, another lovely feature. The armrests are formed atop the wooden legs of the chair effortlessly, without any visible joinery as if just emerging from the wood naturally. The light colour of the textured upholstery in combination with the richly coloured, stained wood frame create warm elegance, perfect to bring a modern touch to any space. The duality of the two materials creates a flowing, self-supporting and enticingly functional design. The combination of solid wood and high-quality upholstery is traditional in mid-century design for a good reason, showcased with the simple elegance of this chair.
From every single angle this chair offers stunning lines and rich texture, and is a representative example of Ruth’s craftsmanship and talent
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches and marks on the wood. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.10 in W x 35.43 in D x 35.83 in H; Seat height 16.14 in; Seat depth 19.69 in; Arm height 19.69 in
79 cm W x 90 cm D x 91 cm H; Seat height 41 cm; Seat depth 50 cm; Arm height 50 cm
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Price category: 5,000 - 7,500 usd / eur
During the 1950s, Danish designers led the way in furniture design, with Danish mid-century seating pieces to this day being some of the most iconic of their time.
This armchair embodies the characteristics and ethos of its period. Georg Thams designed this chair in line with his minimalistic, yet functional style for Danish manufacturer Vejen Polstermøbelfabrik, showcasing attention to detail through qualities such as the shape and mix of materials used in the construction. Oak and teak wood are amongst the most durable and naturally beautiful choices of material, making this armchair into a long-lasting and classically elegant piece. Originally, wingback chairs were designed to protect occupants from drafts and offer a touch of privacy, and have since become synonymous with comfort and timeless style. The traditional wingback design is reinterpreted in the mid-century fashion of this piece, moving from the classic rounded and closed structure to a more modern silhouette. The curved sides of the chair maintain their winged look, while the teak armrests feature an open construction. The high, curved back of this piece ensures comfort, transforming the chair into a statement piece of decor with additional subtle details such as the five tufted buttons placed horizontally on the backrest. The brown tones of the angled teak arms and tapered oak legs combine with the soft green coloured upholstery to give the piece a natural, earthy feel.
The quality materials of this armchair ensure durability, while the shape intertwines the traditional design with a quintessential Danish mid-century touch. The beauty of this piece is evident through both its form and function, making it a great addition to a modern interior.
Condition:
In good vintage condition. Wear consistent with age and use. This chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.31 in W x 37.80 in D x 39.37 in H; Seat height 17.12 in; Seat depth 21.26 in; Arm height 23.42 in
77 cm W x 96 cm D x 100 cm H; Seat height 43.5 cm; Seat depth 54 cm; Arm height 59.5 cm
Literature:
Mobilia no. 2, February 1956, p. 10, in the advertisement.
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Price category: 12,500 - 15,000 usd / eur
Generally, Czech mid-century modern designs tend to be more sober than their French, German, American, and even Scandinavian counterparts. However, works by Pavel Novak are an exception - as evidenced by chair. The Czech designer’s repertoire is finally starting to surface, and as this chair shows, we are lucky to witness it.
Novak often worked with a gouge, that originally never had any other vocation than to furnish his farm. This piece is made of hand gouged oak, which is in itself a time-consuming and rare woodcarving technique. While most woodworkers offer help with fixing gouges in wood, Novak used the technique to create this rustic looking body that can be considered to be a functional sculpture. Thanks to the unique, hand-carved texture, the lounge chair is one of a kind, with a unique pattern. The leather seat is suspended between the three legs, one of which is elongated to serve as a backrest. The joinery technique is seamless and shows the outstanding craftsmanship and vision of Novak. The leather straps are inset into the legs in a rough, yet sophisticated way.
In fact, rough yet sophisticated are the adjectives that best define the overall aesthetic of this chair, reflected in the pairing of the materials as well. The patinated leather’s smooth surface contrasts beautifully with the gouged, coarse look of the oak. With its straightforward design, this oiece is a seminal work of Pavel Novak.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor cracks. Due to the nature and age of the materials, the chair may have some marks, scratches, and discolouration.
Dimensions:
40.94 in W x 30.71 in D x 48.82 in H; Seat depth 20.08 in
104 cm W x 78 cm D x 124 cm H; Seat height 51 cm