Pair of Beech and Papercord Armchairs by Frits Schlegel (Attr.), Denmark ca 1940s (sold)

Pair of Beech and Papercord Armchairs by Frits Schlegel (Attr.), Denmark ca 1940s (sold)

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Frits Schlegel was a defining Danish functionalist architect and designer, and while highly successful as an architect, from the 1930s onward he also designed a number of furniture lines with inspiration from the Bauhaus movement.

This pair of armchairs stand as evidence of why many Danish architects succeeded at the craft of furniture design. The precision of the structure and the cord weaving is evident at first glance, showing great geometric order. Driven by function, Schlegel’s focus on practicality, structural stability, and a design in favour of these principles can be observed in the straight lines and absence of excess decoration. He saw possibilities in the aesthetics of modernist design and materials, becoming one of the first architects in Denmark to experiment with concrete in architecture; the use of the underrated material of paper cord is therefore no surprise. Noteworthy for its durability, paper cord is also beloved for its functional and aesthetic qualities. This material became an important material in the Danish Modern period of the 1940s and 1950s. The woven or basket form of seat of these chairs have a tight, visually pleasing pattern in great condition. This pair of armchairs have an equally arresting beech structure that shows great craftsmanship, and would make a lovely addition to any interior.

Extremely modest and confident at the same time is how this pair of chairs can be best described. The most renowned Danish designers of the era preferred to work with traditional and natural materials, but also liked to experiment with new techniques; the resulting models - such as this pair - are Danish Modern classics.

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Condition:

In good vintage condition. Wear consistent with age and use. The wood has minor scratches and discoloration.

Dimensions:

23.23 in W x 26.77 in D x 29.13 in H; Seat height 15.16 in; Seat depth 22.05 in; Arm height 20.47 in

59 cm W x 68 cm D x 74 cm H; Seat height 38.5 cm; Seat depth 56 cm; Arm height 52 cm

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Price category: 7,500 - 10,000 usd / eur

Axel Einar Hjorth’s designs are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He often incorporated playful ornamentation from different historical periods by which he was inspired, such as the French Art Déco, using mixed exotic woods, bright colours, and textiles, as this pair or “Radio” chairs showcase.

Designed in the first half of the 20th century, these armchairs possess a refined and slender appearance with distinctive details. The sleek wooden frames offer a beautiful contrast to the neat upholstery of the seats, creating a visually captivating aesthetic. Together, they make for a harmonious balance between contemporary elegance and traditional style. Even though Swedish design is generally democratic and meant for the masses, pieces were not stripped of all beauty for the sake of functionality. The importance of this balance can be identified in the design and execution of these chairs as well. The craftsmanship displayed in this model is a testament to the high standards of Swedish design in the early 20th century, reflecting both the technical skill and artistic vision of both Hjorth and Nordiska Kompaniet. This pair not only serves as a timeless work of art, but also showcases the elegance and innovation of the era.

The Swedish company Nordiska Kompaniet manufactured this pair with utmost care for its quality and design. Axel Einar Hjorth worked as the lead designer for the department store from 1926 to 1938. The company was among the most renowned Swedish manufacturers during the mid-century era, and this "Radio" model is a prime example of the great success of their works.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the wood, the items may have some marks, scratches, and discolouration. The chairs come with their original upholstery or have been reupholstered by a previous owner. We recommend reupholstery due to some signs of wear. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.29 in W x 19.29 in D x 37.20 in H; Seat height 17.12 in; Seat depth 15.55 in

49 cm W x 49 cm D x 94.5 cm H; Seat height 43.5 cm; Seat depth 39.5 cm

Six Mid-Century Stools with Woven Seats in the manner of Audoux-Minet, France 1950s

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Price category: 15,000 - 20,000 usd / eur

This beautiful set of six stools are crafted in the manner of French design duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century. The duo are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most European mid-century design as it connected everyday objects to nature. This set of six is a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality wicker makes these pieces outstanding examples of woven furniture. They feature a fairly traditional shape with rounded edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The seats are set on three splayed club feet, stained in a rich colour lending a more dramatic presence to the set. The tripod base is ideal for ensuring the sturdiness needed for a classic piece of furniture, even more so when paired with the T stretcher placed between the legs. Being functional as well as aesthetically pleasing, these stools are a great addition to set the tone of a space. The design is strong but subtle, with expert wickerwork thanks to which it can add depth as well as functionality to a space.

The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes this set stand out with an elemental edge. The colour palette further allows them to easily adapt to almost any interior to either complement a space, or to pop as accent pieces.

Condition:

In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Due to the age and nature of the materials, the items have minor scratches and dents, and may have additional marks or discolouration.

Dimensions:

15.35 in W × 13.39 in D × 17.72 in H

39 cm W x 34 cm D x 45 cm H

Rattan "Canton" Chair by Kay Fisker for Robert Wengler, Denmark ca 1960s

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Price category: 2,500 - 5,000 usd / eur

While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.

Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.

The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information

Dimensions:

34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in

87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm

High-Back Chair with Wicker Seat by Bas van Pelt, The Netherlands 1940s

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Price category: 2,500 - 5,000 usd / eur

Bas van Pelt was one of the key figures in early Dutch modernist design, active during the 1930s and 1940s through his firm “My Home.” His work is recognised for its clarity of construction, careful proportions, and thoughtful integration of natural materials. Van Pelt focused on creating furniture that balanced function and craftsmanship, often incorporating elements such as wicker, rattan, and solid wood to introduce both durability and texture.

This high-back chair by Bas van Pelt combines of strong verticality and refined material contrast. The solid wooden frame establishes a clear architectural outline, with the elongated tall back defining the silhouette. The back is composed by ladder-like horizontal slats that introduce a sense of rhythm while maintaining the openness of the design. The seat is crafted from woven wicker, a material valued for its strength and breathability, which adds a tactile, organic quality to the otherwise linear construction. This contrast between the smoothness of the frame and the texture of the woven surface is central to the chair’s character. The armrests are gently shaped, introducing a subtle curvature that softens the overall form. Below, the legs are connected by stretchers that reinforce the structure and ensure stability. The craftsmanship is evident in the precision of the joinery which contribute to the overall sense of durability and refinement.

This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted frame to the beautiful woven element, the chair remains of hifh quality and ideally suited for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some chips and dents are present. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

25.20 in W x 28.35 in D x 40.95 in H; Seat height 13.39 in; Seat depth 20.08 in; Arm height 23.82 in

64 cm W x 72 cm D x 104 cm H; Seat height 34 cm; Seat depth 51 cm; Arm height 60.5 cm

Pair of Armchairs with Upholstered Seats in the manner of Charles Dudouyt, Europe First Half of the 20th Century

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Price category: 7,500 - 10,000 usd / eur

This pair of armchairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

Impressive in its simplicity, this pair carries with it the beloved modernist characteristics of simplicity and functionality yet shows the rustic side of European design of the era. The chairs feature sturdy wooden frames with a rich, dark finish that accentuates the natural grain and depth of the wood. The meticulous craftsmanship of the wood’s joinery further enhances the chairs' allure; impeccably constructed with no visible screws, the seamless connections speak volumes about the artisan's dedication to precision and quality. The absence of visible hardware not only contributes to the chairs' aesthetic purity but also underscores the skilled craftsmanship that went into their creation. The grounded stance gives the chairs a quiet strength, while the broad seats invite relaxed, informal lounging. Upholstered in a textured beige fabric, the cushions pair a tactile, inviting surface with the clean lines of the wood and wicker base, achieving a compelling balance between warmth and restraint. The combination of materials and finishes results in visually appealing pieces while adding warmth and comfort to the overall design. The dualism within these chairs is amazing: they can fulfill their functional purpose in an interior while also achieving their aesthetic role.

The essence of early 20th century French design is beautifully captured by this pair of armchairs. Functional yet sculptural, rustic yet refined, they stand as enduring testaments of the striking balance only master woodworkers are able to create.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolourlation. The cushions have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.02 in W × 23.62 in D × 38.58 in H; Seat height 16.34 in; Seat depth 21.26 in; Arm height 22.83 in

61 cm W x 60 cm D x 98 cm H; Seat height 41.5 cm; Seat depth 54 cm; Arm height 58 cm