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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from locations in the Stockholm archipelago – including Blidö, Lovö, and Utö.

The “Lovö” model, designed within the series of chalet furnishings, was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new and growing demand for furnishings for leisure houses where the style was more informal. This chair is crafted from local pine wood, while the backrest features iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chair combines a simple and honest form of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The result is a modest yet visually interesting design with a strong silhouette. The pine body is composed of a low, curved back that is slightly tilted in order to increase the sitter’s comfort - highlighting the functional nature of the chair. The seat features a loose, removable cushion, upholstered in a textural, striped fabric. Not only is the design of this model unique, but the colourful, cushion further increases the special character, ensuring remarkable charm. The design is completed by four square, straight legs, offering sturdiness.

The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.

Condition:

In good vintage condition. Wear consistent with age and use. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

20.86 in W x 20.07 in D x 31.49 in H; Seat height 18.50 in; Seat depth 16.92 in

53 cm W x 51 cm D x 80 cm H; Seat height 47 cm; Seat depth 43 cm

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art.

Today Hjorth is often viewed as a precursor to the modern designs popularised by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.

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Price category: 7,500 - 10,000 usd / eur

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This “Canada” or model P110 chair was designed by Osvaldo Borsani in 1965 and manufactured by the Borsani brothers’ company, Tecno. The chair is enriched with mechanical components that give it versatility in terms of composition, shape and arrangement.

The Borsani brothers’ company, founded in 1953, had strong ideals, mainly a philosophy of quality. Just like the company’s name in Italy, this “Canada” lounge chair is unmistakable. The wooden structure serves as the base for the upholstered sections that are divided into three parts. Immediately standing out are the oversized buttons, seven on both sides, that secure the cushions in place, while also increasing the visual quality of the chair. The extraordinary heritage of craftsmanship in the treatment of materials, in the attention to detail, in the interpretation of the shape defines this chair. Thanks to the innovative language of the design, this model can fit perfectly into any interior while still standing out visually.

The “Canada” lounge chair shows the rigor of form, the quality of materials and workmanship, and the attention to the opportunities of technology that Tecno is known for. The chair is upholstered in leather, which contrasts beautifully to the peculiar body.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches on the back. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.28 in W x 33.46 in D x 33.07 in H; Seat height 15.74 in; Seat depth 22.04 in; Arm height 21.06 in

82 cm W x 85 cm D x 84 cm H; Seat height 40 cm; Seat depth 56 cm; Arm height 53.5 cm

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Price category: 12,500 - 15,000 usd / eur

This rare "Roset" chair is a striking creation by the Danish designer duo Ole Gjerløv-Knudsen and Torben Lind, manufactured by Mogens Kold in Denmark in the early 1970s. Introduced in 1972, the “Roset” model stands out for its sculptural form and innovative construction, embodying the spirit of Danish modernism with a playful and organic twist.

The chair’s design is both functional and deeply expressive. Its unusual shape evokes the comfort of a nest, welcoming the sitter into a softly embracing form.  The chair’s broad circular seat and gently curved split backrest encourage a relaxed lounging posture, creating an intimate and cocoon-like experience for the user. The feet, resembling fins, not only provide visual dynamism but also ensure stability, giving the piece a grounded yet airy presence. The body is constructed from three laminated plywood panels, precisely joined with visible brass screws that lend a subtle industrial touch while highlighting the craftsmanship and attention to structural detail. The model is upholstered in a premium wool and alpaca blend fabric, chosen for its softness, warmth, and luxurious texture. The light, tactile quality of the upholstery enhances the chair's inviting character and complements the warm natural tones and grain of the plywood shell.

The “Roset” model remains a rare piece that offers both sculptural impact and everyday warmth. It is an ideal statement chair capturing the balance between innovation, comfort, function, and aesthetics, that defines the best of Danish design from the period.

Condition:

Wear due to age and use. Some scratches and marks. Recently reupholstered in premium alpaca - wool blend fabric.

Dimensions:

35.63 in W x 31.50 in D x 23.43 in H; Seat Height 14.17 in

90.5 cm W x 80 cm D x 59.5 cm H; Seat Height 36 cm

About the designer:

Ole Gjerløv-Knudsen (1930-2009) was a Danish furniture architect. He studied at the School of Crafts, graduating in 1952 and then at the Academy of Fine Arts in Copenhagen until 1955. Gjerløv-Knudsen designed furniture series for both carpentry and industrial production in collaboration with fellow Danish furniture designer Torben Lind (1928-2016) from 1962.

Lind’s works showed a commitment to using the finest materials and extraordinary precision to create one-of-a-kind designs. Together, they became well-known for their light furniture in beech and plywood. The duo worked together at PP Møbler, creating furniture that became a trademark of Danish design.

During their long collaboration, Gjerløv-Knudsen and Lind designed numerous successful chair designs representing Danish mid-century modern, with special attention to outstanding comfort and ensuring long-lasting value by using quality materials. Many of their designs were produced by France & Son and Mogens Kold Møbelfabrik. The latter produced some of the most coveted furniture of the mid- 20th century. ~H.

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Price category: 5,000 - 7,500 usd / eur

This armchair is a compelling embodiment of the French design duo Adrien Audoux and Frida Minet. Their design philosophy was centered around a commitment to accessible furnishing made out of natural materials that suit the rhythms of modern life. Active in mid-20th century France, they played a crucial role in shaping post-war design. Drawing inspiration from modernist movements, they steered the view of design towards a more functional, refined, and streamlined aesthetic.

This chair showcases excellent craftsmanship, care, and precision, visible in the smallest details of the design. The woven seat and backrest, composed of finely braided natural fibres, offer both support and comfort, gently adapting to the shape of the body for a relaxed resting experience. Unlike most chairs, this unique design does not utilise the typical four legs - instead, the structure flows seamlessly into a wide curve that comprises the frame and is the visual highlight of the chair’s form. The armrests appear to be curving down and back in two smooth lines, partially creating a supporting base. The structure of the base is further enforced by a stretcher between the two pieces of bentwood, enhancing stability. Another interesting design detail are the cylinder supports at the front where the arms and base meet, which act as a reinforcement while still maintaining harmony with the rest of the piece. This clever element helps to create a scooped base that supports the entire seat. The bent wood creates a fluid connection, giving the seat a sense of suspension - a light, almost floating presence - with the open surface of the seating and back further enhancing the airy characteristic of the armchair. Though the back rail is a separate piece between the two large curved elements it visually continues the line of the arms, creating the sense of a frame that gracefully encloses the seat.

The impressive silhouette of the armchair is defined by the choice of solid bentwood and woven rope as materials, and techniques that require expert skill, all poured into the final result to create this graceful form. The timeless appeal of this piece complements a wide range of interior styles, capable of transforming any environment with its organic appearance in both form and medium.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

25 in W x 27.55 in D x 31.88 in H; Seat height 16.14 in

63.5 cm W x 70 cm D x 81 cm H; Seat height 41 cm

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Price category: 20,000 - 30,000 usd / eur

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This “Clam” chair has a beloved design thanks to which it is considered by many as one of the most attractive chairs of Nordic Design. At the same time, this chair is arguably also the most mysterious piece on the Danish furniture market.

The model has a rather perplexing history, and has been attributed to several designers before, the latest being the Danish architect Phillip Arctander. However, recent research revealed that the “Clam” is the model that in fact started the story of Madsen & Schubell. Arnold Madsen designed this model in 1944 in his small basement workshop in Gothersgade, Copenhagen.

This chair has a characteristic organic shape with soft curves, perched on club-shaped beech legs. The name comes from the shape of the seat and back that together form the silhouette of an open clam. The round armrests compliment the overall round feel of the chair. The seat is slightly raised towards the front, while the back is tilted to provide great sitting comfort. The seat and back are covered in light sheepskin, adding to the soft and cosy feel of this “Clam”. Interestingly, Hans Schubell invented the special connecting piece of this chair, formed from only one piece of wood. The rest of the seat and backrest were glued to this single piece.

In 1944, the chair was already exhibited in conjunction with the presentation of the newly opened furniture store NY FORM A/S in Copenhagen, which sold the leading design of the day. In 1945, the Clam went into serial production as the first model of the new furniture company Madsen & Schubell and many well-known stores soon included Madsen & Schubell in their product range. Illums Bolighus was one of them, as were the Messen department store and the Copenhagen furniture store Nordisk Staal-og-Møbel Central. In 1953, Madsen & Schubell sold the licence of the chair to the Norwegian company Vik and Blindheim.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in light sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.38 in W x 33.27 in D x 32.28 in H; Seat height 14.96 in; Arm height 22.64 in

67 cm W x 84.5 cm D x 82 cm H; Seat height 38 cm; Arm height 57.5 cm

About the designer:

Henry Hans Schubell was born on February 23. 1906 in Elsinore, Denmark. After completing school, he became an apprentice cabinetmaker in Elsinore. After 5 years he finished his apprenticeship, and was awarded a medal for his work. When he turned 20, he moved to Copenhagen, where he worked for various cabinetmakers. In 1929, at the age of 23, he was employed as a foreman at the cabinetmakers Winter & Winding, where he supervised the production of furniture until 1945.

In 1944, the firm received a request from an upholsterer named Arnold Madsen, who had an idea for a chair. Madsen was having difficulties finding a cabinetmaker with the required skills to do the woodwork based on Madsen’s little plaster model. Henry Schubell succeeded in producing the wooden frame, making it possible for the chair to be put into production. Arnold Madsen was so impressed by his work that he suggested forming a partnership where Henry Schubell would design the furniture and produce the wooden frames, which Arnold Madsen would then upholster and market. The workshop was realized in the inner city of Copenhagen, and their joint venture was named “Madsen & Schubell”.

The cooperation between Henry Schubell and Arnold Madsen was so successful that they purchased a factory building on the outskirts of Copenhagen. Over the next 20 years, the company produced several successful models, most of which were designed by Henry Schubell. Some of these chairs were licensed to the Norwegian company Vik & Blindheim and to the Dutch company Bovenkamp.

The cooperation between the two ended in 1963, and by mutual agreement, Arnold Madsen established his new upholstery firm under the name “Madsen og Schubell”, in cooperation with his son, Ib Madsen. In the 1970s, Ib took over the company which still ran under the name Madsen & Schubell causing some confusion about the attribution of Madsen & Schubell models. ~H.

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Price category: 5,000 - 7,500 usd / eur

Ergonomic in its structure, this mid-century armchair showcases the best characteristics of post-war Italian design. These postwar boom years of the 1950s through the 1960s were a greatly influential - and experimental - period for Italian creatives. Striking in its balanced proportions and clean architectural lines, this armchair was born of careful decision making, where every curve, joint and surface was conceptualised with comfort and sculptural grace in mind.

The elegant lines of the chair create a pleasing visual balance, a result of the gently rounded back and pointed wingback crown. The silhouette, with its open construction, is comprised of an enveloping back that flows down in a curve towards the generous seat, forming a cocoon for the sitter. Creating a welcoming impression, the sheltering arms hug the person even further, adding a further layer of relaxation. The arms, slightly overturning at the ends, unfold the form of the design and emphasise its openness and welcoming spirit even further. The dark, splayed legs ensure stability, and their minimal shape allow the chair’s body to shine as the focal point. Acting as complementary elements, the tapered legs on the bottom are in harmony with the sharp peaks at the top of the backrest. Meanwhile, along the midsection, the elegant overspill of the armrests traces the sides, opening up the structure and introducing another intriguing dimension that deepens the visual presence of the piece. The armchair is full of unique design elements, but rather than working against each other, they instead unify the design through their shared aesthetic characteristics. In their own unique way, these small details are striving for the same sophisticated style. Recently upholstered in premium fabric, the chair flourishes in a beautiful, neutral colour that complements any interior.

The subtle colour of the chair, combined with its elegant form, provides a beautiful visual cohesiveness. This armchair is not just a functional sitting element, but also brings its own refined character into the atmosphere of the room, making it simultaneously both charming and practical.

Condition:

in good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

33.07 in W x 31.49 in D x 40.55 in H; Seat height 15.15 in; Seat depth 18.70 in; Arm height 21.45 in

84 cm W x 80 cm D x 103 cm H; Seat height 38.5 cm; Seat depth 47.5 cm; Arm height 54.5 cm

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Price category: 2,500 - 5,000 usd / eur

20th century Dutch furniture design was characterised by a blend of modernist influences and a commitment to functionality. Wooden furniture from this time period often featured clean lines and a focus on the natural beauty of the wood, as seen with this armchair.

The construction of this chair is traditional and robust - it features a solid yet graceful frame, crafted from a warm, rich wood, which highlights the natural grain of the material. The arms and backrests showcase a sense of airiness. This neat detail accentuates the high level of woodworking and creates an effortless look. The arms’ angles are aligned with the seats and backs’ angles, resulting in a harmonious look while also being ergonomic, with solid support for the spine. The chair features a decorative element on the backrest that resembles an upside down tower in the middle or two towers side by side, which effortlessly increases the visual appeal. The sitting comfort is pleasant, further aided by the stability the sturdy wooden legs provide. The frame is complemented by the elegant rope seat woven tightly into the wood, with the material of the seat giving the piece a warm and cosy feel all while staying very functional. The chair’s simplicity and honest elegance makes it an exceptional piece of furniture.

Dutch furniture design wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor scratches and discolouration. Due to the nature of the wood, the item may have some additional marks.

Dimensions:

18.50 in W x 18.89 in D x 36.02 in H; Seat height 18.11 in; Seat depth 17.32 in

47 cm W x 48 cm D x 91.5 cm H; Seat height 46 cm; Seat depth 44 cm

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Price category: 7,500 - 10,000 usd / eur

This lounge chair by Swedish designer, Gösta Jonsson, exudes quality and personality from all angles, and is the designer’s most famous model. The basic Swedish design principles are all present and upholstered in soft and stylish sheepskin.

With organic forms and harmonious proportions, this model is an excellent example of great Swedish design from the era. Designed in the early phase of what we know today as mid-century modern, this lounge chair has a classic shape, paired with a modern edge. The generous seat and back are welcoming, with the latter curving in such an angle that the sitter is “hugged”. The large, curved backrest features tufted buttons and follows the curve of the equally generous seat, creating a harmonious look. The backside of this chair is quite striking, as it is created from a single piece stemming from the base. The sheepskin used for the upholstery is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially its back, beautifully. At the same time, the wood also remains in the focus, as it is the most important material in Swedish mid-century design. The solid, stained wood legs are tapered to lighten the look, but are thick enough at the top to provide adequate joinery strength.

The artisanal production quality shows throughout this chair and takes the Swedish idea of furniture that last for generations seriously. The harmony of craftsmanship, the materials and the design makes this lounge chair ideal for any interior and style.

Condition:

In good vintage condition. Wear consistent with age and use. Item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.7 in W x 34.64 in D x 27.95 in H; Seat height 16.14 in

78 cm W x 88 cm D x 71 cm H; Seat height 41 cm

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Price category: 9,000 - 12,500 usd / eur

Designed in the early phase of what we know today as mid-century modern, this charming armchair is unique evidence of how traditional Swedish craftsmanship was brought into modernism. Berga Möbler, later called Berga Form, began manufacturing furniture of the highest quality in 1896.

This armchair holds all the characteristics that define the manufacturer's style: soft, organic, playful, and sophisticated. The model is slightly tilted backwards allowing for a pleasant sitting experience. The tapered wooden legs add a touch of mid-century modern flair apart from being structurally integral, while the two front legs have a precise curvature towards the end; a feature which has become a distinctive feature of Berga Möbler's designs. The rounded backrest and armrests are just some of the elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests enhance the excellent seating experience, making this piece a great choice for any contemporary living space. The back is tufted with two large buttons that allow for a friendly and welcoming appearance. The cushioning is firm yet plush, perfectly balancing comfort and support. This attention to detail ensures that the armchair is beautiful and practical for everyday use.

Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both their visual and material quality.‎

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 33.46 in D x 33.07 in H; Seat height 17.71 in; Seat depth 20.86 in; Arm height 23.62 in

75 cm W x 85 cm D x 84 cm H; Seat height 45cm; Seat depth 53 cm; Arm height 60 cm

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Price category: 7,500 - 10,000 usd / eur

In Sweden, “svensk design” in particular operates as a set of relations linking objects, spaces, people to the cultural ideologies that motivate the persistence of a social democratically infused “way of life.” Thanks to this sentiment, the cabinetmaker of this chair put an emphasis on soft elegance and functionality, making it timeless in every sense of the word.

The Swedish design movement has exercised a wide influence on modern architecture and interior furnishings internationally since the early twentieth century. As this beautiful high-back lounge chair shows, early mid-century modern designers and cabinetmakers not only prioritised outstanding craftsmanship, but also an aesthetic quality that honours the materials and their users alike. Swedish proponents of modern design ideals were able to cultivate their principles in a climate of relative calm with the long-term persistence of crafts traditions being especially formative. This craftsmanship is apparent in this lounge chair with a sinuous body that is as artistic as it is functional. The main principles of Swedish Modernism centre around minimalism, simplicity, and functionalism. This chair achieves to follow these principles while offering plenty of visually arresting qualities, including the high, curved back and exposed, sculptural arms that claw into the upholstery. The rich texture of the bouclé fabric accentuates the expressive shape of the frame that praises the maker’s sense of proportions. The short wood legs don’t take away from the robust, cosy appearance, instead they keep the design grounded and perfectly stable while also providing contrast with the beautiful colour. The expert Swedish craftsmanship is clearly visible throughout this piece, with impeccable woodworking and construction.

This beautiful, inviting lounge chair lives up to its Swedish heritage both in terms of visual and material quality. While its aesthetic is clean and functional, it has an eye-catching look with luxurious upholstery and cross stitches that make it an ideal accent piece as well.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some mark, scratches, and discolouration. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.13 in W x 37.79 in D x 39.96 in H; Seat height 14.76 in; Arm height 24.21 in

74 cm W x 96 cm D x 101.5 cm H; Seat height 37.5 cm; Arm height 61.5 cm

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Price category: 2,500 - 5,000 usd / eur

This smoking chair reveals how European designers approached everyday furniture with an appreciation for both craft and nature. This piece combines classic elements with a more modern, organic design. Using natural materials and traditional techniques, the resulting aesthetic is beautifully eye-catching.

The use of wood and wicker to craft this chair belongs to a tradition that valued honest workmanship and the tactile richness of natural materials - this material choice allowed for the creation of objects that feel grounded, inviting, and timeless. The richly toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. The backrest is adjustable, thus allowing for optimal lounging. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

This chair brings atmosphere to a space, rather than just ornament, offering warmth through material and form. Whether placed in a rustic setting or paired with more contemporary pieces, it holds its own with quiet confidence. The beauty lies not in novelty but in the enduring clarity of thoughtful making, which is why chairs like this continue to resonate so strongly today.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

25.78 in W x 33.85 in D x 33.85 in H; Seat Height 13.77 in; Seat depth 23.62 in; Arm height 22.24 in

65.5 cm W x 86 cm D x 86 cm H; Seat Height 35 cm; Seat depth 60 cm; Arm height 56.5 cm

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Price category: 7,500 - 10,000 usd / eur

The postwar boom years of the 1950s through to the 1960s were one of the periods of greatest influence of Italian designers. The models created during this period paved a way to a more aesthetical approach to products as opposed to their utilitarian predecessors, resulting in exceptional pieces like this “Hall” armchair.

This stunning piece was designed by Roberto Menghi, a renowned Italian designer who was the recipient of two Compasso d’Oro awards and two Grand Prizes at the Triennale di Milano. This piece effortlessly showcases Menghi’s design prowess and architectural precision. The design epitomises the unique blend of style, craftsmanship, and innovation that characterised Italian design in the mid-20th century. There are several features that show these different style elements starting with the fully upholstered, sculptural body and tapered metal legs. With its outward pointing armrests and the dynamic lines of the seating, the chair combines modern forms and ideals to obtain a timeless, impressive piece of furniture. Furthermore, the blue mohair fabric adds a rich and luxurious look and feel, with the deep, warm hue of the upholstery creating a sense of opulence, making it an ideal choice for an eye-catching interior. The mohair’s tone enhances the sculptural qualities of the form, contrasting the crisp, linear frame with a plush, inviting surface.

The "Hall" armchair is not only functional and comfortable but is also a statement of artistic craftsmanship, making it a perfect addition to any interior. With its timeless appeal and unique character, this chair captures the essence of Italian mid-century design, inviting admiration and comfort.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

39.37 in W x 31.10 in D x 31.88 in H; Seat height 16.14 in; Seat depth 20.47 in; Arm height 22.04 in

100 cm W x 79 cm D x 81 cm H; Seat height 41 cm; Seat depth 52 cm; Arm height 56 cm