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Price category: 9,000 - 12,500 usd / eur

These chairs were created by Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930, the company had grown to be the largest furniture chain in Finland and the largest supplier of furniture in the Nordic countries.  This pair of Model “217” or “Continent” armchairs belongs to this period of Finnish furniture design, combining the generous comfort of traditional upholstered seating with a more restrained and modern appearance.

These armchairs embody comfort and elegance in equal measure. With their soft curves and rounded bodies, they cradle the sitter in a harmonious and just as stylish embrace. The defining feature of these lounge chairs is their enveloping design, which creates a sense of cosy intimacy and warmth. Each chair has a broad, rounded backrest that curves forward at the sides into the upholstered arms. The soft curves that define their shape not only evoke inviting comfort but also serve a practical purpose, as the curvature follows the natural contours of the human body. The chairs appear open and welcoming thanks to the arms and backs curving outwards, while the deep seats and generous padding emphasise their comfortable character. The soft outline of the design remains clearly defined, enhanced by the dark moss-green upholstery. The fabric has a rich, textured surface that accentuates the gentle curves and gives the chairs a warm, inviting appearance. The seats extend forward between the rounded arms, with their upholstered fronts creating a uniform image. Short wooden legs support the chairs, their warm brown colour contrasting beautifully with the green fabric. In the absence of additional ornamentation, the focus stays on the distinctive shape, supported by functionality and comfort.

As part of Asko's furniture production, the model “217” represents an interesting chapter in the development of modern seating. With their cosy appearance, distinctive bodies and appealing material combination, the armchairs bring warmth and character to an interior while retaining the comfort and practicality for which they were designed.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the wood has minor scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.76 in W x 31.89 in D x 27.95 in H; Seat height 15.75 in; Seat depth 20.67 in; Arm height 24.41 in

70.5 cm W x 81 cm D x 71 cm H; Seat height 40 cm; Seat depth 52.5 cm; Arm height 62 cm

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Price category: 2,500 - 5,000 usd / eur

Christian Krass (1868–1957) was a French cabinetmaker and furniture designer based in Lyon, he became an important figure in the city’s decorative arts during the first half of the 20th century. His work included seating, tables, desks and cabinets, often combining carefully worked woods with the geometric forms and refined materials associated with Art Deco. This armchair, which dates back to circa 1930s, applies Krass’s skill to a compact and elegant seating design.

The armchair is defined by its exposed wooden frame, which combines straight lines with subtle curves. Four tapered legs support the upholstered seat, with the front legs continuing upward to meet the armrests and creating a clear structural outline. The armrests have a particularly interesting shape, extending horizontally into a carved element before turning downward. Their broad wooden surfaces and warm reddish-brown tone contrast with the patterned upholstery while keeping the construction clearly visible. The backrest is generously upholstered and slightly curved, with rounded upper corners that soften the otherwise geometric frame. Its shape follows naturally into the broad seat below, creating comfortable proportions within a relatively compact structure. The green and cream upholstery introduces a small repeating geometric pattern that complements the straight lines of the wood while adding texture and visual depth. The clean junctions between the legs, seat rails, arms, and back show the quality of the woodworking, with each element contributing equally to the overall composition.

The chair captures the more restrained side of French Art Deco, where decorative effect could be achieved through proportion, material and carefully controlled lines. Its scale makes it particularly suitable as a desk chair, side chair or additional seating in a living room or bedroom. It represents an interesting example of French furniture design from the 1930s.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. The armrests have minor marks and scratches. Due to the nature and age of the materials, the item may have some discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

23.42 in W x 25.98 in D x 30.70 in H; Seat height 18.70 in; Seat depth 17.12 in; Arm height 26.77 in

59.5 cm W x 66 cm D x 78 cm H; Seat height 47.5 cm; Seat depth 43.5 cm; Arm height 68 cm

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Price category: 12,500 - 15,000 usd / eur

Mid-century modern furniture introduced new approaches to seating, with designers exploring rounded silhouettes and chairs shaped closely around the sitter. This pair of European armchairs belongs to this direction, combining generous upholstery with a compact profile and short wooden legs.

Their continuous curved bodies give them a particularly soft appearance, while the low seating position creates the relaxed character associated with lounge furniture of the period. The shape of these armchairs creates an inviting and enveloping appearance. Each chair has a broad, deep seat framed by substantial upholstered arms that rise gently towards the backrest. The back is formed as a wide panel with softly rounded upper corners, curving around the sitter before flowing directly into the sides of the chair. This continuous transition between the back and arms is particularly effective when the chairs are viewed from behind, where the upholstery creates an uninterrupted curved silhouette. The olive-green fabric covers the entire body, allowing the proportions and shape to remain the focus of the design. Its textured surface gives the colour additional depth. A rectangular seat cushion sits within the upholstered body to ensure comfort for its user. Four short tapered wooden legs lift each chair just above the floor. Their warm brown tone of the wood provides a restrained contrast to the green upholstery, while their outward angle secures the broad stance of the chairs.

The designer ensured to make these chairs attractive from every direction, allowing the option to be positioned away from a wall and used more freely within a larger seating arrangement. Comfortable, compact and visually distinctive, the pair offers an appealing example of the softer forms found in European mid-century seating.

Condition:

In good vintage condition. Wear consistent with age and use. The armchairs have recently been reconditioned. Due to the nature and age of the materials, the items have marks, scratches, and discolouration. The pair have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W × 34.64 in D × 30.7 in H; Seat height 14.56 in; Seat depth 21.65 in; Arm height 18.5 in

75 cm W x 88 cm D x 78 cm H; Seat height 37 cm; Seat depth 55 cm; Arm height 47 cm

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Price category: 12,500 - 15,000 usd / eur

Art Deco seating from the first half of the 20th century brought together strong geometry, rich materials and interesting forms. Upholstered armchairs were particularly suited to this approach, as their larger surfaces could be shaped into bold silhouettes and contrasted with decorative wooden elements. This pair combines dark green upholstery with sweeping walnut-veneered details, creating a design in which wood becomes as visually important as the upholstered body.

The armchairs have substantial, slightly inclined backrests, giving them generous and comfortable proportions. Each backrest is divided into three vertical upholstered sections with a softly scalloped upper edge, adding definition to the broad surface and drawing the eye upward. The dark green upholstery continues across the seats, backs and side panels, giving the bodies a consistent colour and texture. The walnut veneer provides a striking contrast and forms a distinctive feature of the design. Large curved sections run along either side of each chair, forming part of the armrests before continuing downward towards the floor. Their continuous rounded shape complements the upholstered sides and gives the chairs a strong profile from every angle. At the same time, the wood creates gaps in the size, balancing the strong volume of the upholstered sections. The reddish-brown tone and visible grain of the walnut stand out against the muted green fabric, while the polished surface catches the light along each curve. Finally, short rectangular wooden feet support the front of the seats, while the back one mirror the curve of the armrests, tying the look together.

What makes these armchairs particularly appealing is the way the walnut veneer transforms an upholstered chair into a much more individual Art Deco design. Used together in a living room, library or conversation area, they offer both comfortable seating and the rich material character associated with European furniture at its best.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. The armrests have visible repairs made by a previous owner. Due to the age and nature of the materials, the items have marks, scratches, dents and discolouration. The chairs have recently been reupholstered in in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 31.10 in D x 31.88 in H; Seat height 17.51 in; Seat depth 20.86 in; Arm height 23.42 in

73 cm W x 79 cm D x 81 cm H; Seat height 44.5 cm; Seat depth 53 cm; Arm height 59.5 cm

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‎Price category: 2,500 - 5,000 usd / eur

Alain Richard (1926–2017) was a French furniture and interior designer who graduated from the École Nationale Supérieure des Arts Décoratifs in 1949, where he studied under René Gabriel. He established his own agency in 1952 and became part of a generation of French designers developing furniture for serial production during the post-war period. His work included furniture for Meubles TV and lighting for Disderot, alongside increasingly large interior and architectural projects. This model “704” armchair from the 1960s shows his interest in clean construction, contrasting materials, and furniture designed around clear functional elements.

Model “704” combines a compact upholstered seat and backrest with exposed wood and metal elements. The thick seat cushion has a rectangular shape with softly rounded corners, while the backrest is slightly inclined to provide a comfortable sitting position. The piece is upholstered in a textured olive-green fabric that gives the chair a warm, tactile appearance. The armrests feature padded horizontal sections that appear almost suspended on either side of the seat. A shaped wooden frame runs beneath the seat and continues upward behind the backrest, its warm tone contrasting with the upholstery. Dark screws remain visible along the side of the wooden seat rail, adding a small technical detail to the construction. Four slender metal legs are splayed outward beneath the body, countering the volume of the upholstered sections and giving the chair a light stance. The combination of upholstery, wood, and metal creates a clear separation between each part of the chair while keeping the overall composition balanced.

Richard received several important distinctions throughout his career, including the Prix René Gabriel in 1964, and this chair is proof of his talent. Its combination of French modernist design and a balanced mix of materials makes it an interesting addition to a living room, study or reading area, particularly for collectors of post-war French furniture.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the chair has some marks, scratches, dents and discolouration. The seat cushion was newly produced and upholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.40 in W x 23.62 in D x 32.28 in H; Seat height 19.68 in; Seat depth 16.53 in; Arm height 25.59 in

62 cm W x 60 cm D x 82 cm H; Seat height 50 cm; Seat depth 42 cm; Arm height 65 cm

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Price category: 5,000 - 7,500 usd / eur

The ‘Oskar’ armchair was designed in 1939, the same year that Carl Malmsten participated in the New York World’s Fair. It was there that the expression “Swedish Modern” was coined, but Malmsten remained a traditionalist, mainly concerned with comfort in the home.

As with so many of Malmsten’s pieces of furniture, “Oskar” was modelled on an earlier design – his own or from previous generations. This armchair belongs to Carl Malmsten's earlier works, and the structure is traditionally made of solid pine from Swedish forests. As can be expected from the “Master of Wood”, the frame is expertly designed, with ergonomic and aesthetic principles at its core. While this armchair may seem less “Malmstenesque”, it already has the gentle curves that defined Malmsten’s later designs. This is especially visible in the flowing armrests that descend from the top, curling outwards to create a welcoming look. The gently bent backrest is tufted with dark yellow stitches that contrast with the light bouclé upholstery, both in colour and texture to create a stylish, visually interesting look. The structure is supported by the tapered, solid pine legs that add an organic touch to the design.

The design is reminiscent of the furnishings of the sitting room of Ulriksdal Palace, which was given to the crown prince and princess, Gustav and Louise, by the Swedish people in 1923. Malmsten was commissioned to create the decor for the room, and the ‘Oskar’ armchair may have been a template for this period, and perhaps that is why Carl Malmsten gave the chair a royal-sounding name. The company known today as O.H. Sjögren was established as early as the 1870s. Carl Malmsten, who had hitherto only produced the most exclusive and unique furniture for a limited and affluent clientele, sought manufacturers who were able to produce his furniture in larger volumes without compromising the high demands he placed on craftsmanship and quality. He chose O.H. Sjögren, and together they developed and marketed the many items of upholstered furniture that have become classics today.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 29.92 in D x 37.4 in H; Seat height 16.33 in

73 cm W x 76 cm D x 95 cm H; Seat height 41.5 cm

About the Designer:

Carl Malmsten (December 7, 1888 – August 13, 1972) was a Swedish furniture designer, architect, and educator. Malmsten was born in Stockholm, Sweden. Malmsten's career took off when he won a competition in 1916 to design furniture for the Stockholm City Hall and shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén.

In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and his wife Louise in Ulriksdal Palace. He was honoured with an inaugural Prince Eugen Medal for design in 1945. Already as a young designer in the early 20th century, Carl Malmsten advocated an artisanal furniture design based on local materials and traditions, available to a wide audience at a reasonable price.

Nature was Carl Malmsten's foremost teacher and source of inspiration. He conveyed his love of craftsmanship as a teacher in his own schools, at Olofskolan in Stockholm, Capellagården on Öland and the Carl Malmsten school on Lidingö, today a branch of Linköping University and one of the country's leading design colleges. As a debater, Malmsten stormed against functionalism, but in retrospect it can be seen that his ideas often coincided with the rational and frugal style ideals of function.

Malmsten has had a lasting influence on Swedish furniture design through the two schools he founded—the Carl Malmsten Furniture Studies (Carl Malmstensskolan), which has been a part of Linköping University since 2000, is situated on the island of Lidingö on the outskirts of Stockholm. Carl Malmsten spoke about the importance of tradition, craftsmanship and the nation. His furniture was in many ways a product of the thoughts and ideals of the time, they have a timeless quality that makes them just as relevant and loved today.

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Price category: 2,500 - 5,000 usd / eur

By the mid 20th century, Carl Malmsten became one of the most sought-after interior and furniture designers in all of Sweden. As a furniture maker he expressed the old, inherited forms as well as the new, bold ideas with his language of design.

“Jonas Love” is an iconic model that was the inspiration behind Malmsten’s several “count” chairs. With a klismos-style curved back, this armchair is timeless. Klismos chairs are known for sweeping lines and aesthetic beauty, as well as comfort offered by the concave back rest. These elements made this style popular with Carl Malmsten, who was outstandingly devoted to the Swedish culture he was brought up in. The “Jonas Love” model was originally designed by Malmsten for the New York World’s Fair 1939. “Break all edges thoroughly” was a frequent instruction on the designer’s drawings and nature was his great source of inspiration, therefore sharp edges or corners can rarely be found on his designs, including this chair. Moreover, wood was the most important material in Swedish mid-century design, therefore the dark blue upholstery highlights and complements the beauty of the wood rather than overpowering it. As this armchair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of mid-century modernism. As an object, the chair reflects the mid-20th century pursuit of everyday beauty, objects designed not just to serve, but to enrich domestic environments.

The classic charm and versatility of this design allows it to be used as a desk chair, or in a curated corner. This chair can bring quiet sophistication to any setting. It is an ideal choice for a range of interior styles thanks to its thoughtful materials, and subtle craftsmanship.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials, the item has marks, scratches, and discolouration. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.41 in W x 24.02 in D x 31.50 in H; Seat height 16.54 in; Seat depth 19.69 in; Arm height 28.35 in

62 cm W x 61 cm D x 80 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 72 cm

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Price category: 9,000 - 12,500 usd / eur

Finn Juhl is celebrated for his sculptural approach to furniture design. Rooted in the principles of modernism and influenced by the Scandinavian cultural emphasis on practicality and beauty, Juhl sought to create furniture that was both elegant and accessible. Danish design flourished in this era, embodying a timeless aesthetic that prioritised human comfort and sustainable practices, laying the foundation for its post-war international acclaim.

The “Bwana” model was produced in the 1960s by France & Son. The chair and footstool blend three main elements: craftsmanship, the clean lines of Modernism and the clear-eyed practicality of Functionalism. These elements combined with the use of exquisite materials create a piece that is both historical and modern visually. Unlike models from outside the continent, Danish furniture wasn’t flashy but rather well-made to fit a warm, comfortable and welcoming home. Crafted with meticulous attention to detail, its geometrically-inspired frame is constructed from a rich wood that exudes luxury. The deep shade and grain of the wood creates an impactful look while adding subtle decoration to the piece. The different tones of brown flow from the arms and form into the front legs of the armchair, creating depth and dynamism. The chair and footstool are upholstered in a green leather, adding vibrancy to any interior space.

Finn Juhl once said "One cannot create happiness with beautiful objects, but one can spoil quite a lot of happiness with bad ones", and this armchair and footstool will most definitely not spoil any happiness in the interior where they are placed.

Condition:

In good vintage condition. Wear consistent with age and use. Some minor scratches on the wood. Due to the nature and age of the materials, the items may have some marks, and discolouration. These items come with their original upholstery or have been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Chair:

33.66 in W x 22.83 in D x 36.02 in H; Seat height 15.74 in; Seat depth 21.85 in; Arm height 20.84 in

85.5 cm W x 58 cm D x 91.5 cm H; Seat height 40 cm; Seat depth 55.5 cm; Arm height 53 cm

Footstool:

25 in W x 17.51 in D x 15.15 in H

63.5 cm W x 44.5 cm D x 38.5 cm H

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Price category: 7,500 - 10,000 usd / eur

Carl Malmsten (1888–1972) was one of Sweden's most influential furniture designers, architects and educators, known for his devotion to traditional Swedish craftsmanship and his belief in creating furniture that brought warmth and comfort to everyday life. His career took off in 1916 when he won a competition to design furniture for Stockholm City Hall; he went on to establish a distinctive approach characterised by natural materials, gentle curves and carefully considered proportions.

The Sörgården chair was designed in 1962 for the Sörgården student residence at Capellagården, reflecting his emphasis on practical furniture and the beauty of traditional woodworking. The design of this model is simple, but thanks to its details, it is a playful representation of Scandinavian modernism. Crafted from solid Swedish pine, each chair has a warm, natural look. The most distinctive feature is the tall, rounded backrest, which widens towards the upper middle before narrowing gently at the top. Its softly curved outline gives the chairs an organic appearance, while the small cut-out opening near the top serves as a handle, making the chairs easy to move around. The backrests have a slightly reclined profile that follows the natural position of the sitter, while their smooth surfaces highlight the grain and golden tones of the pine. Four slender wooden legs support each chair, with their tapered forms and lightly splayed arrangement creating an open and dynamic appearance. The craftsmanship is evident in the smooth transitions between the different wooden elements and the carefully considered proportions.

The work of Scandinavian designers and cabinetmakers from this period remains remarkably fresh, and Malmsten's furniture is particularly admired for its ability to combine traditional techniques with an inviting, homely character. These six Sörgården chairs are equally striking when arranged around a dining table or incorporated into an interior with a medley of styles.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have scratches and dents, and may have additional marks or discolouration.

Dimensions:

17.71 in W x 20.86 in D x 29.33 in H; Seat height 13.77 in; Seat Depth 14.76 in

45 cm W x 53 cm D x 74.5 cm H; Seat height 35 cm; Seat Depth 37.5 cm

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‎Price category: 5,000 - 7,500 usd / eur

The mid 1950s in Italy were marked by a new softness in modern furniture. Designers began shifting away from the strict rationalism of the postwar years and toward interiors shaped through comfort and tactility. Lenzi worked inside that transition. Their production merged clarity of proportion with upholstered volume. The result was a kind of modernism that felt warm, human, and atmospheric rather than merely functional.

This armchair features a curved back, low arms, and deep seat all flowing into one continuous shape, to create a soft envelope around the sitter. Upholstered in a rich olive green textile with a subtle pile, the chair gains depth through texture rather than pattern. The fabric reads almost like moss, perfectly natural and comforting. The seat is anchored by four slender brass legs that angle outward with quiet poise. Their gleam has just enough presence to complement the body above without drawing excess attention to themselves. The upper part of the chairs feels steady and welcoming, while the slender metal below introduces air and lightness. Every contour and proportion has been judged toward an overall calm. This chair is the perfect example of great attention to detail mixed with skilled cabinetmaking.

This model speaks to a moment when Italian modernism was not purely decorative, nor austere, but refined in its ability to create atmosphere. They remain compelling examples of Lenzi's charming yet timeless design approach.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor marks on the brass. Due to the nature and age of the materials, the item may have some scratches and discolouration. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 26.77 in D x 24.4 in H; Seat height 17.32 in; Seat depth 23.62 in; Arm height 21.25 in

76 cm W x 68 cm D x 62 cm H; Seat height 44 cm; Seat depth 60 cm; Arm height 54 cm

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Price category: 7,500 - 10,000 usd / eur

Mid-century modern design has a particular affinity for soft curves and organic forms, and these chairs are no exception. This pair of European lounge chairs combines the rounded silhouettes associated with upholstered seating of the period with the restrained aesthetic of modern design. These lounge chairs embody comfort and elegance in equal measure. With their soft curves and rounded bodies, they cradle the sitter in a harmonious and just as stylish embrace.

The defining feature of these chairs is their shell-like design, which creates a sense of cosy intimacy and warmth. The soft curves that define their shape not only evoke inviting comfort but also serve a practical purpose, as the curvature conforms to the natural contours of the human body. Each chair has a broad, rounded backrest that curves forward at the sides to form short, enveloping arms, creating a continuous upholstered body. The chairs appear dynamic and open thanks to the arms and backs curving outwards. The soft outline of the design remains clearly defined, enhanced by the moss-green upholstery. The fabric has a rich, textured surface that enhances the gentle curves. Tufted buttons on each backrest add a restrained decorative detail. The four legs have a conical shape and are lightly splayed to support the generously sized bodies. Their warm brown colour contrasts beautifully with the green fabric, while their tapered form gives the chairs a lighter appearance. In the absence of additional ornamentation, the focus stays on the stylish shape supported by functionality and comfort.

The flowing lines and gentle curves of these chairs offer a pleasing contrast to the clean lines and angular shapes often associated with mid-century modern interiors. Their form makes them suitable for a living room, reading area or intimate conversation setting, where they can be arranged together or positioned separately. With their aesthetic and appealing material combination, these chairs bring warmth and character to an interior.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items have minor scratches, dents and discolouration. The chairs have recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.34 in W x 28.34 in D x 29.92 in H; Seat height 16.53 in; Seat depth 18.3 in; Arm height 26.77 in

72 cm W x 72 cm D x 76 cm H; Seat height 42 cm; Seat depth 46.5 cm; Arm height 68 cm