Set of Six Haagse School Oak Dining Chairs with Velour Seats, Netherlands 1930s (sold)

Set of Six Haagse School Oak Dining Chairs with Velour Seats, Netherlands 1930s (sold)

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In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. The style blossomed between 1925 and 1940, and brought uniformity to the cityscape. In furniture design, the style is characterized by symmetry and draws a great deal of influence from Berlage's rationalism, the Arts and Crafts movement, and De Stijl. This set of dining chairs are a true testament to the principles of the design era.

The Nieuwe Haagse School - which was part of Art Deco - is more luxurious than the style of the Amsterdamse School of the 1910s, but also makes use of strict and clean lines, as these chairs showcase. While the painters of The Haagse School generally made use of relatively somber colours (which is why it was sometimes called the Gray School), this can hardly be said about its furniture designers. One thing that connects Haagse School furniture is the appreciation of beautiful, quality wood and artisanal woodworking. These dining chairs have stunning solid oak frames with geometric and symmetrical angles, most apparent in the square backs and legs. While dining chairs are generally more utilitarian types of seating, this set of six still manages to look cosy and warm thanks to the upholstered seats. The textured fabric is not only elegant, it also accentuates the luxurious look of the wood. Despite the beautiful rust-coloured upholstery of the seats, the main decorative element remains the beauty of the wood, with deep colour hues and grain. The texture of the fabric complements the oak frames beautifully, creating a perfect balance of comfort and style. The attention to detail of the cabinetmaker is truly evident, which makes them a lovely and timeless addition to any interior style.

The clean lines and symmetrical shape of this set of dining chairs is ideal to give any style of living space an Art Deco touch. These chairs not only stand as a testament to the Haagse School's legacy, but also as an iconic representation of Dutch design, where simplicity and quality are held in the highest regard, making them ideal for design enthusiasts.

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Condition:

In good vintage condition. Wear consistent with age and use. The chairs have been reupholstered recently in a velour fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.29 in W x 20.47 in D x 32.68 in H; Seat height 19.29 in; Seat depth 18.11 in

49 cm W x 52 cm D x 83 cm H; Seat height 49 cm; Seat depth 46 cm

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Price category: 5,000 - 7,500 usd / eur

Bas van Pelt (1900–1945) was a Dutch furniture and interior designer whose work combined traditional craftsmanship with the principles of early modernism. While Van Pelt's creative work was primarily dominated by the Hague School, this armchair is the result of his more mature design period, characterised by natural materials, in order to create a friendly and inviting appearance that combines the warmth of solid oak with the distinctive texture of woven rush.

The construction of this model is simple at its core, but thanks to certain details, it is a playful representation of early Dutch modernism. While made of solid oak, this armchair has an open feel to it thanks to the horizontal spaces on the back that divide the three rush panels. The tall, slightly inclined backrest is framed by two straight wooden uprights, creating a strong vertical outline that contrasts with the more fluid shape of the armrests. The curved lines of the arms contrast nicely with the straight lines of the frame and clearly show wonderful craftsmanship. Each armrest extends outward in a gentle wave, giving the chair a particularly individual character. The rush weaving on the back adds textural interest, bringing the appealing roughness of nature to the design. Its closely arranged vertical strands create a warm, sandy surface, beautifully complemented by the oak's rich brown colour and the similar tone of the upholstery. The legs and stretchers are simple in their design, serving a primarily structural role and allowing the rush weaving and the wooden construction to stand out. The legs are connected by a gently curved wooden rail beneath the seat, while the rear supports continue naturally from the backrest. Thanks to the well-chosen proportions and the combination of natural materials, this armchair provides great comfort while maintaining a remarkable appearance.

Bas van Pelt's progressive designs were, in many ways, ahead of his time. The Dordrecht-born designer's furniture models are quite rare, with examples preserved in the collection of the Stedelijk Museum Amsterdam. Furniture pieces like this easy chair stand out through their unique textures and materials, as well as their classic charm. Its generous backrest and comfortable seat make it particularly suitable for a living room, library or reading area, where the craftsmanship can be appreciated from every angle.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has minor marks, scratches, dents and discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.8 in W x 29.13 in D x 38.18 in H; Seat height 14.96 in; Seat depth 22.44 in; Arm height 22.83 in

63 cm W x 74 cm D x 97 cm H; Seat height 38 cm; Seat depth 57 cm; Arm height 58 cm

Oak Lounge Chair in Champagne Ponyskin by Wim den Boon, the Netherlands 1960s

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Price category: 5,000 - 7,500 usd / eur

Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in

65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm

Haagse School Armchair with Red Upholstered Seat, The Netherlands First Half of the 20th Century

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Price category: 2,500 - 5,000 usd / eur

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. "Typical of The Hague" - that was how the designer spoke of the style. The movement blossomed between 1925 and 1940 and brought uniformity to the cityscape. The Hague School style is closely related to the Amsterdam School and the Bauhaus movement, but has more-so been influenced by Art Deco, and it drew a great deal of inspiration from Berlage's rationalism, the Arts and Crafts movement, and De Stijl.

This chair showcases a robust solid wood construction, with a warm, slightly patinated surface that highlights the natural grain and depth of the material. The frame is deliberately straightforward yet bold, giving the chair a grounded presence that feels both honest and enduring. The design is defined by a subtle architectural quality achieved through wooden slats and panels, characteristic of Dutch seating. From every angle, the chair reveals thoughtful joinery and a careful balance, with no unnecessary embellishment, only purposeful design choices that emphasise durability, comfort, and visual cohesion. The seat is upholstered in a fabric with a deep tone, which allows the focus to remain on the wooden frame. The squared legs are connected by stretchers that reinforce the structure while maintaining a clean visual rhythm.

Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor dents and scratches are present. Due to the nature and age of the wood, the item has some marks and discolouration. The item has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

21.86 in W x 22.64 in D x 34.45 in H; Seat height 21.66 in; Seat depth 20.08 in; Arm height 27.56 in

55.5 cm W x 57.5 cm D x 87.5 cm H; Seat height 55 cm; Seat depth 51 cm; Arm height 70 cm

Cane Back Armchair by Bas van Pelt (Attr.), The Netherlands 1940s

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Price category: 5,000 - 7,500 usd / eur

This easy chair in solid wood and wicker attributed to Dutch designer, Bas Van Pelt, is a rare model with plenty of visual delights. The construction of this piece is simple at its core, but thanks to its details, it is a playful representation of early Dutch modernism.

Bas van Pelt’s designs were, in many ways, ahead of their time. The Dordrecht-born designer’s furniture models are quite rare, a few being preserved in the Stedelijk Museum in Amsterdam. While made of solid wood, this chair has a light feel to it thanks to the woven pattern on the back. Durable yet flexible, the cane fulfils both an aesthetic and functional purpose, offering support for the sitter, while ensuring comfort through its flexibility. The shade of the wood further highlights the sandy colour of the wicker and the earthy tone of the upholstery, creating visual dynamism. The curved lines of the armrests nicely contrast with the straight contour of the frame, and show wonderful craftsmanship. The legs are much simpler in their design, serving a primarily structural role, letting the weaving and the arms stand out. Lastly, the neutral tone upholstered seat ties in the design ensuring comfort. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship was the key to the success of this design period.

Today, Bas Van Pelt’s designs are highly sought after by collectors and are considered important examples of 20th century modern design. Furniture pieces like this easy chair stand out through unique textures and materials, as well as through its classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The seat has recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.61 in W x 24.02 in D x 36.62 in H; Seat height 14.97 in; Seat depth 17.72 in; Arm height 23.04 in

62.5 cm W x 61 cm D x 93 cm H; Seat height 38 cm; Seat depth 45 cm; Arm height 58.5 cm