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Price category: 5,000 - 7,500 usd / eur

French mid-century seating frequently combined elements of regional craftsmanship with the cleaner lines associated with modernist furniture. Rush weaving, long used in traditional French chairs, remained present throughout the post-war period, particularly in pieces that favoured natural materials and visible construction over heavy upholstery. Rather than concealing how a chair was made, designs like this highlighted joinery, wood grain, and woven surfaces.

This pair of armchairs brings together that approach through a restrained oak frame and handwoven rush seats. The structure is built from slender uprights and gently tapering legs, giving the chairs a light visual presence despite their size and proportions. The tall backrests are composed of vertical slats that introduce rhythm to the silhouette while keeping the form open and airy. The armrests extend from the back before projecting forward in a clean horizontal line, reinforcing the architectural quality of the design. The woven rush seats introduce texture and warmth, contrasting with the smoother surfaces of the wood. The natural fibres soften the geometry of the frame while also emphasizing the craftsmanship involved in the construction.

Together, the chairs inspire a quiet elegance that comes from masterful craftsmanship. The combination of materials creates richness without excess, allowing the structure to remain the focal point. Their silhouettes feel grounded in traditional French furniture making, yet the simplicity of the lines ensures the qualities of mid-century modern design.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the armchairs may have some marks, scratches, and discolouration. The wicker seating of the chairs show signs of wear.

Dimensions:

27.17 in W x 22.45 in D x 38.98 in H; Seat height 18.51 in; Seat depth 19.49 in: Arm height 26.38 in

69 cm W x 57 cm D x 99 cm H; Seat height 47 cm; Seat depth 49.5 cm; Arm height 67 cm

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Price category: 5,000 - 7,500 usd / eur

Italian designer Giancarlo Piretti emerged as a leading figure in postwar furniture design, known for combining technical ingenuity with sculptural forms. As a longtime collaborator with Anonima Castelli, Piretti developed groundbreaking designs in the 1960s and 70s, many of which explored modularity and ergonomics. His works, such as the iconic “Plia” folding chair and “Plia” table, won multiple international design awards, and still find their home in museums word-wide - from Austria, to the Czech Republic, Slovenia, and the United States.

The “Alky” lounge chair - which debuted in 1970 - is among his most celebrated works and reflects the experimental spirit of the period, while maintaining a strong sense of comfort and approachability. The chairs showcase their signature curvilinear form, expertly upholstered in a soft off-white bouclé that enhances the chairs’ inviting charm. They are reminiscent of clouds, both through their flowy, plushy shape and soft fabric. The design features a continuous silhouette, from backrest to seat to base, all supported by a lightweight aluminium structure. The sled frames also rest on aluminium feet, ensuring the stability of the chairs. Their curved shape hugs the body and provides a comfortable sitting experience, further highlighting Piretti’s attention to ergonomics. The design is balanced, with the textile surfaces adding warmth, contrasting the modernist structure with a sense of softness.

These “Alky” chairs remain examples of 1970s Italian design and perfect illustrations of how form and function can harmonise effortlessly. Ideal as statement pieces in a living room, lounge, or studio, they offer timeless comfort and a sculptural presence that continues to resonate in contemporary interiors.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.38 in W x 32.28 in D x 27.56 in H; Seat height 16.14 in; Seat depth 22.05 in

67 cm W x 82 cm D x 70 cm H; Seat height 41 cm; Seat depth 56 cm

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Price category: 9,000 - 12,500 usd / eur

Art Deco seating in Europe often relied on a careful interplay between structure and comfort, where strong architectural frames were softened through upholstery. In the first half of 20th century, this approach had evolved into a more restrained language, retaining the geometry of earlier designs while reducing ornament to its essentials. Oak became a preferred material for many manufacturers, valued for its durability and its ability to hold crisp, angular profiles.

Within this context, this pair of armchairs was designed to balance visual clarity with everyday comfort. They display a clearly defined wooden frame with neatly integrated upholstery. The oak structures form an outline, with straight legs extending upward into the armrests and back supports. The geometry is precise, with sharp transitions and flat planes giving the chairs a distinctly architectural presence. The armrests project forward in a clean horizontal line, reinforcing the overall strength of the frame while also providing a functional quality. In contrast, the upholstered seat and back panels introduce softness, both visually and physically. The fabric has a subtle texture and a warm tone that complements the wood, creating a cohesive piece. The proportions are compact yet solid, allowing the chairs a grounded feel while maintaining a sense of openness through the sides.

What defines these chairs is their clarity of construction. The design speaks through its structure, with the upholstery acting as a complementary layer rather than the focal point of the pieces. This makes the pair particularly versatile, as they can anchor a space through their form while still adapting to different interiors.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The items have visible scratches and dents. Due to the nature and age of the wood, some marks and slight discolouration may be present. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.02 in W x 26.58 in D x 35.44 in H; Seat height 16.15 in; Seat depth 20.28 in; Arm height 24.02 in

61 cm W x 67.5 cm D x 90 cm H; Seat height 41 cm; Seat depth 51.5 cm; Arm height 61 cm

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Price category: 9,000 - 12,500 usd / eur

This stunning pair of lounge chairs embodies an era of bold, sculptural furniture with a focus on comfort and organic form. Postmodernism in the 1980s embraced a playful approach to design, making this pair not only functional but also a statement that serves to inject energy and individuality into any interior.

The silhouette is the central visual element of this pair, as their low profile and strong presence dominate the model. The design is focused on sinuous curves and combines remarkable style with balance, functionality and premium materials. The oak frames are beautifully sculpted with its sweeping curves and angles standing out The arms follow the curve of the back legs that are elongated to provide the support for the seat as well. The wooden frame showcases a darker stained natural grain, providing visual depth and a sense of craftsmanship that speaks to the period's emphasis on quality materials. The joinery is understated but solid, allowing the structure to feel sturdy without heaviness. Adding a touch of understated luxury, the cushions covering the chairs further create natural visual comfort. They are adorned with delicately tufted buttons, arranged in a timeless pattern. Undoubtedly this pair fulfills its functional purpose, ensuring comfort. Thanks to the excellent craftsmanship, the user can enjoy a comfortable sitting experience, while the adjustable reclined seats allow for a relaxed position.

While the latter half of the 20th century saw the takeover of mass production and many - now iconic - futuristic designs, this pair preserves the value and beauty of master craftsmanship and exquisite materials.

Condition:

In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. Some scratches and dents on the wood. Due to the nature and age of the materials, the items may have some marks and discolouration. The cushions have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.87 in W x 31.29 in D x 30.70 in H; Seat height 16.34 in; Seat depth 18.50 in; Arm height 17.72 in

83.5 cm W x 79.5 cm D x 78 cm H; Seat height 41.5 cm; Seat depth 47 cm; Arm height 45 cm

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Price category: 5,000 - 7,500 usd / eur

This pair of model “903” safari chairs were crafted by one of the most renowned manufacturing companies in terms of design and quality. Horgenglarus has ranked among the world's finest furniture makers for more than 140 years. Born from both adventure and practicality, the safari chair has transcended its 18th-century origins and use in the great outdoors to become a beloved icon of design.

These chairs are iconic pieces of mid-century modern design, blending form and function in a striking way. Created in the 1960s, they feature a masterful combination of rich oak wood and durable leather, emphasizing the elegance of natural materials. There are no screws or joinery securing the leather to the frame, but rather the material is looped around the frame, showing the outstanding artistry of their designer. The oak frames, with their smooth, clean lines provide both stability and comfort, while the leather seating highlights a touch of luxury and appreciation of natural materials - the leather’s warm tone complements the wood beautifully, enhancing the overall organic look of the pair. The oak wood is carefully crafted to highlight the grain, giving each chair a unique character. The chairs' foldable design allows for easy storage and portability, a key characteristic of the safari chair style, which was originally created for outdoor use but has since become a timeless symbol of versatile, functional design. The result is a pair of chairs that feel at home in both modern and traditional settings.

Crafted with meticulous attention to detail, this pair exudes both elemental modern elegance and comfort, making it a stylish addition to any interior space. Whether in need of a statement piece or a comfortable spot to unwind, high-quality leather safari chairs are a great choice to bring a dash of stylish allure to any space.

Condition:

In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. The colour of the leather varies slightly in each chair. The leather has developed a natural patina over time. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration.

Dimensions:

23.23 in W x 20.87 in D x 33.27 in D x; Seat height 17.72 in; Seat depth 17.72 in; Arm height 25.59 in

59 cm W x 53 cm D x 84.5 cm H; Seat height 45 cm; Seat depth 45 cm; Arm height 65 cm

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Price category: 5,000 - 7,500 usd / eur

As with the UK and much of Europe, something of a design renaissance took place in 1950s France due to developments in materials and technology after the war. French designers were often also architects, whose focus on functionality and quality resulted in sculptural models, such as this pair of chairs.

The craftsmanship of this pair is confident yet discreet, visible in the clean junctions and honest detailing of the joinery. Upholstered in off-white ponyskin, the chairs gain their quiet luxury through material rather than embellishment. The hide’s softness and natural irregularities lend warmth to the geometry of the frame, while its muted tone enhances the overall sense of comfort. Together, the wood and hide establish a dialogue between texture and form: one smooth, one tactile, both grounded in natural beauty. The chairs also feature beautiful brass-capped legs - the lines are crisp and elegant, aiding the stability and comfort. 1950s design prioritised clean lines, simplicity, and a connection with nature, this pair truly exemplifies these principles. The maker of this model not only had a preference for its main characteristics and materials, but a deep respect as well. The functionality, longevity and clean lines are all in favour of the user, maintaining the focus on authentic simplicity. Though many mid-century French designers may not have the name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these chairs highly sought after.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chairs may have marks, scratches, and discolouration. The chairs have recently been reconditioned and reupholstered in premium ponyskin. Each of our items can
be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more
information.

Dimensions:

23.81 in W x 23.42 in D x 33.85 in H; Seat height 18.89 in; Seat depth 19.48 in; Arm height 26.37 in

60.5 cm W x 59.5 cm D x 86 cm H; Seat height 48.5 cm; Seat depth 49.5 cm; Arm height 67 cm

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Price category: 7,500 - 10,000 usd / eur

Nordiska Kompaniet was founded in Stockholm in 1902, and to this day, it is regarded as one of the most renowned Swedish furniture manufacturers. The department store reflected modern society in different ways; it was a place where much was possible and consumption became not just a necessary everyday routine, but a lifestyle and a pleasure.

Designed in the first half of the 20th century, these armchairs possess a refined and slender appearance with distinctive sloping armrests. They also hold a soft simplicity and a uniqueness in its appearance - light, clean lines with an air of romance. The sleek wooden frames offer a beautiful contrast to the supple upholstery, creating a visually captivating aesthetic. The juxtaposition of these materials creates a striking contrast. Together, they make for a harmonious balance between contemporary elegance and traditional style. Even though Swedish design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well.

The overall model beautifully speaks of the zeitgeist of Scandinavia in the early-to-mid-20th century, a period characterised by a spirit of experimentation and a departure from traditional norms towards modernism. Evidently, this set is marked by its commitment to simplicity, functionality, and a bold departure from the ornate styles of the past.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.55 in W x 29.13 in D x 36.61 in H; Seat height 19.68 in; Seat depth 17.71 in; Arm height 30.70 in

70 cm W x 74 cm D x 93 cm H; Seat height 50 cm; Seat depth 45 cm; Arm height 78 cm

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Price category: 15,000 - 20,000 usd / eur

This pair of oaken “Grand Repos” lounge chairs deserves its title of iconic, both in terms of quality and design. This model visually represents the very reason Votre Maison, the French duo, Guillerme et Chambron’s company significantly influenced French design history.

Guillerme and Chambron are known for their high-quality, solid oak furniture and the “Grand Repos” model is without a doubt their most distinctive seating design thanks to its spindle backrest and distinctive frame with plenty of curvature. With a solid wooden frame, the support for the back of each chair consists of six, symmetrically arranged wooden spindles extending upwards. The backrests are slightly tilted for comfort, aided by the generous seats and back cushions. The back cushions are adorned with tufted buttons that add depth to the textured bouclé upholstery. The standout feature of this model are the creative overarching spindles that create an almost throne-like, grandiose effect. The curvature of the arms follows the lines of the backs, and gently curve outwards. “Grand Repos” stands for “great rest” in French, and with a well-though out, elegant design, this pair is sure to provide exactly that. The elegant light colour of the upholstery of the seat and back cushions beautifully compliments the light oak frames. The back cushions are secured with loops that attach to the back spindles, ensuring that the cushions stay in position.

The woodworking truly shows the overall quality of this pair, the frames are refined and the attention to the smallest detail shows the design and manufacturing skills of Robert Guillerme and Jacques Chambron. Since each chair was created by hand, they differ marginally in size and shape visible in the backs and legs, making them even more unique.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs’ cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Chair 1

31.69 in W x 35.43 in D x 42.32 in H; Seat height 15.15 in; Arm height 21.65 in

80.5 cm W x 90 cm D x 107.5 cm H; Seat height 38.5 cm; Arm height 55 cm

Chair 2

31.1 in W x 38.58 in D x 41.14 in H; Seat height 15.35 in; Arm height 21.85 in

79 cm W x 98 cm D x 104.5 cm H; Seat height 39 cm; Arm height 55.5 cm

About the Designer:

Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.

In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.

The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’s son Hervé Chambron, a designer and graduate of the École Boulle, having taken the over in 1983. ~H.

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Price category: 2,500 - 5,000 usd / eur

Bridge Chairs - Fauteuil Bridge - from France are generally lightweight, often part of a set of matching chairs and bridge table. Bridge chairs were originally designed in the late 1930s for ladies for leisure activities, such as for games of bridge, afternoon tea, and gossiping. As this pair of bridge chairs exhibits, the models are stylish, of small proportions, well-made, and extremely comfortable.

This solid oak “Fumay” pair is indeed, part of a dining group designed in 1965 by the world-famous French duo, Robert Guillerme and Jacques Chambron. As the version with arms, this pair’s frames are quite distinctive; the decorative elements on the backrests and armrests show and interesting curvature that is characteristic of the designer duo. These sculptural elements paired with the tapered legs are carved out of the blonde oak in an artistic way, testifying of the quality that the duo’s company, Votre Maison became famous for. The structures have unexpected details, such as the seats, with sides that are covered by the cushions, making them look invisible. Another such detail are the stretchers arranged between the legs at different heights in the fronts and sides. The genius of the design lies in these details that no matter how different, still complement each other. The sleek look is completed by the upholstered cushions in light bouclé fabric, that pairs beautifully with the colour of the blonde oak.

The French designers’ models are considered as a reference among the furniture of the 1950s through the 70s. This pair of dining chairs from the 60s gives a visual explanation why: the proportions, the subtle decorative elements, and the quality of woodworking is of the highest-quality, and the result is an immediately recognizable look that will never go out of style.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs’ cushions have been reupholstered recently in a light bouclé fabric.

Dimensions:

21.85 in W x 19.68 in D x 32.08 in H; Seat height 18.5 in; Arm height 26.37 in

55.5 cm W x 50 cm D x 81.5 cm H; Seat height 47 cm; Arm height 67 cm

About the designer:

Robert Guillerme graduated in 1934 from the École Boule where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.

In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.

The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the Twentieth Century, with Jacques’ son Hervé Chambron, a designer and graduate of the Ecole Boulle, having taken the reins in 1983. ~H.

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Price category: 9,000 - 12,500 usd / eur

This pair of armchairs is what we consider a timeless Danish Modern classic. The “ND83” was designed in 1952 by Nanna and Jørgen Ditzel for the exhibition 'Today’s Furniture, Home Equipment' in the Forum Hall Copenhagen in 1952.

Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their design by the demands of the human body. With this model, the Ditzels arrive at a clearly-structured solution in which a high degree of coherence is maintained while the chair appears visually light and open. The structure of the chairs is made entirely of solid oak. Each sculpted leg is made of a single piece of timber that ascend gently, giving stability to the curved backs. Rounded oak dowels plug the holes in which the fastenings for the back can be found -these help to create the elegant simplicity and honesty of the frame. The large curved backs extend up to the front, forming the armrests for a cosy and elegant profile similar to that of a tub chair. The elegance is further enhanced by the premium bouclé upholstery which complements the oak gracefully.

Cabinetmaker Søren Willadsen handcrafted these chairs, while them company Selig Co., imported them to the U.S. market from Denmark in 1952. The “ND83” model is still made to order today, however chairs – like these - from the original production show Ditzel and Willadsen’s true genius. The original marking on the wood is retained.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been recently reupholstered in a premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions: 

30.9 in W x 25.98 in D x 26.96 in H; Seat height 14.76 cm

78.5 cm W x 66 cm D x 68.5 cm H; Seat height 37.5 cm

Literature:

Hanne Horsfeld Danske Designere, 'Nanna Ditzel', p.86

Oda Noritsugu, Danish Chairs, p.164

Per H. Hansen, Klaus Petersen, Den Store Danske Møbelguide, p.77

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Price category: 20,000+ usd / eur

Francis Jourdain was known to be vocal about modern art and aesthetics, and he heavily criticized contemporary French design for its ostentatious luxury. His designs were straightforward in construction and less pompous in nature. This set is in line with his views, showing French tradition, while taking advantage of natural materials and clever construction.

French furniture and interior designers of the mid-century are known as masters of elegantly organic forms. As such, these chairs and footstools are characterised by clean lines and a free spirit. The design is focused on sinuous curves, especially on the contoured arms with a carefully sculpted and carved shape that runs down to form the legs as well. The straight lines of the seat and backrests are masterfully broken by this curvature. Furthermore, this set combines remarkable style with balance, functionality and premium materials. Rattan, used for everything from basket weaving to furniture making had found extensive use and appreciation in the context of modern 20th century design. Thanks to its unique characteristics, rattan adds an element of texture and lightness, contributing to the overall visual balance of the set. Not only do the materials complement each other, but the shades of brown, and textural variety go perfectly together, adding depth. Moreover, thanks to the outstanding ergonomics of the reclined backrests and use of footstools, the whole body of the sitter is supported.

Though many mid-century French designers may not have the name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these lounge chairs and footstools highly sought after.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

27.16 in W x 39.96 in D x 28.93 in H; Seat height 11.22 in; Seat depth 18.50 in; Arm height 21.85 in

69 cm W x 101.5 cm D x 73.5 cm H ; Seat height 28.5 cm ; Seat depth 47 cm ; Arm height 55.5 cm

About the designer:

Francis Jourdain was born on 2 November 1876, son of the architect Frantz Jourdain. His father was the founder of the Salon d'Automne collection. He benefited from the relationship of his parents with the era's famous intellectuals (Émile Zola, Alphonse Daudet) and artists (the circle of Alexandre Charpentier). Jourdain said of the society in which he grew up that it was dominated by people who were highly opinionated and quick to take sides.

Jourdain became a painter, and was a pioneer of the Art Nouveau style, in which he was distinguished as a decorator of the Villa Majorelle in Nancy. A stencilled panel by Jourdain with elegant, cleanly silhouetted images was shown at the 1900 Exposition Universelle in Paris. In 1911 Jourdain began to design furniture, following the teachings of Adolf Loos (1847–1933). He opened Les Ateliers Modernes in 1912, a small furniture factory. With his built-in furniture and storage systems he was able to make small areas appear spacious. He owned a furniture shop by 1919, Chez Francis Jourdain. Jourdain was a regular exhibitor from 1913 to 1928 at the Salon d'Automne and the Societé des Artistes Décorateurs, and published many articles on modern art and aesthetics in which he attacked the ostentatious luxury that was typical of contemporary French design. His own designs were simple, with straightforward construction.

He collaborated with Le Corbusier in 1920 in publishing a journal titled L'esprit nouveau, subsidized by the government. It advocated standardization and industrial production as an alternative to individual design, required to rebuild the shattered French society and economy of the years following World War I. Jourdain was a prolific writer on art in the period after World War II (1939–45). At the end of his life, Jourdain acted as president of the Secours populaire français. He died in Paris on 31 December 1958 at the age of 82. ~H.

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Price category: 7,500 - 10,000 usd / eur

The company Votre Maison is one that has left an indelible mark on the history of French design. The soul of Guillerme et Chambron’s work was in the company’s name (“Your House”). Their focus was as keenly attuned to functionality as to the creation of innovative design. The 'Denis' model chairs, designed by Robert Guillerme along with his sales partner Jacques Chambron, are a stunning examples of the works created at Votre Maison during the 1950s.

This type of “fauteuil bridge” (or, "bridge chairs") from France are generally lightweight, often part of a matching set of chairs and bridge table. "Bridge chairs" were originally designed in the late 1930s for leisure activities, such as card games, afternoon tea, and catching up. The typical models are stylish, of small proportions, well-made, and extremely comfortable - as this set greatly exemplifies. With an interesting open construction, this chair model's frame is very distinctive, with the armrests' curvature flowing into the chair’s front legs. Through this subtle, yet powerful detail, the straight lines of the legs and backrest are softened by the rounded shape of the arms. The gentle feel is further enhanced by the cushion’s rectangular shape with slightly rounded edges. The partially open backrest creates a light and open impression that is further amplified by the lighter coloured upholstery, which contrasts with the wood. Another distinctive feature is the pair of stretchers set parallel between the front and back legs, which join the legs together with an inward curve that mimics the curve of the backrest.

The elegant tones of both the upholstery and the wooden frame highlight the timeless allure of this set. From the refined wood color to the carefully thought-out structural details, this model is characteristic of Robert Guillerme and Jacques Chambron’s unique style and manufacturing skills.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, items may have some marks, scratches, and discolouration. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

23.63 in W x 23.22 in D x 29.92 in H; Seat height 17.71 in; Seat depth 19.48 in; Arm height 25.59 in

60 cm W x 59 cm D x 76 cm H; Seat height 45 cm; Seat depth 49.5 cm; Arm height 65 cm