Set of 8 "Razorblade" Dining Chairs by Henning Kjaernulf, Denmark 1960s (sold)


























Set of 8 "Razorblade" Dining Chairs by Henning Kjaernulf, Denmark 1960s (sold)
Henning Kjaernulf’s Razorblade chairs are the designer’s most distinctive designs. This set was manufactured by the Danish company EG Kvalitetsmobel in the 1960s, making it a true Danish mid-century set.
It is easy to see where the nickname of these chairs stem from. The slightly curved backrests are razorblade-shaped, an unparalleled design feature. The chairs are visually stimulating, featuring both angular and rounded shapes. The style and shape of the legs and frame recall an almost Baroque design, which is paired with Scandinavian modernism, an uncommon yet impressive combination.
The natural wood grain and colour is complemented by the blue fabric of the seats. The set has been recently reupholstered in a premium blue coloured linen fabric by Pierre Frey. With a commitment to combine tradition and modernity, Pierre Fray has been a member of the Colbert Committee since 1976. Their fabrics and craftsmanship are of the highest quality.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Items have some small marks, scratches, and minor watermarks. The wood has a beautiful patina. Items have recently been re-upholstered in a premium linen fabric by Pierre Frey.
Dimensions:
25 in w X 24.60 in D x 33.46 in H; Seat Height 17.91 in
63.5 cm W x 62.5 cm D x 85 cm H; Seat Height 45.5 cm
About the designer:
Danish mid-century designer and architect, Henning Kjaernulf is somewhat of a mystery. A lot more is known about his designs than Kjaernulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjaernulf mainly designed for the Danish manufacturers EG Kvalitetsmobel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table design. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjaernulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish the designer from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjaernulf if anything, adds more charm to his pieces.~H.
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Price category: 5,000 - 7,500 usd / eur
This set of dining chairs, crafted in France in the first half of the 20th century, was designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.
This set embodies 20th century design qualities through its grounded presence and confident use of materials. This design is all about the wooden structures. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The chairs are made from solid wood in a rich, dark stain that accentuates the natural grain to create subtle warmth and depth. Furthermore, the woven straw seats of the chairs feature a decorative pattern, seamlessly blending function with aesthetics. The choice of the textured seats complements the wood frames, creating a harmonious visual appeal. The silhouettes of these chairs are reduced to the essentials, with upright backrests and square seats supported by slender legs.
This set of chairs is ideal for a space that embraces authenticity and values materials in their natural form. Their clean look and rustic sensibility make them stand out without the need for embellishment, offering a quiet but impactful addition to an interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items may have some marks, scratches, and discolouration.
Dimensions:
17.33 in W x 18.12 in D x 38.78 in H; Seat height 18.12 in; Seat depth 16.34 in
44 cm W x 46 cm D x 98.5 cm H; Seat height 46 cm; Seat depth 41.5 cm
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Price category: 7,500 - 10,000 usd / eur
René Prou was one of the leading figures of French decorative arts during the first half of the twentieth century. He began his career as artistic director for the house of Gouffé, where he developed a reputation for refined interiors and exceptional craftsmanship. Over the following decades, Prou received prestigious commissions ranging from luxury ocean liner cabins to the council chamber of the Comptoir d’Escompte de Paris, while also serving as director and professor at the École Nationale Supérieure des Arts Décoratifs.
Prou’s work became known for its elegant curved forms, decorative restraint, and innovative treatment of metal, particularly through his “zinzin maison” technique, which gave metal a flexibility and visual softness similar to rattan. This set of three armchairs attributed to René Prou reflects these qualities associated with his work. The chairs are built around slender blackened metal frames that curve fluidly to form the legs, arm supports, and decorative details beneath the seats. Rather than concealing the structure beneath upholstery, the metalwork remains fully visible and becomes central to the composition. The flowing lines introduce rhythm and movement throughout the design. In contrast, the upholstered seat and back cushions are restrained, covered in a neutral fabric that balances the delicacy of the frame with a greater sense of solidity and comfort. The cylindrical arm cushions further soften the composition while reinforcing the linear direction of the armrests.
Despite the decorative quality of the metalwork, the chairs retain a remarkable sense of openness due to the thinness of the structure and the spacing between elements. These armchairs carry a light, and almost architectural presence, where the curves of the metal frame create visual movement without overwhelming the composition. The result is a set that functions equally well as practical seating and as sculptural interior pieces.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
21.65 in W x 27.36 in D x 38.19 in H; Seat height 15.75 in; Seat depth 18.90 in; Arm height 24.81 in
55 cm W x 69.5 cm D x 97 cm H; Seat height 40 cm; Seat depth 48 cm; Arm height 63 cm
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Price category: 2,500 - 5,000 usd / eur
Rach Finazzi, an Italian designer active from the late 20th century, is recognised for a distinctive approach to furniture-making that merges geometric structures with unique materials. Finazzi’s work often explores unconventional forms and material contrasts, from glass to metal and wood, resulting in pieces that command attention both as functional furniture and as sculptural statements.
This pair of geometric dining chairs is a quintessential example of Finazzi’s design ethos, they are characterised by a striking interplay between angular metal frameworks, natural wood, and plush sheepskin. The chairs rest on slender, black metal legs that intersect to create a dynamic, sculptural base, flowing into the arms. The composition feels both visually light and structurally stable. Adding to the design, the backrests are crafted from solid wood in a dramatically tapered, triangular form. The backs introduce an architectural element that draws the eye upward, establishing a visual dialogue between the angular metal structure and the natural wood grain. To fully drive in the textural juxtaposition, the seats are upholstered in longhair sheepskin, adding a warm, inviting texture that contrasts beautifully with the cool, industrial feel of the metal frame and the earthy wooden backrest.
More than just seating, this pair functions as sculptural pieces that showcase Finazzi’s ability to harmonise disparate materials and forms. The combination of materials creates a compelling visual and tactile experience, showcasing the skill and creativity of Italian craftsmanship. Whether arranged around a dining table or displayed as standalone accent pieces, they encapsulate a bold design language, merging functionality with a strong artistic presence.
Condition:
In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The seats have been reupholstered recently in a premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.29 in W x 22.04 in D x 44.68 in H; Seat height 19.68 in; Seat depth 20.47 in; Arm height 24.40 in
49 cm W x 56 cm D x 113.5 cm H; Seat height 50 cm; Seat depth 52 cm; Arm height 62 cm
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Price category: 5,000 - 7,500 usd / eur
The postwar decades in France marked a flourishing period for modernist design, showcasing the artistry of functional forms and skilled craftsmanship. Furniture from this era embraced clean lines, minimal ornamentation, and leaned on the honesty of materials to reflect the post-war ethos of practicality and renewal.
This set stands as a timeless testament to the exceptional craftsmanship and distinctive style of french creators, forever influencing worldwide design. Each chair is meticulously crafted from rich, warm wood, showcasing the natural beauty of the grain while emphasizing a balance of sturdy yet graceful proportions. The seats are made from woven rush, offering comfort without sacrificing the chair's sculptural integrity. To complete the look, the chairs feature stretchers between the legs, on one hand adding to the strong, angular look, while on the other hand ensuring durability for decades to come. Their proportions and carefully balanced lines speak to the French rural aesthetic, where practicality met understated artistry, combining comfort and rustic charm in an iconic 1960s manner.
With their clean edges, dark colour and straight-forward look, the design of these dining chairs is understated, yet undeniably bold, making them a timeless addition to a room. From bringing a touch of elegance to commanding visual attention, this set adds the character needed in a space.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items have some marks, scratches, and discolouration.
Dimensions:
18.1 in W × 17.7 in D × 36.4 in H; Seat height 19.3 in; Seat depth 16.7 in
46 cm W x 45 cm D x 92.5 cm H; Seat height 49 cm; Seat depth 42.5 cm
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Price category: 7,500 - 10,000 usd / eu
Dining room chair “S34” has the playful and majestic characteristics typical of Pierre Chapo's emblematic creations. Asymmetrical, yet perfectly balanced, this model belongs with the designer’s famous “Sfax” table.
The cross-legged base corresponds to the design of the backrest, which is slightly offset from the middle. Made from Chapo's favourite wood, elm, this chair has a rustic style with architectural precision, which comes as no surprise, as Pierre Chapo trained as an architect in Paris. The slightly more rounded edges show that this chair is an older, authentic version of the “S34” model. The cross-legged base matches the back that is slightly placed out of the middle, enhancing the masterful asymmetry that defines the design. The overall look is very sleek, and combined with details like the visible joinery and the solid wooden structure, this chair’s perfectly imperfect, which is a conscious, Chapo-esque ideal.
Chapo's work originated by means of special commissions that could later be adapted to universal needs. Chapo was inspired by Frank Lloyd Wright's balanced lines, Corbusier's research on proportions and Bauhaus. The three principles that motivated Pierre Chapo were material, form, and function. He measured his furniture by means of golden ratio and used elm wood as his preferred material. This chair is a beautiful example of his ideals in a material form.
Condition:
In good vintage condition. Wear consistent with age and use. Small scratches on the wood.
Dimensions:
15.74 in W x 21.25 in D x 29.13 in H; Seat height 16.73 in
40 cm W x 54 cm D x 74 cm H; Seat height 42.5 cm
About the designer:
Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.
After graduation, Chapo and his wife, the sculptor and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.
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Price category: 2,500 - 5,000 usd / eur
Pierre Chapo, the celebrated French designer, is renowned for his meticulous craftsmanship and innovative approach to woodworking. Trained as an architect in Paris, Chapo was deeply influenced by the principles of proportion, form, and the natural beauty of materials, philosophy that underpinned all of his furniture designs. His work often features bold, architectural lines and a reverence for traditional joinery, seamlessly blending structural integrity with visual elegance.
This S24 dining chair, created in 1967, captures Chapo’s distinctive aesthetic in every detail. It is constructed from solid elm, a material favoured by Chapo for its warm, organic character and robust durability. The chair features a simple, honest construction that highlights the natural grain and rich tone of the elm, celebrating the wood's inherent beauty. The design is defined by straight, geometric lines, which give the chair a sense of structural clarity and understated elegance. The tan leather seat, secured by being tied on the bottom, develops a rich patina over time, enhancing the chair’s charm and complementing the deep hues of the elm. This use of visible hardware underscores Chapo’s philosophy of honest construction, where even the functional details contribute to the visual appeal. The chair’s sturdy frame and inviting materials embody the rustic modernism that is central to Chapo’s style.
This chair would be a striking addition to any dining space, seamlessly blending robust construction with a refined simplicity that speaks to Chapo’s architectural roots. Its timeless design ensures it will elevate any setting, offering not only comfort but also a quiet sophistication that endures across generations.
Condition:
In good vintage condition. Wear consistent with age and use. The leather has a beautiful patina with some marks.
Dimensions:
15.94 in W x 19.29 in D x 29.33 in H; Seat height 17.51 in
40.5 cm W x 49 cm D x 74.5 cm H; Seat height 44.5 cm
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Price category: 9,000 - 12,500 usd / eur
This set of four dining chairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.
This set embodies early 20th century qualities through its grounded presence and confident use of materials. This design is all about the wooden structures. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The chairs are made from solid wood in a rich, dark stain that accentuates the natural grain to create subtle warmth and depth. Adding to their appeal are the geometric backrests, which provide firm support and a subtle architectural detail to the design. The carved elements on the sides showcase the Art Deco interest in geometric adornments. While dining chairs are generally more utilitarian types of seating, this set of four still manages to look cosy and warm thanks to the woven seats. Moreover, each leg features carved and rounded detailing, lending rhythm and visual weight to the structures. This play between solidity and ornamentation is characteristic of French designs of the era, where pieces were not only functional but also a statement of craftsmanship and artistic individuality.
The essence of early 20th century French design is beautifully captured by these chairs. Functional yet sculptural, rustic yet refined, this set stands as an enduring testament of the striking balance only master woodworkers are able to create.
Condition:
In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. Minor dents and scratches. Due to the nature and age of the materials, the items may have marks and discolouration.
Dimensions:
16.14 in W x 20.86 in D x 32.87 in H; Seat height 17.32 in; Seat depth 15.55 in
41 cm W x 53 cm D x 83.5 cm H; Seat height 44 cm; Seat depth 39.5 cm
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Price category: 5,000 - 7,500 usd / eur
Guillerme et Chambron held a central place in mid-century French design, as their work bridged the gap between form and function. With their studio, Votre Maison, the duo developed a design language rooted in expressive silhouettes and a commitment to organic materials, using oak in their most iconic pieces. Their works reflects a deep respect for the art of furniture making and for the people who use their pieces, which is why their designs remain so popular today.
This set of four dining chairs displays the qualities that make Guillerme et Chambron’s work so instantly recognisable. The carved oak frames are shaped in a clean and expressive way. The sabre legs lift the chairs lightly, giving them stability and sturdiness. The backrests showcase a geometric shape, with a round opening carved into the triangular form. This represents the type of small but meaningful detail that defined mid-20th century furniture. A cross structure supports each seat, reinforcing the model while also showcasing expert craftsmanship. Upholstered in a textured bouclé fabric, the seats add warmth to the wood. The contrast between the soft textile and the golden oak creates a harmony that feels thoughtful and balanced. Viewed together, the four chairs create an elegant composition. The individuality of each backrest, the subtle tapering of the legs, and the visible grain of the oak make the set feel both timeless and unique.
Placed around a table, this set shapes the atmosphere of a room with quiet confidence, bringing warmth, craft, and intention into daily life. They represent Votre Maison’s philosophy and remain a reminder of how design can elevate a space. This set stands as an enduring example of French mid-century design at its best.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration. The seats have recently been reupholstered in premium bouclé fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
18.11 in W x 19.29 in D x 35.03 in H; Seat height 19.88 in
46 cm W x 49 cm D x 89 cm; Seat height 50.5 cm
About the designer:
Robert Guillerme graduated in 1934 from the École Boulle where he excelled in architecture and furniture design. After the Second World War he moved to Lille, in the north of France, where he decorated homes and designed furniture for the well regarded Rogier workshops.
In 1948, Guillerme was joined by his long-time friend, decorator Jacques Chambron in Lille. The following year Guillerme and Chambron met master cabinetmaker Émile Dariosecq, owner of a woodworking shop and the company Votre Maison was born. Together, they defined and imposed a new furniture concept. Thanks to their distinctive creativity, originality, and quality, the Votre Maison quickly became well-known.
The Votre Maison marked the history of French design. Guillerme drew the furniture designs while Chambron played the part of salesman, welcoming and advising clients. The power duo was complemented by Dariosecq, whose workshop took charge of the manufacturing. Together, they defined new furnishings concepts. Well-crafted chair back, polished wood and thick cushions make the reputation of their armchairs and sofas. Votre Maison continued to produce furniture right into the 20th century, with Jacques’ son Hervé Chambron, a designer and graduate of the École Boulle, having taken the reins in 1983.
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Price category: 2,500 - 5,000 usd / eur
Adrien Audoux and Frida Minet were key figures in mid-20th century French design, working at the intersection of modernism and traditional craft. When industrial materials like steel and plastic were becoming more common, the pair chose to work with natural materials such as wood, rope, and woven fibers. Their approach was rooted in simplicity, functionality, and a respect for hand craftsmanship, with the designs feeling both modern and timeless.
This chair reflects that ethos, sitting within the broader movement of French mid-century design that valued materiality, proportion and skill. The chair is constructed from oak, giving it a warm finish that highlights the natural grain of the wood. The frame is simple and sturdy, with straight, tapered legs that provide stable support without appearing heavy. The backrest and seat are made from tightly woven rope which creates a grid-like pattern across the surface. This woven construction is both functional and aesthetic, offering flexibility and comfort while visually softening the rigid wooden frame. The backrest is slightly curved, following the body. The overall feel is compact and practical, giving the piece a light, elegant presence without dominating a space.
Beyond its clear visual appeal, the chair represents a thoughtful approach to design where comfort, durability, and craftsmanship come together. Whether used as a dining chair, an accent piece, or part of a larger collection of Audoux-Minet furniture, it carries both historical significance and practical usability, making it a versatile addition to any interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the wood, the chair may have some marks, scratches, and discolouration.
Dimensions:
18.30 in W x 16.53 in D x 34.64 in H; Seat height 17.12 in; Seat depth 16.53 in
46.5 cm W x 42 cm D x 88 cm H; Seat height 43.5 cm; Seat depth 42 cm
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Price category: 12,500 - 15,000 usd / eur
In the realm of Spanish furniture design, the 1930s were a pivotal era that witnessed the emergence of distinctive styles and innovative craftsmanship. Among the unique pieces created in this period is this set of dining chairs that encapsulates the essence of Spanish design from that epoch.
These chairs, boasting dark-stained oak frames, are a testament to the craftsmanship and aesthetic sensibility of 1930s Spain. The dark-stained oak provides a rich and timeless allure to the chairs, enhancing their overall elegance. Notably, the frames exhibit gendarme-style backrests, showcasing the artisan's commitment to craftsmanship and attention to detail through their downward curvature. The structures of these chairs are a nod to the distinctiveness of Spanish furniture design of the 20th century. Furthermore, the woven straw seats of the chairs are secured into the frames using a decorative pattern, seamlessly blending function with aesthetics. The choice of the patterned and textured seats complements the dark-stained oak frames, creating a harmonious visual appeal. The silhouettes of these chairs are reduced to the essentials, with upright backrests and square seats supported by chunky vertical legs. The only curvature to the wood is along the backrest, highlighting an almost Brutalist pursuit for functionality. The material choices and construction suggest durability and purpose, while the straw seats provide a visual and physical lightness to balance the heavier wooden elements. Wood and straw chairs are valued for their comfort and breathability, similarly aligning with the ethos of the era.
This set of chairs is ideal for a space that embraces authenticity and values materials in their natural form. Their clean look and rustic sensibility make them stand out without the need for embellishment, offering a quiet but impactful addition to an interior.
Condition:
In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. Minor dents and scratches. Due to the nature of the wood, the items may have some marks and discolouration.
Dimensions:
16.73 in W x 17.51 in D x 38.18 in H; Seat height 18.30 in; Seat depth 15.94 in
42.5 cm W x 44.5 cm D x 97 cm H; Seat height 46.5 cm; Seat depth 40.5 cm
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Price category: 5,000 - 7,500 usd / eur
This stunning set of four ‘Charlotte’ chairs, designed by the renowned French duo Guillerme et Chambron, showcase an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the 1960s by Votre Maison, these chairs stand as a timeless testament to the duo's exceptional craftsmanship and distinctive style. Through their establishment of Votre Maison, Guillerme et Chambron significantly influenced how to blend functional and aesthetic choices.
At the heart of these chairs is the use of light oak, a material renowned for its durability and visual appeal. Oak was the preferred material for Guillerme et Chambron, and in these chairs they have expertly showcased its rich and robust character - resulting in solid, functional, and captivating works of art. The oak, with its natural grains and warm tones, becomes a canvas for the subtle sculptural details that adorn these chairs, highlighting the beauty of simplicity. The light oak frames are masterfully carved, with each chair featuring a gracefully curved backrest that supports the sitter comfortably while adding a touch of elegance. The backrest is not a mere functional element but an aesthetic one, designed with a subtle arc that mimics the natural curves of the human spine, providing both support and visual harmony. The intricate joinery where the legs meet the seat and backrest underscores the duo’s expertise in traditional woodworking techniques, blending seamlessly with the modernist aesthetic they championed. The seating area is upholstered in a vibrant orange fabric, providing a striking contrast to the natural tones of the oak. This choice of colour adds a bold yet tasteful accent, making these chairs a standout feature in any interior space. The fabric is not only visually appealing but also selected for its comfort and durability, ensuring that the chairs are as practical as they are beautiful.
The chairs' form, characterised by clean and fluid lines are a clear signature of Guillerme et Chambron's dedication to modernism while staying rooted in traditional craftsmanship. Their work not only represents the fusion of function and form, but also exemplifies the mid-century modern aesthetic - which they played a pivotal role in shaping. Their emphasis on quality craftsmanship and the use of noble materials like oak has undeniably left a lasting imprint in the world of furniture design, solidifying their legacy in the French design landscape during the mid-century era.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. These chairs come with their original cushions or have been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
17.91 in W x 20.47 in D x 33.46 in H; Seat height 18.90 in; Seat depth 16.93 in
45.5 cm W x 52 cm D x 85 cm H; Seat height 48 cm; Seat depth 43 cm
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Price category: 5,000 - 7,500 usd / eur
These two chairs exemplify late 20th century to early 21st century German craftsmanship. The design uses elements of geometry to create a unique look, while utilising the natural qualities of the wood in contrast to their highly stylised form.
These chairs are made from elm wood, which becomes the central point, both aesthetically and structurally. The backrests assert a slight wing-back like profile through the flared ears of their dramatic backs, that taper in before flowing to the seats. This design choice creates a continuous, ergonomic form, that displays the beautifully unique grain of the material. While crafted from solid wood, the pieces still have an airiness to them. The emphasis on simplicity and functionality makes these chairs versatile pieces suitable for a variety of interior settings. Whether used in dining rooms, living areas, or as accent pieces in galleries and showrooms, these chairs are both practical and stylish.
Sculptural furniture is a large umbrella term that includes many different design styles. What they all have in common is pushing the boundaries of what residential design should and could be. This pair of chairs is sure to bring that flair to any space.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items may have some marks, scratches, and discolouration.
Dimensions:
17.72 in W x 22.05 in D x 40.75 in H; Seat height 18.11 in; Seat depth 15.35 in
45 cm W x 56 cm D x 103.5 cm H; Seat height 46 cm; Seat depth 39 cm