Floating Easy Chair in Sheepskin by Otto Schulz (attr.), Sweden 1940s (sold)
Floating Easy Chair in Sheepskin by Otto Schulz (attr.), Sweden 1940s (sold)
This distinct mid-century easy chair features multiple special characteristics, from its floating back to the curvaceous armrests. This model is, without a doubt, the work of a master cabinetmaker.
The elegant organic lines of the design create a striking silhouette. Its generous proportions and luxurious upholstery create a visually pleasing look and provide great sitting comfort. The chair’s seat and backrest are separated in a style that is typical of Swedish designer, Otto Schulz. This stylish feature highlights the beautiful oaken frame and show off the cabinetmaker’s expert craftsmanship. The armrests are in an unusual shape, curving outwards, and along with the generous proportions and upholstery, are perfectly sculpted to accommodate the sitter. Schulz was known for his floating back designs as it is seen here, preventing the design from looking heavy. The sheepskin makes this feature even more outstanding, as it embraces the solid structure with its softness. The sturdy frame and armrests are carved from solid oak and have acquired a beautiful patina over the decades.
In a true Swedish modern way, this easy chair flaunts premium materials and expert craftsmanship in a modern style that honours its materials and their users. With plenty of visually arresting qualities, this model is a timeless and rare find.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. Minor scratches and marks on the wood. The chair has been recently reupholstered in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
27.95 in W x 28.74 in D x 31.88 in H; Seat height 17.71 in
71 cm W x 73 cm D x 81 cm H; Seat height 45 cm
About the designer:
Otto Schulz (1882-1970) was a Swedish interior designer, furniture designer, publisher and founder of the furniture company BOET in Gothenburg.
Schulz was born in Germany and moved to Sweden in 1907. He mainly produced opulent upholstered furniture, as well as lavishly inlaid, decorative box furniture style-wise between functionalism and traditionalism. He has some of his own invented techniques patented, including the use of decorative nails as part of the design, called Bopoint. After establishing his own furniture company, BOET, he used it as a showroom to exhibit his designs as well.
In the 1920s he started publishing the eponymous magazine BOET, which was also a platform for his own collection. The magazine was at the time the most influential, appearing in regular editions in Sweden and often included interviews with well-known designers and architects. ~H.
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Price category: 20,000 - 30,000 usd / eur
Finland and Helsinki are extremely important in mid-century modern design history, and one of the most famous designers of the period was Alvar Aalto. In contrast with the functionalism of the international style, Aalto brought a refreshing breath of humanism to modern design, as evidenced by this pair of Model “400” armchairs.
There is a saying that “Functionalism is a Finnish thing”, and it is hard to argue with that when looking at this pair of chairs. Functionality is without a doubt one of the most important aspects of Finnish design, however, there is also a demand for the highest quality, both in design and materials. Alvar Aalto is the Finnish icon of functionalism, and through this “400” or “Tank” model it is easy to see why. The design is first and foremost functional, combining practicality and aesthetics. These chairs feature a solid wooden frame with a striking silhouette. The arms are particularly distinctive thanks to their geometric look. They create a sculptural line that complements the simplicity of the overall form. The wood is painted black and pairs beautifully with the green upholstery, offering a restrained yet sophisticated material contrast. The choice of green allows for a sense of luxury and richness while still remaining grounded.
Aalto's free-form designs, in harmony with human needs and nature, anticipated the organic modernism of the 1950s and 1960s. This model can be a design statement in any space while also serving its functional purpose.
Condition:
In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The pair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
30.51 in W × 34.64 in D × 25.98 in H; Seat height 15.35 in; Seat depth 23.62 in; Arm height 19.29 in
77.5 cm W x 88 cm D x 66 cm H; Seat height 39 cm; Seat depth 60 cm; Arm height 49 cm