REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

The 1960s saw furniture makers apply the principles of modern design to increasingly versatile pieces. As homes became increasingly modern, desks were no longer treated as purely utilitarian objects but as pieces of furniture expected to integrate naturally within a living space. Designers responded by refining forms, adding sleek storage, and placing greater emphasis on the visual lightness of their creations. The result was furniture that remained highly functional while maintaining a distinctly architectural character.

At first glance, this 1960s desk appears simple. The rectangular top rests within a clean, open framework, creating a silhouette that feels balanced and remarkably precise. Closer inspection reveals its most distinctive feature: three integrated drawers concealed behind a series of horizontal fronts. This detail looks like a simple aesthetic detail, while it showcases the designer’s concern with practicality. The stacked drawer fronts create a subtle rhythm across the front without disturbing the calm geometry of the piece. When opened this detail creates a layered effect that captivates the eye and emphasizes the horizontal construction. The warm tone of the wood further enhances the design. The open sides prevent the desk from appearing heavy, while the strong stretcher below reinforces the structure and contributes to its clear architectural presence.

What makes this desk particularly successful is the way storage is incorporated into the overall composition. Rather than reading as separate functional elements, the drawers become part of the design itself. The piece carries the quiet confidence associated with the best Italian modern furniture, where proportion, practicality, and visual clarity work together effortlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned. Due to the age and nature of the material, the item has minor scratches and dents, and may have additional marks or discolouration.

Dimensions:

59 in W x 30.3 in D x 31.6 in H

150 cm W x 77 cm D x 80.5 cm H

REQUEST PRICE HERE

‎‎‎‎‎Price category: 2,500 - 5,000 usd / eur

This lovely bookcase designed by Grete Jalk for P. Jeppesen reflects the Danish designer’s aesthetic—clean and highly functional, yet creative.

Danish mid-century pieces were often created with a functional purpose in mind, rather than decorative, as this bookcase exemplifies. Elegant in its simplicity, it puts the emphasis on showcasing the material through a simple, uncluttered design. This model deserts any unnecessary ornamentation in favour of the traditional Danish design philosophy, which centres around craftsmanship and practicality. A “bogkasse”, or bookcase is an essential and timeless piece of furniture in Scandinavian homes, where it serves both a practical and an aesthetic role. This piece features exposed shelves and thanks to their arrangement and the large surfaces, the beautiful grain of the wood is highlighted. The wood grain is warm and expressive, enhanced by a natural finish that highlights the material’s inherent richness. The bookshelf’s open and airy design offers a sense of visual lightness, making it equally suited to display treasured books or decorative objects. The shelves are gracefully integrated, offering both structural integrity and stylistic coherence.

A timeless piece, this bookshelf embodies the era’s philosophy of democratic design—functional, beautiful, and enduring. It serves not only as a practical storage solution but also as a quiet statement of mid-century Danish elegance. Ideal for modern interiors, it remains a collectible example of postwar Scandinavian design at its finest.

Condition:

In good vintage condition. Wear consistent with age and use. The vertical shelves are adjustable. Minor marks and scratches.

Dimensions:

42.51 in W x 11.61 in D x 46.65 in H

108 cm W x 29.5 cm D x 118.5 cm H

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

In European mid-century furniture design, there was an early emphasis on wood because it connected everyday objects to nature. This solid oak coffee table is a perfect example of this sentiment, and features the visual qualities of an understated, organic design.

Within the thriving Dutch design landscape of 1970s, Brutalist furniture left an indelible mark and this coffee table shows why as it epitomises the era's aesthetic medley. Crafted from solid oak, the wood’s hues exude warmth amidst the starkness that defines the Brutalist design. This piece has a strong elemental feel to it, which is a result of its thick round tabletop and sturdy yet sleek legs. The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many pieces during this time due to its durability and malleability, enabling intricate yet robust constructions. This coffee table exemplifies this, with its neat woodworking and sharp angles connecting the legs with the round top. The table top is layered, with its edge showing the beauty or organically carved wood. The contrast of sleek lines against the natural grain of oak echoes the broader Brutalist ethos: blending the industrial with the natural in a bold, unapologetic way.

The craftsman’s handiwork is visible throughout the table, adding to its character. The piece, with its natural finish, exemplifies the enduring charm that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Minor scratches and dents are present. Due to the nature and age of the material, the item may have some marks and discolouration.

Dimensions:

47.63 in ø x 19.88 in H

121 cm ø x 50.5 cm H

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

By the mid-1980s, the modern and urban aesthetic was the epitome of cool. Tubular furniture, glass-topped tables, chrome finishes and glass bricks all became ‘must have’ items. Lother Klute created pieces in line with the trend, designing a plethora of glass-topped tables, and this one is a perfect example of the era’s style.

Utilising and highlighting the qualities of the materials used, combined with the expertise of Lother Klute, this coffee table is a beautiful piece that can both dominate and complement a modern space. The coffee table's round glass top showcases an appealing textural look. As a result, the impression is quite elemental and striking. The dark colour of the patinated solid brass that forms the structure of the table contrast beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. From the thick bubble glass, to the durable and resistant brass, this piece is made to last. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, the table equally emphasizes function and visual interest, creating an instantly arresting aesthetic.

This piece is a representation of German Post-Modernist design from the 1980s, an interesting phase of cultural and social impacts with creatives trying to figure out a way towards leaving their mark on the design world.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

42.52 in ⌀ x 20.08 in H

108 cm ⌀ x 51 cm H

REQUEST PRICE HERE

Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.

The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.

This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.86 in W x 23.62 in D x 27.55 in H

180 cm W x 60 cm D x 70 cm H

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

A drafting table or architect's table is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching or for drafting technical illustrations. Many designs from the mid-century period adopted an almost structural logic, reflecting a broader interest in honest materials and visible craftsmanship, where the making of the object was never concealed but instead highlighted as an integral part of the design.

This worktop desk was made in France around the 1960s. It embodies rustic modernism and brutalist aesthetics through the robust yet carefully considered construction. The solid oak top is thick and slightly contoured, with softened edges that introduce a subtle organic quality to an otherwise rectilinear form, and an ergonomic cutout. Beneath, the base is composed of vertical supports connected by horizontal stretchers, creating a grounded structure. The architectural portico base is connected by solid crossbeams, where the joinery is clearly expressed, each connection contributing to both the strength and the visual identity of the piece. This detail is a testament to the high level of craftsmanship and brutalist influences. At the same time, the open space between these elements ensures that the design does not feel heavy, despite the mass of the material. The natural grain of the oak remains visible across all surfaces, adding depth to the otherwise restrained composition.

This desk maintains a strong presence rooted in its quality, but most of all, it represents a deeply functional piece of furniture. It balance of weight and refinement makes it perfect to serve a practical but elegant workspace.

Condition:

In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned and showcases a beautiful grain pattern. Due to the nature and age of the wood, the item has minor marks and scratches, and may show slight discolouration.

Dimensions:

49.40 in W × 32.67 in D × 30.31 in H

125.5 cm W x 83 cm D x 77 cm H

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

This coffee table embodies the essence of European mid-century design, with its distinctive features that recall a time when form and function were equally paramount. Crafted from solid wood, this table exudes a rustic charm and robust aesthetic that is characteristic of the era in which it was made.

In mid-century modern design, the use of wood held a special significance: it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. The design is inspired by the mid-century penchant for elemental shapes, featuring a simple circular tabletop, supported by four straight legs. The tabletop has a brutalist feel to it. The warm tone of the oak wood creates a sense of lightness, while also projecting an air of strength and solidity. Oak has been the defining material for European brutalist pieces partly due to its durability and malleability, enabling intricate yet robust constructions. The large tabletop showcases the unique qualities of the wood, while also providing functional space. Mid-century modern design represented a break with the traditional past; design-wise, furnishings were often a rejection of Victorian, Colonial, and other historical influences.

This solid wood table, with its natural finish, exemplifies the enduring charm and warmth that mid-century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era. The maker of this table clearly focused on the material, letting the beautiful qualities of the oak wood stand out. This model will make a perfect addition to a range of interior styles.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the age and nature of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

47.24 Ø in x 11.18 in H

120 Ø cm x 46 cm H

REQUEST PRICE HERE

‎Price category: 40,000 - 50,000 usd / eur

This peculiar “T22” table model is also referred to as the “Eye”. While the name needs no further explanation, the ingenious design certainly does. Pierre Chapo always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love.

The “T22” is formed by two arcs, each resting on three cylindrical leg and a central oval module attached to one of the arcs by a sliding system. Placed together, the design forms an “eye”. Not a lot of designs receive a nickname by which they are immediately recognised, but this table is one of those. With its distinctive structure, it epitomises Chapo's research for new systems of joinery, in which the material and the design would be the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Here, the smaller middle module can be adjusted or removed freely, allowing the table’s modules to be arranged in a variety of ways, for example, it can also be arranged to form a long undulating console. The immense functionality is accompanied by Chapo’s precise joinery techniques and woodworking. Pierre Chapo worked largely in elm wood and has a couple of signature design elements like the visible spline joint and the cylindrical legs as seen here as well. The solid elm has a stunning grain and various patterns that especially stand out on the curvatures of the table.

Chapo’s organic approach to arts and crafts and both designers resisted the stark industrial look that was dominant in the post-war period under the influence of socialism. This coffee table is undoubtedly an emblematic model of post-war French decorative arts and design.‎

‎Condition:

In good vintage condition. Wear consistent with age and use. Some small marks. The elm wood has a beautiful patina. Due to the nature and age of the material, the item may have some additional scratches, and discolouration.

Dimensions:

69.48 in W x 51.18 in D x 12.99 in H

176.5 cm W x 130 cm D x 33 cm H

About the designer:

Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.

After graduation, Chapo and his wife, the sculptor, and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.

REQUEST PRICE HERE

Price category: 7,500 - 10,000 usd / eur

‎Danish modern, the popular movement that took over the design world, is characterised by clean lines, organic forms, and emphasis on functionality over unnecessary ornamentation. This sideboard beautifully showcases the era’s interest in functional beauty.

The design features simple, geometrical shapes and offers an uncomplicated silhouette, which serves a clear purpose; a quality that is quintessentially mid-century modern. Combining tradition and modernity, Frederik Stærmose Møbelfabrik created pieces with a great consideration for functionality. This sideboard is evidence of this pursuit, thanks to its streamlined aesthetic and impressive storage volume. The use of elm gives the sideboard a very calm, natural feeling. The veneer has a beautiful grain and pattern that stands out on the large surfaces on all sides. The slender legs balance the design perfectly both visually and physically. With its subtle decorative element, the geometric panelling on the doors accentuates the design, adding depth and visual interest. The craftsmanship is even further highlighted in the rounded sides and the precision of the woodwork, reflecting the high standards of cabinet making at the time.

This piece of furniture carries the Danish mid-century design history that defined not only the era’s aesthetic, but still influences contemporary design. It sets itself apart thanks to the beautiful shape making it the perfect addition to any interior space.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature of the material, item may some marks, scratches and discolouration.

Dimensions:

85.82 in W x 24.60 in D x 35.43 in H

218 cm W x 62.5 cm D x 90 cm H

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

Swedish modern design remains popular today due to its clean lines, functionalism, and timeless aesthetic. Ultimately, it offers a combination of beauty and practicality that remains highly sought after, even for contemporary interiors.

With its distinctive structure, this cabinet attributed to Ulf Ekdahl epitomises the mid-20th century era, when material and design would become the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Therefore, the proportions of this piece are finely tuned to successfully achieve something timeless. The design holds a natural expression with its airy and organic design, which is dominated by the natural look of the wood. The geometric panelling on the cabinet doors accentuates the design further, with this subtle decorative element adding depth and visual interest. The craftsmanship is evident in the precision of the woodwork, reflecting the standards of furniture making at the time. The doors and drawers on the front can be opened with lovely wooden doorknobs. Inside, the cabinet offers storage space and a shelf. Overall the form of this cabinet is not loud, it leaves the focus on the wood and the carvings, yet, it has a stately appearance. As a fundamentally functional type of furniture, this model does more than serve its utilitarian purpose.

Swedish modern – despite its name – in many ways transcends the word “modern”, pieces like this can be incorporated successfully into contemporary and traditional interiors alike, lending themselves to a timeless and universal appeal.

Condition:

In good condition. Wear consistent with age and use.

Dimensions:

21.06 in W x 12.60 in D x 54.72 in H

53.5 cm W x 32 cm D x 139 cm H

REQUEST PRICE HERE

Price category: 2,500 - 5,000 usd / eur

In Finland, the second half of the 20th century saw the use of new materials like plastic, synthetics, and fibreglass being combined with advances in manufacturing technologies, allowing designers in Finland to expand their range of colours and forms in mass production. However, this coffee table model still gives preference to natural materials, primarily to its wooden frame.

Utilising and highlighting the qualities of the materials used, combined with the expertise of Esko Pajamies, this coffee table is a beautiful piece that can both define and complement a modern space. The coffee table's round glass top showcases an appealing look. The dark colour of the solid wood that forms the structure of the table contrasts beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.

The overall form of the table has a light and airy feel, enhancing the 20th century aesthetic which it represents. With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the age and nature of the wood, the coffee table may have minor marks, scratches, and discolouration.

Dimensions:

47.24 in ø x 19.68 in H

120 cm ø x 50 cm H