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Price category: 12,500 - 15,000 usd / eur

This pair of upholstered armchairs beautifully exemplifies the balance of tradition and forward-thinking design that characterised the first half of the 20th century. Unlike designs from outside the continent, European pieces weren’t flashy but rather well-made to fit a warm, comfortable and welcoming interior.

The chair model is defined by a clear, well-proportioned silhouette and upholstered bodies. The design expertly combines a geometric impression and high quality materials to create a balance that defines the overall form. The wooden curved armrests frame the seats, creating a grounded and sturdy presence. These exposed wooden frames feature a continuous linear structure around the chairs, bending outward into broad armrests before descending directly into the sled-style bases. That uninterrupted curve gives the silhouette a strong architectural quality. The bodies are upholstered in a striped fabric, the pattern introduces rhythm and subtle contour without overpowering the shape. The vertical stripes emphasise the chairs’ height and give structure to its soft silhouette, while the fabric’s texture adds depth and tactility.

This armchair model is a strong example of how 1930s design prioritised comfort while embracing modern restraint. The understated elegance allows the pair to blend easily into both classic and contemporary interiors, whether used as a bedroom accent, or part of a larger seating arrangement. Timeless in form and honest in construction, the pair offers both visual clarity and lasting comfort, making it versatile with an enduring appeal.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.8 in W × 35.4 in D × 29.5 in H; Seat Height 14.2 in; Seat Depth 22.0 in; Arm Height 21.5 in

65.5 cm W x 90 cm D x 75 cm H; Seat height 36 cm; Seat depth 56 cm; Arm height 54.5 cm

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Price category: 7,500 - 10,000 usd / eur

French mid-century seating frequently combined elements of regional craftsmanship with the cleaner lines associated with modernist furniture. These chairs are exemplary of the main ideals of mid-century modernism, characterised by clean, simple lines, honest use of materials, and a lack of unnecessary decorative embellishments. Instead, the focus is on craftsmanship and clever design.

The pair, crafted in the manner of Jacques Lardin, is confident yet discreet, with clean junctions and honest detailing of the joinery. Chairs are often considered especially revealing of a designer's skill because of the strict limits placed on their form by the demands of the human body. With these armchairs, the designer arrived at a clearly-structured solution in which a high degree of coherence is maintained while the chairs appear visually light and open. The warm tone of the wood highlights the natural grain, adding visual depth and character to the clean, architectural structure. Upholstered in off-white fabric, the chairs gain their quiet luxury through material rather than embellishment. Together, the wood and fabric establish a dialogue between texture and form: one smooth, one tactile, both grounded in natural beauty. They function effortlessly as statement pieces while remaining practical for everyday use. Timeless in form and character, the pair offers an expression of 1940s craftsmanship that fits with ease into both modern and classic interiors.

Though many mid-century French designers may not have the same name recognition as some of their Scandinavian counterparts, they were integral to developing a modern aesthetic in Europe. The appreciation for their contribution is still growing today making outstanding pieces like these chairs highly sought after.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The items have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.88 in W x 25.59 in D x 31.29 in H; Seat height 18.89 in; Seat depth 18.50 in; Arm height 24.80 in

50.5 cm W x 65 cm D x 79.5 cm H; Seat height 48 cm; Seat depth 47 cm; Arm height 63 cm

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Price category: 12,500 - 15,000 usd / eur

The “Oskar” armchair was designed in 1939; a busy year for Carl Malmsten as he also participated in the New York World Fair. It was at this fair where the expression “Swedish Modern” was coined, but Malmsten remained a traditionalist, mainly concerned with comfort in the home.

As with so many of Malmsten’s pieces of furniture, Oskar was modelled on an earlier design. This pair belongs to Carl Malmsten's earlier works, and the structures are made of solid pine from Swedish forests. As it can be expected from the “Master of Wood”, the frames are expertly designed, with ergonomic and aesthetic principles at their core. While these armchairs may seem less “Malmstenesque”, they already have the gentle curves that defined his later designs. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The gently bent backrests are tufted with dark yellow stitches that contrast with the light bouclé upholstery both in colour and texture to create a stylish, visually interesting look. The structures are supported by the tapered, solid pine legs that add an organic touch to the design. This chair model is reminiscent of the furnishings of the sitting room of Ulriksdal Palace, which was given to the crown prince and princess, Gustav and Louise, by the Swedish people in 1923. Malmsten was commissioned to create the decor for the room, and the Oscar armchair may have been a template for this period and perhaps that is why Carl Malmsten gave the chair a royal-sounding name.

The company known today as O.H. Sjögren was established as early as the 1870s. Carl Malmsten, who had hitherto only produced the most exclusive and unique furniture for a limited and affluent clientele, sought manufacturers who were able to produce his furniture in larger volumes without compromising the high demands he placed on craftsmanship and quality. He chose O.H. Sjögren, and together they developed and marketed the many items of upholstered furniture that have become classics today.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 29.92 in D x 37.4 in H; Seat height 16.33 in

73 cm W x 76 cm D x 95 cm H; Seat height 41.5 cm

About the Designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local ingredients and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today.

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Price category: 9,000 - 12,500 usd / eur

This pair of armchairs is rooted in the European Art Deco movement. It was a period defined by confidence, structure, and a belief in modern luxury. Art Deco design emerged between the wars as a response to earlier ornament-heavy styles, favouring clarity of form, strong geometry, and refined materials. Furniture from this era often balanced comfort with a distinctly architectural presence, drawing inspiration from both classical proportion and the clean lines of modern industry. This chair reflects that mindset perfectly, presenting a strong and confident silhouette that feels intentional rather than decorative.

The form of the pair is solid and grounded, built within a strong wooden frame that gives the piece its architectural weight. The arms are outlined by smooth and sharply defined wood, creating a sense of enclosure that feels both protective and confident, while the backrests soften the geometry and add comfort. The rich beige colour of the upholstery highlights the chairs’ sophistication, and the minimal, carved legs in dark wood give the model a grounded feel that contrasts beautifully with the softness of the upholstery. The clean lines and geometric proportions balance the luxurious, soft texture of the fabric with the sturdiness of the frame, creating an object that is both sculptural and functional. This pair of armchairs exudes the confident yet refined impression typical of the Art Deco style.

Perfect for those looking to add some vintage glamour to a space, these pieces will bring timeless allure to any room. The design offers a perfect blend of style and comfort, which will endure through the ages while exemplifying Art Deco craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 35.03 in D x 34.25 in H; Seat height 15.35 in; Seat depth 22.44 in; Arm height 25.59 in

75 cm W x 89 cm D x 87 cm H; Seat height 39 cm; Seat depth 57 cm; Arm height 65 cm

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Price category: 7,500 - 10,000 usd / eur

This pair of armchairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

Impressive in its simplicity, this pair carries with it the beloved modernist characteristics of simplicity and functionality yet shows the rustic side of European design of the era. The chairs feature sturdy wooden frames with a rich, dark finish that accentuates the natural grain and depth of the wood. The meticulous craftsmanship of the wood’s joinery further enhances the chairs' allure; impeccably constructed with no visible screws, the seamless connections speak volumes about the artisan's dedication to precision and quality. The absence of visible hardware not only contributes to the chairs' aesthetic purity but also underscores the skilled craftsmanship that went into their creation. The grounded stance gives the chairs a quiet strength, while the broad seats invite relaxed, informal lounging. Upholstered in a textured beige fabric, the cushions pair a tactile, inviting surface with the clean lines of the wood and wicker base, achieving a compelling balance between warmth and restraint. The combination of materials and finishes results in visually appealing pieces while adding warmth and comfort to the overall design. The dualism within these chairs is amazing: they can fulfill their functional purpose in an interior while also achieving their aesthetic role. 

The essence of early 20th century French design is beautifully captured by this pair of armchairs. Functional yet sculptural, rustic yet refined, they stand as enduring testaments of the striking balance only master woodworkers are able to create.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The cushions have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.02 in W × 23.62 in D × 38.58 in H; Seat height 16.34 in; Seat depth 21.26 in; Arm height 22.83 in

61 cm W x 60 cm D x 98 cm H; Seat height 41.5 cm; Seat depth 54 cm; Arm height 58 cm

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Price category: 5,000 - 7,500 usd / eur

Swedish design is characterised by a minimal, clean approach that seeks to combine functionality with beauty. The mastery of Swedish designer and architect, Bertil Fridhagen lies in creating a model that is, as its name suggests, aristocratic and minimal at the same time.

This stunning pair of solid walnut armchairs combines elements of classical and modern design with utmost quality. The solid walnut beautifully frames the upholstered bodies, outlining the welcoming silhouette of the chairs. The frames have a stunning curvaceous design, that is visually appealing from all angles. The embracing body’s curve enhances the beautiful original chenille upholstery with small deep-stitched buttons. Swedish design prefers colours rooted in nature, muted tones that aren’t screaming about their presence, but still attract the eye naturally. The chairs’ yellow chenille upholstery is a wonderful example of this ideal. The cushions are removeable and reversible, adding to the comfort of the sitter.

Bröderna Andersson, the chairs’ manufacturer is first and foremost characterised by Swedish quality, Småland craftsmanship and professional pride. At Bröderna Andersson's, the entire production chain was under one roof. From the choice of wood species to the production of frames, and careful attention so that the last seam is in place, quality is Bröderna Andersson’s word of honour.

Condition:

In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The chairs retain their original upholstery or have been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

32.08 in W x 32.48 in D x 32.48 in H; Seat height 19.48 in

81.5 cm W x 82.5 D x 82.5 cm H; Seat height 49.5 cm

About the Designer:

Bertil August Julius Fridhagen was born on February 16 in1905 in Norra Sandsjö parish, Jönköping county, and was a renowned Swedish architect and furniture designer.

Bertil Fridhagen grew up in Bodafors. His father was a carpenter and he also started as a carpenter at AB Svenska Möbelfabrikerna in Bodafors, where he became the student of the architect Carl Erik Ekholm. Later, he decided to further his education at Konstfack in Stockholm. In a reversed way, Fridhagen started out gaining experience in cabinetry before completing his formal education in architecture.

He returned to Bodafors in 1937, where at first, he was employed at Sandsjö Möbelfabrik (1937-39) and then became chief architect at Svenska Möbelfabrikerna in Bodafors, where he succeeded his teacher, Ekholm. He became an important figure for the success of Svenska Möbelfabrikerna and in 1964 Bertil Fridhagen's models accounted for two thirds of home furniture production, which was an extreme success. For comparison, the much more well-known designer, Carl Malmsten's models accounted for a quarter. Bertil Fridhagen's biggest sales success was the combination series “Variett”.

Fridhagen won numerous prizes at various design competitions, including in Denmark in 1954, the California State Fair in Sacramento with the Librettserien in 1956, in Italy in 1966, 1968 and 1970 and in Tennessee in 1972. He also designed buildings, but above all interiors, he is remembered for the Bodafors church. The designer is remembered for his versatile models which are beautiful examples of Swedish design ideals. ~H.

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Price category: 12,500 - 15,000 usd / eur

During its heyday, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress. The movement peaked in popularity around the 1930s, spreading across Europe and the United States up to the start of World War II. Art Deco designs featured rare, expensive, innovative materials and exquisite craftsmanship.

In line with the Art Deco movement during which they were created, these chairs illustrate the bold, rich and luxurious aesthetic of the era. Before giving way to mid-century modernism and its focus on function over form, Art Deco pieces coupled geometry and craftsmanship to arrive at elegantly impressive additions to interiors. This pair of armchairs live up to their rich history through their strikingly geometric form. Both the backs and the armrests introduce clear angles and wooden elements with multiple edges. The chairs feature back and seat cushions, upholstered in a soft deep green fabric that draws in the eye, bringing a warmth and an earthy richness that pairs beautifully with the beech frames. The armrests are stripped down to their wooden structure, with a tapering element further highlighting the sculptural quality of the model. The short legs, with their carved ridges, balance out the voluptuous bodies, while flowing effortlessly as a continuation of the armrests to ensure the stability of the armchairs.

Created during an age of innovation - from materials, to shapes and techniques - these chairs showcase that the European furniture designers’ artistic approach was anchored in the Art Deco movement. Through their form and quality craftsmanship, this pair of armchairs makes for the perfect stylish touch of warmth and charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items may have minor marks, scratches, and discolouration. The chairs have been recently reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.8 in W x 31.88 in D x 31.29 in H; Seat height 14.56 in; Seat depth 21.45 in; Arm height 22.83 in

63 cm W x 81 cm D x 79.5 cm H; Seat height 37 cm; Seat depth 54.5 cm; Arm height 58 cm

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Price category: 15,000 - 20,000 usd / eur

The “Stora Eva” chair model is from the timeless and iconic Paradiset Collection from the Triva Series, which was created in the 1950s by Kerstin Hörlin-Holmquist during her time at Nordiska Kompaniet. Hörlin-Holmquist had a unique and humanistic design vision, and because of her uncompromising attitude, she became one of Sweden’s most renowned mid-century furniture designers.

Hörlin-Holmquist once remarked "I think both furniture and textiles, wherever they end up, must be kind, gentle, and courteous, but without losing their character. They should have human qualities, not be pompous and only stand alone, but be able to adapt to the environment they end up in” and these armchairs are an elegant example of that sentiment. Characterised by the best qualities of mid-century design, these chairs can be incorporated into both contemporary and traditional interiors, lending itself to a timeless, universal appeal. The elegant lines and shape of the backrest create a striking silhouette. The tufted buttons on the backrest serve as the only form of ornamentation, and add to the visual richness of the model. The soft white upholstery is complemented by the tapered stained wood legs. Tilted in the back, the slim legs have a classically modern look. The "Stora Eva" model expresses a particular feeling of warmth and comfort with its friendly and rounded form. Standing at the intersection of form and function, this is a timeless model that will never go out of style.

The craftsmanship displayed in these armchairs are a testament to the high standards of Swedish design in the mid 20th century, reflecting the technical skill and artistic vision of both Kerstin Hörlin-Holmquist and Nordiska Kompaniet.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches on the wood. The chairs have been recently reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.34 in W x 32.67 in D x 38.38 in H; Seat height 16.14 in; Seat depth 18.70 in; Arm height 22.44 in

72 cm W x 83 cm D x 97.5 cm H; Seat height 41 cm; Seat depth 47.5 cm; Arm height 57 cm

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Price category: 9,000 - 12,500 usd / eur

This pair of spectacular armchairs by Swedish designer, Svante Skogh, is a rather rare example of the interior and furniture designer’s repertoire. With a creative and masterfully crafted wooden structure, these chairs deserve the limelight in Swedish design history.

These chairs combine function and aesthetic in a striking manner, keeping the form in service of the user while keeping it elegant and modern. The union of the shell-shaped body and the back legs’ structure define this model. While made of entirely different materials, their lines manage to resemble and complement each other, resulting in a harmonious appearance. The back legs not only support the bodies, but also rise to form the support for the armrests. The clear lined frame of this pair contrasts beautifully with the angled seating and gives the pair an open and very photographic appearance. The armrests’ black paint is a small, but ingenious detail, that highlights their form and create a focal point. Due to the well-chosen proportions, angled back, and the high-quality of the design, the chairs are very comfortable.

In Sweden, “svensk design” (Swedish design) in particular operates as a set of relations linking the everyday world - composed of objects, spaces, people - to the cultural ideologies that motivate the persistence of a social democratically infused “way of life.” Thanks to this sentiment, cabinetmakers, like Förenade Möbelfabrikerna, put an emphasis on soft elegance and functionality, making these chairs timeless in every sense of the word.

Condition:

In good vintage condition. Wear consistent with age and use. The black paint has partially worn off with time. The chairs have recently been reupholstered in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.77 in W x 32.28 in D x 31.88 in H; Seat height 15.35 in

68 cm W x 82 cm D x 81 cm H; Seat height 39 cm

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Price category: 15,000 - 20,000 usd / eur

Art Deco seating from the first half of the 20th century moved toward softer and more streamlined forms, rather than relying on heavy ornament. Designers focused on curved silhouettes and volume, creating furniture that fulfilled functional roles. Low armchairs became especially popular in domestic interiors, where comfort and visual softness were balanced with the elegance of the period.

This pair of armchairs embodies that transition through rounded, enveloping bodies and restrained detailing. The broad curved armrests flow directly into the lower structures, creating unified silhouettes with little interruption between elements. Unlike more rigid geometric seating, the forms feel continuous yet strong, with the upholstery enveloping the frames to emphasize the smoothness of the contours. The sand-coloured fabric reinforces the shape, giving the chairs a warm and understated presence while allowing light to move gently across the curved surfaces. The backrests are slightly reclined and contribute to a relaxed posture, while the generously proportioned seats add to the sense of comfort. Small wooden feet remain mostly concealed beneath the bodies, subtly lifting the chairs from the floor without distracting from their compact volumes.

What makes this pair particularly appealing is the combination of visual weight and softness. The chairs feel grounded without looking rigid. They function less as architectural objects and more as carefully shaped upholstered forms, designed with attention to comfort that suits a range of interior styles.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items may have some marks. scratches, and discolouration. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.89 in W x 40.95 in D x 31.70 in H; Seat height 15.75 in; Seat depth 23.63 in; Arm height 23.63 in

81 cm W x 104 cm D x 80.5 cm H; Seat height 40 cm; Seat depth 60 cm; Arm height 60 cm

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Price category: 15,000 - 20,000 usd / eur

These chairs are exemplary of the main ideals of mid-century modernism, characterised by clean, simple lines, honest use of materials, and a lack of unnecessary decorative embellishments. Instead, the focus is on craftsmanship and clever design.

With a clear preoccupation with geometry, the chairs’ outstanding architectural frames recall the mastery of European designers, particularly Ib Kofod Larsen. The clearly lined frames contrast beautifully with the angled seating and give the pieces an open and light appearance. The backseat of this model is supported by the elongated back legs, creating a unique look. While the refined linearity defines the overall aesthetic, functionality was clearly an important aspect of the design. Due to the well-chosen proportions and upholstered body, the chairs offer great comfort. The lines of the model are crisp and elegant, with the seat and backrest creating an angle that aids the chairs’ stability, comfort and ergonomic design.

While the second half of the 20th century saw the takeover of mass production and many - now iconic - futuristic designs, these chairs preserve the value and beauty of master craftsmanship and exquisite materials. Countering the often quite vivid colours and designs of the era, the beautiful dark wooden frame is paired with light, premium upholstery.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

18.7 in W x 27.16 in D x 31.29 in H; Seat height 18.11 in

47.5 cm W X 69 cm D X 79.5 cm H; Seat height 46 cm

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Price category: 9,000 - 12,500 usd / eur

Art Deco seating in Europe often relied on a careful interplay between structure and comfort, where strong architectural frames were softened through upholstery. In the first half of 20th century, this approach had evolved into a more restrained language, retaining the geometry of earlier designs while reducing ornament to its essentials. Oak became a preferred material for many manufacturers, valued for its durability and its ability to hold crisp, angular profiles.

Within this context, this pair of armchairs was designed to balance visual clarity with everyday comfort. They display a clearly defined wooden frame with neatly integrated upholstery. The oak structures form an outline, with straight legs extending upward into the armrests and back supports. The geometry is precise, with sharp transitions and flat planes giving the chairs a distinctly architectural presence. The armrests project forward in a clean horizontal line, reinforcing the overall strength of the frame while also providing a functional quality. In contrast, the upholstered seat and back panels introduce softness, both visually and physically. The fabric has a subtle texture and a warm tone that complements the wood, creating a cohesive piece. The proportions are compact yet solid, allowing the chairs a grounded feel while maintaining a sense of openness through the sides.

What defines these chairs is their clarity of construction. The design speaks through its structure, with the upholstery acting as a complementary layer rather than the focal point of the pieces. This makes the pair particularly versatile, as they can anchor a space through their form while still adapting to different interiors.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The items have visible scratches and dents. Due to the nature and age of the wood, some marks and slight discolouration may be present. The armchairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.02 in W x 26.58 in D x 35.44 in H; Seat height 16.15 in; Seat depth 20.28 in; Arm height 24.02 in

61 cm W x 67.5 cm D x 90 cm H; Seat height 41 cm; Seat depth 51.5 cm; Arm height 61 cm