Set of Six Haagse School Oak Dining Chairs with Velour Seats, Netherlands 1930s (sold)

















Set of Six Haagse School Oak Dining Chairs with Velour Seats, Netherlands 1930s (sold)
In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. The style blossomed between 1925 and 1940, and brought uniformity to the cityscape. In furniture design, the style is characterized by symmetry and draws a great deal of influence from Berlage's rationalism, the Arts and Crafts movement, and De Stijl. This set of dining chairs are a true testament to the principles of the design era.
The Nieuwe Haagse School - which was part of Art Deco - is more luxurious than the style of the Amsterdamse School of the 1910s, but also makes use of strict and clean lines, as these chairs showcase. While the painters of The Haagse School generally made use of relatively somber colours (which is why it was sometimes called the Gray School), this can hardly be said about its furniture designers. One thing that connects Haagse School furniture is the appreciation of beautiful, quality wood and artisanal woodworking. These dining chairs have stunning solid oak frames with geometric and symmetrical angles, most apparent in the square backs and legs. While dining chairs are generally more utilitarian types of seating, this set of six still manages to look cosy and warm thanks to the upholstered seats. The textured fabric is not only elegant, it also accentuates the luxurious look of the wood. Despite the beautiful rust-coloured upholstery of the seats, the main decorative element remains the beauty of the wood, with deep colour hues and grain. The texture of the fabric complements the oak frames beautifully, creating a perfect balance of comfort and style. The attention to detail of the cabinetmaker is truly evident, which makes them a lovely and timeless addition to any interior style.
The clean lines and symmetrical shape of this set of dining chairs is ideal to give any style of living space an Art Deco touch. These chairs not only stand as a testament to the Haagse School's legacy, but also as an iconic representation of Dutch design, where simplicity and quality are held in the highest regard, making them ideal for design enthusiasts.
SOLD
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a velour fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
19.29 in W x 20.47 in D x 32.68 in H; Seat height 19.29 in; Seat depth 18.11 in
49 cm W x 52 cm D x 83 cm H; Seat height 49 cm; Seat depth 46 cm
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Price category: 5,000 - 7,500 usd / eur
Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.
Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.
Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.
Condition:
In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in
65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm