Woven Rush Amsterdamse School Chair by Jac. Levee, The Netherlands 1930s (sold)

Woven Rush Amsterdamse School Chair by Jac. Levee, The Netherlands 1930s (sold)

$0.00

‎The Amsterdamse School movement arose in response to the predominant influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. This movement, which took root in Amsterdam, sought to create a uniquely Dutch style that embraced traditional craftsmanship and celebrated the spirit of the current times. The Amsterdamse School extended its influence across various artistic disciplines, including architecture, decorative arts, and furniture design.‎

The styles’ main characteristics are reflected in the design of this chair beautifully: expressive, art deco-reminiscent, and functional. Amsterdamse School furniture is renowned for its expressive and sculptural qualities. Designers like Jac. Levee sought to integrate form and functionality seamlessly, resulting in furniture pieces that were not only visually striking but also practical. The craftsmanship of Amsterdamse School furniture is exemplified by its intricate woodwork and joinery. Pieces often showcased decorative detailing through carvings, inlays, and geometric patterns. These elements add a touch of individuality and artistry to a piece, setting them apart from the mass-produced furniture of the time. Subtle, intricate detailing can be observed in this chair as well, from the material contrast to the black elements on the frame. The seat is made of tightly woven rush, which adds beautiful texture and a traditional look, while still maintaining comfort through its natural flexibility. By being entirely constructed from natural materials, this piece showcases the classic charm typical of early 20th century furniture, while adding versatility through its unpretentious, organic character. The wooden stretchers are positioned between each pair of legs, creating symmetry within the design. These additions go beyond their aesthetic purpose - not only do they complete the design but they also reinforce the structure, lending it additional stability.

Despite the passing of decades, the Amsterdamse School furniture style continues to captivate enthusiasts and collectors worldwide. The enduring appeal lies in its unique combination of artistic innovation, craftsmanship, and a commitment to cultural identity. The pieces from this era are not merely functional items but also works of art that convey the spirit of a transformative period in Dutch history.

SOLD

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

16.53 in W x 16.92 in D x 26.77 in H; Seat height 16.14 in; Seat depth 16.14 in

42 cm W x 43 cm D x 68 cm H ; Seat height 41 cm ; Seat depth 41 cm

Sold Out

Add To Cart

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.

Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.

Dimensions:

17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in

44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm

Rattan "Canton" Chair by Kay Fisker for Robert Wengler, Denmark ca 1960s

$0.00

REQUEST PRICE HERE

Price category: 2,500 - 5,000 usd / eur

While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.

Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.

The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information

Dimensions:

34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in

87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm

Oak Lounge Chair in Champagne Ponyskin by Wim den Boon, the Netherlands 1960s

$0.00

REQUEST PRICE HERE

Price category: 5,000 - 7,500 usd / eur

Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in

65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm