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Price category: 15,000 - 20,000 usd / eur

This beautiful set of six stools are crafted in the manner of French design duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century. The duo are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most European mid-century design as it connected everyday objects to nature. This set of six is a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality wicker makes these pieces outstanding examples of woven furniture. They feature a fairly traditional shape with rounded edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The seats are set on three splayed club feet, stained in a rich colour lending a more dramatic presence to the set. The tripod base is ideal for ensuring the sturdiness needed for a classic piece of furniture, even more so when paired with the T stretcher placed between the legs. Being functional as well as aesthetically pleasing, these stools are a great addition to set the tone of a space. The design is strong but subtle, with expert wickerwork thanks to which it can add depth as well as functionality to a space.

The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes this set stand out with an elemental edge. The colour palette further allows them to easily adapt to almost any interior to either complement a space, or to pop as accent pieces.

Condition:

In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Due to the age and nature of the materials, the items have minor scratches and dents, and may have additional marks or discolouration.

Dimensions:

15.35 in W × 13.39 in D × 17.72 in H

39 cm W x 34 cm D x 45 cm H

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Price category: 9,000 - 12,500 usd / eur‎

Nanna Ditzel (1923-2005) was commonly known as 'The Grand Dame of Danish Design'. She was among the most influential and significant Danish designers of the 20th Century. Some of her most famous works include the Hanging Egg Chair, the Trinidad Chair, and of course this model, the “Bench for Two”. 

This bench’s simple yet distinctive form features two curved wooden slats that create a sculptural, organic shape. These slats gently contour to the human body offering visual appeal. The minimalistic design, with its smooth, fluid lines and restrained use of materials, reflects Ditzel’s commitment to creating timeless pieces that prioritise both form and function. The backrests are made from a thin silkscreen-printed aeroplane plywood veneer, a material that is durable, light and flexible. Ditzel’s work often focused on creating designs that were accessible yet striking, and the "Bench for Two" embodies this philosophy. Its fluid lines and soft curves promote a sense of intimacy and connection, making it not only functional furniture but also a conversation piece. With this bench, Ditzel re-imagined the traditional idea of seating, combining comfort with artistic expression in a way that continues to resonate with collectors and design enthusiasts today. The model remains a celebrated example of her legacy in mid-century Scandinavian design.

Ditzel won a Gold Medal in the 1990 International Furniture Design Competition in Japan for this model and initiated a long collaboration with Fredericia Stolefabrik. Over the many decades of her career, Nanna Ditzel became one of the few Danish women designers to achieve a celebrity-like status. Her name equalled a prestigious brand characterised by quality, distinctive sleek design, and skill. She is recognised worldwide for her stylish designs, for which functionality was always a driving force. During her career that spanned 60 years, her furniture, textiles, and jewellery were to be found in all major European cities as well as in North America. She remained active as a designer until her death in 2005.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

57.87 in W x 31.10 in D x 38.18 in H; Seat height 15.94 in; Seat depth 15.74 in

147 cm W x 79 cm D x 97 cm H; Seat height 40.5 cm; Seat depth 40 cm

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Price category: 5,000 - 7,500 usd / eur

Belgian Brutalist furniture design in the 20th century mirrored the country's complex cultural and political tapestry. Nestled between the influences of neighbouring European design powerhouses, Belgian designers carved a distinctive niche that blended functionality with an uncompromising commitment to artistic expression.

The Brutalist movement, though often associated with architecture, influenced furniture makers who explored volume, geometry, and materials to create designs that were both functional and sculptural. Emerging during the mid-twentieth century, the movement favoured solid timber, bold proportions, and exposed joinery, allowing the inherent qualities of the mediums to shape the final design. These benches are distinguished by their commanding simplicity. Broad solid oak planks form both the seats and backrests, their dimensions conveying a sense of strength. The design is defined by the long horizontal lines, the impeccable joinery, and the natural, raw beauty of the oak. The backrests appear to hover above the seats on diagonal supports. The natural splits, knots, and variations in the grain have been preserved on the surface through the passage of time, reinforcing the individuality of each bench and highlighting the character of the oak. The dark tone further enriches the look, lending depth to the broad surfaces while accentuating the tactile quality of the material. These benches can be incorporated into any space thanks to their classic look, not to mention the functionality.

Whether placed opposite one another, alongside a dining table, or within an entrance hall, the pair possesses a sculptural presence that extends beyond their practical function. Their restrained vocabulary reflects the essence of Belgian Brutalist design without excess or embellishment.

Condition:

In good vintage condition. Wear consistent with age and use. The benches have recently been reconditioned. Some cracks are present. Due to the age and nature of the wood, the items may have marks, scratches, and discolouration.

Dimensions:

Bench 1

98.22 in W x 17.71 in D x 31.10 in H; Seat Height 16.14 in; Seat Depth 14.17 in

249.5 cm W x 45 cm D x 79 cm H; Seat Height 41 cm; Seat Depth 36 cm

Bench 2

98.42 in W x 18.89 in D x 30.51 in H; Seat Height 15.94 in; Seat Depth 14.56 in

250 cm W x 48 cm D x 77.5 cm H; Seat Height 40.5 cm; Seat Depth 37 cm

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Price category: 1,000 - 2,500 usd / eur

Originating from Turkiye, ottomans have long functioned as seating elements, designed to complement larger upholstered pieces while offering flexibility in their use. Through the mid-20th century designers focused on efficient forms that could shift easily between roles - for example as a footrest, an occasional seat, or even storage.

This ottoman captures that approach through its soft and understated construction. The design has a low and gently rounded silhouette, defined my its softness in both shape and material. The rich and slightly irregular character of the sheepskin defines the piece. The fabric catches light differently across its surface and gives the piece a sense of depth despite its simplicity. This material choice also reflects a broader interest in natural textures during the period, where softness and warmth were used to offset the cleaner lines of modern interiors. Beneath, small pine feet provide a subtle lift, preventing the stool from appearing too heavy while introducing a quiet contrast in material. The proportions are compact and well-balanced, making it easy to position alongside a chair or sofa without dominating the space. The oval shape adds a slight variation to the more common square or circular formats, making it feel more organic.

More than just a footstool, pieces like this allow for wider usage, perfect for additional seating options within a limited space. There is no excess detail or dominating structure; instead, the focus remains on the functionality and warm character of this piece.

Condition:

In good vintage condition. Wear consistent with age and use. The ottoman has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The item has recently been reupholstered in a premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.50 in W x 22.84 in D x 17.72 in H

80 cm W x 58 cm D x 45 cm H

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Price category: 9,000 - 12,500 usd / eur

Created by Cor de Ree during a period marked by a break from traditional creative conventions, this sculptural bench combines unconventional materials and bold forms that challenge the boundaries of furniture design. Dutch post-modernism embraced humour, irony, and a playful approach to design, making this piece not only functional but also a statement that serves to inject energy and individuality into any space.

This bench holds a strong expression with its interesting shape and design. The backrest is formed by overlapping contours that curve near the edges. This curvature is juxtaposed by the sharp armrests that splay outwards at the ends, creating visual interest. Cor de Ree often played on the edge of architecture and sculpture, and this piece perfectly shows this. The look is almost industrial, yet has the edge of post-modernism. Thanks to the material combination - copper, zinc and stained glass - the impression of this piece is fresh with a retro touch, and completely alluring with its dedication to quality and practicality. The copper’s aesthetic charm is undeniable; its rich patina and varied finish can transform ordinary interiors into unique spaces. Its quiet strength and handcrafted character make it more than mere seating - it is a reflection of a design period unafraid to combine utility with expressive structure.

For collectors and designers alike, a bench like this one is a testament to the Dutch exploration of unique forms and enduring materials, offering a blend of sculptural impact and everyday livability.

Condition:

In good vintage condition. Wear consistent with age and use. The bench has recently been reconditioned. Minor scratches are present. The copper is patinated. The metal has some soldering imperfections. Due to the nature of the material, the item may have some marks and discolouration.

Dimensions:

57.08 in W x 24.01 in D x 38.58 in H; Seat height 18.30 in; Seat depth 19.48 in; Arm height 28.34 in

145 cm W x 61 cm D x 98 cm H; Seat height 46.5 cm; Seat depth 49.5 cm; Arm height 72 cm

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Price category: 5,000 - 7,500 usd / eur

This pair of barstools showcase the Danish principles of interior design: careful proportions, high-quality materials, and an emphasis on functionality. The result was seating models that felt refined enough for domestic settings while retaining the simplicity and durability required for everyday use.

Designers in the post-war period focused on simple, well-made pieces of home-grown and exotic woods alike. Made from richly grained wood, these stools embody the perfect balance of detail and minimalist design. A striking contrast between materials defines the character of this pair. The warm-toned wooden frames and veneered backrests are paired with black leather seats, creating a composition that feels both elegant and inviting. The bent base provides visual softness and ergonomic support, while the slim legs and stretchers maintain an elegant, lightweight profile. Particularly appealing is the way the grain of the wood flows across the backs, introducing movement and depth to an otherwise restrained silhouette. The leather seats add another layer of texture, their dark surfaces grounding the composition and emphasizing the richness of the wood. Defined by clean, smooth lines, and excellent joinery, each of these stools was evidently created by skilled craftsmen.

Placed at a kitchen counter, bar, or high dining table, the pair brings a distinctly Scandinavian sense of ease to an interior. More than simply elevated seating, they reflect the Danish talent for creating furniture that is practical, comfortable, and quietly sophisticated, sure to appeal to generations.

Condition:

In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The seats come with their original leather or have been reupholstered by a previous owner, and show some signs of use and minor scratches. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

14.37 in W x 13.58 in D x 39.57 in H; Seat Height 29.92 in; Seat Depth 12.20 in

36.5 cm W x 34.5 cm D x 100.5 cm H; Seat Height 76 cm; Seat Depth 31 cm

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Price category: 2,500 - 5,000 usd / eur

Brutalist furniture emerged as a reaction against refinement and ornament, favouring instead expressive raw materials. Designers and artisans embraced rough textures, asymmetry, and forms that appeared almost primitive in their honesty. While many Brutalist pieces relied on heavy geometric volumes, others explored a more organic language, drawing inspiration from nature and hand-carved objects. Chairs such as this example blur the boundary between furniture and sculpture, where utility merges with artistic expression.

This side chair stands out through its highly sculptural presence and deeply textured surface. Hand-carved from solid wood, the chair preserves a raw and tactile character throughout its form. The seat is formed as a hand carved, rough disc, supported by four irregular legs that taper organically towards the floor. Above, the backrest rises in a dramatic arched form, creating a silhouette that immediately draws the eye. The uneven contours, visible tool marks, and richly textured surface give the piece a sense of organic flow and individuality, ensuring that no two pieces are entirely the same. Rather than concealing the making process, the chair celebrates it, allowing every carved ridge to become part of its visual identity. The dark patinated wood further enhances this effect, creating depth across the surface and accentuating the sculptural quality of the design. Despite its unconventional appearance, the chair balances visual drama with functionality.

More than a seating piece, this chair functions as a work of art. Its expressive form allows it to stand alone as a statement object while still serving its practical purpose. The combination of raw craftsmanship, organic shaping, and Brutalist sensibility offers the chair a powerful presence.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor marks, scratches, and discoloration.

Dimensions:

13.78 in W x 13 in D x 33.07 in H; Seat height 17.72 in; Seat depth 12.60 in

35 cm W x 33 cm D x 84 cm H; Seat height 45 cm; Seat depth 32 cm

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Price category: 5,000 - 7,500 usd / eur

Born in Paris into a family of craftsmen, Pierre Chapo was heavily influenced by the modernist movements of the 20th century, and more specifically, the Bauhaus. While also inspired by designers like Charlotte Perriand and Le Corbusier, his work was primarily focused on craftsmanship. Chapo’s passion for wood can be seen in all of his creations, from stools to dining tables, including this "S38A" bench.

Pierre Chapo designed the model in 1973. The piece is constructed out of French Elm, and it is a classic in the true sense of the word. The natural grain of the elm shines through, its authenticity being celebrated, rather than disguised or embellished. The curve of the bench offers fluidity and highlights the organic character of the piece. Not only does the elm ensure the longevity of the model but it also contributes to the durability. The three legs placed at the base of the bench make sure the two wooden elements that form the seat are stabilised. Not only this, but two stretchers are placed between the legs, securing each part of the model. This bench showcases incredible craftsmanship while presenting a unique charm; grounded, yet light, through the smart use of curves and the gap in the seat.

The three principles that motivated Pierre Chapo were material, form, and function. He measured his furniture by means of this golden ratio and used elm wood as his preferred material. This bench is a beautiful example of his ideals. The “S38A” model fits perfectly with other Chapo designs such as tables, but could also work very well on its own.

Condition:

In good vintage condition. Wear consistent with age and use. The bench has recently been reconditioned. Minor scratches are present. Due to the age and nature of the material, the item may have marks and discolouration.

Dimensions:

57.87 in W x 23.62 in D x 17.72 in H

147 cm W x 60 cm D x 45 cm H

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Price category: 2,500 - 5,000 usd / eur

Throughout the mid-20th century, European cabinetmakers continued to draw on traditional woodworking techniques while embracing the cleaner silhouettes associated with modern design. Smaller utility pieces from this period, such as this pair of stools, serve a variety of functions while maintaining the same attention to proportion and material quality found in larger furnishings. Their simplicity allowed the beauty of the wood and the skill of the maker to take centre stage.

Reduced to only the necessary elements, this pair showcases the quality of the timber, the precision of the joinery, and the maker's understanding of proportion. Crafted from solid wood, each stool is defined by a compact square seat supported by four gently splaying legs. The construction is straightforward, yet the clear lines and strong craftsmanship prove their quality. Beneath the seats, stretchers connect the legs on all sides, reinforcing the structure while creating a pleasing geometry. These elements not only contribute to the stability of the stools but also add depth and visual interest to the otherwise minimal silhouette. The slightly softened edges of the seats balance the angular construction, preventing the design from feeling austere. The understated appearance of the stools allows the material itself to become the focal point, showcasing the character and natural variation of the wood.

Versatile and enduring, these stools function equally well as occasional seating, side tables, or decorative accents within an interior. Their uncomplicated form allows them to integrate effortlessly into a wide variety of settings, from rustic and traditional spaces to more contemporary environments.

Condition:

In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Some minor chips are present. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration.

Dimensions:

12 in W x 11.61 in D x 18.89 in H

30.5 cm W x 29.5 cm D x 48 cm H

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Price category: 2,500 - 5,000 usd / eur

The 1950s in France was a very versatile decade, the era’s design projects had a wide range both aesthetically and material wise. The modernist solid wood models were mostly created by hand, including this bench, showing the organic and modern approach to design.

This bench has an almost brutalist look that allows the distinctive back and the stained elm wood to guide the design. The design is defined by the long horizontal lines, the impeccable joinery, and the natural, raw beauty of the material. It can be incorporated into any space thanks to its classic look, not to mention its functionality; benches in general can be placed in any space, including the living room, bedroom, hallway or even outside. The design has a startling rawness and has a preference for the material to set the tone of the overall aesthetic, which is somber, giving importance to the craftsmanship that formed it into its eerie organic shape. French furniture manufacturers are still regarded as some of the best of the mid-century era and are especially known for impeccable joinery and woodwork (think Guillerme et Chambron or Pierre Chapo for example).

The designer generation active during the mid-20th century created some of the most iconic wooden furniture designs of the whole century. This Aranjou edition table is a beautiful example of how successfully they managed to merge traditional craftsmanship and materials with an essentially modern approach to design.‎‎

Condition:

In good vintage condition. Wear consistent with age and use. Some small marks on the wood.

Dimensions:

78.74 in W x 16.53 in D x 33.85 in H; Seat height 17.32 in

200 cm W x 42 cm D x 86 cm H; Seat height 44 cm

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Price category: 1,000 - 2,500 usd / eur

Danish furniture from the 1970s saw an interest in craftsmanship and natural materials, moving away from strict industrial modernism toward pieces with a more tactile and handmade character. This oak stool reflects the cabinetmakers’ interest in highlighting the texture of wood through carving, turning, and exposed grain, while materials such as sheepskin and wool were introduced to soften otherwise simple constructions.

Rather than concealing elements of the construction process, pieces from this period embraced it, allowing hand-worked details to become part of the final expression. This stool showcases the contrast between its heavily carved legs and soft sheepskin seat. The frame is constructed through essential elements: four turned legs supporting a thick upholstered top. Each leg is individually worked with rounded carvings that create a rhythmic appearance, giving the otherwise compact stool a strong sculptural quality. The oak retains a warm natural tone that highlights the carving and the variation in the grain. Above, the padded seat is upholstered in cream sheepskin, introducing a different texture to the composition. The wool surface softens the geometry of the wooden structure and gives the piece a tactile warmth. Thanks to the upholstery, the stool gains a fuller and more relaxed silhouette despite its minimal construction.

The balance between rough carved wood and soft sheepskin gives the piece its timeless appeal. This piece functions as extra seating, a footstool, or as a small accent, while still carrying the material richness and presence of Scandinavian furniture of the period.

Condition:

In good vintage condition. Wear consistent with age and use. The stool has recently been reconditioned. Due to the age and nature of the wood, the item may have some marks, scratches, and discolouration. The piece has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.69 in W x 13.78 in D x 18.51 in H

50 cm W x 35 cm D x 47 cm H