Danish Triangular Wood Mirrors by Th. Poss Copenhagen, Denmark 1960s (sold)










Danish Triangular Wood Mirrors by Th. Poss Copenhagen, Denmark 1960s (sold)
Mirrors are versatile pieces of interior décor with several functions and advantages; they create depth, increase light coverage, and add a statement to any space. This pair of Danish accent mirrors are perfect to create a focal point in a room.
These unusually shaped mirrors unite form and function. Referred to as an escutcheon shape in heraldry, this specific shape derives from the shield that forms the focal element in an achievement of arms. It resembles a sort of rounded triangle shape, creating a contemporary silhouette. With the stylish shape coupled with the natural warmth of the wood frames, these mirrors are sure to draw attention whether mounted on a wall to offer it an accent, or placed against wallpaper. Thanks to the shape, this pair can be suspended in any way, pointing up or down. The frames are crafted from natural wood with beautiful grain with lighter and darker hues. As with all types of wood, the grain makes these mirrors unique. Both in terms of visual appearance and quality, this pair reflects the Danish traditions of timelessness and craftsmanship.
The design and material provide simple elegance, making this pair perfect to bring some understated modernism to any space. They can serve equally well in a hallway, bathroom or living room, either mounted on a wall or spontaneously leaned against it. They add depth, reflect light, and expand horizons as statement pieces.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The wood has some minor marks and scratches.
Dimensions:
23.62 in W x 1.77 in W x 23.62 in H
60 cm W x 4.5 cm D x 60 cm H
REQUEST PRICE HERE
Price category: 2,500 - 5,000 usd / eur
In her works, Kati Tuominen-Niittylä explores the concept of the container, interpreting it with natural colours and timeless, clean lines. This allows her to rediscover the beauty of both simplicity and archaic forms. The surfaces, meticulously treated as a sort of meditative practice, recall the light and landscapes of the Nordic forests.
Her minimalistic and timeless language of forms appears in every inch of this bowl that is in the field between art, design, and handicraft. This model blends multiple techniques with extraordinary skill alternating between wheel-throwing, casting, and hand-building with a prevalence of textured, carved surfaces, all of which are high-fired. The result is a uniquely textured look that is influenced by the various ceramic masses, clay slurries, glazings, and surface structures the artist uses. The bowl is just as interesting from inside as it is from the outside, with darker colours that enhance the texture and patterns. The inherent organicity is also apparent in the shape that doesn’t follow strict geometric principles, instead, has a natural flow to it. As a designer, Tuominen-Niittylä has been one of those postmodernists who softened the worst edges of the style into a more user-friendly form. Or as she put it: “I like the quiet movement.” This bowl is signed with “KTN” at its neck.
Kati Tuominen-Niittylä’s works do not fit directly under any ready definition. They have the kind of archaic timelessness that is recognizable throughout the long period of human history as we know art objects. This bowl is stylistically closer to the elegance of modernism than the playfulness of postmodernism, guaranteed to stand out in any style and type of space.
Condition:
In good condition.
Dimensions:
16.3 in W x 10.23 in D x 10.43 in H
41.5 cm W x 26 cm D x 26.5 cm H
About the designer:
Kati Tuominen-Niittylä (Finish, b. 1947) is an internationally acclaimed ceramic artist living and working in Helsinki, Finland. Her elegant minimalist works blend multiple techniques with extraordinary skill alternating between wheel-throwing, casting, and hand-building with a prevalence of textured, carved surfaces, and all of which are high-fired.
Evoking archetypal silhouettes reminiscent of functional vessels such as buckets and basketry, as well as shapes found in nature, Tuominen-Niittylä creates objects that are refined and sophisticated yet with a rough plainness that is further emphasized by the earthy neutral hues. The objects appear almost ancient or geological. The interchanging of techniques also affords a uniqueness to each piece, and it often leads to new details and finishes. Although the works are suggestive of ancient functional forms, Tuominen-Niittylä creates each piece purely with artistic purpose.
Tuominen-Niittylä studied at the Aalto University School of Arts, Architecture and Design. She is a member of the Arabia Art Department Society and has designed for Arabia Studios. Her work is in the permanent collections of numerous public institutions including the Victoria & Albert Museum in London, the Finnish State Collections, and the Shigaraki Cultural Park Museum in Japan.