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Price category: 7,500 - 10,000 usd / eur

A drafting table or architect's table is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching or for drafting technical illustrations. Many designs from the mid-century period adopted an almost structural logic, reflecting a broader interest in honest materials and visible craftsmanship, where the making of the object was never concealed but instead highlighted as an integral part of the design.

This worktop desk was made in France around the 1960s. It embodies rustic modernism and brutalist aesthetics through the robust yet carefully considered construction. The solid oak top is thick and slightly contoured, with softened edges that introduce a subtle organic quality to an otherwise rectilinear form, and an ergonomic cutout. Beneath, the base is composed of vertical supports connected by horizontal stretchers, creating a grounded structure. The architectural portico base is connected by solid crossbeams, where the joinery is clearly expressed, each connection contributing to both the strength and the visual identity of the piece. This detail is a testament to the high level of craftsmanship and brutalist influences. At the same time, the open space between these elements ensures that the design does not feel heavy, despite the mass of the material. The natural grain of the oak remains visible across all surfaces, adding depth to the otherwise restrained composition.

This desk maintains a strong presence rooted in its quality, but most of all, it represents a deeply functional piece of furniture. It balance of weight and refinement makes it perfect to serve a practical but elegant workspace.

Condition:

In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned and showcases a beautiful grain pattern. Due to the nature and age of the wood, the item has minor marks and scratches, and may show slight discolouration.

Dimensions:

49.40 in W × 32.67 in D × 30.31 in H

125.5 cm W x 83 cm D x 77 cm H

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Price category: 7,500 - 10,000 usd / eur

‎Danish modern, the popular movement that took over the design world, is characterised by clean lines, organic forms, and emphasis on functionality over unnecessary ornamentation. This sideboard beautifully showcases the era’s interest in functional beauty.

The design features simple, geometrical shapes and offers an uncomplicated silhouette, which serves a clear purpose; a quality that is quintessentially mid-century modern. Combining tradition and modernity, Frederik Stærmose Møbelfabrik created pieces with a great consideration for functionality. This sideboard is evidence of this pursuit, thanks to its streamlined aesthetic and impressive storage volume. The use of elm gives the sideboard a very calm, natural feeling. The veneer has a beautiful grain and pattern that stands out on the large surfaces on all sides. The slender legs balance the design perfectly both visually and physically. With its subtle decorative element, the geometric panelling on the doors accentuates the design, adding depth and visual interest. The craftsmanship is even further highlighted in the rounded sides and the precision of the woodwork, reflecting the high standards of cabinet making at the time.

This piece of furniture carries the Danish mid-century design history that defined not only the era’s aesthetic, but still influences contemporary design. It sets itself apart thanks to the beautiful shape making it the perfect addition to any interior space.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature of the material, item may some marks, scratches and discolouration.

Dimensions:

85.82 in W x 24.60 in D x 35.43 in H

218 cm W x 62.5 cm D x 90 cm H

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Price category: 2,500 - 5,000 usd / eur

In Finland, the second half of the 20th century saw the use of new materials like plastic, synthetics, and fibreglass being combined with advances in manufacturing technologies, allowing designers in Finland to expand their range of colours and forms in mass production. However, this coffee table model still gives preference to natural materials, primarily to its wooden frame.

Utilising and highlighting the qualities of the materials used, combined with the expertise of Esko Pajamies, this coffee table is a beautiful piece that can both define and complement a modern space. The coffee table's round glass top showcases an appealing look. The dark colour of the solid wood that forms the structure of the table contrasts beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, this table equally emphasises function and visual interest, creating an instantly arresting aesthetic.

The overall form of the table has a light and airy feel, enhancing the 20th century aesthetic which it represents. With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the age and nature of the wood, the coffee table may have minor marks, scratches, and discolouration.

Dimensions:

47.24 in ø x 19.68 in H

120 cm ø x 50 cm H

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Price category: 5,000 - 7,500 usd / eur

In European mid-century furniture design, there was an early emphasis on wood because it connected everyday objects to nature. This solid oak coffee table is a perfect example of this sentiment, and features the visual qualities of an understated, organic design.

Within the thriving Dutch design landscape of 1970s, Brutalist furniture left an indelible mark and this coffee table shows why as it epitomises the era's aesthetic medley. Crafted from solid oak, the wood’s hues exude warmth amidst the starkness that defines the Brutalist design. This piece has a strong elemental feel to it, which is a result of its thick round tabletop and sturdy yet sleek legs. The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many pieces during this time due to its durability and malleability, enabling intricate yet robust constructions. This coffee table exemplifies this, with its neat woodworking and sharp angles connecting the legs with the round top. The table top is layered, with its edge showing the beauty or organically carved wood. The contrast of sleek lines against the natural grain of oak echoes the broader Brutalist ethos: blending the industrial with the natural in a bold, unapologetic way.

The craftsman’s handiwork is visible throughout the table, adding to its character. The piece, with its natural finish, exemplifies the enduring charm that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Minor scratches and dents are present. Due to the nature and age of the material, the item may have some marks and discolouration.

Dimensions:

47.63 in ø x 19.88 in H

121 cm ø x 50.5 cm H

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Price category: 5,000 - 7,500 usd / eur

Ole Wanscher was a leading figure in Danish and Scandinavian design, as was his mentor, the legendary Kaare Klint, renowned to be the “father” of modern Danish furniture design. Together, they made significant achievements in redefining classic forms. Drawing inspiration from human anatomy, his developments influenced the concept of Scandinavian modernism as we know it today. Wanscher’s contribution to the field is widely acknowledged as he acquired his skills at the esteemed Det Kongelige Danske Kunstakademi - Billedkunst Skolerne in Copenhagen.

The post-war era, especially the period spanning from 1940 to 1960 resembled the golden age of Danish furniture, and was when Wanscher created his most well known works. This model "1762" coffee table retains the cherished Danish modernist traits, such as simplicity and functionality, while also reflecting an ongoing precise focus on quality materials. This minimalist approach combined with solid wood creates a timeless appearance that resonates with any design style. The stunning grain pattern of the table top enhances the visual appeal, yet the most eye-catching design (and functional) element remains the curving cross stretchers connecting the legs. Albeit simple, its uncommon overlap - as opposed to bisecting - design catches the eye, and contrasts effectively with the top.

The design of this table encapsulates a rich moment in furniture design history. It is a tangible embodiment of the mid-20th century era’s focus on materiality and craftsmanship, while also reflecting the innovative spirit of Danish designers like Ole Wanscher.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has visible marks and scratches, and may show slight discolouration.

Dimensions:

35.44 in W × 21.66 in D × 21.66 in H

90 cm W x 55 cm D x 55 cm H

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Price category: 2,500 - 5,000 usd / eur

In the thriving design landscape of the 20th century, the emergence of Brutalist furniture left an indelible mark on design. Brutalist furniture design in the post-war decades came as a direct response to both architectural developments and shifting social ideals. This 1970s side table emphasises raw materials, structural honesty, and an absence of ornamentation.

The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many Brutalist pieces due to its durability and malleability, enabling intricate yet robust constructions. Crafted from solid oak, the deep hues of this piece exude warmth amidst the starkness that generally characterised Brutalism. The straightforward shape of this table highlights the understated beauty of the material, allowing the grain of the wood to stand out. The table top is set on four splayed block legs, stained in the same dark, rich colour lending a more dramatic presence to the piece. The base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. The surface of the wood is left largely untreated to showcase the material’s inherent texture and tonal variation. Rather than relying on decorative features, the table derives its character from this raw materiality and its geometry. Despite its apparent simplicity, the table carries a strong visual presence and sense of intention. Through both its silhouette and solid colour, this side table showcases versatility, while maintaining character.

The emphasis on material and function allows this table to age gracefully, developing character over time, while anchoring every space it finds itself in. The piece reflects the enduring appeal of Brutalist furniture: objects that prioritise substance over decoration, offering both utility and a lasting architectural presence.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. The table has scratches. Due to the nature and age of the wood, the item has some marks and discolouration.

Dimensions:

46.9 in W × 26.4 in D × 29.9 in H

119 cm W x 67 cm D x 76 cm H

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‎Price category: 40,000 - 50,000 usd / eur

This peculiar “T22” table model is also referred to as the “Eye”. While the name needs no further explanation, the ingenious design certainly does. Pierre Chapo always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love.

The “T22” is formed by two arcs, each resting on three cylindrical leg and a central oval module attached to one of the arcs by a sliding system. Placed together, the design forms an “eye”. Not a lot of designs receive a nickname by which they are immediately recognised, but this table is one of those. With its distinctive structure, it epitomises Chapo's research for new systems of joinery, in which the material and the design would be the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Here, the smaller middle module can be adjusted or removed freely, allowing the table’s modules to be arranged in a variety of ways, for example, it can also be arranged to form a long undulating console. The immense functionality is accompanied by Chapo’s precise joinery techniques and woodworking. Pierre Chapo worked largely in elm wood and has a couple of signature design elements like the visible spline joint and the cylindrical legs as seen here as well. The solid elm has a stunning grain and various patterns that especially stand out on the curvatures of the table.

Chapo’s organic approach to arts and crafts and both designers resisted the stark industrial look that was dominant in the post-war period under the influence of socialism. This coffee table is undoubtedly an emblematic model of post-war French decorative arts and design.‎

‎Condition:

In good vintage condition. Wear consistent with age and use. Some small marks. The elm wood has a beautiful patina. Due to the nature and age of the material, the item may have some additional scratches, and discolouration.

Dimensions:

69.48 in W x 51.18 in D x 12.99 in H

176.5 cm W x 130 cm D x 33 cm H

About the designer:

Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.

After graduation, Chapo and his wife, the sculptor, and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.

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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.

The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.

This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.86 in W x 23.62 in D x 27.55 in H

180 cm W x 60 cm D x 70 cm H

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Price category: 1,000 - 2,500 usd / eur

Brutalist furniture emerged in the post-war decades as a direct response to both architectural developments and shifting social ideals. Rooted in the principles of Brutalist architecture, this coffee table emphasizes raw materials, structural honesty, and an absence of ornamentation.

Many Dutch Brutalist furniture pieces function not only as practical objects but also as sculptural elements within a space. This coffee table is exemplary of this thanks to its solid oak construction and striking form. The design is composed of a thick, rectangular top supported by two block legs, creating a low, elongated silhouette that emphasizes weight. The proportions are deliberately heavy, reinforcing a sense of stability and permanence which defines Brutalist design. Oak was a preferred material, valued for its strength and expressive grain, allowing makers to highlight the natural character of the wood rather than conceal it. The surface of the wood is left largely untreated to showcase the material’s inherent texture and tonal variation. Rather than relying on decorative features, the table derives its character from this raw materiality and its geometry. Despite its apparent simplicity, the table carries a strong visual presence and sense of intention.

The emphasis on material and form allows this table to age gracefully, developing character over time, while anchoring every space it finds itself in. The piece reflects the enduring appeal of Brutalist furniture: objects that prioritise substance over decoration, offering both functional utility and a lasting architectural presence.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Due to the nature and age of the wood, the item has some marks, scratches, and discolouration.

Dimensions:

35.24 in W x 9.45 in D x 11.23 in H

89.5 cm W x 24 cm D x 28.5 cm H

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Price category: 5,000 - 7,500 usd / eur

The Savonarola originates from a chair found in the convent of San Marco in Florence which was used by the 15th century Italian Dominican priest Girolamo Savonarola. Savonarola-style pieces feature a lower structure built from intersecting or flowing supports. In Italian design, it was often constructed from wrought iron, where curved elements replace rigid straight lines and create a sense of movement within the structure.

This dining table reflects that sentiment through its wrought iron base. The structure is made up of slender metal supports that curve and connect across the underside of the table. These elements distribute weight across the base to offer stability while also supporting the glass top above. The glass top introduces a strong contrast to the expressive base. It is flat, clear, and clearly geometrical, allowing the structure beneath to remain fully visible. This transparency turns the base into the focal point of the design rather than hiding it. The table feels balanced, from the mix of juxtaposing materials and shapes. The iron base is strong and bold, yet its curved lines prevent it from appearing rigid. The glass top, in turn, helps avoid visual clutter and makes the table easier to place in a room without overwhelming the space.

Overall, the piece works as both a functional dining table and a sculptural object. The combination of materials highlights the contrast between structure and transparency, while the flowing base connects the design to earlier Italian furniture traditions in a modern form.

Condition:

In good vintage condition. Wear consistent with age and use. Marks and scratches are present on the glass. Due to the nature and age of the iron, the item may have some marks, scratches, and discolouration. Additional imperfections on the glass may be present due to age and manufacturing inconsistencies.

Dimensions:

70.86 in W x 39.37 in D x 29.52 in H

180 cm W x 100 cm D x 75 cm H

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Price category: 2,500 - 5,000 usd / eur

In most European mid-century designs, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This spectacular solid wood coffee table is a perfect example of this sentiment, and the visual benefits of an understated, organic design.

This coffee table reflects a Brutalist ethos through its bold presence and sculptural look. The piece features a free-form top made from solid wood, its organic shape and swirling grain patterns showcase the wood’s natural drama. The grain is not merely a surface detail; it becomes an integral part of the design, contributing to the overall aesthetic of the table, making it entirely unique. The interplay of the asymmetrical and sculptural top with the grounding presence of the legs result in a piece that is both rugged and refined. As there are strong and distinctive details, this model is a perfect accent table, while also being capable to complement its surroundings. It could fit well in a modern interior, as well as in a minimalist space.

This solid wood table, with its natural finish, exemplifies the enduring charm and warmth that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Some minor chips in the wood. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

24.41 in W x 44.48 in D x 23.62 in H

62 cm W x 113 cm D x 60 cm H