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Price category: 2,500 - 5,000 usd / eur

With its distinctive structure, this table epitomizes the search for new systems of joinery during the mid-century era, when material and design became the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome.

Without heavy ornamentation, the viewer's eyes fall on the beautiful silhouette and quality materials. From the use of wood to the Formica top, the piece shows intention and proves experienced cabinetmaking. The use of Formica, a hard plastic laminate, gained popularity in the mid-20th century and continues to capture the attention of interior designers and design enthusiasts today. Moreover, the wood base is sculpted to perfection, the level of woodwork and precise joinery technique greatly shows off the skills of the craftsman, as the separated wooden parts appear to flow into each other effortlessly. The overall form of the table has a light and airy feel, enhancing the mid-century modern aesthetic. With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design.

Like most mid-century pieces, this table is sure to enhance the daily lives of its users through its visually pleasing and functional design that is timeless in every sense of the word.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

37.99 in W x 22.44 in D x 17.32 in H

96.5 cm W x 57 cm D x 44 cm H

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Price category: 7,500 - 10,000 usd / eur

“Danish Modern” is a recognised term around the world, standing for the characteristic style of Danish design created during the mid-20th century. The design of this sideboard is focused on the aesthetics of modernism whilst employing the exquisite technique and material familiarity of a highly skilled craftsman - Henning Kjaernulf.

This sideboard is defined by its long silhouette and commanding proportions. The front features a series of panelled doors arranged in a strict geometric grid, creating a powerful sense of rhythm across the surface. Each panel adds depth and shadow, allowing light to interact dynamically with the carved wood. Raised on sturdy carved legs, the sideboard maintains a grounded presence while avoiding visual heaviness. The warm-toned wood softens the severity of the geometry, revealing subtle grain patterns and tonal variation throughout. Hinges and hardware are understated, allowing the structure itself to remain the focal point. The interior offers generous storage, making the piece as practical as it is visually impactful.

Today, this sideboard stands as a sculptural statement piece that bridges function and design history. Its bold geometry and refined craftsmanship allow it to anchor both contemporary and eclectic interiors with ease. Whether placed in a dining room, living space, or even bedroom, it offers strong visual identity without sacrificing usability.

Condition:

In good vintage condition. Wear consistent with age and use. The sideboard has recently been reconditioned. The item has visible marks and scratches. Due to the nature and age of the wood, the item may show discolouration, especially on the top.

Dimensions:

92.91 in W × 20.86 in D × 35.62 in H

236 cm W x 53 cm D x 90.5 cm H

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Price category: 20,000 - 30,000 usd / eur

Generally, Czech mid-century modern designs tend to be more sober than their French, German, American, and even Scandinavian counterparts. However, works by Pavel Novak are an exception - as evidenced by this large desk. While his genius is evident in his work, the Czech designer’s repertoire is finally starting to surface, and as this piece shows, we are lucky to witness it.

Novak often worked with a gouge, that originally never had any other vocation than to furnish his farm. Part of this table is made of hand gouged oak, which is in itself a time-consuming and rare woodcarving technique. While most woodworkers offer help with fixing gouges in wood, Novak used the technique to create this rustic looking body that can be considered to be a functional sculpture. Thanks to the unique, hand-carved texture, the table is one of a kind, with an inimitable pattern .

This solid wood table, with its natural finish, exemplifies the enduring charm and warmth that mid-century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.

Condition:

In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned. Due to the nature and age of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

88.98 in W x 26.78 in D x 39.97 in H

226 cm W x 68 cm D x 101.5 cm H

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‎‎‎‎‎Price category: 2,500 - 5,000 usd / eur

This lovely bookcase designed by Grete Jalk for P. Jeppesen reflects the Danish designer’s aesthetic—clean and highly functional, yet creative.

Danish mid-century pieces were often created with a functional purpose in mind, rather than decorative, as this bookcase exemplifies. Elegant in its simplicity, it puts the emphasis on showcasing the material through a simple, uncluttered design. This model deserts any unnecessary ornamentation in favour of the traditional Danish design philosophy, which centres around craftsmanship and practicality. A “bogkasse”, or bookcase is an essential and timeless piece of furniture in Scandinavian homes, where it serves both a practical and an aesthetic role. This piece features exposed shelves and thanks to their arrangement and the large surfaces, the beautiful grain of the wood is highlighted. The wood grain is warm and expressive, enhanced by a natural finish that highlights the material’s inherent richness. The bookshelf’s open and airy design offers a sense of visual lightness, making it equally suited to display treasured books or decorative objects. The shelves are gracefully integrated, offering both structural integrity and stylistic coherence.

A timeless piece, this bookshelf embodies the era’s philosophy of democratic design—functional, beautiful, and enduring. It serves not only as a practical storage solution but also as a quiet statement of mid-century Danish elegance. Ideal for modern interiors, it remains a collectible example of postwar Scandinavian design at its finest.

Condition:

In good vintage condition. Wear consistent with age and use. The vertical shelves are adjustable. Minor marks and scratches.

Dimensions:

42.51 in W x 11.61 in D x 46.65 in H

108 cm W x 29.5 cm D x 118.5 cm H

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Price category: 7,500 - 10,000 usd / eur

The 1960s saw furniture makers apply the principles of modern design to increasingly versatile pieces. As homes became increasingly modern, desks were no longer treated as purely utilitarian objects but as pieces of furniture expected to integrate naturally within a living space. Designers responded by refining forms, adding sleek storage, and placing greater emphasis on the visual lightness of their creations. The result was furniture that remained highly functional while maintaining a distinctly architectural character.

At first glance, this 1960s desk appears simple. The rectangular top rests within a clean, open framework, creating a silhouette that feels balanced and remarkably precise. Closer inspection reveals its most distinctive feature: three integrated drawers concealed behind a series of horizontal fronts. This detail looks like a simple aesthetic detail, while it showcases the designer’s concern with practicality. The stacked drawer fronts create a subtle rhythm across the front without disturbing the calm geometry of the piece. When opened this detail creates a layered effect that captivates the eye and emphasizes the horizontal construction. The warm tone of the wood further enhances the design. The open sides prevent the desk from appearing heavy, while the strong stretcher below reinforces the structure and contributes to its clear architectural presence.

What makes this desk particularly successful is the way storage is incorporated into the overall composition. Rather than reading as separate functional elements, the drawers become part of the design itself. The piece carries the quiet confidence associated with the best Italian modern furniture, where proportion, practicality, and visual clarity work together effortlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned. Due to the age and nature of the material, the item has minor scratches and dents, and may have additional marks or discolouration.

Dimensions:

59 in W x 30.3 in D x 31.6 in H

150 cm W x 77 cm D x 80.5 cm H

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Price category: 5,000 - 7,500 usd / eur

In European mid-century furniture design, there was an early emphasis on wood because it connected everyday objects to nature. This solid oak coffee table is a perfect example of this sentiment, and features the visual qualities of an understated, organic design.

Within the thriving Dutch design landscape of 1970s, Brutalist furniture left an indelible mark and this coffee table shows why as it epitomises the era's aesthetic medley. Crafted from solid oak, the wood’s hues exude warmth amidst the starkness that defines the Brutalist design. This piece has a strong elemental feel to it, which is a result of its thick round tabletop and sturdy yet sleek legs. The Netherlands embraced Brutalism as a rejection of ornate embellishments, opting for raw, utilitarian forms. Oak became the material of choice for many pieces during this time due to its durability and malleability, enabling intricate yet robust constructions. This coffee table exemplifies this, with its neat woodworking and sharp angles connecting the legs with the round top. The table top is layered, with its edge showing the beauty or organically carved wood. The contrast of sleek lines against the natural grain of oak echoes the broader Brutalist ethos: blending the industrial with the natural in a bold, unapologetic way.

The craftsman’s handiwork is visible throughout the table, adding to its character. The piece, with its natural finish, exemplifies the enduring charm that 20th century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era.

Condition:

In good vintage condition. Wear consistent with age and use. The table has recently been reconditioned. Minor scratches and dents are present. Due to the nature and age of the material, the item may have some marks and discolouration.

Dimensions:

47.63 in ø x 19.88 in H

121 cm ø x 50.5 cm H

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Price category: 7,500 - 10,000 usd / eur

By the mid-1980s, the modern and urban aesthetic was the epitome of cool. Tubular furniture, glass-topped tables, chrome finishes and glass bricks all became ‘must have’ items. Lother Klute created pieces in line with the trend, designing a plethora of glass-topped tables, and this one is a perfect example of the era’s style.

Utilising and highlighting the qualities of the materials used, combined with the expertise of Lother Klute, this coffee table is a beautiful piece that can both dominate and complement a modern space. The coffee table's round glass top showcases an appealing textural look. As a result, the impression is quite elemental and striking. The dark colour of the patinated solid brass that forms the structure of the table contrast beautifully with the top, as its robustness grounds the design. The combination of materials make this table a stylish example of the period’s design versatility. From the thick bubble glass, to the durable and resistant brass, this piece is made to last. Coffee tables, in general, serve as design staples in living spaces for a multitude of reasons: beyond their utilitarian function of providing a surface for drinks and books, they anchor a room, creating a focal point around which furniture and conversation revolve. Overall, the table equally emphasizes function and visual interest, creating an instantly arresting aesthetic.

This piece is a representation of German Post-Modernist design from the 1980s, an interesting phase of cultural and social impacts with creatives trying to figure out a way towards leaving their mark on the design world.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

42.52 in ⌀ x 20.08 in H

108 cm ⌀ x 51 cm H

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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Nordiska Kompaniet from 1926 to 1938. During this time, Hjorth designed the “Skoga” series in the early 1930s.

The “Skoga” series was crafted as part of a broader collection of summer-house furniture, intended to be both practical and aesthetically harmonious with the rugged beauty of the Swedish landscape. Despite its utilitarian roots, the series, as well as this table, exudes quiet sophistication and a timeless appeal focusing on simple lines and the material itself. Made of pine wood, this table is strong, reflecting Hjorth’s principles according to which he mixed the ideals of the modernist movement with provincial Swedish traditions, producing a unique and primitive modernism. It is quite robust without being intrusive, naturally standing to be the centre of the room. The legs and stretch-bar base emphasize structural clarity and durability, while the rounded corners and visible joinery express a handcrafted, almost sculptural quality. The rectangular tabletop is comprised of three planks of wood, yet it has a light impression. The large surface shows off the pattern of the wood and colour variation. The absence of heavy ornamentation is also in service of enhancing the organic, simple look that defined Swedish design of the era. Each element, joint and line is well crafted and solid, the attention given to every construction and finishing detail is obvious.

This table doesn’t depend on its details, rather, it is just as arresting from afar as from a proximity. The joinery and woodworking reveal the quality craftsmanship of the experts at Nordiska Kompaniet. The most charming thing about this table however, is that it showcases classic elements and so much history, but it lends itself easily to a modern interior.

Condition:

In good vintage condition. Wear consistent with age and use. Some marks and scratches on the wood.

Dimensions:

70.86 in W x 23.62 in D x 27.55 in H

180 cm W x 60 cm D x 70 cm H

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Price category: 7,500 - 10,000 usd / eur

A drafting table or architect's table is, in its antique form, a kind of multipurpose desk which can be used for any kind of drawing, writing or impromptu sketching or for drafting technical illustrations. Many designs from the mid-century period adopted an almost structural logic, reflecting a broader interest in honest materials and visible craftsmanship, where the making of the object was never concealed but instead highlighted as an integral part of the design.

This worktop desk was made in France around the 1960s. It embodies rustic modernism and brutalist aesthetics through the robust yet carefully considered construction. The solid oak top is thick and slightly contoured, with softened edges that introduce a subtle organic quality to an otherwise rectilinear form, and an ergonomic cutout. Beneath, the base is composed of vertical supports connected by horizontal stretchers, creating a grounded structure. The architectural portico base is connected by solid crossbeams, where the joinery is clearly expressed, each connection contributing to both the strength and the visual identity of the piece. This detail is a testament to the high level of craftsmanship and brutalist influences. At the same time, the open space between these elements ensures that the design does not feel heavy, despite the mass of the material. The natural grain of the oak remains visible across all surfaces, adding depth to the otherwise restrained composition.

This desk maintains a strong presence rooted in its quality, but most of all, it represents a deeply functional piece of furniture. It balance of weight and refinement makes it perfect to serve a practical but elegant workspace.

Condition:

In good vintage condition. Wear consistent with age and use. The desk has recently been reconditioned and showcases a beautiful grain pattern. Due to the nature and age of the wood, the item has minor marks and scratches, and may show slight discolouration.

Dimensions:

49.40 in W × 32.67 in D × 30.31 in H

125.5 cm W x 83 cm D x 77 cm H

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Price category: 5,000 - 7,500 usd / eur

This coffee table embodies the essence of European mid-century design, with its distinctive features that recall a time when form and function were equally paramount. Crafted from solid wood, this table exudes a rustic charm and robust aesthetic that is characteristic of the era in which it was made.

In mid-century modern design, the use of wood held a special significance: it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. The design is inspired by the mid-century penchant for elemental shapes, featuring a simple circular tabletop, supported by four straight legs. The tabletop has a brutalist feel to it. The warm tone of the oak wood creates a sense of lightness, while also projecting an air of strength and solidity. Oak has been the defining material for European brutalist pieces partly due to its durability and malleability, enabling intricate yet robust constructions. The large tabletop showcases the unique qualities of the wood, while also providing functional space. Mid-century modern design represented a break with the traditional past; design-wise, furnishings were often a rejection of Victorian, Colonial, and other historical influences.

This solid wood table, with its natural finish, exemplifies the enduring charm and warmth that mid-century design continues to bring to contemporary interiors, underscoring the timeless appeal of this iconic design era. The maker of this table clearly focused on the material, letting the beautiful qualities of the oak wood stand out. This model will make a perfect addition to a range of interior styles.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the age and nature of the wood, the item may have some marks, scratches, and discolouration.

Dimensions:

47.24 Ø in x 11.18 in H

120 Ø cm x 46 cm H

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‎Price category: 40,000 - 50,000 usd / eur

This peculiar “T22” table model is also referred to as the “Eye”. While the name needs no further explanation, the ingenious design certainly does. Pierre Chapo always paired his creative and elegant designs with impeccable craftsmanship that gained him worldwide fame and love.

The “T22” is formed by two arcs, each resting on three cylindrical leg and a central oval module attached to one of the arcs by a sliding system. Placed together, the design forms an “eye”. Not a lot of designs receive a nickname by which they are immediately recognised, but this table is one of those. With its distinctive structure, it epitomises Chapo's research for new systems of joinery, in which the material and the design would be the lead factors in achieving stability, durability, and of course, an aesthetically pleasing outcome. Here, the smaller middle module can be adjusted or removed freely, allowing the table’s modules to be arranged in a variety of ways, for example, it can also be arranged to form a long undulating console. The immense functionality is accompanied by Chapo’s precise joinery techniques and woodworking. Pierre Chapo worked largely in elm wood and has a couple of signature design elements like the visible spline joint and the cylindrical legs as seen here as well. The solid elm has a stunning grain and various patterns that especially stand out on the curvatures of the table.

Chapo’s organic approach to arts and crafts and both designers resisted the stark industrial look that was dominant in the post-war period under the influence of socialism. This coffee table is undoubtedly an emblematic model of post-war French decorative arts and design.‎

‎Condition:

In good vintage condition. Wear consistent with age and use. Some small marks. The elm wood has a beautiful patina. Due to the nature and age of the material, the item may have some additional scratches, and discolouration.

Dimensions:

69.48 in W x 51.18 in D x 12.99 in H

176.5 cm W x 130 cm D x 33 cm H

About the designer:

Pierre Chapo, born in Paris in July 1927, was initially interested in becoming a professional painter. However, after a chance meeting with a shipbuilder who introduced him to wood and wood crafts, Chapo changed his focus and decided to study architectural studies at the prestigious École Nationale Supérieure des Beaux-Arts in Paris.

After graduation, Chapo and his wife, the sculptor, and painter Nicole Lormier, started to travel extensively through Scandinavia and Central America. Among the many places the couple visited was the home and studio of Frank Lloyd Wright in Taliesin West. A visit that had a lasting influence on Chapo’s future work and designs. Read more about Pierre Chapo. ~H.