Pair of Rauni Peippo "Apila" Stools for Stockmann Orno, Finland 1960s (sold)
Pair of Rauni Peippo "Apila" Stools for Stockmann Orno, Finland 1960s (sold)
These famous pine stools by Finnish interior designer Rauni Peippo are the most famous model from the ‘Apila’ set, which is comprised of a table and bar stools as well. It is one of those models that is immediately recognizable thanks to its shape.
Finnish design is appreciated around the world for its minimalistic appearance, playful forms and strict functionalism. After Finland became independent, a dialogue with nature was to become the prime force in the ongoing evolution of their design ethos. This relationship with nature was much in evidence in the 20th century, which actively expanded on the metaphors and motifs therein. This progression is evident in this iconic stool. “Apila” means clover in Finnish, which comes as no surprise; the four leaf clover-shaped seat is carved from pine wood, enhancing the already organic impression of this model. It is infinitely stylish, with sleek tapered legs that counterbalance the round, soft edges of the body. The design dates to the mid-century and the first manufacturer was Stockmann Oy, a manufacturer with a history that dates back to 1862; it is still the largest department store in the Nordic countries.
These stools were previously misattributed to fellow Finnish designer, Lisa Johansson Pape, but is now well-documented. Thanks to their sturdy construction and undeniable style, these ‘Apila’ stools are often found in designers’ homes in a variety of spaces: from offices and living rooms, to bathrooms.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood.
Dimensions:
13.77 in W x 13.77 in D x 15.74 in H
35 cm W x 35 cm D x 40 cm H
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Price category: 15,000 - 20,000 usd / eur
Swedish architect and furniture designer Axel Einar Hjorth served as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from the Stockholm archipelago – including Blidö, Lovö, and famously, Utö.
These Utö chairs were designed in 1932 as part of the collection. Unlike the department store's interiors for floors and villas in the cities, the Utö designs had a simple character with robust and basic shapes in solid pine. Accordingly, the design of these chairs focuses on simple lines and the material itself. Made of pine wood, these chairs are strong, reflecting Hjorth’s principles in which he mixed the ideals of the modernist movement with provincial Swedish traditions. As a result, the design of this set is completely timeless. Each chair demonstrates a conscious construction, where the joinery and fittings related to traditional craftsmanship are emphasized. Dominated by rounded, straight lines, the chairs have spindle backrests and ergonomically carved seats. The form alludes harmony and stability, fitting the summer cabin concept perfectly.
In an international perspective, Hjorth's “sportstugemöbler” series was the forerunner of later pioneering designers such as Charlotte Perriand. It is therefore no surprise that these Utö chairs became part of Swedish and international modernist design history. In their time, the Utö collection may have appeared as pioneering and radical, but today they are viewed as status symbols in interiors of international character.
Condition:
In good vintage condition. Wear consistent with age and use. Some marks and stains on the wood. Due to the nature and age of the wood, the items may have scratches and discolouration.
Dimensions:
18.89 in W x 18.3 in D x 31.49 in H; Seat height 16.92 in
48 cm W x 46.5 cm D x 80 cm H; Seat height 43 cm
Literature:
Christian Bjork, Thomas Ekstrom and Eric Ericson, 'Axel Einar Hjorth: Mobelarkitekt', Stockholm, 2009, p.130
About the designer:
Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.
Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).
Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art
Today Hjorth is often viewed as a precursor to the modern designs popularized by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light. ~H.