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Price category: 2,500 - 5,000 usd / eur

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This mid-century French armchair combines a visually stunning structural body with expert caning technique and high-quality materials.

As with the UK and much of Europe, there was something of a design renaissance in France in the 1950s, due to developments in materials and technology after the war. In France, designers were often also architects, whose focus on functionality and quality resulted in sculptural models, such as this armchair. This model is all about the gorgeous teak structure and the cane panels. Pure, sleek forms, free from artifice or decoration characterise the aesthetic; a style that is commonly referred to as reconstructivism. A reconstructivist design builds upon prior, deconstructionist models and techniques, but adapts them to classic themes and structures, with the goal of creating works of genuine emotion and significance. This armchair in particular recalls the chairs of Swiss architect, Pierre Jeanneret’s designs for Chandigarh in India.

The body features octagonal mesh cane webbing, which is an elegant material that enhances quality and complements the teak wood. Cane webbing is strong enough to support the weight of a sitting person and flexible enough to bend around the sharp corners of wooden frames. Production of cane webbing requires a lot of labour, attention and craftsmanship and every production step involves repetitive careful hand selection. The cane panels are original and in great condition, testifying to the outstanding quality of this armchair and the skill of its maker. ~H.

Condition:

In good vintage condition. Wear consistent with age and use. Original cane panels. Some minor scratches and marks on the wood.

Dimensions:

25.59 in W x 32.87 in D x 31.1 in H; Seat height 11.41 in

65 cm W x 83.5 cm D x 79 cm H; Seat height 29 cm

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Price category: 1,000 - 2,500 usd / eur

Danish furniture designer Illum Wikkelsø believed that furniture should be built to last, to indulge the body and to please the eye. He belonged to a group of designers who represented the “Golden Age” of Danish modern design during the mid-20th century era.

In a world increasingly filled with decoration, the Danish modern style chose to focus on designs that were simple yet meaningful. This simplicity wasn’t about lacking elements but about carefully choosing each one to have purpose and function, and this chair exemplifies that. Wikkelsø generally worked with clean lines, but also had a strong sense of organic expression and was deeply inspired by nature – especially the Danish landscape. He aimed to capture the beauty he saw in the environment around him in his furniture designs. In the case of this chair, the frame is crafted from oak, an especially durable hardwood that is extremely multi-faceted with a beautiful grain. Oak became an important material in the Danish mid-century period. Furthermore, the precision of the structure and the woven cane is evident at first glance, showing great geometric order. The cane elements of the frame are woven in a tight, visually pleasing pattern. It is clear this model is entirely based on Wikkelsø’s artisanship, which hails from a generation of cabinetmakers, upholsterers and furniture producers established before the 1950s. This heritage shines through this chair with a creative design that doesn’t compromise on quality. Extremely modest and confident at the same time is how this chair can be best described, showing great craftsmanship skill, and making it a lovely addition to any interior.

The Danish modern movement, rooted in the mid-20th century, was not a fleeting trend but a lasting shift in design philosophy. Its principles, grounded in simplicity, functionality, and a deep appreciation for natural elements, have not only withstood the test of time but have become foundational for many contemporary design approaches.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.13 in W x 26.38 in D x 29.13 in H; Seat height 17.32 in; Seat depth 18.11 in; Arm height 25.20 in

74 cm W x 67 cm D x 74 cm H; Seat height 44 cm; Seat depth 46 cm; Arm height 64 cm ‎‎

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Price category: 2,500 - 5,000 usd / eur

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This mid-century French armchair combines a visually stunning structural body with expert caning technique and high-quality materials. From all sides, this chair’s angles are visually arresting, revoking the chairs created by the Swiss architect, Pierre Jeanneret for Chandigarh in India.

As with the UK and much of Europe, there was something of a design renaissance in France in the 1950s, due to developments in materials and technology after the war. In France, designers were often also architects, whose focus on functionality and quality resulted in sculptural models, such as this armchair. This model is all about the gorgeous teak structure and the cane panels. Pure, sleek forms, free from artifice or decoration characterise the aesthetic; a style that is commonly referred to as reconstructivism. A reconstructivist design builds upon prior, deconstructionist models and techniques, but adapts them to classic themes and structures, with the goal of creating works of genuine emotion and significance.

The body features octagonal mesh cane webbing, which is an elegant material that enhances quality and complements the teak wood. Cane webbing is strong enough to support the weight of a sitting person and flexible enough to bend around the sharp corners of wooden frames. Production of cane webbing requires a lot of labour, attention and craftsmanship and every production step involves repetitive careful hand selection. The cane panels are original and in great condition, testifying to the outstanding quality of this armchair and the skill of its maker.

Condition:

In good vintage condition. Wear consistent with age and use. Original cane panels. The wood has beautiful patina.

Dimensions:

25.59 in W x 34.64 in D x 31.88 in H; Seat height 11.81 in

65 cm w x 88 cm D x 81 cm H; Seat height 30 cm

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Price category: 2,500 - 5,000 usd / eur

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In 1944, Niels Otto Møller founded J.L. Møllers Møbelfabrik in Denmark, a company that has received many awards, including the Danish Furniture Prize in 1974 and 1981. Møller is an important representative of Danish postwar design and had always been committed to excellence and the use of the finest materials.

Clean, simple designs and the quality of materials and workmanship are why Nordic design is timeless. This “model 67” chair is an appealing example of the above statement. The organically moulded solid wood frame and the woven straw seat make this model a classic. Noteworthy for its beautiful pattern, rush weaving is beloved for its functional and aesthetic qualities. The woven seat of this chair has a tight, visually pleasing pattern in great condition. The frame has exciting curves, especially visible in the front arm supports and armrests that visually complement the frame’s curves as well. The two materials pair very well, the smoothness of the wood highlights the texture of the straw’s fibre.

When Niels Otto Møller designed a chair, he would find the materials and then design the furniture. It is said that each design took him five years to complete. This work ethic - exemplified by this “model 67” chair - is why the Møller collection is relatively small for a company that’s been around for more than 70 years, but that’s what makes Møller so special.

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Condition:

In good vintage condition. Wear consistent with age and use. The seat has some marks and scratches and beautiful patina.

Dimensions:

22.44 in W x 20.47 in D x 31.1 in H; Seat height 18.11 in

57 cm W x 52 cm D x 79 cm H; Seat height 46 cm

About the designer:

Niels O. Møller (1920 - 1982) is an important representative of Danish postwar design and had always been committed to excellence and the use of the finest materials.

In 1939, he finished his apprenticeship as a cabinetmaker and continued his studies at the Århus School of Design. In 1944, he founded his own furniture factory, J. L. Møllers Mobelfabrik and became an independent designer and producer. Along with the production of classical tradition furniture, Niels Møller worked for two years in a small workshop of the factory to design his first chair: N° 1. From there on, the company produced all models of Niels O. Møller. Over the years J.L. Møllers Mobelfabrik grew and began to export to Germany, the US and Japan.

In 1981, the company was awarded with a "Dansk MøbelIndustri Furniture Prize" with a special mention for its ability to combine quality craftsmanship and modern production. Niels O. Møller remained famous for his elegant teak and rosewood furniture as the iconic series 78, a model of lightness and purity. It is a reference in Scandinavian design. Today, J.L. Møllers remains family property and continues to produce all models of Niels O. Møller.