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Price category: 7,500 - 10,000 usd / eur

Born in 1890 in France, René Gabriel was one of the leading figures of the modernist movement in Paris. From 1923 to 1950, he presented a body of work, offering an innovative vision on the way people would live in the new century. He became widely recognised for developing practical, well-made furniture intended for the reconstruction period following the Second World War. Appointed president of the Société des Artistes Décorateurs (SAD) at the Liberation, he steered French decoration towards more economical productions, with sharp lines, efficient joinery, and a preference for the authenticity of local woods over imported species.

The daybed features a dark-stained wooden frame with clean, crisp lines that bring structure to its gentle form. Since the aesthetic is dominated by straight lines, the luxurious upholstery stays in focus, utilising the fabric’s softness to break the straight lines visually. Paired with the dark wood structure, the result is elegant and timeless, an aesthetic that can easily complement any style. In the absence of any other form of ornamentation, the materials stay in focus. The marriage of the wood and the fabric encapsulates the essence of modern French design. Every element appears carefully proportioned, with the silhouette remaining minimal yet bold and charming. Overall, this piece allows the craftsmanship and material quality to speak without unnecessary ornamentation.

Combining French craftsmanship, functional innovation, and a warm natural presence, it stands as a strong testament of French design from the 20th century that remains relevant and appreciated today.

Condition:

In vintage condition. Wear consistent with age and use. The daybed has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The daybed has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

70.86 in W x 32.67 in D x 26.37 in H

180 cm W x 83 cm D x 67 cm H

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Price category: 7,500 - 10,000 usd / eur

Renowned for their innovative, high-quality furniture, Robert Guillerme and Jacques Chambron combined elegant form with straightforward functionality to create their timeless designs. The “Juliette" is one of their most notable series, designed for their company, Votre Maison. This sofa deserves its title of iconic, both in terms of quality and design.

This sofa features a solid oak frame characterised by its sculptural construction. This material is associated with the duo’s most famous models, as oak is both extremely durable and beautiful, displaying a lovely grain throughout. The backrest is composed of eleven curved spindles, which create a round and inviting silhouette that is a hallmark of Guillerme and Chambron’s style. The armrests, also featuring a curved structure, extend seamlessly into the legs, giving the piece a cohesive and organic look. To ensure functionality and comfort, as expected of mid-century modern furniture, the generous seat and back cushions are plus and upholstered in an elegant off-white fabric. The back is adorned with tufted buttons that add depth to the fabric upholstery. The cushions are held securely in place by fabric loops to ensure they remain properly positioned even after prolonged periods of use. The woodworking truly shows the overall quality of this sofa: the frame is refined and the attention to the smallest detail shows the design and manufacturing skills of Guillerme et Chambron.

This two-seater sofa truly exemplifies the thoughtful design and classic appeal of Guillerme et Chambron’s work, blending natural materials with mid-century modern aesthetics. Whether used to define a space or to provide additional seating, the “Juliette” sofa remains a sought-after piece for collectors and design enthusiasts alike.

Condition:

In good vintage condition. Wear consistent with age and use. The sofa has recently been reconditioned and reupholstered. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

64.57 in W x 36.42 in D x 37.20 in H; Seat height 16.34 in; Seat depth 23.23 in; Arm height 21.65 in

164 cm W x 92.5 cm D x 94.5 cm H; Seat height 41.5 cm; Seat depth 59 cm; Arm height 55 cm

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Price category: 1,000 - 2,500 usd / eur

Born in 1890 in France, René Gabriel was one of the leading figures of the modernist movement in Paris. From 1923 to 1950, he presented an innovative body of work, offering innovative vision on the way people would live in the new century. He became widely recognised for developing practical, well-made furniture intended for the reconstruction period following the Second World War. Appointed president of the Société des Artistes Décorateurs (SAD) at the Liberation, he steered French decoration towards more economical productions, with sharp lines, efficient joinery, and a preference for the authenticity of local woods over imported species.

Gabriel distinguished himself through the extreme simplicity and sturdiness of his designs, where a Cartesian aesthetic streamlined production. His work rejected unnecessary ornament in favour of robust construction, honest materials, and economical forms that could be produced efficiently without compromising quality. The design of this pair of chairs are ingeniously functional and have a well-thought-out structure, crafted from oak. The chairs are built from a series of straightforward elements that work together with remarkable precision. The horizontal back slats create an open, lightweight appearance while providing comfortable support, and the slightly curved sides soften the otherwise rectilinear composition. The slatted wooden seats continues this emphasis on practicality, allowing the grain of the oak to remain fully visible while introducing subtle texture. The legs are gently tapered and connected by unobtrusive stretchers, giving the chairs excellent stability without adding unnecessary visual weight. Every joint is clearly expressed, making the construction itself part of the design rather than something to be concealed.

Model “103” belongs to René Gabriel’s body of work reflecting his enduring belief that good design should remain elegant through clarity of purpose, thoughtful craftsmanship, and an unwavering focus on function. Wood has never gone out of style, and pieces with an emphasis on a natural look are only gaining popularity today. These oak chairs are equally striking standing alone, or as part of an interior with a medley of styles.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the oak, the chairs have minor marks, scratches, and discoloration.

Dimensions:

16.93 in W x 16.53 in D x 31.49 in H; Seat Height 17.72 in; Seat Depth 15.55 in

43 cm W x 42 cm D x 80 cm H; Seat height 45 cm; Seat depth 39.5 cm

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Price category: 5,000 - 7,500 usd / eur

Belgian Brutalist furniture design in the 20th century mirrored the country's complex cultural and political tapestry. Nestled between the influences of neighbouring European design powerhouses, Belgian designers carved a distinctive niche that blended functionality with an uncompromising commitment to artistic expression.

The Brutalist movement, though often associated with architecture, influenced furniture makers who explored volume, geometry, and materials to create designs that were both functional and sculptural. Emerging during the mid-twentieth century, the movement favoured solid timber, bold proportions, and exposed joinery, allowing the inherent qualities of the mediums to shape the final design. These benches are distinguished by their commanding simplicity. Broad solid oak planks form both the seats and backrests, their dimensions conveying a sense of strength. The design is defined by the long horizontal lines, the impeccable joinery, and the natural, raw beauty of the oak. The backrests appear to hover above the seats on diagonal supports. The natural splits, knots, and variations in the grain have been preserved on the surface through the passage of time, reinforcing the individuality of each bench and highlighting the character of the oak. The dark tone further enriches the look, lending depth to the broad surfaces while accentuating the tactile quality of the material. These benches can be incorporated into any space thanks to their classic look, not to mention the functionality.

Whether placed opposite one another, alongside a dining table, or within an entrance hall, the pair possesses a sculptural presence that extends beyond their practical function. Their restrained vocabulary reflects the essence of Belgian Brutalist design without excess or embellishment.

Condition:

In good vintage condition. Wear consistent with age and use. The benches have recently been reconditioned. Some cracks are present. Due to the age and nature of the wood, the items may have marks, scratches, and discolouration.

Dimensions:

Bench 1

98.22 in W x 17.71 in D x 31.10 in H; Seat Height 16.14 in; Seat Depth 14.17 in

249.5 cm W x 45 cm D x 79 cm H; Seat Height 41 cm; Seat Depth 36 cm

Bench 2

98.42 in W x 18.89 in D x 30.51 in H; Seat Height 15.94 in; Seat Depth 14.56 in

250 cm W x 48 cm D x 77.5 cm H; Seat Height 40.5 cm; Seat Depth 37 cm

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Price category: 5,000 - 7,500 usd / eur

Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in

65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm

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Price category: 7,500 - 10,000 usd / eur

Mid-century European design was shaped by a growing interest in combining traditional craftsmanship with modern forms. Across much of the continent, furniture makers moved away from heavy historical revival styles, yet they rarely embraced the strict industrial minimalism seen elsewhere. Instead, designers worked with solid woods, natural textiles, and carefully considered construction, creating pieces that felt both contemporary and rooted in long-standing cabinetmaking traditions.

Dining chairs like this set of eight reveal how furniture makers used small details to give their pieces a distinct identity. The most striking characteristic of the model is the ladder-back construction. Each backrest is composed of three horizontal slats, their undulating silhouettes introducing movement and depth to the otherwise linear frame. The repetition of these forms creates a distinctive rhythm across the set, particularly when the chairs are arranged around a table. The solid proportions and thick wooden elements offer the set a strong, imposing feel. Beneath the seats, stretchers reinforce the structure while echoing the decorative language of the backrests. The seats themselves are upholstered in green mohair, introducing a softer surface that contrasts with the firmness of the oak. The richness of the fabric adds depth to the composition, while its organic tone complements the natural warmth of the wood.

Viewed as a complete set, the chairs possess a strong collective presence, allowing individual details to create a stronger visual effect when viewed together. The 1960s produced furniture that valued material quality and durability while still allowing room for individual character and regional influences - perfectly visible within this set.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items have some marks, scratches, and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

17.92 in W x 18.51 in D x 42.52 in H; Seat height 20.48 in

45.5 cm W x 47 cm D x 108 cm H; Seat height 52 cm

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Price category: 5,000 - 7,500 usd / eur

The first half of the 20th century saw the rise of brilliant designers working to create furniture of the highest quality that explored truly modern shapes and forms. Danish cabinetmakers sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.

This upholstered armchair proves the success of the cabinetmaker’s pursuit. The craftsmanship is an immediately distinguishable; the chair’s sleek, yet classic look features a high back which is wide at the top but tapers in to draw the eye, highlighting two rows of tufted upholstered buttons. Not only is the body generously padded, but the slightly rounded backrest, as well as the tilted seat increase comfort even further. The chair is upholstered in a soft white sheepskin fabric, providing the piece with a luxurious and textured feel, while contrasting the oak frame. The open and angular armrests complement the rounded plushness of the body, along with the simple tapered legs. The combination of the clean, honest design, high-quality materials, and understated sophistication makes this piece a standout example of Scandinavian furniture.

Danish cabinetmakers were, and are still world-renowned for their unmatched skill. This chair preserves the value and beauty of master craftsmanship, while creating a warm and welcoming look through the use of natural materials.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 31.1 in D x 33.07 in H; Seat height 17.32 in; Seat depth 28.74 in; Arm height 24.01 in

73 cm W x 79 cm D x 94 cm H; Seat height 44 cm; Seat depth 73 cm; Arm height 61 cm

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Price category: 5.000 - 7.500 usd / eur

This mid-century side chair pair was born from a desire to create a design that was comfortable, organic and cosy in its simplicity. The design incorporates subtle, yet stunning decorative elements on a base that many like to call “honest design”.

This pair stands as evidence of why many European architects succeeded at the craft of furniture design: the precision of the structures and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the maker’s focus was evidently on practicality, structural stability, and a design in favour of these principles. The aesthetic is defined by the flowing wooden lines and the minimal structures framing the woven rush seats. The backrests showcase subtle ornamental details, thanks to the carved wave-like design, albeit small, this detail adds a lot to the overall visual balance of the design as it counters the dominating straight lines. The frame is complemented by the elegant rush seats woven tightly in the wood, with the material of the seats giving the pair a warm and cosy feel all while staying very functional. The chairs’ simplicity and honest elegance makes them exceptional pieces of furniture.

The skilled craftsmanship is evident making sure that this pair of side chairs is durable, sturdy, and functional, while the use of high-quality wood and rush make it a beautiful design heirloom.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The wicker seating of the chairs shows some signs of discolouration.

Dimensions:

24.61 in W x 25.79 in D x 29.93 in H; Seat height 16.34 in; Seat depth 19.89 in; Arm height 24.61 in

62.5 cm W x 65.5 cm D x 76 cm H; Seat height 41.5 cm; Seat depth 50.5 cm; Arm height 62.5 cm

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Price category: 2,500 - 5,000 usd / eur

This antique armchair embodies the aesthetic, practicality and functional design that was valued in European homes of the 19th century. Displaying artisanal techniques such as weaving and beautifully carved details, pieces such as this chair showcase the expert craftsmanship of the woodworkers and furniture designers from the period.

Constructed from solid oak, the chair features a sturdy frame with a warm, natural finish that highlights the wood's grain and durability. Oak was the favoured material in this period for its resilience and beautiful grain pattern, thus increasing the visual depth of the chair. By being entirely constructed from natural materials, this piece maintains its classic charm typical of 19th century furniture, while adding versatility through its unpretentious, organic character. The armrests feature a subtle curve, providing ergonomic support, highlighting the chair's understated elegance. The wooden stretchers are positioned between each pair of legs, creating symmetry within the design. These additions go beyond their aesthetic purpose - not only do they complete the design but they also reinforce the structure, lending it additional stability.

With its organic feel and natural elements, this chair stands out with its timeless appeal. The piece’s simple yet refined structure allows them to integrate into various interior styles, from vintage-inspired rooms to more contemporary settings where they add a touch of old-world charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has some marks, scratches, and discolouration.

Dimensions:

23.04 in W x 22.25 in D x 37.01 in H; Seat height 18.31 in; Seat depth 17.72 in; Arm height 27.96 in

58.5 cm W x 56.5 cm D x 94 cm H; Seat height 46.5 cm; Seat depth 45 cm; Arm height 71 cm

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Price category: 2,500 - 5,000 usd / eur

Danish armchairs reflect a strand of mid-20th century design that is expressive while also maintaining the minimal decor of the period. While much Scandinavian furniture from this period is associated with restraint and lightness, artists such as Henning often introduced a more sculptural character, combining solid oak construction with carved or shaped elements. His “razorblade” backrests became a defining feature, giving otherwise simple chairs a distinctive identity.

This armchair, in the manner of Kjærnulf’s work, follows that direction through its solid oak frame and clearly defined silhouette. The structure is built with thick elements, with the legs and arm supports featuring turned details. The backrest is composed of three horizontal slats with gently curving edges, creating a layered effect that adds depth without complicating the form. The woven seat introduces a counterpoint to the rigid wooden frame. Made from natural fibres, it has an organic texture that contrasts with the smoother surfaces of the oak. This material choice offers breathability while remaining durable over time. The combination of solid wood and woven seating reflects traditional craftsmanship, where each material is valued, and comes together to create enduring pieces.

What makes the chair stand out is the way it balances weight and detail within Danish design. It feels solid and deliberate, able to anchor a space, while still being functional for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Minor dents and scratches are present. Due to the nature of the materials, the item may have some marks and discolouration.

Dimensions:

25.19 in W x 26.37 in D x 36.61 in H; Seat height 14.96 in; Seat depth 20.47 in; Arm height 24.80 in

64 cm W x 67 cm D x 93 cm H; Seat height 38 cm; Seat depth 52 cm; Arm height 63 cm

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Price category: 2,500 - 5,000 usd / eur

‎‎

‎The Amsterdamse School movement arose in response to the influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. This movement, which took root in Amsterdam, sought to create a uniquely Dutch style that embraced traditional craftsmanship and celebrated the spirit of the current times. The Amsterdamse School extended its influence across various artistic disciplines, including architecture, decorative arts, and furniture design.‎

The styles’ main characteristics are reflected in the design of this chair beautifully: expressive, art deco-reminiscent, and functional. Amsterdamse School furniture is renowned for its sculptural qualities. Designers like Jac Levee sought to integrate form and functionality seamlessly, resulting in furniture pieces that were not only visually striking but also practical. The craftsmanship of Amsterdamse School furniture is exemplified by its intricate woodwork and joinery. Pieces often showcased decorative detailing through carvings, inlays, and geometric patterns. These elements add a touch of individuality and artistry to a piece, setting them apart from the mass-produced furniture of the time. In this chair, the backrest’s clean, symmetrical lines reflect the simple, yet sophisticated aesthetics of the era. The use of black round accents not only adds an element of visual interest to the design, but also serve to reinforce the structure and enhance the overall strength. To further add to the charm of the piece, the woven seat, made from durable natural fibres, highlights the attention to both function and form, by creating visual and textural interest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture.

Whether placed in a farmhouse or used to add an organic element to a modern interior, this chair provides both history and utility. More than just functional seating, this chair represents a moment in design history where furniture was built to last, to be used daily, and to shape the atmosphere of a room.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor scratches and discolouration. Due to the nature of the wood, the item may have some additional marks.

Dimensions:

25.59 in W x 20.86 in D x 37.40 in H; Seat height 18.50 in; Seat depth 16.92 in; Arm height 28.14 in

65 cm W x 53 cm D x 95 cm H; Seat height 47 cm; Seat depth 43 cm; Arm height 71.5 cm

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Price category: 7,500 - 10,000 usd / eur

This stunning armchair, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the mid-20th century by Votre Maison, the model reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.

The solid oak wood frame provides a sturdy yet elegant structure, showcasing the beautiful material. The sculptural form allows for a dynamic visual movement between the different accents of this model. The back is composed of seven oak spindles, standing detached from the arms. The armrests are carved with great precision to serve a double purpose: an aesthetic role, and a functional one thanks to the cushioning. The frame is striking through its composition, yet the look is enhanced even further thanks to the upholstered cushions, which immediately draw the eye with their playful geometry. Like most of their designs, this chair model displays a beautiful contrast between the wooden frame and the elegant light fabric. The material is not only visually appealing but also selected for its comfort and durability, ensuring that the chair is as practical as it is beautiful. This model also shows how Guillerme et Chambron pieces possess an unusual flare.

Guillerme et Chambron’s work not only represents the fusion of function and form, but also exemplifies the mid-century modern and brutalist aesthetic - which they played a pivotal role in shaping. Their emphasis on quality craftsmanship and the use of noble materials like oak has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.

Condition:

In good vintage condition. Wear consistent with age and use. The item has been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 35.03 in D x 37.79 in H; Seat height 15.35 in; Seat depth 20.86 in; Arm height 22.24 in

76 cm W x 89 cm D x 96 cm H; Seat height 39 cm; Seat depth 53 cm; Arm height 56.5 cm