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Price category: 30,000 - 40,000 usd / eur

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The 1960s and 1970s saw Italian interior design become world renowned and revered. This set of four “Africa” chairs were born from the creative genius of design-duo Afra and Tobia Scarpa in the mid-1970s. They are a perfect combination of simplicity, functionality, and aesthetic.

This set was part of the Artona line by the Scarpa’s and was also the first line ever produced by Maxalto. The company was originally set up in 1975 as an exclusive branch of B&B Italia to focus solely on the production of artisanal furniture that was primarily crafted from wood. As we find ourselves in a design era that embraces the nostalgia of the mid-20th century, this set of four serves as both an homage to the past and a testament to the timeless allure of Afra and Tobia Scarpa’s work. In these chairs, the pattern and grain of the walnut backrests is striking, showing the traces of history in every line and mark. Sensitive touches enliven the design, visible in the careful craftsmanship and quality of woodworking with impeccable joinery that masterfully utilises nothing but the wood itself. The colour of the leather seats matches the walnut body beautifully, further enhancing the visual appeal. Another impressing element is the centrally placed back leg that continues upwards to form the backrests, highlighting the Scarpas’ architectural expertise. Through its eccentric geometries and expressive forms these chairs are perfect for any interior.

Tobia Scarpa once said “I make things as I know how, and I try to be simple, without arrogance”, a sentiment that is apparent in these chairs. The emphasis on quality craftsmanship and the use of noble materials like walnut has undeniably left a lasting imprint and solidified the “Africa” model’s legacy in the Italian design landscape.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

22.04 in W x 18.50 in D x 31.10 in H; Seat height 17.32 in; Seat depth 16.14 in

56 cm W x 47 cm D x 79 cm H; Seat height 44 cm; Seat depth 41 cm

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Price category: 2,500 - 5,000 usd / eur

Rach Finazzi, an Italian designer active from the late 20th century, is recognised for a distinctive approach to furniture-making that merges geometric structures with unique materials. Finazzi’s work often explores unconventional forms and material contrasts, from glass to metal and wood, resulting in pieces that command attention both as functional furniture and as sculptural statements.

This pair of geometric dining chairs is a quintessential example of Finazzi’s design ethos, they are characterised by a striking interplay between angular metal frameworks, natural wood, and plush sheepskin. The chairs rest on slender, black metal legs that intersect to create a dynamic, sculptural base, flowing into the arms. The composition feels both visually light and structurally stable. Adding to the design, the backrests are crafted from solid wood in a dramatically tapered, triangular form. The backs introduce an architectural element that draws the eye upward, establishing a visual dialogue between the angular metal structure and the natural wood grain. To fully drive in the textural juxtaposition, the seats are upholstered in longhair sheepskin, adding a warm, inviting texture that contrasts beautifully with the cool, industrial feel of the metal frame and the earthy wooden backrest.

More than just seating, this pair functions as sculptural pieces that showcase Finazzi’s ability to harmonise disparate materials and forms. The combination of materials creates a compelling visual and tactile experience, showcasing the skill and creativity of Italian craftsmanship. Whether arranged around a dining table or displayed as standalone accent pieces, they encapsulate a bold design language, merging functionality with a strong artistic presence.

Condition:

In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The seats have been reupholstered recently in a premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.29 in W x 22.04 in D x 44.68 in H; Seat height 19.68 in; Seat depth 20.47 in; Arm height 24.40 in

49 cm W x 56 cm D x 113.5 cm H; Seat height 50 cm; Seat depth 52 cm; Arm height 62 cm

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Price category: 7,500 - 10,000 usd / eur

During the post-war era, when modernism gained a distinct momentum, most designers found it challenging to balance modern sensibilities and classical elegance. Entering the mid-century modern era, Italy’s design approach stood out for combining the past with a niche sense of creativity. This set of chairs, attributed to architect and designer Guglielmo Ulrich, blends these unique elements.

Made in 1950s Italy, this stunning set of dining chairs carries a sleek, timeless charm, full of unique design elements, soft curves and organic lines. The allure of this model rests in its sculptural silhouette, most striking in the structure of its backrest. The combination of upward rising arches, in contrast with the horizontal cross-rails, frame the sitter while providing ample support for the spine and lower back. The elegantly bent arches of the top rail fan upward in a double composition, connecting with the deeply curved rail that runs through the middle. Made of a beautiful and rich dark-toned wood, the flawlessly shaped, smooth edges evoke the form of a gracious harp, elegantly holding the centre attention of the design. The sweeping silhouette continues in the formation of the front legs, swooping down with a slight bend into a tapered finish. The upholstered seats, with their rounded sides and soft fabric, contribute to an outstanding sitting experience. The geometric pattern adds visual interest, creating a warm aura with its mellow colours.

The Italian craftsmanship that went into designing these dining chairs is nothing short of exceptional. Each structure is carved and assembled with meticulous attention to detail of the joinery, granting this set the potential to elevate diverse interiors. Having the versatility to fit in with more classical styles due to its sculptural presence, as well as the capability to fit in modern places with its attention to geometric detail, the set truly has an enduring appeal and a timeless presence.

‎Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

18.50 in W x 20.86 in D x 38.77 in H; Seat height 18.70 in; Seat depth 17.32 in

47 cm W x 53 cm D x 98.5 cm H; Seat height 47.5 cm; Seat depth 44 cm

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Price category: 5,000 - 7,500 usd / eur

These six Brazilian chairs in iron and rattan, that resemble the work of designers Hauner and Eisler, have a modest and very modernist design that is as elemental as they come. The clear and open frame is balanced geometrically with the solid tapered legs. The two back legs are continuing upward to hold the slightly curved rattan backrest, giving comfort to the sitter. The rattan on these items has aged beautifully.

Condition:

In good vintage condition. Wear due to age and use. Items have some marks, scratches and discoloration. Rattan has a beautiful heavy patina.

Dimensions:

16.14 in W x 20.28 in D x 35.03 H; Seat Height 16.54 in

41 cm W x 51.5 cm D x 89 cm H; Seat Height 42 cm

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Price category: 5,000 - 7,500 usd / eur

Thanks to low-profile, clean-lined furnishings; an earth-tone-inspired colour palette; and little ornamentation, the minimal brutalist design style resonates with many. This organic set exudes tranquillity through its stylish but understated shapes and forms.

There is a reason behind solid wooden furniture’s enduring popularity: wood never goes out of style, it is enduring, sturdy, versatile, and therefore visually appealing. The development of design in Belgium is very typical for that in Europe generally, thus a branch of the European design tree with shared characteristics of the era’s Scandinavian and even French design. This set of eight dining chairs is an evidence of the country’s long furniture manufacturing tradition. The dualism within these chairs is amazing: the pieces of this set can stand in an interior and have a function but also play a purely aesthetic role. The oak bodies’ proportions are very harmonious, with long, sleek backs and braced legs. The only element that serves a purely decorative role are the round ears on the top. The seats are very carefully carved to accommodate the sitter, while the high backs provide ample support for the back.

From architectural descriptions to individual pieces of furniture, materials, and colour palettes, brutalist style seems to have earned a permanent spot on the décor trend list. Similarly, wood has never gone out of style, and pieces combining the style and the material are only gaining popularity today. These solid oak Belgian chairs are equally striking standing alone, or as a set in an interior with a medley of styles.

Condition:

In good vintage condition. Wear consistent with age and use. Small scratches and marks on the wood.

Dimensions:

18.7 in W x 23.42 in D x 42.71 in H; Seat height 18.3 in

47.5 cm W x 59.5 cm D x 108.5 cm H; Seat height 46.5 cm

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Price category: 7,500 - 10,000 usd / eur

This set of four dining chairs emerged from the hands of skilled craftsmen in 1970s Belgium. Made from the dense and unyielding embrace of heavy oak, these brutalist chairs stand as stoic testaments of an era marked by avant-garde design principles and an unapologetic departure from conventional aesthetics.

Belgian furniture design in the 20th century mirrored the country's complex cultural and political tapestry. Nestled between the influences of neighbouring European design powerhouses, Belgian designers carved a distinctive niche that blended functionality with an uncompromising commitment to artistic expression. The 1970s witnessed a surge in experimentation, giving rise to furniture pieces that transcended the boundaries of traditional design. Brutalist furniture design is synonymous with raw materials and bold forms, and found a welcoming home in Belgian ateliers. These chairs, born of this movement, stand as beautiful proof of the architectural ethos that championed an honest display of materials. Heavy oak, revered for its durability and rugged beauty, became the preferred medium for crafting robust pieces. The choice of oak goes beyond mere practicality; it is also an artistic declaration. Oak, with its pronounced grain and substantial weight, became a canvas for artisans to explore the intricate balance between form and function. The wooden joinery on these chairs, meticulously executed, not only serves as structural elements, but also contribute to the raw organic nature of the overall design. Carved details adorn the pieces, including the unusual shape of the backs, marked by hollow cutouts at the tops that defy conventional notions of comfort and instead serve a purely aesthetic role.

Brutalism was an intentional departure from the mundane, a deliberate embrace of form that challenged the boundaries of the expected. These chairs, born in the crucible of brutalist design, are experiencing a renaissance in contemporary time as a generation enamoured with nostalgia rediscovers the bold and unapologetic aesthetic of the honest style.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the chairs may have some marks, scratches, and discolouration.

Dimensions:

17.51 in W x 20.07 in D x 37.20 in H; Seat height 18.70 in; Seat depth 13.77 in

44.5 cm W x 51 cm D x 94.5 cm H; Seat height 47.5 cm; Seat depth 35 cm