Oak Six-Tiered Stackable Wine Rack, Europe 1970s (sold)

Oak Six-Tiered Stackable Wine Rack, Europe 1970s (sold)

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This 1970s standing wine bottle rack is a visual treat with a highly functional design. The design is perfect to store and to display bottles, not to mention that wine corks will stay wet if stored horizontally, which is vital to prevent drying and crumbling.

The tiered construction consists of six racks ending in a solid oak top. The individual racks can be freely added or removed, allowing a high level of customization. Unlike most wine racks, this model has the so-called bull-nose corners on its sides instead of the horizontal wine holders. On the sides, dents are carved into the wood to serve as handles, making it easy to lift the racks. Playfully, each of the six wine stacks is shaped like a bottle with three wooden laths; two arranged symmetrically and one in the back to prevent the bottles from falling out. This shows how functionality goes hand in hand with a creative design to create a balanced, stylish look, similar to Lou Hodges’s aesthetic. The two-toned oak is the perfect material with an interesting pattern, close grain and smooth surface that lets the various shapes and forms to manifest themselves beautifully. A traditional carving hardwood, oakis extremely strong, dense, and durable, which makes it less prone to decay and rotting. Oak is considered one of the finest and sturdiest materials to work with in woodworking.

With its tiered construction, this wine rack can hold over 20 bottles of wine. Even with a primarily functional role, its aesthetic dimension stands out thanks to the elemental look of the solid oak and the impeccable woodworking.

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Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

18.89 in W x 13.77 in D x 27.95 in H

48 cm W x 35 cm D x 71 cm H

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Price category: 2,500 - 5,000 usd / eur

This vase exhibits understated elegance and a timeless appeal. With an emphasis on balance and harmony, it blends traditional craftsmanship with organic aesthetics and is exemplary of Maud Fredin-Fredholm’s artistry. The practice of ceramics has a longstanding and celebrated tradition in Scandinavia, although it wasn’t until in the mid-20th century, where artists were drawn again to material experimentation and innovation - balancing the boundaries between function and aesthetics.

This vase is a playful example of the eccentric side of Scandinavian mid-century ceramic design. The organicity is quite literally expressed, representing the rare, more decorative models of Swedish modernism. There is a focus on the ceramic body, as it features a beautiful and organic colour palette with illustrative details, giving a clear artistic touch. Beyond the aesthetic appeal, it also offers practical benefits, serving as a focal point that draws the eye and anchors the room's visual narrative. Both decorative and functional, this object embodies the quiet sophistication that defines Swedish mid-century pieces. As an authentic example of 1940s Scandinavian ceramics, it offers a blend of artistry, craftsmanship, and everyday usability. Stylish yet understated, the vase stands as a refined expression of Maud Fredin-Fredholm and Bo Fajans’ enduring design legacy.

A well-chosen decorative piece can change the overall look of a room and how it feels to inhabit the space. This vase is the perfect addition to bring a touch of organic elegance to any space without it being overwhelming. Its unique character makes it a timeless example of the golden age of ceramic design.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. The vase comes with a brass insert, which is a later replacement. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration.

Dimensions:

9.45 in ø × 21.26 in H

24 cm ø x 54 cm H

"Breathing" Sculpture by Ineke van Zuuren, The Netherlands 1970s

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Price category: 5,000 - 7,500 usd / eur

“Breathing'“ by Dutch sculptor Ineke van Zuuren is an exploration of organic abstraction. Van Zuuren transforms a dense block of wood into a form that feels remarkably fluid and alive. Rather than depicting the human figure directly, van Zuuren suggests its presence through graceful curves, balanced proportions, and an elegant sense of movement.

The rich, dark tones of the sculpture are complemented by the wood’s striking natural grain, which becomes an integral part of the composition. Smoothly sculpted convex and concave surfaces catch the light beautifully, emphasising the subtle transitions in the form while highlighting the warmth and tactile quality of the material. The result is a work that feels both monumental and intimate, celebrating the expressive possibilities of solid wood. This sculpture is undoubtedly as captivating from afar as it is up close. This work invites viewers to engage with the interplay of tradition and innovation, celebrating the enduring appeal of solid wood as a medium for artistic expression.

This piece is also a rare representation of Dutch Post-Modernist design, an interesting phase of cultural, social impacts with artists and designers trying to figure out their way towards leaving their marks.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the material, the sculpture may have marks, scratches, and discolouration.

Dimensions:

23.62 in W x 13.38 in D x 33.46 in H

60 cm W x 34 cm D x 85 cm H

Metal Tray with Wicker Wrapped Handles by Finn Juhl and Grethe Kornerup-Bang for Torben Ørskov & Co, Denmark ca 1950s

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Price category: 1,000 - 2,500 usd / eur

Finn Juhl is celebrated for his sculptural approach to furniture and household design. Rooted in the principles of modernism and influenced by the Scandinavian cultural emphasis on practicality and beauty, Danish designers like Juhl and Grethe Kornerup-Bang, sought to create furniture and household objects that were both elegant and accessible. Danish design flourished in this era, embodying a timeless aesthetic that prioritised human comfort and sustainable practices, laying the foundation for its post-war international acclaim.

This tray by Finn Juhl and Grethe Kornerup-Bang, is a refined example of Danish Modern design at its most understated. Crafted from folded sheet metal with a matte black finish, the tray is elevated by its distinctive hand-wrapped wicker handles, which introduce warmth, texture, and a tactile quality to an otherwise minimalist form. The thoughtful contrast between industrial and natural materials reflects the enduring Danish design philosophy of balancing functionality with organic beauty. Both functional and decorative, the tray can be used at home serving drinks or displayed as a sculptural object. Its clean architectural lines, softened by the wicker-wrapped handles, embody the timeless appeal of mid-century Danish design. Pieces like this are increasingly sought after for their rarity and quiet sophistication.

Whether it is displayed as a centerpiece or used for everyday purposes, this tray encapsulates the timeless appeal of mid-century modern Danish design and the unparalleled craftsmanship of its era.

Condition:

In good vintage condition. Wear consistent with age and use. The tray has recently been reconditioned. Due to the age and nature of the materials, the item has marks, scratches, and discolouration.

Dimensions:

17.72 in W × 12.40 in D × 0.59 in H

45 cm W x 31.5 cm D x 1.5 cm H

Basket with Wicker Wrapped Handles by Finn Juhl and Grethe Kornerup-Bang for Torben Ørskov & Co., Denmark 1950s

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Price category: 1,000 - 2,500 usd / eur

Finn Juhl (1912 – 1989) was an architect, interior and industrial designer from Denmark. He is regarded as one of the leading figures of Danish design in the 1940s and was the first to successfully introduce the “Danish Modern” design style to America. Danish design flourished in this era, embodying a timeless aesthetic that prioritised human comfort and sustainable practices, laying the foundation for its post-war international acclaim.

Rooted in the principles of modernism and influenced by the Scandinavian cultural emphasis on practicality and beauty, this basket by Finn Juhl and Grethe Kornerup-Bang, is a refined example of Danish Modern design at its most understated. Crafted from folded sheet metal in a refined matte black finish, this stand-out piece is elevated by hand-wrapped wicker handles that add warmth, texture, and tactile appeal to its minimalist silhouette. The juxtaposition of industrial metal and natural wicker reflects the timeless Danish design tradition of combining functionality with organic beauty. The basket balances smooth lines with the softness of its woven handles. Its understated character and mid-century Danish aesthetic make it a timeless addition to the home, while its quiet sophistication and deep ties to danish design history make pieces of this kind increasingly sought after.

Designers like Juhl and Grethe Kornerup-Bang, sought to create furniture and household objects that were both elegant and accessible. Whether it is displayed as a centerpiece or used for everyday purposes, this basket encapsulates the timeless appeal of mid-century modern Danish design and the unparalleled craftsmanship of its era.

Condition:

In good vintage condition. Wear consistent with age and use. The basket has recently been reconditioned. Some scratches are present. Due to the age and nature of the materials, the item may have marks and discolouration.

Dimensions:

11.81 in W x 8.26 in D x 13.38 in H

30 cm W x 21 cm D x 34 cm H