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Price category: 2,500 - 5,000 usd / eur

The 1950s in France was a very versatile decade, the era’s design projects had a wide range both aesthetically and material wise. The modernist solid wood models were mostly created by hand, including this bench, showing the organic and modern approach to design.

This bench has an almost brutalist look that allows the distinctive back and the stained elm wood to guide the design. The design is defined by the long horizontal lines, the impeccable joinery, and the natural, raw beauty of the material. It can be incorporated into any space thanks to its classic look, not to mention its functionality; benches in general can be placed in any space, including the living room, bedroom, hallway or even outside. The design has a startling rawness and has a preference for the material to set the tone of the overall aesthetic, which is somber, giving importance to the craftsmanship that formed it into its eerie organic shape. French furniture manufacturers are still regarded as some of the best of the mid-century era and are especially known for impeccable joinery and woodwork (think Guillerme et Chambron or Pierre Chapo for example).

The designer generation active during the mid-20th century created some of the most iconic wooden furniture designs of the whole century. This Aranjou edition table is a beautiful example of how successfully they managed to merge traditional craftsmanship and materials with an essentially modern approach to design.‎‎

Condition:

In good vintage condition. Wear consistent with age and use. Some small marks on the wood.

Dimensions:

78.74 in W x 16.53 in D x 33.85 in H; Seat height 17.32 in

200 cm W x 42 cm D x 86 cm H; Seat height 44 cm

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Price category: 1,000 - 2,500 usd / eur

Danish furniture from the 1970s saw an interest in craftsmanship and natural materials, moving away from strict industrial modernism toward pieces with a more tactile and handmade character. This oak stool reflects the cabinetmakers’ interest in highlighting the texture of wood through carving, turning, and exposed grain, while materials such as sheepskin and wool were introduced to soften otherwise simple constructions.

Rather than concealing elements of the construction process, pieces from this period embraced it, allowing hand-worked details to become part of the final expression. This stool showcases the contrast between its heavily carved legs and soft sheepskin seat. The frame is constructed through essential elements: four turned legs supporting a thick upholstered top. Each leg is individually worked with rounded carvings that create a rhythmic appearance, giving the otherwise compact stool a strong sculptural quality. The oak retains a warm natural tone that highlights the carving and the variation in the grain. Above, the padded seat is upholstered in cream sheepskin, introducing a different texture to the composition. The wool surface softens the geometry of the wooden structure and gives the piece a tactile warmth. Thanks to the upholstery, the stool gains a fuller and more relaxed silhouette despite its minimal construction.

The balance between rough carved wood and soft sheepskin gives the piece its timeless appeal. This piece functions as extra seating, a footstool, or as a small accent, while still carrying the material richness and presence of Scandinavian furniture of the period.

Condition:

In good vintage condition. Wear consistent with age and use. The stool has recently been reconditioned. Due to the age and nature of the wood, the item may have some marks, scratches, and discolouration. The piece has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.69 in W x 13.78 in D x 18.51 in H

50 cm W x 35 cm D x 47 cm H

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Price category: 2,500 - 5,000 usd / eur

European furniture makers in the mid-20th century increasingly embraced simplified forms that highlighted the natural character of wood rather than concealing it beneath ornament or excessive carving. Influenced by Brutalism, benches like this pair were often reduced to their essential elements: a solid seat supported by sturdy legs. This allowed proportion, craftsmanship, and material quality to define the overall impression of mid-20th century furniture.

This pair of benches features long, uninterrupted wooden tops and angled supports. The seats are cut from thick planks of elm, their surfaces revealing a lively grain pattern that runs continuously across the length of each piece. With its pronounced grain and durability, elm wood was favoured, giving even modest forms a strong appearance. Rather than being perfectly geometric, the edges of the seats retain a slight softness that preserves the natural look of the wood and keeping it from looking overly polished. The legs are positioned at a subtle outward angle, giving the pieces stability and completing the composition. Their relatively narrow proportions create an elongated silhouette that feels practical and understated, allowing the richness of the elm to remain the dominant visual element.

Placed together, the benches create a rhythmic effect, as well as ensuring generous seating space. Their simplicity makes them highly adaptable, from dining areas to unconventional interiors. The design relies entirely on material, proportion, and construction, which gives the pair a quiet confidence characteristic of mid-century European furniture.

Condition:

In good vintage condition. Wear consistent with age and use. The benches have recently been reconditioned. Minor scratches and spots are present. Due to the age and nature of the material, the items may have marks and discolouration.

Dimensions:

78.75 in W x 11.42 in D x 17.92 in H

200 cm W x 29 cm D x 45.5 cm H

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Price category: 1,000 - 2,500 usd / eur

Originating from Turkiye, ottomans have long functioned as seating elements, designed to complement larger upholstered pieces while offering flexibility in their use. Through the mid-20th century designers focused on efficient forms that could shift easily between roles - for example as a footrest, an occasional seat, or even storage.

This ottoman captures that approach through its soft and understated construction. The design has a low and gently rounded silhouette, defined my its softness in both shape and material. The rich and slightly irregular character of the sheepskin defines the piece. The fabric catches light differently across its surface and gives the piece a sense of depth despite its simplicity. This material choice also reflects a broader interest in natural textures during the period, where softness and warmth were used to offset the cleaner lines of modern interiors. Beneath, small pine feet provide a subtle lift, preventing the stool from appearing too heavy while introducing a quiet contrast in material. The proportions are compact and well-balanced, making it easy to position alongside a chair or sofa without dominating the space. The oval shape adds a slight variation to the more common square or circular formats, making it feel more organic.

More than just a footstool, pieces like this allow for wider usage, perfect for additional seating options within a limited space. There is no excess detail or dominating structure; instead, the focus remains on the functionality and warm character of this piece.

Condition:

In good vintage condition. Wear consistent with age and use. The ottoman has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The item has recently been reupholstered in a premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.50 in W x 22.84 in D x 17.72 in H

80 cm W x 58 cm D x 45 cm H

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Price category: 7,500 - 10,000 usd / eur

Mid century modern design in Europe was driven by a desire to balance comfort, clarity, and everyday use. Emerging after the Second World War, it favoured honest materials, soft sculptural forms, and furniture that felt functional yet welcoming. Designers moved away from heavy ornamentation and instead focused on proportion, tactility, and a focus on how pieces work within a space.

In recent years, benches have become a popular choice in home décor. Of course, a bench’s primary purpose is to provide a convenient and comfortable place to sit. However, a pair, such as this beautiful wooden model, can also be used as an interior decorative element. With a clear preoccupation with geometry, this model’s outstanding architectural frame speaks of the mastery of the designer and of the producer. The wooden frame is outstanding, both in visual and technical terms. Each bench features a softly curved backrest that offers both comfort and rhythm, accentuated by a middle slat for subtle texture and visual warmth. The form of the backs gives the pieces a sculptural quality, inviting the sitter into a posture that feels both natural and upright. The light colour and the slender lines that make up the benches create an airy feeling, while also retaining an overall impression of strength and durability. The neat finish also further emphasises the beautiful grain pattern and warm tones of the wood giving the piece a rich, inviting appearance.

With the major rise in popularity that mid-century modern experienced, it’s easy to see touches of the style in contemporary homes. The natural and unfading beauty of wood, and the understated, but ingeniously stylish design is timeless of the era. With an outstanding balance of straight and curved lines, quality materials, and unmistakably modern design elements, this pair of benches is sure to provide a stylish touch to any interior.

Condition:

In good vintage condition. Wear consistent with age and use. The benches have recently been reconditioned. The finish differs slightly in each bench. Visible scratches and dents are present. Due to the nature and age of the wood, the items also have some marks and slight discolouration.

Dimensions:

72.83 in W × 18.11 in D × 30.51 in H

185 cm W x 46 cm D x 77.5 cm H

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Price category: 9,000 - 12,500 usd / eur

The term brutalism — which derives from the French word brut, meaning “raw” — was originally coined to describe an architectural style that emerged in the 1950s featuring monumental buildings, usually made of unornamented concrete, whose design was meant to project an air of strength and solidity. Similarly, in furniture design Brutalism inspired designers to create models with the same look of strength and style.

This rare Jean & Sébastien Touret oak bench is a beautiful example of this design movement, with a clear emphasis on the material’s natural qualities. This bench was created for a religious community of Loir et Cher -a department in the Centre-Val de Loire region of France - from oak of the property.

The duo’s design has a strong architectural approach, and while it is very sturdy on first sight, the outstanding execution of the legs and the natural appeal of oak make this bench the embodiment of creative, elegant design. Much like in architecture, brutalist furniture has organic, unpolished shapes. The seat and back planks of this bench exemplify this characteristic, with uneven edges, letting the natural qualities of the oak shine. The use of the sizeable pieces of oak wood with a beautiful grain, and the visible joints and bolts give this bench a natural, elemental feeling. The body was created employing the “bois arraché technique”, a finishing method by which lacquer is rubbed onto wood.

It might go unnoticed, but nowadays, brutalist furniture is part of any modern interior design project. In the same fashion, glimpses of brutalist interior design are found in top interior design projects. Think about Kelly Wearstler‘s interior design projects, where both on residential and commercial interior design projects, the popular interior designer integrates brutalist furniture. Nevertheless, like Wearstler, most designers prefer brutalist furniture with organic shapes, just like this oak bench.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches on the wood and old woodworm marks.

Dimensions:

55.11 in W x 18.11 in D x 44.68 in H; Seat height 16.92 in

140 cm W x 46 cm D x 113.5 cm H; Seat height 43 cm

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Price category: 2,500 - 5,000 usd / eur

Many major interior design companies have released their own bench models, but it is hard to live up to the wooden pieces created in the mid-20th century. This oak bench is dominated by two elements: its material and the master joinery techniques.

Oak was the preferred material for many craftsmen in the mid-20th century, and in creating this piece, the maker of this bench has expertly showcased its rich and robust character - resulting in a solid, functional, and captivating work of art. This bench combines solid materials with clear lines and elegant curves to arrive at a truly timeless piece of furniture. The oak, with its natural grain and warm tones, becomes a canvas for the subtle sculptural details that adorn the side of this bench, highlighting the beauty of simplicity. The carved out crosses on the sides are the only decorative elements of this design. They are visually appealing details that give plenty of character. The proportions are carefully considered, providing function while maintaining the strong architectural outline that makes the piece so visually striking.

This bench can be incorporated into any space thanks to its classic look, not to mention its functionality. Benches in general can be placed in any space, including the living room, bedroom, hallway or sometimes even outside. Craftsmanship and quality materials are among the few things that will never go out of style, therefore this pine bench could be a perfect to any space.

Condition:

In good vintage condition. Wear consistent with age and use. The bench has recently been reconditioned. Minor marks, scratches, and discolouration.

Dimensions:

78.15 in W x 15.35 in D x 25.59 in H; Seat height 18.50 in; Seat depth 13.38 in

198.5 cm W x 39 cm D x 65 cm H; Seat height 47 cm; Seat depth 34 cm

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Price category: 9,000 - 12,500 usd / eur

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The postwar boom years of the 1950s through to the 1960s were one of the periods of the greatest influence of Italian designers. Design in the 50s paved a way to a more aesthetic approach to products as opposed to more utilitarian predecessors, resulting in exceptional pieces like this piece.

This bench features elegant and measured proportions, balanced compositions, and refined décor elements including the choice of materials. The outline is quite sculptural, with characteristic curved shapes. The details set the piece apart from most benches and sofas, and transforms it into a statement piece which can break the monotony of any space. The seats are upholstered in a high-quality fabric that exudes both comfort and luxury, with a soft textural feel that invites relaxation. The stained dark colour stands out beautifully against the upholstery and emphasizes the slim shape of the backrest. With a clear preoccupation with geometry, this model’s outstanding architectural frame speaks of the mastery of the designer and of the producer. All the decorative elements are in service of the piece’s functionality. Moreover, the smooth, tapered legs typical of the period, contribute to both a sense of lightness and sturdiness. The Italian craftsmanship that went into creating this piece is nothing short of exceptional. Each part of the bench was carefully crafted, the joinery is also exemplary of the skill of the artisans who meticulously shaped the wood frames to fit seamlessly together.

Though many mid-century Italian designers may not have the same name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today, making outstanding Italian pieces like this modular bench highly sought after.

Condition:

In good vintage condition. Wear consistent with age and use. This bench comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

72.44 in W x 56.29 in D x 37.79 in H; Seat height 21.06 in; Seat depth 16.93 in

184 cm W x 143 cm D x 96 cm H; Seat height 53.5 cm; Seat depth 43 cm

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Price category: 2,500 - 5,000 usd / eur

This beautiful stool was crafted in the manner of French design duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century. The duo are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most European mid-century design as it connected everyday objects to nature. This stool is a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven wicker makes the piece an outstanding example of woven furniture. It features a fairly traditional shape with rounded edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The seat is set on three splayed club feet, stained in a rich colour lending a more dramatic presence to the form. The tripod base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. Being functional as well as aesthetically pleasing, the stool will be a great addition to set the tone of a space. The design is strong but subtle, with expert wickerwork thanks to which it can add depth as well as functionality to a space.

The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes this piece stand out with an elemental edge. The colour palette further allows it to easily adapt to almost any interior to either complement a space, or to stand as an accent piece.

Condition:

In good vintage condition. Wear consistent with age and use. This stool has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches or discolouration.

Dimensions:

13.39 in ø x 14.37 in H

34 cm ø x 36.5 cm H

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Price category: 5,000 - 7,500 usd / eur

The “Svensk Fur” bench is a nod to modernist design with traditional Swedish craftsmanship. The design relays an insight about the society and culture in which it was produced: closeness to nature, the appreciation of a clutter-free environment and the value of quality handiwork.  

The Svensk Fur designs are often compared to the designs of Axel Einar Hjorth, even though it is an exceptional design on its own merit. Self-taught, Göran Malmvall was a highly skilled cabinetmaker with considerable technical expertise, and was renowned for the boldness of his innovations. This bench holds a strong expression with its sturdy shaped, organic design, which is dominated by the natural beauty of the material. The backrest is formed by a straight line that slightly curves near the edges. This curvature is followed by the armrests that curve outwards at the ends, creating visual interest. The joinery is visible throughout the bench, and features both bolts and seamless wooden dovetail joinery which is always a sign of quality craftsmanship. The wide backrest showcases the solid pinewood’s beautiful pattern, reinforcing the rustic feel of the bench along with the conical legs that are gently tapered and tilted to support stability. The seat cushion was created specifically for this bench and is upholstered in a premium fabric with a pattern that adds to the rustic feel.

In 1898 Malmvall’s father, the master carpenter Karl Andersson started making well-made and durable furniture in his parents' home in the village of Berghem between Huskvarna and Gränna. Many pieces of furniture from Karl Andersson & Söner are classics and can be seen in the Nordic Museum in Stockholm, among other places.

Condition:

In good vintage condition. Wear consistent with age and use. The added cushion is upholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

47.24 in W x 23.42 in D x 34.05 in H; Seat height 16.92 in

120 cm W x 59.5 cm D x 86.5 cm H; Seat height 43 cm

About the Designer:

Göran Malmvall (1917–2001) was the youngest son of the manufacturing company’s founder, Karl Andersson. He studied furniture design under Carl Malmsten and was involved with the family business from an early age until 1982, mainly in the capacity of an in-house furniture designer.

Self-taught, he was a highly skilled cabinet-maker with considerable technical expertise, and was renowned for the boldness of his innovations. His most notable designs include Svensk Fur, Svitjod and, not least, the KA 72 cabinet series, first created in 1972 and already a modern classic.

The manufacturer, Karl Andersson & Söner was established in 1898, when carpentry master Karl Andersson started to produce “durable and sustainable furniture” in his parents' home in the village of Berghem between Huskvarna and Gränna. Over a hundred years later, the historic company still manufactures quality furniture and designer furniture in their own modern factory in Huskvarna. ~H.

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Price category: 2,500 - 5,000 usd / eur

Throughout the 20th century, Scandinavian designers developed a reputation for their devotion to honest materials, functional forms, and a deep respect for traditional craftsmanship. Norwegian furniture makers in particular often took cues from rural design, interpreting it through a modern lens to create pieces that balanced simplicity and comfort. Krogenæs, a Norwegian workshop, embraced these high-quality, yet utilitarian values in their design language and material choices. This pair of stools reflects this commitment with clarity and character.

These low stools feature sturdy, solid oak bases with gently tapered legs and stretchers that reinforce stability while also adding a subtle rhythm to the silhouette. The wood has been left with a natural finish that highlights its warm tone and visible grain. Resting atop each base is a generously padded seat upholstered in soft off-white sheepskin, giving the pieces an inviting texture and a tactile contrast to the structured frame beneath. The sheepskin not only softens the profile but also offers comfort and warmth, both physically and aesthetically. Stools have long been versatile furnishings, used across cultures and eras in functional and decorative ways. In the Scandinavian context, they often served as multi-purpose pieces: footrests, extra seating, or even small tables. The low height of these stools, paired with their plush tops, makes them ideal as ottomans or casual seating options that add an organic softness to an interior. Their modest scale allows them to be moved easily, fitting neatly into both small and open-plan spaces.

This pair captures the essence of Norwegian design in its purest form: practical, beautifully made, and inherently charming. Whether used on their own or paired with a lounge chair, these stools bring a grounded, natural quality to any space.

Condition:

In good vintage condition. Wear consistent with age and use. The seats have been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

First Stool:

21.65 in W x 16.14 in D x 15.74 in H; Seat height 15.74 in

55 cm W x 41 cm D x 40 cm H; Seat height 40 cm

Second Stool:

21.25 in W x 16.14 in D x 15.35 in H; Seat height 15.35 in

54 cm W x 41 cm D x 39 cm H; Seat height 39 cm

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Price category: 1,000 - 2,500 usd / eur

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This tripod chair has a simple composition that mixes the aesthetics of rural handicraft with international modernism.

While many postwar French designers were embracing new industrial techniques and mass production, some, like Alexandre Noll, personally selected his materials and handmade each unique piece. Like Noll, this chair’s designer paid little attention to trends, preferring to let the material guide the design, letting the shape of the wood be the main source of inspiration. Thanks to this, the chair has an organic form and a focuses on the solid wood as a material. Even at first glance, this chair has a startling rawness, but with its warm-toned and slightly asymmetrical body, it is a greatly-balanced piece. Sensitive touches enliven the design, visible in the careful craftsmanship, especially in the carved seat and tripod legs.

The aesthetic of this tripod chair is somber, giving importance to eerie organic and rugged shapes. Through its eccentric geometries and expressive forms, this chair is the perfect piece to add visual and elemental interest to any interior.

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Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

14.76 in W x 17.51 in D x 31.49 in; Seat height 18.3 in

37.5 cm W x 44.5 cm D x 80 cm H; Seat height 46.5 cm