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‎Price category: 5,000 - 7,500 usd / eur

Renowned for their innovative, high-quality furniture, Robert Guillerme and Jacques Chambron combined elegant form with straightforward functionality to create their distinctive designs. The French duo established their company, Votre Maison, in 1949, working alongside master cabinetmaker Émile Dariosecq, whose workshop was responsible for manufacturing their furniture. Guillerme drew the furniture designs while Chambron played the part of salesman, and together they developed a recognisable style.

This oak armchair from the 1950s visually represents the very reason Votre Maison significantly influenced French design history, combining natural materials with the comfort and craftsmanship associated with the duo's work. The piece features a sculptural oak frame, a hallmark of the duo's style. The wooden structure rests on four sturdy legs, with the front legs extending upwards to support the carefully shaped armrests. The armrests are carved with great precision to serve a double purpose: an aesthetic role and a functional one. The legs are similarly sculpted, with subtle changes in their thickness and shape adding visual interest to the construction. The backrest has an open slatted wooden structure, concealed by a generously upholstered cushion that rises above the seat. The gray back cushion is adorned with tufted buttons arranged in horizontal rows, adding depth to the textured grey upholstery. The thick padding and slightly reclined position provide additional comfort. A broad seat cushion completes the chair, with its upholstered body resting within the oak structure. Like most of their designs, this chair model displays a beautiful contrast between the wooden frame and the elegant fabric. Thanks to the ergonomic curves and thick, comfortable seat and back cushions, this chair is perfect for cosy lounging.

Guillerme et Chambron's work not only represents the fusion of traditional craftsmanship and modern design, but also exemplifies the distinctive French mid-century aesthetic they helped shape. Their emphasis on quality craftsmanship and the use of noble materials like oak has left a lasting imprint on the world of furniture making. Whether placed in a living room, library or reading corner, this armchair offers an inviting seating experience while introducing the recognisable character of Votre Maison furniture into an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

30.32 in W x 28.74 in D x 37.01 in H

77 cm W x 73 cm D x 94 cm H

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Price category: 5,000 - 7,500 usd / eur

This pair of dining chairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

This pair embodies early 20th century qualities through its grounded presence and confident use of materials. This design is all about the wooden structures. The discreet joinery and seamless construction reflect the French emphasis on detail and quality, elevating the chairs beyond just function to objects of aesthetic value. The chairs are made from solid oak in a rich, dark stain that accentuates the natural grain to create subtle warmth and depth. Adding to their appeal are the geometric backrests, which provide firm support and a subtle architectural detail to the design. The carved elements on the sides showcase the Art Deco interest in geometric adornments. While dining chairs are generally more utilitarian types of seating, this pair still manages to look cosy and warm thanks to the woven rope seats. Moreover, each leg features carved and rounded detailing, lending rhythm and visual weight to the structures. This play between solidity and ornamentation is characteristic of French designs of the era, where pieces were not only functional but also a statement of craftsmanship and artistic individuality.

The essence of early 20th century French design is beautifully captured by these chairs. Functional yet sculptural, rustic yet refined, this pair stands as an enduring testament of the striking balance only master woodworkers are able to create.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor marks, scratches, dents and discolouration.

Dimensions:

16.14 in W x 20.86 in D x 32.87 in H; Seat height 17.32 in; Seat depth 15.55 in

41 cm W x 53 cm D x 83.5 cm H; Seat height 44 cm; Seat depth 39.5 cm

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Price category: 5,000 - 7,500 usd / eur

By the latter half of the 20th century, European furniture design had become an arena for bold experimentation and a renewed fascination with material honesty. The Brutalist movement, though often associated with architecture, influenced furniture makers who explored volume, geometry, and the natural character of wood and other materials to create designs that were both functional and sculptural.



This oak corner bench exemplifies the Brutalist ethos through its striking form. Crafted from solid oak, it features a tall, slatted backrest composed of vertical planks, each slightly angled to provide both visual rhythm and ergonomic support. The corner design creates a natural sense of enclosure, inviting conversation and closeness while optimising space in a room. The bench rests on tapered, splayed legs that lighten the strong presence and introduces a subtle mid-century refinement to its otherwise architectural silhouette. The dark wood’s warm grain and natural patina are left visible, reinforcing the Brutalist emphasis on rawness of materials and celebrating the inherent beauty of solid timber. The geometry of the back contrasts with the softly curved seat edges, striking a balance between strength and human comfort. Beyond its practical use, this bench functions as a statement piece that transforms a corner into an intimate space. Its quiet strength and handcrafted character make it more than mere seating - it is a reflection of a design period unafraid to combine utility with expressive structure.



Ideal for a dining nook, entryway, or modern rustic interior, this bench brings presence to any space. For collectors and designers alike, the bench is a testament to postwar Europe’s exploration of honest forms and enduring materials, offering a blend of sculptural impact and everyday livability.

Condition:

In good vintage condition. Wear consistent with age and use. The bench has recently been reconditioned. Due to the nature and age of the material, the item has some dents, scratches, and discolouration.

Dimensions:

76.77 in W x 56.69 in D x 34.25 in H; Seat height 18.11 in; Seat depth 16.14 in

195 cm W x 144 cm D x 87 cm H; Seat height 46 cm; Seat depth 41 cm

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‎Price category: 5,000 - 7,500 usd / eur

The mid 1950s in Italy were marked by a new softness in modern furniture. Designers began shifting away from the strict rationalism of the postwar years and toward interiors shaped through comfort and tactility. Lenzi worked inside that transition. Their production merged clarity of proportion with upholstered volume. The result was a kind of modernism that felt warm, human, and atmospheric rather than merely functional.

This armchair features a curved back, low arms, and deep seat all flowing into one continuous shape, to create a soft envelope around the sitter. Upholstered in a rich olive green textile with a subtle pile, the chair gains depth through texture rather than pattern. The fabric reads almost like moss, perfectly natural and comforting. The seat is anchored by four slender brass legs that angle outward with quiet poise. Their gleam has just enough presence to complement the body above without drawing excess attention to themselves. The upper part of the chairs feels steady and welcoming, while the slender metal below introduces air and lightness. Every contour and proportion has been judged toward an overall calm. This chair is the perfect example of great attention to detail mixed with skilled cabinetmaking.

This model speaks to a moment when Italian modernism was not purely decorative, nor austere, but refined in its ability to create atmosphere. They remain compelling examples of Lenzi's charming yet timeless design approach.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor marks on the brass. Due to the nature and age of the materials, the item may have some scratches and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 26.77 in D x 24.4 in H; Seat height 17.32 in; Seat depth 23.62 in; Arm height 21.25 in

76 cm W x 68 cm D x 62 cm H; Seat height 44 cm; Seat depth 60 cm; Arm height 54 cm

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Price category: 9,000 - 12,500 usd / eur

Art Deco was a movement characterised by geometric shapes, rich materials and luxurious aesthetics, with furniture designers placing particular emphasis on craftsmanship and distinctive silhouettes. This pair of chairs exemplifies why works from the first half of the 20th century are often considered a visual connection between the innovative Art Deco movement and European modern design after the Second World War. The design of this pair is a unique yet immediately recognisable aesthetic based on graceful curves, carefully chosen materials and practical construction.

The armchairs immediately catche the eye with their bold outline, defined by the elegantly curved wooden arms that continue down into the front legs. The exposed wooden frames contrast beautifully with the thick upholstered seats and backs, creating a balanced combination of straight and rounded forms. Each chair has a generously padded seat and a tall backrest with an arched top, upholstered in a muted rose-coloured fabric. The fabric's rich tone complements the warmth of the wood. The backs and seats are outlined with subtle piping, adding another level of visual interest to the pieces. What really sets this pair apart is the adjustable construction of the backrests. The exposed mechanisms allow the backs to change position, while the horizontal wooden supports visible behind the upholstery introduce an interesting architectural element to the design. The obvious quality of the craftsmanship complements the design through the choice of materials, techniques and well-thought-out details.

Created during an age of innovation in materials, shapes and techniques, these chairs showcase the European furniture designers' artistic approach to combining comfort with distinctive forms. Their adjustable backrests add a practical quality that makes them particularly suitable for a living room, library or reading area, while their proportions invite relaxed seating. Exuding warmth and vintage charm, the armchairs can complete a variety of interiors while being visually captivating.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

26.96 in W x 31.88 in D x 38.58 in H; Seat height 17.51 in; Seat depth 19.48 in; Arm height 23.22 in

68.5 cm W x 81 cm D x 98 cm H; Seat height 44.5 cm; Seat depth 49.5 cm; Arm height 59 cm

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Price category: 9,000 - 12,500 usd / eur

The Italian architect, painter and furniture designer, Guglielmo Ulrich, descended from a noble family with Danish origins. He quickly became a very influential figure in modern Italian design and his models are real delicacies today.

As this pair of 1950s lounge chairs show, Ulrich’s work is elegant and rich in detail. Although his work does not quite conform with the strict norms of simplicity of the time, it fits the prevalent aesthetics of Modernism. In the case of these chairs, the fully upholstered bodies show the general mid-century modern characteristics with an ergonomic and functional design. The seats are slightly raised, and the backs tilted, creating an angle that supports the sitter and the lounging experience. The wooden arms transcending to form the back legs however, truly stand out. The sharp curvature of the armrests and front legs define the look and create an interesting effect, as if the upholstered seats and backs were connected to them without joinery. The carved, dark wood and soft upholstery make them even more pronounced. There are more, subtler features to these chairs, including the wider armrests and the curved backrests, both in service of comfortable lounging. Thanks to the quality of his furnishings, that Ulrich designed and made personally, he became the trusted architects of many upper-class Milanese families. He participates in the furnishing of the most prestigious Italian ships: Cristoforo Colombo, Raffaello, etc.

“A nobleman of yesteryear, with sudden jokes and twists, such as a pipe with an egg in his mouth and a very concrete sense of doing” is how he was often described. This pair of chairs is much like this description with a playful, elegant design completed by quality materials and craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.4 in W x 31.69 in D x 31.49 in H; Seat height 14.17 in; Arm height 23.42 in

62 cm W x 80.5 cm D x 80 cm H; Seat height 36 cm; Arm height 59.5 cm

About the designer:

Guglielmo Ulrich (born 1904, Milan–died 1977) was an Italian architect, furniture designer, and painter. He was born to a notable family of Danish origin. In 1924, Ulrich enrolled in the Scuola Speciale di Architettura at the Accademia di Belle Arti di Brera. He finished his studies at Politecnico di Milano in 1927 and soon became a very influential figure in modern Italian design.

In 1930, along with Scaglia and Wild, Guglielmo Ulrich founded and became head designer of home furnishing company Arca (Arredamento casa, or Home Furnishing), a company engaged in the creation of high-quality furnishing accessories characterized by craftsmanship and the use of premium materials. In the 1950s, he participated in several editions of the Triennale di Milano and concentrated on designing buildings, offices, and retail shops throughout Italy.

Most of Ulrich’s furniture designs from this era, and especially his chairs and chaise lounges, resemble simplified and streamlined design versions of late 19th century pieces and do not necessarily conform to modern designs prevalent in Northern Europe and the U.S. in the 1950s. In the 1960s, Ulrich focused his work toward industrial design and was able to create original and impactful objects. His talent was rewarded on many occasions. In 1961, he won the Fiera di Trieste award for his Trieste chair, produced by furniture maker Saffa.

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Price category: 9,000 - 12,500 usd / eur

Club chairs, often recognised by their deep seats, sleek lines and wide armrests, originated in French gentlemen’s clubs in the early 20th century. They were created for cosiness and relaxation, typically featuring full-body upholstery and sturdy frames that allowed for comfortable seating over extended periods of time. Attributed to Jean Saint-Georges, this pair reflects the rich history of the club chair while introducing the simpler forms associated with mid-century modernism.

These chairs each feature a strikingly voluptuous body, combining both comfort and bold aesthetics. The chairs' plushness and generously rounded arms provide an inviting and enveloping seating experience. Each armchair has a broad, deep seat framed by substantial upholstered sides that curve gently around the front. The armrests are particularly distinctive, with their softly rolled upper edges continuing towards the backrests in a smooth, uninterrupted line. The backs are wide, with separate upholstered cushions providing additional support and comfort. The low, wide seats emphasise a relaxed posture, making the chairs perfect for lounging and unwinding. The upholstery is a beautiful muted blue fabric with a soft, textured surface that accentuates the gentle curves and generous proportions of the chairs. Its uniform colour allows the shape of the bodies to remain the focus of the design. The seats are fitted with thick, rectangular cushions, while subtle piping along the edges defines the different upholstered sections. Short wooden feet remain mostly concealed beneath the chairs, subtly lifting their substantial bodies from the floor.

The curves and material choice make this a striking pair that can bring warmth and character to a variety of interiors, from a comfortable living room to a more formal lounge or library. The chairs' main decorative element is the design itself, combining traditional club chair comfort and European mid-century design, equally captivating and practical.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

34.64 in W x 37.99 in D x 28.54 in H; Seat height 15.74 in; Seat depth 22.83 in; Arm height 23.81 in

88 cm W x 96.5 cm D x 72.5 cm H; Seat height 40 cm; Seat depth 58 cm; Arm height 60.5 cm

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Price category: 2,500 - 5,000 usd / eur

This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.

Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.

Dimensions:

34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in

88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm

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Price category: 2,500 - 5,000 usd / eur

Christian Krass (1868–1957) was a French cabinetmaker and furniture designer based in Lyon, he became an important figure in the city’s decorative arts during the first half of the 20th century. His work included seating, tables, desks and cabinets, often combining carefully worked woods with the geometric forms and refined materials associated with Art Deco. This armchair, which dates back to circa 1930s, applies Krass’s skill to a compact and elegant seating design.

The armchair is defined by its exposed wooden frame, which combines straight lines with subtle curves. Four tapered legs support the upholstered seat, with the front legs continuing upward to meet the armrests and creating a clear structural outline. The armrests have a particularly interesting shape, extending horizontally into a carved element before turning downward. Their broad wooden surfaces and warm reddish-brown tone contrast with the patterned upholstery while keeping the construction clearly visible. The backrest is generously upholstered and slightly curved, with rounded upper corners that soften the otherwise geometric frame. Its shape follows naturally into the broad seat below, creating comfortable proportions within a relatively compact structure. The green and cream upholstery introduces a small repeating geometric pattern that complements the straight lines of the wood while adding texture and visual depth. The clean junctions between the legs, seat rails, arms, and back show the quality of the woodworking, with each element contributing equally to the overall composition.

The chair captures the more restrained side of French Art Deco, where decorative effect could be achieved through proportion, material and carefully controlled lines. Its scale makes it particularly suitable as a desk chair, side chair or additional seating in a living room or bedroom. It represents an interesting example of French furniture design from the 1930s.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. The armrests have minor marks and scratches. Due to the nature and age of the materials, the item may have some discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

23.42 in W x 25.98 in D x 30.70 in H; Seat height 18.70 in; Seat depth 17.12 in; Arm height 26.77 in

59.5 cm W x 66 cm D x 78 cm H; Seat height 47.5 cm; Seat depth 43.5 cm; Arm height 68 cm

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Price category: 12,500 - 15,000 usd / eur

Mid-century modern furniture introduced new approaches to seating, with designers exploring rounded silhouettes and chairs shaped closely around the sitter. This pair of European armchairs belongs to this direction, combining generous upholstery with a compact profile and short wooden legs.

Their continuous curved bodies give them a particularly soft appearance, while the low seating position creates the relaxed character associated with lounge furniture of the period. The shape of these armchairs creates an inviting and enveloping appearance. Each chair has a broad, deep seat framed by substantial upholstered arms that rise gently towards the backrest. The back is formed as a wide panel with softly rounded upper corners, curving around the sitter before flowing directly into the sides of the chair. This continuous transition between the back and arms is particularly effective when the chairs are viewed from behind, where the upholstery creates an uninterrupted curved silhouette. The olive-green fabric covers the entire body, allowing the proportions and shape to remain the focus of the design. Its textured surface gives the colour additional depth. A rectangular seat cushion sits within the upholstered body to ensure comfort for its user. Four short tapered wooden legs lift each chair just above the floor. Their warm brown tone of the wood provides a restrained contrast to the green upholstery, while their outward angle secures the broad stance of the chairs.

The designer ensured to make these chairs attractive from every direction, allowing the option to be positioned away from a wall and used more freely within a larger seating arrangement. Comfortable, compact and visually distinctive, the pair offers an appealing example of the softer forms found in European mid-century seating.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items have marks, scratches, and discolouration. The pair have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W × 34.64 in D × 30.7 in H; Seat height 14.56 in; Seat depth 21.65 in; Arm height 18.5 in

75 cm W x 88 cm D x 78 cm H; Seat height 37 cm; Seat depth 55 cm; Arm height 47 cm

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Price category: 12,500 - 15,000 usd / eur

Art Deco seating from the first half of the 20th century moved towards softer and more streamlined forms, with designers focusing on curved silhouettes, generous proportions and comfort. The club chair was particularly suited to this approach, with its wide sitting area, substantial armrests and fully upholstered body.

The shape of these chairs is generously rounded, creating an inviting and enveloping appearance. The broad seats are framed by the robust armrests that curve outward at the front and continue into the sides of the chairs. Their smooth edges give the bodies a soft profile while still maintaining a clear and structured shape. The backrests are distinctive, formed as large semicircular panels that rise above the arms and create a strong central curve. The light brown upholstery is fitted across the entire body, allowing the shape and proportions to remain the focus of the design. Its warm tone also highlights the curves, as light moves gently across the rounded backs and arms. The seats are wide and deep, while the upholstered bodies create the comfortable, generous character associated with the club chair. Small wooden feet remain mostly concealed beneath the chairs, subtly lifting them from the floor without distracting from their compact volumes.

What makes this pair appealing is the way a familiar club chair is given a more individual character through bold curves. The generous proportions make them well suited to a living room, library or conversation area, either positioned together or used separately within a seating arrangement. The pair offers a strong example of the softer side of European seating design from the first half of the 20th century.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The wood has minor dents and scratches. Due to the nature and age of the materials, the items may have some marks and discolouration. The chairs have been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

43.30 in W x 36.22 in D x 31.10 in H; Seat height 15.35 in; Seat depth 20.47 in; Arm height 24.40 in

110 cm W x 92 cm D x 79 cm H; Seat height 39 cm; Seat depth 52 cm; Arm height 62 cm

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Price category: 7,500 - 10,000 usd / eur

Art Deco was an era-defining movement in furniture design. These chairs were created during an age of aesthetic creativity and instantly recognisable design. As these armchairs show, European furniture designers’ artistic approach was anchored by characteristic Art Deco refinement, expressed through graceful forms and traditional methods.

Though elements of Art Deco and mid-century modern are markedly different, both styles value beauty, shape, and colour. This is evident in the pronounced curve of the arms that define the overall look. Since the arms create a hollow form, the beautiful upholstery is visible from the sides as well, further complementing the gentle curvature. To keep the visual balance, the backs and the lower structures feature straighter lines. The veneered wood’s beautiful grain and colour variation stands out thanks to the upholstery’s restrained, elegant colour. The tightly upholstered seats and backs - while adding plenty of comfort and cosiness to the design - don’t take the attention away from the wooden structures, which shows the design skill of the maker. The pedestal-like legs connect directly to the arms and hold the bodies in an almost gravity defying way. This feature shows the high-level craftsmanship of the era. This chair model was a popular style in Austria and Italy in the first half of the 20th century, it is also reminiscent of works crafted at Heal’s in the 1930s. Heal's was a renowned British furniture retailer founded in 1810 by John Harris Heal.

Perfect for those looking to add some vintage glamour to a space, this pair will bring timeless allure to any room. The design offers a perfect blend of style and comfort, which will endure through the ages while exemplifying Art Deco craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, minor marks and scratches are present on the wood. The chairs have been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.59 in W x 31.88 in D x 29.92 in H; Seat height 14.56 in; Arm height 22.44 in

65 cm W x 81 cm D x 76 cm H; Seat height 37 cm; Arm height 57 cm