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Price category: 2,500 - 5,000 usd / eur

Derived from the French "brut", meaning raw, Brutalism describes the architectural style that emerged in the mid-20th century, featuring minimalist constructions that showcase bare materials and structural elements over decorative design. It originated post–World War II, when low-cost housing and government buildings were composed of mainly raw, unrefined materials. Similarly, in furniture design, Brutalism inspired creators to follow the same look of deliberate simplicity, honesty and strength.

This armchair stands as evidence why many European architects succeeded at the craft of furniture design; the precision of the structure and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the designer’s focus was evidently on practicality, structural stability, and construction in favour of these principles. The straight lines and the absence of excess decoration are very typical of the era’s designers, who saw possibilities in the aesthetics of modernist design and materials. This beautiful chair’s simplicity and honest look combined with brutalist influences enhances the exceptional craftsmanship. The woven back and upholstered seat gives the piece an organic and cosy impression, all while staying very functional. It is perfect to bring natural charm to a minimalist space. The oak has a beautiful patina due to its age, feature that enhances even more its charm.

Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This armchair serves as both an homage to the past and a testament to the timeless allure of Brutalism.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has marks, and scratches. The arms show discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.19 in W x 27.95 in D x 26.77 in H; Seat height 15.74 in; Seat depth 20.86 in; Arm height 23.62 in

64 cm W x 71 cm D x 68 cm H; Seat height 40 cm; Seat depth 53 cm; Arm height 60 cm

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Price category: 15,000 - 20,000 usd / eur‎

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.

These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.

In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.‎

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.

Dimensions:

18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in

48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm

Literature:

Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art

Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.

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Price category: 5,000 - 7,500 usd / eur

The first half of the 20th century saw the rise of brilliant designers working to create furniture of the highest quality that explored truly modern shapes and forms. Danish cabinetmakers sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.

This upholstered armchair proves the success of the cabinetmaker’s pursuit. The craftsmanship is an immediately distinguishable; the chair’s sleek, yet classic look features a high back which is wide at the top but tapers in to draw the eye, highlighting two rows of tufted upholstered buttons. Not only is the body generously padded, but the slightly rounded backrest, as well as the tilted seat increase comfort even further. The chair is upholstered in a soft white sheepskin fabric, providing the piece with a luxurious and textured feel, while contrasting the oak frame. The open and angular armrests complement the rounded plushness of the body, along with the simple tapered legs. The combination of the clean, honest design, high-quality materials, and understated sophistication makes this piece a standout example of Scandinavian furniture.

Danish cabinetmakers were, and are still world-renowned for their unmatched skill. This chair preserves the value and beauty of master craftsmanship, while creating a warm and welcoming look through the use of natural materials.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 31.1 in D x 33.07 in H; Seat height 17.32 in; Seat depth 28.74 in; Arm height 24.01 in

73 cm W x 79 cm D x 94 cm H; Seat height 44 cm; Seat depth 73 cm; Arm height 61 cm

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Price category: 5,000 - 7,500 usd / eur

Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in

65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm

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Price category: 5,000 - 7,500 usd / eur

This beautiful barrel armchair is an example of Swedish mid-century design as well as outstanding craftsmanship with a quality that honours the materials and their users. The period from roughly the 1940s through the 1960s was a high point for Scandinavian furniture makers, and this chair shows why.

Åby Möbelfabrik factory was located in Tjureda parish, in Sweden’s Växjö municipality. The company primarily manufactured pine furniture. The chair’s shape and construction show the signs of the master craftsmanship of Åby Möbelfabrik as the robust, barrel-like body has a rounded construction, with the back flowing into the arms to achieve an enveloping, comforting experience for the user. The wood’s grain and pattern is very appealing throughout the design of this chair, which adds an organic touch to the design. This piece displays a beautiful contrast between the light wood frame’s colour and the elegant off-white fabric of the cushions. The upholstery is just as much a decorative element as the wooden structure with the two materials pairing exceptionally well.

Barrel chairs are generally considered among the best accent chair types as their unique shapes immediately draw the eye. Simply styled and elegant had always been mid-century designers’ speciality, and there is no better example than this pair of unique barrel chairs.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to age, the item has some dents, scratches, and discolouration. The cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

21.26 in W x 18.70 in D x 30.32 in H; Seat height 18.90 in; Seat depth 17.32 in

54 cm W x 47.5 cm D x 77 cm H; Seat height 48 cm; Seat depth 44 cm

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Price category: 2,500 - 5,000 usd / eur

This antique armchair embodies the aesthetic, practicality and functional design that was valued in European homes of the 19th century. Displaying artisanal techniques such as weaving and beautifully carved details, pieces such as this chair showcase the expert craftsmanship of the woodworkers and furniture designers from the period.

Constructed from solid oak, the chair features a sturdy frame with a warm, natural finish that highlights the wood's grain and durability. Oak was the favoured material in this period for its resilience and beautiful grain pattern, thus increasing the visual depth of the chair. By being entirely constructed from natural materials, this piece maintains its classic charm typical of 19th century furniture, while adding versatility through its unpretentious, organic character. The armrests feature a subtle curve, providing ergonomic support, highlighting the chair's understated elegance. The wooden stretchers are positioned between each pair of legs, creating symmetry within the design. These additions go beyond their aesthetic purpose - not only do they complete the design but they also reinforce the structure, lending it additional stability.

With its organic feel and natural elements, this chair stands out with its timeless appeal. The piece’s simple yet refined structure allows them to integrate into various interior styles, from vintage-inspired rooms to more contemporary settings where they add a touch of old-world charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has some marks, scratches, and discolouration.

Dimensions:

23.04 in W x 22.25 in D x 37.01 in H; Seat height 18.31 in; Seat depth 17.72 in; Arm height 27.96 in

58.5 cm W x 56.5 cm D x 94 cm H; Seat height 46.5 cm; Seat depth 45 cm; Arm height 71 cm

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Price category: 2,500 - 5,000 usd / eur

Danish armchairs reflect a strand of mid-20th century design that is expressive while also maintaining the minimal decor of the period. While much Scandinavian furniture from this period is associated with restraint and lightness, artists such as Henning often introduced a more sculptural character, combining solid oak construction with carved or shaped elements. His “razorblade” backrests became a defining feature, giving otherwise simple chairs a distinctive identity.

This armchair, in the manner of Kjærnulf’s work, follows that direction through its solid oak frame and clearly defined silhouette. The structure is built with thick elements, with the legs and arm supports featuring turned details. The backrest is composed of three horizontal slats with gently curving edges, creating a layered effect that adds depth without complicating the form. The woven seat introduces a counterpoint to the rigid wooden frame. Made from natural fibres, it has an organic texture that contrasts with the smoother surfaces of the oak. This material choice offers breathability while remaining durable over time. The combination of solid wood and woven seating reflects traditional craftsmanship, where each material is valued, and comes together to create enduring pieces.

What makes the chair stand out is the way it balances weight and detail within Danish design. It feels solid and deliberate, able to anchor a space, while still being functional for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Minor dents and scratches are present. Due to the nature of the materials, the item may have some marks and discolouration.

Dimensions:

25.19 in W x 26.37 in D x 36.61 in H; Seat height 14.96 in; Seat depth 20.47 in; Arm height 24.80 in

64 cm W x 67 cm D x 93 cm H; Seat height 38 cm; Seat depth 52 cm; Arm height 63 cm

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Price category: 2,500 - 5,000 usd / eur

‎‎

‎The Amsterdamse School movement arose in response to the influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. This movement, which took root in Amsterdam, sought to create a uniquely Dutch style that embraced traditional craftsmanship and celebrated the spirit of the current times. The Amsterdamse School extended its influence across various artistic disciplines, including architecture, decorative arts, and furniture design.‎

The styles’ main characteristics are reflected in the design of this chair beautifully: expressive, art deco-reminiscent, and functional. Amsterdamse School furniture is renowned for its sculptural qualities. Designers like Jac Levee sought to integrate form and functionality seamlessly, resulting in furniture pieces that were not only visually striking but also practical. The craftsmanship of Amsterdamse School furniture is exemplified by its intricate woodwork and joinery. Pieces often showcased decorative detailing through carvings, inlays, and geometric patterns. These elements add a touch of individuality and artistry to a piece, setting them apart from the mass-produced furniture of the time. In this chair, the backrest’s clean, symmetrical lines reflect the simple, yet sophisticated aesthetics of the era. The use of black round accents not only adds an element of visual interest to the design, but also serve to reinforce the structure and enhance the overall strength. To further add to the charm of the piece, the woven seat, made from durable natural fibres, highlights the attention to both function and form, by creating visual and textural interest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture.

Whether placed in a farmhouse or used to add an organic element to a modern interior, this chair provides both history and utility. More than just functional seating, this chair represents a moment in design history where furniture was built to last, to be used daily, and to shape the atmosphere of a room.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor scratches and discolouration. Due to the nature of the wood, the item may have some additional marks.

Dimensions:

25.59 in W x 20.86 in D x 37.40 in H; Seat height 18.50 in; Seat depth 16.92 in; Arm height 28.14 in

65 cm W x 53 cm D x 95 cm H; Seat height 47 cm; Seat depth 43 cm; Arm height 71.5 cm

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Price category: 1,000 - 2,500 usd / eur

The stool belongs to the English Arts and Crafts tradition, a movement that placed particular value on solid materials, visible construction, and the skill of the craftsman. Produced by Gaskell & Chambers during the first half of the twentieth century, it reflects this interest through its solid oak construction and straightforward joinery.

The stool is constructed around a thick square oak seat supported by four splayed legs. All edges are softly rounded, balancing its otherwise strict geometry, while the broad surface allows the grain of the oak to become a decorative feature in itself, with irregular lines and knots giving each side a different character. The legs are particularly expressive, as they taper gradually toward the floor while curving slightly through their lower sections before ending in small turned ball feet. This shaping gives the stool a more animated silhouette rather than a conventional straight-legged construction. Horizontal stretchers connect the legs below the seat, further stabilising the frame while introducing another layer of visual interest through the open spaces between them. The warm tone and pronounced grain of the oak remain visible across every component, emphasising the unique character of the timber and the craftsmanship of the construction.

Compact yet full of character, the stool has the kind of versatility that makes small pieces of vintage and antique furniture particularly appealing in an interior. Its square top works naturally as occasional seating, but it can just as easily serve beside an armchair as a small side table or stand for an object.

Condition:

In good vintage condition. Wear consistent with age and use. The stool has recently been reconditioned. Due to the nature and age of the material, the item has some marks, scratches, and discolouration.

Dimensions:

11.81 in W × 11.61 in D × 19.68 in H

30 cm W x 29.5 cm D x 50 cm H

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Price category: 5,000 - 7,500 usd / eur

Born in 1890 in France, René Gabriel was one of the leading figures of the modernist movement in Paris. From 1923 to 1950, he presented an innovative body of work, offering new vision on the way people could live in the 20th century. He became widely recognised for developing practical, well-made furniture intended for the reconstruction period following the Second World War. Appointed president of the Société des Artistes Décorateurs (SAD) at the Liberation, he steered French decoration towards more economical productions, with sharp lines, efficient joinery, and a preference for the authenticity of local woods over imported species.

Gabriel distinguished himself through the extreme simplicity and sturdiness of his designs, where a Cartesian aesthetic streamlined production. His work rejected unnecessary ornament in favour of robust construction, honest materials, and economical forms that could be produced efficiently without compromising quality. The design of this set of chairs are ingeniously functional and have a well-thought-out structure, crafted from oak. The chairs are built from a series of straightforward elements that work together with remarkable precision. The horizontal back slats create an open, lightweight appearance while providing comfortable support, and the slightly curved sides soften the otherwise rectilinear composition. The slatted wooden seats continue this emphasis on practicality, allowing the grain of the oak to remain fully visible while introducing subtle texture. The legs are gently tapered and connected by unobtrusive stretchers, giving the chairs excellent stability without adding unnecessary visual weight. Every joint is clearly expressed, making the construction itself part of the design rather than something to be concealed.

Model “103” belongs to René Gabriel’s body of work reflecting his enduring belief that good design should remain elegant through clarity of purpose, thoughtful craftsmanship, and an unwavering focus on function. Wood has never gone out of style, and pieces with an emphasis on a natural look are only gaining popularity today. These oak chairs are equally striking standing alone, or as part of an interior with a medley of styles.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the oak, the chairs have some marks, scratches, and discoloration.

Dimensions:

16.93 in W x 16.53 in D x 31.49 in H; Seat Height 17.72 in; Seat Depth 15.55 in

43 cm W x 42 cm D x 80 cm H; Seat height 45 cm; Seat depth 39.5 cm

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Price category: 5,000 - 7,500 usd / eur

The European perspective on cabinetmaking is exceptional, and wood was an omnipresent material in mid-century modernism. This sumptuous rounded armchair features the immediately recognisable touches of Modernism: excellent materials, craftsmanship, and elegantly curved shapes.

This armchair holds all the characteristics that define Berga Möbler’s style, from the playful softness, to the organic sophistication. The chair is slightly tilted backwards by the tapered front legs. The curved and rounded backrest and armrests are a few elements that define the elegance of the chair. Slightly inclined towards the backrest, the armrests provide an excellent seating experience, making the chair a wonderful choice for any contemporary living space. Not only this, but the back is tufted with two large buttons that give the pieces a pleasant and welcoming appearance. The upholstery's texture adds to the visual appeal. It enhances the tactile experience, making it a delight to sit on. The frame is constructed from high-quality wood, ensuring durability and sturdiness. Furthermore, apart from being structurally integral, the legs add a touch of mid-century modern flair with their outward bend and smooth finish. The design of this chair possesses an elegant homely curviness, an aesthetic balance that is only seemingly easy to achieve, but this armchair exudes it.

Crafted with precision and finished with attention to detail and care for the aesthetic dimension, this armchair stands the test of time thanks to both its visual and material quality.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 34.25 in D x 32.67 in H; Seat height 18.11 in; Seat depth 19.68 in; Arm height 23.62 in

75 cm W x 87 cm D x 83 cm H; Seat height 46cm; Seat depth 50 cm; Arm height 60 cm