A Pair of Swedish Modern Club Chairs in Longhair Sheepskin, Sweden 1930s (sold)






























A Pair of Swedish Modern Club Chairs in Longhair Sheepskin, Sweden 1930s (sold)
This pair of club chairs perfectly captures the spirit of Swedish design from the early 20th century. The construction of these stunning chairs revolves around the use of high-quality materials, and the mastery of the cabinetmaker. As can be expected from Nordic pieces, functionality and comfort are kept at the core of the design.
Club chairs, originally popularised in France during the 19th century, are known for their distinctive, low-profile design, characterised by deep, comfortable seats and wide armrests. The Swedish version of the club chair, as this pair shows, retained these essential features while adding a more refined, minimalist aesthetic. One of the defining aspects of these chairs is the low backrest, which aligns seamlessly with the arms, creating a smooth, continuous line from one side to the other. This design choice promotes a relaxed, almost lounged posture, ideal for leisurely sitting. The chairs are upholstered in luxurious longhair sheepskin, a material chosen for its softness and tactile richness. The sheepskin’s natural texture and rich brown colour lend a sense of warmth and comfort, making these chairs not only stylish but inviting and cosy. The arms are elegantly curved, providing subtle support without overwhelming the simplicity of the structure. This understated design emphasizes comfort while maintaining the clean lines and functional beauty of Swedish modernism. The chairs’ look makes them ideal for both intimate spaces and larger living areas, allowing them to serve as the focal point or as a perfect background addition to a space, making them versatile while also visually striking. Crafted with the attention to detail typical of Swedish craftsmanship, these chairs reflect a time when quality materials and thoughtful design were paramount. The longhair sheepskin is not only a great aestetic choice but also a testament to the artisanal techniques of the period.
This pair of chairs embodies the Scandinavian ethos of blending beauty with practicality, remaining timeless in their appeal. With their perfect balance of form and comfort, they continue to be a stunning example of Swedish modern design today.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium longhair sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
37.40 in W x 37 in D x 26.97 in H; Seat height 18.31 in; Seat depth 22.44 in; Arm height 25.79 in
95 cm W x 94 cm D x 68.5 cm H; Seat height 46.5 cm; Seat depth 57 cm; Arm height 65.5 cm
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Price category: 12,500 - 15,000 usd / eur
Italian Modern furniture is defined by unique design, perfect execution, and exclusivity. Modernist Italian designers’ language was always coherent with current times and congenial to the wisdom of furniture manufacturing, representing an outpost of strong innovation in the panorama of Italian craftsmanship.
This pair is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the exclusive materials. The versatile shapes, from the rounded edges on the top to the square, unattached armrests and tapered legs make these chairs stand out. The V-shaped high backs are visually defining thanks to their sheer size and unusual shape. The enveloping backs become narrower towards the seat, like elegant, slim necks, with the sides flowing into the armrests, creating a structured, but still flowing angle and impression. The beautiful, richly textured bouclé fabric brings out the versatility of the shapes even further, and contrasts the solid wood legs as well. The backs are decorated with seven, yellow cross stitches arranged symmetrically, which further adds to the modern edge.
The 1960s’ Italy was especially passionate about furniture and product design, an area where the country remained faithful to a figurative repertoire of substantial classicism, while not disdaining impulses of authentic modernity. Similar designs are commonly attributed to Paolo Buffa, who - like many of his contemporaries - was extremely active in the Milanese design scene that was just as vibrant as these chairs. In an atmosphere committed to the reinterpretation of the Lombard classicism and Milanese architecture, exceptional pieces were created as this pair shows.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium sheepskin fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.8 in W x 24.4 in D x 40.55 in H; Seat height 14.17 in; Arm height 23.22 in
63 cm W x 62 cm D x 103 cm H; Seat height 36 cm; Arm height 59 cm
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Price category: 5,000 - 7,500 usd / eur
These side chairs originate from Europe in the 1960s, a period defined by a renewed appreciation for natural materials, functional craftsmanship, and honest construction. Mid-century European design moved away from excess ornamentation in favour of clarity, comfort, and durability. Oak furniture from this era reflects a balance between modernist restraint and timeless handcraft, highlighting structure and material.
This pair is crafted from solid wood, featuring softly rounded frames with gently curved arms and ladder-style backrests that emphasize both strength and comfort, while also showcasing gently carved contours. The warm tone of the wood highlights the natural grain, adding visual depth and character to the clean, architectural structure. The proportions are generous, offering an embracing seat. The slightly splayed legs and cross-stretchers provide stability. Moreover, the seats are upholstered in rich sheepskin, introducing a contrasting texture that softens the overall design and enhances comfort. The use of this material aligns the chairs with the decade’s interest in warmth, tactility, and elegance. The organic surface of the hide adds subtle textural and visual variation, making the pair feel like a focal point of any space. Together, the sturdy oak construction and plush upholstery create a pleasing dialogue between structure and softness.
With their combination of durable and inviting materials, these side chairs embody the relaxed refinement of European mid-century design. They function effortlessly as statement pieces while remaining practical for everyday use. Timeless in form and character, the pair offers an expression of 1960s craftsmanship that fits effortlessly into both modern and classic interiors.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration. The seats have recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.01 in W x 24.40 in x 31.10 in H; Seat height 19.68 in; Seat depth 21.25 in; Arm height 25 in
61 cm W x 62 cm D x 79 cm H; Seat height 50 cm; Seat depth 54 cm; Arm height 63.5 cm
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Price category: 12,500 - 15,000 usd / eur
“Danish Modern” is a recognized term around the world, standing for the characteristic style of Danish design created during the 20th century. As these lounge chairs show, furniture created in this period are characterized by clarity in design, and extremely high-quality craftsmanship and choice of materials.
This pair of lounge chairs exudes quality and personality from all angles. Their classic shape is formed by the generous seat and embracing back. The large, curved backrests feature tufted buttons and follow the curve of the voluptuous seats, creating an inviting and open look which is a signature characteristic of Danish Modernism. The tufting stitches are festooned with thirteen, symmetrically arranged buttons on each chair, that sink into the soft upholstery. The tapered, lacquered wood legs prevent the chairs from looking heavy by slightly lifting them off the ground, while their warm brown colour nicely contrasts the soft, light colour of the bodies. The back legs are splayed to provide structural support to the chairs.
Thanks to the sheepskin, the chairs give a natural, textured look, making them ideal to blend a stroke of modernity to any space, with a nod to organic, simple artistry. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. The artisanal production quality is evident throughout this pair and takes the Danish idea of “furniture that last for generations” seriously.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium sheepskin.
Dimensions:
32.28 in W x 33.46 in D x 31.1 in H; Seat height 17.32 in
82 cm W x 85 cm D x 79 cm H; Seat height 44 cm
About the Designer:
The practical and comfortable designs of Danish cabinetmakers defined mid-20th century modern seating. The Danish Cabinetmakers focused on minimalist design executed by expertly skilled craftsmen.
Works from the Danish Cabinet-Makers' Guild is a concept of its own in collectible design. The Cabinet-Makers' Guild began annual exhibitions in 1927 in Copenhagen. The group formed an exhibit showing each year in October the quality furniture made to drawings by gifted architects. The exhibition took place each year, without interruption, for forty years. A number of successful Danish Design collaborations were formed during this time between cabinetmakers and architects.
Danish Modernism has influenced Scandinavian furniture to a great degree, defined by minimalism, simplicity, and functionality. The muted colours and gentle designs make Danish mid-century furniture an ideal addition to contemporary living spaces. Additionally, master cabinetmakers were highly aware of body proportions, prioritizing comfort just as much as the visual qualities.
The works of master cabinetmakers – such as this chair – are of the highest quality, both in terms of materials and craftsmanship. Cabinetmakers take the art of working with wood one step further, and focus on the finer details of what can be created with the material. Therefore, it comes as no surprise that numerous master cabinetmakers are part of the renowned Danish Culture Canon (Danish: Kulturkanonen). The canon contains no more than 108 works of cultural excellence, based on works with a useful function and that are still recognizable today. This small armchair is the perfect illustration of Danish design, and the work of a true cabinetmaker. ~H.
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Price category: 12,500 - 15,000 usd / eur
The “Laila” model by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection.
This pair of “nr. 238” armchairs are from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic mid-century modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. These armchairs have a cosy modern style, modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with tufted buttons. The bodies have the classic Nordic look, which explains the contemporary popularity of these armchairs both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially its back.
Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. These chairs were created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. After the war, the damage it caused and the new homes of Karelian migrants concentrated production on essential furniture, which the Finnish Ministry of Public Affairs ordered to sell at an affordable price. Favourites of this time included Ilmari Lappalainen’s Laila series.
Condition:
In good condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium sheepskin.
Dimensions:
32.67 in W x 34.64 in D x 34.44 in H; Seat height 17.71 in
83 cm W x 88 cm D x 87.5 cm H; Seat height 45 cm
Literature:
Riitta Miestamo "The Form and Substance of Finnish Furniture", Askon Säätiö, Esan Kirjapaino oy, Lahti 1981.p 65.
About the Designer:
Ilmari Lappalainen (1918 - 2006) was a great Finnish designer whose most active working years were from the end of the 1940s until the end of the 1970s.
Lappalainen first graduated as a teacher of woodworking in 1939, followed by a degree in interior design in 1947. By the end of the school of interior design, he was already working as an intern in Asko and after graduating he got a permanent design position at the company. Lappalainen worked as a teacher and as an interior designer for Asko's department stores, public spaces and hotels.
Lappalainen's most popular products / series are the Laila sofa set, the Seija rocking chair, the lazy castle Rex and the Pulkka armchair. Interestingly, the chairs from the Columna series were sold as health chairs for a long time, because they had such a good ergonomic design, that it prevented back problems. The chairs eventually received medical approval as well. ~H.
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Price category: 9,000 - 12,500 usd / eur
The ‘Skrindan’ armchair model was designed in 1963 by iconic Swedish designer Kerstin Hörlin-Homquist. Hörlin-Holmquist had a unique and humanistic design vision, and thanks to her uncompromising attitude, she created some of the most famous Swedish models of the era.
The unique stained beech frames are a visual delight, with subtle decorative elements that distinguish this pair from other models of the era. Without worrying about short-lived trends and what other people thought, Hörlin-Holmquist created her models with such precision and creativity that still makes them collectible pieces. Thanks to her unique vision, these chairs have unmistakable backs and sides comprised of symmetrically arranged spindles. As the backs and armrests sit relatively low, the chairs have an open look. The sheepskin upholstery of the back and seat cushions elevate the visual comfort.
OPE Möbler, Jönköping produced the furniture designs of some of Scandinavia’s most renowned designers, such as Ib Kofod-Larsen, Ingemar Thillmark, and of course, Kerstin Hörlin-Holmquist. These ‘Skrindan’ armchairs are exemplary of Swedish mid-century quality and design to its core, uniting functionality with an understated, yet interesting and elegant design.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.52 in W x 33.46 in D x 34.65 in H; Seat height 17.34 in; Seat depth 20.47 in; Arm height 23.62 in
75 cm W x 85 cm D x 88 cm H; Seat height 44 cm; Seat depth 52 cm; Arm height 60 cm
About the Designer:
Kerstin Hörlin-Holmquist was born on May 30, 1925 in Arvika, Sweden. She was a Swedish modernist architect and designer. Hörlin-Holmquist graduated from Stockholm’s Konstfack in 1952, and before that she studied and worked in England.
She often worked with her husband Erik Holmquist, and together they modelled and created the pieces together. A key aspect for the couple was always to test their designs in their own home before completing a project.
"I think both furniture and textiles, wherever they end up, must be kind, gentle and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in..."
Hörlin-Holmquist worked and studied in England from 1946-1947 immediately after the war, where she also studied art history and became fascinated with the classic English upholstered furniture and style. Something that without a doubt inspired her own creations later in life while she still developed her own expression. She returned to Sweden where she attended Konstfack from 1948 and graduated from the school in 1952. She started working with Nordiska Kompaniet shortly after her graduation and became a lead designer. Her timeless and iconic ‘Paradiset Collection’ was created during her employment with Nordiska Kompaniet in 1956-1957 and holds a soft simplicity and a uniqueness in its appearance - light, clean lines and yet gracious with an air of romance.
Today, her designs are highly treasured collectibles. She is primarily remembered, for her ability to create designs for the modern home in the 1950s without worrying about short-lived trends and what other people thought - to stay true to her own unique and humanistic design vision.
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Price category: 9,000 - 12,500 usd / eur
The mid-20th century marked a golden era for interior design, amidst a booming economy and a newfound sense of optimism. Designers sought to create furniture that felt both modern and human, moving away from the stark metal and glass of the machine age toward objects that could bring warmth and comfort to domestic life.
This cultural moment celebrated furniture not just as a utilitarian object, but as a meaningful presence in the home. This pair of lounge chairs is a striking embodiment of that philosophy. Each chair features a solid wood frame with strong, sculptural lines. The X-shaped side-supports lend both structural stability and visual lightness, while highlighting the craftsmanship of this pair. Not only this, but the precise joinery and the gently splayed back legs which transition seamlessly into the armrests give the chairs a sense of balance and quiet confidence. Their seats and backs are upholstered in thick, natural sheepskin, a material prized for its softness, warmth, and inviting tactile quality. The creamy, textural surface of the upholstery contrasts beautifully with the robust wooden frame, highlighting the inherent character of both materials. They show how mid century designers achieved harmony between simplicity and luxury, function and expression.
Together, these chairs offer more than just a place to sit; they express the postwar European shift toward modern living. With their natural materials and inviting form, they feel as relevant and desirable today as when they were first made, all while reflecting an ideal blend of sculptural beauty, masterful craftsmanship, and timeless comfort.
Condition:
In good vintage condition. Wear consistent with age and use. These armchairs have recently been reconditioned. Minor marks and dents on wooden frame. This pair of armchairs has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.19 in W x 31.88 in D x 33.26 in H; Seat height 15.35 in; Seat depth 20.07 in; Arm height 23.22 in
64 cm W x 81 cm D x 84.5 cm H; Seat height 39 cm; Seat depth 51 cm; Arm height 59 cm
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Price category: 12,500 - 15,000 usd / eur
This pair of European armchairs was created at the peak of the Art Deco movement, in the 1930s. They capture the elegance and bold presence of the style, while merging streamlined forms with a strong sense of comfort and functionality. This pair stands out by combining a classic silhouette with rich upholstery that creates a commanding presence.
The armchairs are defined by their generous seats and backrests, covered in eye-catching luxurious sheepskin. Their proportions emphasize solidity and strength, yet the curvature of the arms softens the design, lending the pair a welcoming character. Moreover, the robustness of the bodies are visually balanced by the open armrests. The plush sandy beige upholstery further enhances the volume and tactility of these pieces. Mongolian longhair sheepskin is especially soft, increasing comfort, while the natural crimp of the fur adds visual and textural depth. At the same time, the luxurious material falls in line with the glamour of the era, creating a lush, rich, seating experience. Completed by short wooden feet, these armchairs are sure to offer stability and durability for generations to come. These chairs are not merely furniture pieces but represent a significant innovation period in design. Their ability to marry form and function while exuding a timeless elegance speaks to the craftsmanship and artistic vision of the 1930s.
As a pair, these armchairs stand as striking examples of European craftsmanship. The thoughtful design, from the choice of materials to the thoughtful details, ensures that these chairs are as much a work of art as they are functional seating, enhancing the comfort and aesthetic value of any space. As relics of a pivotal time in design history, they continue to inspire and captivate, embodying the enduring appeal of modernist and Art Deco principles.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reupholstered in premium Mongolian longhair sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.77 in W x 34.64 in D x 31.10 in H; Seat height 17.91 in; Seat depth 19.68 in; Arm height 23.62 in
68 cm W x 88 cm D x 79 cm H; Seat height 45.5 cm; Seat depth 50 cm; Arm height 60 cm
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Price category: 9,000 - 12,500 usd / eur
These “Pedro” armchairs show the homely curviness that defined the design of the 1950s. Hiort af Ornäs developed this model for his own furniture company, Puunveisto Oy.
The Pedro model has a soft, sculptural shape paired with an ergonomic construction, which are very representative of the designer’s beliefs. Hiort af Ornäs was very firm about two things regarding his chair designs: the sitting comfort and that the model must look good from every single angle. Pedro fulfils these principles, for as even from the bottom, it showcases the elongated, tapered back legs that are visually captivating. The bodies have a welcoming look, with outward curving armrests and slightly bent backrests. In service of utmost comfort are the removable seat cushions that ensure sitting comfort, and the sheepskin upholstery that is extremely soft. The light colour and texture of the sheepskin complements the lacquered wood legs beautifully, highlighting their sculptural lines.
The craftsmanship and quality provided by Hiort af Ornäs is very visible in the Pedro collection that includes a sofa besides these chairs. The seating designs of the architect/designer have been gradually more and more recognized world-wide, which resulted in the recent exhibition titled “Forgotten Ornäs”.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.13 in W x 28.34 in D x 32.67 in H; Seat height 17.32 in
74 cm W x 72 cm D x 83 cm H; Seat height 44 cm
About the designer:
Carl-Gustaf Vilhelm (nicknamed “Nalle”) Hiort of Ornäs was born on 27 February 1911 and lived most of his life in Tapiola/Espoo in Finland and in his later life moved to Spain. He is remembered as a Finnish interior architect and designer known to be uncompromising.
Before the Finnish wars (1939-1944), Hiort af Ornäs spent his time in Pori, working at Björneborgs Mekaniska Verkstad. He studied at the Helsinki University of Technology to become an architect but never graduated. He did, however, become known as an interior designer, and eventually even more known as a furniture designer.
In 1945, Hiort af Ornäs founded the furniture company Puunveisto Oy, for which he developed versatile techniques for shaping plywood. He started the furniture manufacturing shop on Lauttasaari in Helsinki (Veneentekijäntie 14) together with his brother. The wood shop, showroom and office were all located in the same building in Helsinki. Rolf Mesterton was the man in charge of producing the furniture, but there were several other carpenters at work in the woodshop. Hiort af Ornäs’s furniture was exhibited and sold by the shop Nupponen who also distributed Olavi Hänninen’s designs, while Puunveisto’s furniture were also sold by Gösta Westerbergs Möbler in Stockholm, Sweden but, in spite of a good selection of chairs, tables and shelves, did not do too well. Since production costs were high, Hiort af Ornäs faced economic troubles. The company was later sold to Nupponen after which Hiort af Ornäs’s interest in the company waned.
Hiort af Ornäs spent his retirement in Spain, and designed several buildings for Fuengirola’s Los Pacos neighbourhood, which has a large Finnish population. His house that he drew and built in Tapiola, Espoo, Finland, ‘Villa Hiort’, still stands and houses some of the designer’s original drawings. It is a beautiful example of 1950s Modernism and the talent of Hiort af Ornäs that brought him recognition that lasts to this day. ~H.
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Price category: 12,500 - 15,000 usd / eur
This stunning pair of European armchairs, crafted in the 20th century, epitomises the timeless allure of modern design. Fine materials and seamless craftsmanship come together to create an undeniably striking look while maintaining its functionality.
Fully upholstered in long, plush white sheepskin, it is undoubtedly the most eye-catching characteristic of the set. Not only is the sheepskin an especially beautiful choice of upholstery, but it also ensures durability through its quality. Another standout feature of these armchairs is the thoughtfully incorporated wooden overlays adorning the armrests. These wooden accents are not only visually appealing but also add a sense of practicality and further increase the longevity of the pair, ensuring the armrests remain pristine and functional for years to come. The light colour of the sheepskin contrasts beautifully against the dark stain of the overlays which flow effortlessly from the armrests into the chairs’ legs. The contrast of the materials is not only chromatic, but also textural. The tactile richness of the sheepskin creates a captivating interplay of soft and smooth when paired with the polished wood, bringing duality and depth to the pair, as well as offering an elegant balance.
These armchairs are a visual delight that will complement any interior, from classic to eclectic due to their warmth and elegance. The enveloping feel and textural comfort allow these chairs to be as welcoming as they are beautiful, perfectly combining form and function.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium longhair sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.49 in W x 33.46 in D x 30.7 in H; Seat height 18.11 in; Seat depth 21.65 in; Arm height 22.04 in
80 cm W x 85 cm D x 78 cm H; Seat height 46 cm; Seat depth 55 cm; Arm height 56 cm
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Price category: 9,000 - 12,500 usd / eur
This pair of easy chairs exemplifies the craftsmanship of Swedish modern furniture and its understated luxury. The 1940s saw a departure from the ornate and glamorous Art Deco era toward a more refined and functional design period. While this period did not shy away from luxury, there was a more natural and organic feel to it thanks to increased use of wood and other natural materials.
This stunning pair of easy chairs, crafted in the manner of Erik Bertin Karlen, embodies organic elegance and tactile richness. The chairs feature a rather simple silhouette and since nature was a great source of inspiration during the making of this pair, sharp edges or corners can rarely be found. Without any ornamentation, the focus is on the rounded, flowing lines of the bodies and the luxurious upholstery. The longhair sheepskin features rich, warm tones that add chromatic texture to the chairs. Thanks to the colour variation of the sheepskin, the chairs can lend an earthy and cosy presence to any room in which they are placed. This material not only reflects the Swedish commitment to high quality materials but also showcases the design prowess of the era’s cabinetmakers. Furthermore, architectural precision is present in the subtle wingback backrests, which offer the sitter a charming embrace, even in the absence of armrests. It is this absence of armrests which emphasizes the open and inviting form, while allowing for the focus to remain on the materials. Supported by tapered wooden legs, this pair achieves a beautifully balanced aesthetic.
These easy chairs stand as a testament to the enduring appeal of Swedish design, and its philosophy of simplicity, comfort, and material integrity. Whether placed as accent chairs or as a focal point they are sure to add a touch of quiet luxury to any space.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
26.37 in W x 31.10 in D x 33.07 in H; Seat height 16.92 in Seat depth 18.89 in
67 cm W x 79 cm D x 84 cm H; Seat height 43 cm x Seat depth 48 cm
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Price category: 12,500 - 15,000 usd / eur
Italian furniture from the mid-century era is defined by functionality, an elegant design aesthetic, perfect execution, and exclusivity. The period’s seating models, including this pair of armchairs, were created to highlight the spirit of rebirth of post-war furniture characterised by clean lines and a free spirit.
The pair revolves around the use of high-quality materials, comfort and the mastery of Italian cabinetmakers. The design is focused on the aesthetics of modernism, whilst employing the precise technique and material familiarity of the highly-skilled Italian craftsmen. The striking look of these pieces is the result of a brilliant pairing of materials; the solid wood structures’ smooth lines stand out against the textural, organic sheepskin while also accentuating the individuality of the upholstery. The contrast of materials is not just textural, but chromatic too. The soft white fibres of the feathery, cloud-like sheepskin drape beautifully over these chairs, creating visual dynamism and making the brown wood stand out. The armrests have an ergonomic shape, with perfectly sculpted curves to accommodate the sitter. The desire to keep lightness at the core of the design is visible, especially when looking at the open armrests and thin feet, which balance the full bodies.
Mid-century modern remains one of the most appreciated interior styles, as the furniture pieces from this period are uncomplicated and as functional and comfortable as they are timeless. This pair represents the artistry of designers who took natural materials and perfected them into era-defining pieces.
Condition:
In good vintage condition. The chairs have been reupholstered recently in premium longhair sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.01 in W x 31.10 in D x 34.64 in H; Seat height 18.50 in; Seat depth 16.92 cm; Arm height 22.83 in
61 cm W x 79 cm D x 88 cm H; Seat height 47 cm; Seat depth 43 cm; Arm height 58 cm
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Price category: 12,500 - 15,000 usd / eur
Art Deco was an era-defining movement in furniture design. During its heyday, it represented luxury, glamour, exuberance and faith in social and technological progress. European furniture designers’ artistic approach was anchored by refinement, expressed through graceful forms and traditional methods. The mix of boldness and richness became central to European Art Deco interiors, where furniture was expected to contribute atmosphere as much as function.
These chairs illustrate the bold aesthetic of the first half of the 20th century. Art Deco designers and cabinetmakers coupled geometry and craftsmanship to create elegantly impressive pieces like this pair. The construction of this stunning pair features high-quality materials, from the wooden frame to the soft upholstery. The frames are defined by the sweeping and sleek arms that curve outward and downward in a flowing motion. Their striking appearance is the result of the brilliant pairing of materials; the solid wood structures’ polished lines stand out against the textural, organic sheepskin while also accentuating the individuality of the upholstery. The long-haired fabric gives the chairs an almost organic appearance while emphasizing comfort and warmth.
As a pair, these armchairs stand as striking examples of European craftsmanship. The thoughtful design, from the choice of materials to the thoughtful details, ensures that these chairs are as much a work of art as they are functional seating, enhancing the comfort and aesthetic value of any space. As relics of a pivotal time in design history, they continue to inspire and captivate, embodying the enduring appeal of modernist and Art Deco principles.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Minor dents and scratches on the wood are present. Due to the age and nature of the materials, the items may have marks, and discolouration. The items have recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.9 in W × 35.4 in D × 31.5 in H; Seat height 20.1 in; Seat depth 23.62 in; Arm height 24.8 in
76 cm W x 90 cm D x 80 cm H; Seat height 51 cm; Seat depth 60 cm; Arm height 63 cm