Leather Two-Seater "V 12" Sofa by Illum Wikkelsø for Holger Christiansen, Denmark 1960s (sold)






























Leather Two-Seater "V 12" Sofa by Illum Wikkelsø for Holger Christiansen, Denmark 1960s (sold)
Danish furniture designer Illum Wikkelsø believed that furniture should be built to last, to indulge the body and to please the eye. He belonged to a group of designers who represented the Golden Age of Danish design during the 1950s and 1960s. With his clear design aesthetic and deep understanding of materials, he was one of the key protagonists in making Danish design style an international phenomenon.
This two-seater ‘V 12’ sofa combines a rectangular shape and long lines with subtle curves and rounded edges. The low back and deep seat give the sofa a modern and elegant look. The solid wood legs are cone-shaped and tapered with straight lines, contrasting nicely to the otherwise less-strict lines that characterize the design. The two loose seat cushions add a lot of depth to the look and highlight the leather’s unique texture, while also guaranteeing sitting comfort. Wikkelsø’s profound understanding of form was coupled with a deep commitment to exemplary levels of functionality and ergonomics. Although he was in many ways in tune with the design aesthetic of his time, he had both the courage and ability to develop his own innovative style which was often expressive and surprising, but always focused on sublime craftsmanship and attention to detail.
Free from unnecessary ornamentation, the aesthetic of this ‘V 12’ model sofa is sleek and modern. With its subtly rounded shape, this sofa is perfect to break the rigour of any space, all while keeping an elegant appearance, elevated by the timeless leather upholstery.
The sofa was manufactured by Danish manufacturer Holger Christiansen Møbelfabrik in Aarhus in the 1960s.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The sofa has been reupholstered recently in a premium leather. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
55.12 in W x 28.74 in D x 26.77 in H; Seat height 18.11 in; Seat depth 20.47 in; Arm height 23.62 in
140 cm W x 73 cm D x 68 cm H; Seat height 46 cm; Seat depth 52 cm; Arm height 60 cm
Literature:
Holger Christiansen catalogue 1967, p. 4–5.
Design from Scandinavia, no. 3, p. 90–91.
About the designer:
Kristian Illum Wikkelsø (1919-1999), by his full name, is best known for his seating designs. Like most Danish designers at the time, Wikkelsø trained as a carpenter until 1938 and then followed in the footsteps of many of his later colleagues and continued his studies at the Copenhagen School of Arts and Crafts, graduating on 1941.
In 1944, Wikkelsø moved to Århus to work as an interior designer He was then employed at the carpentry master and architect Jacob Kjær's drawing room and then at Peter Hvidt & Orla Mølgaard Nielsen’s architectural firm, where he worked until 1954. The same year, Illum Wikkelsø began designing his own furniture and a few years later, he established his own workshop. A number of Danish manufacturers produced Wikkelsø’s designs, such as C.F. Christensen, Holger Christiansen and Søren Willadsen.
Like many of his Danish contemporaries, including Arne Jacobsen, Finn Juhl, and Hans Wegner, Wikkelsø’s designs emphasize formal simplicity and biomorphic silhouettes. Wikkelsø’s background in cabinetry engendered in him a profound understanding of materials and an excellent attention to detail. Working with teak and rosewood, he captured delicately sculptural forms. Wikkelsø believed that furniture should be built to last while cradling the body and pleasing the eye.
Though little biographical information survives, the quality of Illum Wikkelsø’s designs affirms his status as an active proponent of Scandinavian modernism in the post-war era. ~H.
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Price category: 7,500 - 10,000 usd / eur
Simplicity, functionality, and elegance - these are the basic aspects of Danish design and accordingly, of this sophisticated easy chair as well. As a representation of early modernist seating, there is a profound focus on comfort and cosiness, that invokes a pleasant homelike feeling.
The subtle decorative qualities stemming from the early 20th century art movements and the simple lines deriving from the inter-war art movements gives the chair its elegance. Even though Scandinavian design is generally democratic and meant for the masses, pieces were not stripped of all beauty in order to make them as easy to use as possible. The importance of this balance can be identified in the design and execution of these armchairs as well. This balance is achieved through the clever use of the materials and rounded edges of the upholstered body. The exposed wood outlining the armrests’ shape is the standout design element. Quality craftsmanship was evidently of optimum importance for the cabinetmaker who created this piece, especially visible in the sculpted armrests. The pairing of the bun feet in the front and the short, tapered legs in the back is a quirky Scandinavian detail that adds more visual interest to this model.
This armchair further illustrates how modernist design can be warm and cosy despite its reputation of often cold simplicity. The elegant light wool upholstery highlights the beautiful wood lines of the armrests and the legs. With a classic look, storied design and solid quality, this chair is truly soulful and timeless.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
32.48 in W x 37.4 in D x 32.48 in H; Seat height 16.73 in
82.5 cm W x 95 cm D x 82.5 cm H; Seat height 42.5 cm
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Price category: 2,500 - 5,000 usd / eur
This so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.
This armchair combines the traditional kurul structure with a rounded and curved appearance, with an upholstered seat and backrest that gives the historic look a modern edge. The oak frame is carved and sculpted in an unmistakeable way, showing the skills of both the designer and the manufacturer. The body is composed of two slats of wood of equal length in the front and back, fastened together in a saltire formation (resembling the letter X) which are extended up at the top and back to form the armrests and the backs as well. The seat, upholstered in soft sheepskin, is stretched between the front and back slats connecting the two. Kjærnulf removed the folding function of the historic design, giving his model a more stable, organic look. This impression is further enhanced by the solid oak, which is carved with great precision into straight and curving lines. The rich sheepskin melts these carved and straight lines together, contrasting to the oak’s smoothness. While the historic kurul chair was often decorated with intarsia, this model only showcases subtle decor elements, such as the charming sculpted mark in the front with a flower (or the sun) carved into the wood.
While the kurulstol is a Renaissance classic originating from ancient Rome, thanks to Kjaernulf, Scandinavian modernism remains at the core of the design. Kjærnulf’s designs are easy to spot in a crowd thanks to his originality, making his pieces like the razorblade chair and this kurulstol eternally unique. This chair was manufactured by EG Kvalitetsmobel in Denmark during the 1960s.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some minor scratches and marks on the wood. The chair’s seat has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 21.65 in D x 34.65 in H; Seat height 19.29 in; Arm height 25 in
65 cm W x 55 cm D x 88 cm H ; Seat height 49 cm; Arm height 63.5 cm
About the designer:
Danish mid-century designer and architect, Henning Kjaernulf, is somewhat of a mystery. A lot more is known about his designs than Kjaernulf himself. His wooden designs, crafted to perfection, speak for themselves. Kjaernulf mainly designed for the Danish manufacturers EG Kvalitetsmøbel, Nyrup Møbelfabrik, and Vejle Stole Møbelfabrik. The latter produced the designer’s well-known teak extending dining table design. The historic archives of the Danish municipality, Stenlille, reveal the history of Nyrup Møbelfabrik, mentioning Kjaernulf’s architectural designs for the company’s factory, referring to him as an architect based in Odense, Denmark.
Kjaernulf’s works reveal quality craftsmanship throughout, featuring clean Danish modern era lines with sculpted edges and shapes. The unique shapes, like his razorblade chair backrests, distinguish the designer from other Danish mid-century designers.
In light of how sought after his dining sets and lounge chairs are, it remains a mystery why so little is known about the designer. The curious background of Kjaernulf if anything, adds more charm to his pieces. ~H.
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Price category: 7,500 - 10,000 usd / eur
The so-called “Kurulstol” or “Kurul” chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with straight or curved legs. Among the Romans, in addition to being an ordinary utility chair, it was symbolically linked to officials, often within the judiciary.
This pair of chairs combine the traditional kurul structure with a rounded and curved appearance, with an upholstered seat and backrest that gives the historic look a modern edge. The oak frames are carved and sculpted in an unmistakeable way, showing the skills of both the designer and the manufacturer. The bodies are composed of two slats of wood of equal length in the front and back, fastened together in a saltire formation (resembling the letter X) which are extended up at the top and back to form the armrests and the backs as well. The seats are upholstered in soft sheepskin, stretched between the front and back slats connecting the two. Kjærnulf removed the folding function of the historic design, giving his model a more stable, organic look. This impression is further enhanced by the solid oak, which is carved with great precision into straight and curving lines. The rich sheepskin melts these carved and straight lines together, contrasting to the oak’s smoothness. While the historic kurul chair was often decorated with intarsia, this model only showcases subtle decor elements, such as the charming sculpted mark in the front with a flower (or the sun) carved into the wood.
While the kurulstol is a Renaissance classic originating from ancient Rome, thanks to Kjaernulf, Scandinavian modernism remains at the core of the design. Kjærnulf’s designs are easy to spot in a crowd thanks to his originality, making his pieces like the razorblade chair and this kurulstol eternally unique. This chair was manufactured by EG Kvalitetsmobel in Denmark during the 1960s.
Condition:
In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The pair has been reupholstered recently in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.59 in W x 21.65 in D x 34.65 in H; Seat height 19.29 in; Arm height 25 in
65 cm W x 55 cm D x 88 cm H ; Seat height 49 cm; Arm height 63.5 cm
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Price category: 20,000 - 30,000 usd / eur
The 20th century saw the rise of brilliant designers, like Steen Østergaard, working to create furniture of the highest quality that explored truly modern shapes and forms. Østergaard sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.
Immediately, these chairs captivate with their cosy and stylish silhouette. The shell bodies cradle the occupant, providing a sense of intimacy and comfort that transcends mere functionality. The mid-century modern aesthetic is elegantly expressed through clean lines and organic curves, creating a harmonious balance between form and function. The designer managed to create pieces that seamlessly integrate into contemporary living spaces while preserving the warmth and character of natural materials, ideals deeply rooted in the Danish tradition. The wooden frames of these chairs showcase the skillful artistry of Steen Østergaard. The tripod legs, with beautiful joinery, not only add a touch of sophistication but also exemplify the meticulous attention to detail and aesthetic balance. The upholstery of these chairs further enhances their allure. Meticulously chosen fabrics not only contribute to the overall aesthetic appeal but also emphasise the commitment to creating pieces that age gracefully.
Danish modern chairs have not only stood the test of time but continue to inspire contemporary designers and homeowners worldwide. Their enduring popularity is a testament to the genius of Danish modern design, based on both form and function, resulting in pieces that are as comfortable as they are stylish.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the chairs have minor scratches, dents, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.16 in W × 22.83 in D × 25.78 in H; Seat height 14.37 in
69 cm W x 58 D x 65.5 cm H; Seat height 36.5 cm
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Price category: 2,500 - 5,000 usd / eur
The mid-20th century saw brilliant Danish designers and cabinetmakers working to create furniture of the highest quality that explored modern shapes and forms. Skilled cabinetmakers produced quality furniture in relatively small quantities, while architects and designers increasingly worked with them to refine established furniture types and give greater attention to construction.
This Danish armchair is built from a clearly exposed wooden frame, with upholstered elements forming the seat and backrest. The sides are particularly distinctive: beneath each armrest, three horizontal rails span the distance of the sides, creating an open, ladder-like structure. The construction uses both wood and negative space to create the appearance of enveloping arms that contribute to the chair’s unique look. At the same time, this horizontal arrangement keeps the sides considerably lighter than they would appear as solid panels. Four straight legs support the body, continuing upward to form the supports for the armrests. While the sides create the visual impact, the upholstered seat and back ensure comfort. The muted upholstery contrasts with the warm wood without obscuring any of the chair’s structural elements. Each element of this piece comes together to give a simple chair a surprisingly substantial framework.
The exposed joints, repeated side rails and separation marriage of materials make the chair immediately charming. Rather than hiding its frame, the design uses the frame itself as its principal visual feature - an approach consistent with the attention to workmanship and material construction found within the Danish cabinetmaking tradition.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item has minor marks, scratches, dents, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.03 in W x 19.68 in D x 25.59 in H; Seat height 4.96 in; Seat depth 14.57 in; Arm height 24.80 in
58.5 cm W x 50 cm D x 65 cm H; Seat height 38 cm; Seat depth 37 cm; Arm height 63 cm
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Price category: 9,000 - 12,500 usd / eur
Denmark has had a very strong tradition of cabinetmaking, or producing traditional furniture by hand. In the early 20th century, these cabinetmaking traditions began to merge with modern technology and design, creating many of the most memorable pieces of Danish design history. This pair of chairs is a great representation of the quality and craftsmanship of Danish master cabinetmakers and the immediately recognisable characteristics of Scandinavian design.
These armchairs combine compact upholstered bodies with exposed stained beech elements that give the design its distinctive look. The plush seats rise into gently inclined backrests, with the upholstery creating soft volume. The light-coloured, finely textured fabric emphasises the simple shapes and contrasts with the deep chestnut tone of the beech. Most striking are the armrests, flow from the front legs and sweep upward in a continuous curve before extending toward the backrests. Their pronounced arcs frame the upholstered bodies while leaving the sides open, giving a light appearance to the form, from both the front and side profile. The rear legs remain straight and slender, reinforcing the contrast between the restrained wooden structure and the padded back and seat. The relationship between the soft fabric, stained wood and carefully controlled curves gives the chairs their visual character. These 1930s armchairs capture the craftsmanship and simplified forms that characterised an important moment in furniture history.
In Danish design, things are made to last rather than to be replaced, while the home enhances an unburdened lifestyle. Living well is in itself a form of art, and furniture design is meant to complement it. This pair is ideal to serve these purposes in an elegant, comfortable, and stylish manner.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. The wood has some stains. Due to the age and nature of the beech, the chairs may have marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
23.82 in W x 31.29 in D x 31.89 in H; Seat height 19.68 in; Seat depth 20.87 in; Arm height 24.80 in
60.5 cm W x 79.5 cm D x 81 cm H; Seat height 50 cm; Seat depth 53 cm; Arm height 63 cm
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Price category: 5,000 - 7,500 usd / eur
Illum Wikkelsø was a recognisable figure of Danish seating design in the post-war decades, known for creating furniture that combined sculptural silhouettes with a strong emphasis on comfort. Working throughout the 1950s and 1960s with manufacturers such as Søren Willadsen, Wikkelsø developed lounge chairs and sofas that softened the stricter geometry of earlier modernism through curved lines. His designs often relied on exposed wood, generous upholstery, and carefully balanced proportions, allowing seating to feel visually substantial without becoming heavy.
Model “110” reflects this approach through its dramatic winged silhouette and restrained material palette. The chair is upholstered in black leather that wraps continuously around the high back, seat, and armrests, emphasizing the sculptural quality of the form. The backrest rises upward into pronounced side panels that connect the wings to the armrests. The sides curve gently forward, creating a protective and enveloping shape around the sitter. These extended sides visually frame the head and shoulders. The leather surface contributes to the overall character of the piece: its subtle texture catches light differently across the curved sections, giving depth to the large upholstered planes. In contrast to the dark upholstery, the chair rests on a solid wooden base with angled legs that introduce warmth and visual lightness. The exposed wood creates a clear separation between the upholstered body and the floor.
The balance between softness and structure is central to the success of this design. The chair carries the commanding presence associated with high-back lounge seating, yet the flowing transitions between its elements prevent it from feeling rigid. Wikkelsø’s ability to merge comfort with sculptural clarity is especially evident here, making the model equally compelling as functional seating and as a statement piece within an interior.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. The chair comes with its original leather that has developed a natural patina over time. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
29.93 in W x 35.04 in D x 35.44 in H; Seat height 14.57 in; Seat depth 21.26 in; Arm height 21.66 in
76 cm W x 89 cm D x 90 cm H; Seat height 37 cm; Seat depth 54 cm; Arm height 55 cm
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Price category: 5,000 - 7,500 usd / eur
The first half of the 20th century saw the rise of brilliant designers working to create furniture of the highest quality that explored truly modern shapes and forms. Danish cabinetmakers sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.
This upholstered armchair proves the success of the cabinetmaker’s pursuit. The craftsmanship is an immediately distinguishable; the chair’s sleek, yet classic look features a high back which is wide at the top but tapers in to draw the eye, highlighting two rows of tufted upholstered buttons. Not only is the body generously padded, but the slightly rounded backrest, as well as the tilted seat increase comfort even further. The chair is upholstered in a soft white sheepskin fabric, providing the piece with a luxurious and textured feel, while contrasting the oak frame. The open and angular armrests complement the rounded plushness of the body, along with the simple tapered legs. The combination of the clean, honest design, high-quality materials, and understated sophistication makes this piece a standout example of Scandinavian furniture.
Danish cabinetmakers were, and are still world-renowned for their unmatched skill. This chair preserves the value and beauty of master craftsmanship, while creating a warm and welcoming look through the use of natural materials.
Condition:
In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
28.74 in W x 31.1 in D x 33.07 in H; Seat height 17.32 in; Seat depth 28.74 in; Arm height 24.01 in
73 cm W x 79 cm D x 94 cm H; Seat height 44 cm; Seat depth 73 cm; Arm height 61 cm
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Price category: 5,000 - 7,500 usd / eur
“Danish Modern” is a recognised term around the world, standing for the characteristic style of Danish design created during the mid-20th century. Danish designers were often trained architects themselves, resulting in masterful structures as seen in this armchair. The design is focused on the aesthetics of modernism whilst employing the exquisite technique and material familiarity of the highly skilled craftsmen.
Works from this era embraced soft curves and beautiful textures, perfectly showcased by this piece. The rounded lines create an inviting and open look, which is enhanced by the light brown upholstery that is undoubtedly its main visual feature. The combination of solid wood and high-quality upholstery is traditional in mid-century design for good reason; the two materials complement each other by highlighting their unique qualities. It is also evident that the designer of this chair has followed the guiding mid-century modern principles of function, durability, timelessness, and comfort. The chair’s generous proportions and upholstery provide great sitting comfort, supported by the solid wood tapered legs.
With a classic look, storied design and solid quality, this armchair shows why the historic movement of mid-century modernism continues to permeate our sense of what’s contemporary.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item has minor marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
37.80 in W x 35.24 in D x 32.08 in H; Seat height 16.53 in; Seat depth 22.04 in; Arm height 23.62 in
96 cm W x 89.5 cm x 81.5 cm; Seat height 42 cm; Seat depth 56 cm; Arm height 60 cm
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Price category: 2,500 - 5,000 usd / eur
While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.
Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.
The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information
Dimensions:
34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in
87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm
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Price category: 2,500 - 5,000 usd / eur
Born in Utrecht in 1917, Cees Braakman spent most of his career shaping the identity of the renowned furniture manufacturer, Pastoe. He joined the company at a young age and later became its central designer and manager. Following a formative trip to the United States in 1947, where he encountered the work of Charles and Ray Eames and the innovative production methods of Herman Miller, he began developing furniture that combined modern construction techniques with a distinctly Dutch sense of restraint.
Braakman’s designs from the 1950s and 1960s are characterised by clean lines, functional clarity, and carefully balanced proportions, qualities clearly visible in this chair. The design showcases a beautiful interplay between the slender metal construction and natural materials. The black lacquered frame forms a precise architectural structure, outlining the chair with crisp lines. Rather than appearing overly industrial, however, the frame is softened by the introduction of rich cognac-coloured leather upholstery and wooden armrests. The seat and backrest are generously proportioned, creating a comfortable visual weight that contrasts beautifully with the lightness of the supporting structure. The warm tone of the leather introduces depth and character, while its smooth surface accentuates the chair’s geometry. Particularly striking is the way the wooden armrests are integrated within the metal frame, lending the design an added sense of refinement.
The balance between comfort and structural clarity lies at the heart of Braakman’s work, and this armchair demonstrates that philosophy exceptionally well. Its restrained palette and clean silhouette move it past a simple a seating piece, reflecting the Dutch modernist belief that thoughtful design can elevate everyday furniture into something practical, and visually compelling.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the item may have marks, scratches, and discolouration. The chair has recently been reupholstered in a premium leather. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.21 in W x 22.44 in D x 30.71 in H; Seat height 19.29 in; Seat depth 17.72 in; Arm height 25.20 in
61.5 cm W x 57 cm D x 78 cm H; Seat height 49 cm; Seat depth 45 cm; Arm height 64 cm
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Price category: 9,000 - 12,500 usd / eur
The 20th century saw the rise of brilliant designers, like Steen Østergaard, working to create furniture of the highest quality that explored truly modern shapes and forms. Østergaard sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.
Immediately, these chairs captivate with their cosy and stylish silhouette. The shell bodies cradle the occupant, providing a sense of intimacy and comfort that transcends mere functionality. The mid-century modern aesthetic is elegantly expressed through clean lines and organic curves, creating a harmonious balance between form and function. The designer managed to create pieces that seamlessly integrate into contemporary living spaces while preserving the warmth and character of natural materials, ideals deeply rooted in the Danish tradition. The wooden frames of these chairs showcase the skillful artistry of Steen Østergaard. The tripod legs, with beautiful joinery, not only add a touch of sophistication but also exemplify the meticulous attention to detail and aesthetic balance. The upholstery of the pair further enhances the allure. Meticulously chosen fabrics not only contribute to the overall aesthetic appeal but also emphasise the commitment to creating pieces that age gracefully.
Danish modern chairs have not only stood the test of time but continue to inspire contemporary designers and homeowners worldwide. Their enduring popularity is a testament to the genius of Danish modern design, based on both form and function, resulting in pieces that are as comfortable as they are stylish.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the chairs have minor scratches, dents, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.2 in W x 22.8 in D x 25.8 in H; Seat height 14.4 in
69 cm W x 58 cm D x 65.5 cm H; Seat height 36.5 cm