Pair of Oak Armchairs in Champagne Ponyskin by Wim den Boon, the Netherlands 1960s (sold)

Pair of Oak Armchairs in Champagne Ponyskin by Wim den Boon, the Netherlands 1960s (sold)

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Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This pair of armchairs reflects that sensibility in the simple oak construction and tactile ponyskin upholstery. The frames are composed of cylindrical supports and straight horizontal rails, creating clear geometric outlines around the upholstered bodies. The proportions are low and generous, giving the pieces a relaxed, grounded posture. The functionality of this pair is further increased by the wooden armrests. The seats and backrests are wide for lounging and are upholstered entirely in champagne-coloured ponyskin. The material introduces a texture, giving the otherwise minimal forms a sense of movement and depth. Still, the oak remains visible throughout the designs, outlining the silhouettes and, through its slim slats, preventing the chairs from appearing overly heavy. The tilt of the backrests softens the strict geometry and contributes to the lounge-like comfort of the pair.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands using a restrained and architectural approach to furniture. These armchairs reflect that vision clearly. They feel architectural in structure, yet tactile and warm in appearance, balancing clarity of form with the softness of the upholstery and the richness of the natural materials.

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Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items may have marks, scratches, and discolouration. The chairs have recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.93 in W x 34.45 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in; Arm height 21.66 in

73.5 cm W x 87.5 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm; Arm height 55 cm

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Price category: 7,500 - 10,000 usd / eur

Among the collection of talented individuals who have worked for Artifort, Theo Ruth was the acclaimed Dutch furniture manufacturer’s first permanent designer. Ruth’s work significantly advanced Artifort’s laudable reputation, specifically through his designs of chairs. His most famous chair is the 1952 “Congo” model that enjoyed great success.

This pair of “Congo” chairs is representative of Ruth’s craftsmanship and talent. The model is full of exceptional features and details that make it a unique example of the creative overflow that defined mid-century modernism in The Netherlands and Europe. The flowing structure displays beautifully curved lines and rounded edges, ensuring extreme comfort and emphasizing its ergonomic design. The distinct look is the result of the brilliant pairing of materials. The wooden legs’ smooth lines stand out against the textural shearling, while also accentuating the unique look of the upholstery. The soft fibres of the lightweight, feathery shearling drape beautifully over the lounge chairs, while the darker brown colour of the wood adds depth. Mid-century European designers and cabinetmakers were very firm about two things regarding seating designs: the sitting experience must be comfortable and that the model had to look good from every single angle. The ‘Congo’ model fulfills these principles with its arm-less body and interesting, curved legs. As with most lounge chairs, this model is also built in a permanently reclined position, another lovely feature.

Today, Theo Ruth's furniture designs are considered to be important examples of mid-century modern design, and his work continues to be highly valued by collectors and design enthusiasts around the world.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have marks, scratches, and discolouration. The chairs have been reupholstered recently in Mongolian shearling. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

22.04 in W x 35.43 in D x 32.67 in H; Seat height 16.14 in; Seat depth 19.68 in

56 cm W x 90 cm D x 83 cm H; Seat height 41 cm; Seat depth 50 cm

Danish Oak and Sheepskin Armchair, Denmark ca 1940s

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Price category: 5,000 - 7,500 usd / eur

The first half of the 20th century saw the rise of brilliant designers working to create furniture of the highest quality that explored truly modern shapes and forms. Danish cabinetmakers sought to combine comfort and elegance to achieve timeless designs that remain iconic examples of style and skill to this day.

This upholstered armchair proves the success of the cabinetmaker’s pursuit. The craftsmanship is an immediately distinguishable; the chair’s sleek, yet classic look features a high back which is wide at the top but tapers in to draw the eye, highlighting two rows of tufted upholstered buttons. Not only is the body generously padded, but the slightly rounded backrest, as well as the tilted seat increase comfort even further. The chair is upholstered in a soft white sheepskin fabric, providing the piece with a luxurious and textured feel, while contrasting the oak frame. The open and angular armrests complement the rounded plushness of the body, along with the simple tapered legs. The combination of the clean, honest design, high-quality materials, and understated sophistication makes this piece a standout example of Scandinavian furniture.

Danish cabinetmakers were, and are still world-renowned for their unmatched skill. This chair preserves the value and beauty of master craftsmanship, while creating a warm and welcoming look through the use of natural materials.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

28.74 in W x 31.1 in D x 33.07 in H; Seat height 17.32 in; Seat depth 28.74 in; Arm height 24.01 in

73 cm W x 79 cm D x 94 cm H; Seat height 44 cm; Seat depth 73 cm; Arm height 61 cm

Oak Lounge Chair in Champagne Ponyskin by Wim den Boon, the Netherlands 1960s

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Price category: 5,000 - 7,500 usd / eur

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in

65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm

Danish Cabinetmaker Armchair in Warm Sheepskin, Denmark ca 1950s

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Price category: 9,000 - 12,500 usd / eur

Strongly influenced by the functional forms of the Bauhaus school in Germany, Danish designers led the way in furniture design during the 1950s. They combined the inspiration brought by new industrial technologies with minimalist design. This style became so influential that it is recognized as a design movement in itself, entitled Danish Design with a subgroup known as Danish Modern.

Danish Modern focused more on the aesthetics of modern design whilst employing the exquisite technique and material familiarity of highly skilled craftsmen such as cabinetmakers. This armchair is a great example of the style with its clean and pure lines coupled with craftsmanship and delicate research into proportions, materials and the requirements of the human body. Adopting the trend of abandoning ornamentation to benefit the form, this chair’s designer and manufacturer both maintained the beauty and warmth inherent to traditional Danish cabinetmaking. The body has gentle, rounded lines that are visible even through the luscious upholstery. The round edges even apply to the wooden feet in the front, which are referred to as “bun feet” which is a shape of a flattened sphere. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden feet as well. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. It elevates the sheer size and shape of the chair, especially around the edges.

From every single angle, this armchair offers stunning lines and a rich texture. Above all, Danish designers believed that design could certainly be used to improve people's lives. Looking at this armchair, this was evidently and too far-fetched ideal.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.88 in W x 40.15 in D x 33.07 in H; Seat height 16.53 in

81 cm W x 102 cm D x 84 cm H; Seat height 42 cm

Danish Cabinetmaker Lounge Chair with Sheepskin Upholstery, Denmark 1940s

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Price category: 7,500 - 10,000 usd / eur

This beautiful Danish lounge chair is an early example of Scandinavian mid-century modern design as well as outstanding craftsmanship with a quality that honours the materials and users. The period from roughly the 1940s through the 1960s was a high point for Danish furniture makers, and this chair shows why.

Designed in the early phase of what we know today as mid-century modern, this lounge chair is a Danish delicacy with a unique look. With its classic shape paired with modern design elements, it combines the best design characteristics of the 1940s. The large, enveloping backrest dictates the shape of this chair, as it forms most of the structure, including the armrests. The curvature creates an inviting and open look, enhanced by the soft sheepskin upholstery. The inside of the upholstered back is sectioned which creates a shell-like look. The thick, bun feet-like front legs are a pleasant touch. The warm brown colour of the stained wood nicely contrasts to the off-white sheepskin, not to mention the thick wooden feet make a long-lasting, rock solid foundation for any chair. The chair’s back legs differ, they are straight, which is an eccentric detail that adds visual interest. Master cabinetmakers were highly aware of body proportions, prioritising comfort just as much as the visual qualities, therefore this lounge chair provides support for the back and great sitting comfort.

Perfectly suited for a vintage or contemporary interior, this chair represents a marriage of artistry and comfort. Its upholstery captures attention, adding warmth and vibrancy to any space, while the wooden feet are grounding, together making this piece into an ideal statement piece.

Condition:

In good vintage condition. Wear consistent with age and use. The wood has some scratches and marks. Due to the nature and age of the materials, the chair may have additional discolouration. The chair has recently been reupholstered in premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

34.25 in W x 33.46 in D x 27.55 in H; Seat height 14.56 in

87 cm W x 85 cm D x 70 cm H; Seat height 37 cm

Geometric Dining Chair with Sheepskin Seat by Rach Finazzi, Italy 1980s

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Price category: 1,000 - 2,500 usd / eur

Rach Finazzi, an Italian designer active from the late 20th century, is recognised for a distinctive approach to furniture-making that merges geometric structures with unique materials. Finazzi’s work often explores unconventional forms and material contrasts, from glass to metal and wood, resulting in pieces that command attention both as functional furniture and as sculptural statements.

This geometric dining chair is a quintessential example of Finazzi’s design ethos, the chair is characterised by a striking interplay between an angular metal framework, natural wood, and plush sheepskin. The chair rests on slender, black metal legs that intersect to create a dynamic, sculptural base, flowing into the arms. The composition feels both visually light and structurally stable. Adding to the design, the backrest is crafted from solid wood in a dramatically tapered, triangular form. The back introduces an architectural element that draws the eye upward, establishing a visual dialogue between the angular metal structure and the natural wood grain. To fully drive in the textural juxtaposition, the seat is upholstered in longhair sheepskin, adding a warm, inviting texture that contrasts beautifully with the cool, industrial feel of the metal frame and the earthy wooden backrest.

More than just seating, this dining chair functions as a sculptural piece that showcases Finazzi’s ability to harmonise disparate materials and forms. The combination of materials creates a compelling visual and tactile experience, showcasing the skill and creativity of Italian craftsmanship. Whether arranged around a dining table with other pieces or displayed as a standalone accent piece, the chair encapsulates a bold design language, merging functionality with a strong artistic presence.

Condition:

In good vintage condition. Wear consistent with age and use. The item has recently been reconditioned. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. The seat has been reupholstered recently in a premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

19.29 in W x 22.04 in D x 44.68 in H; Seat height 19.68 in; Seat depth 20.47 in; Arm height 24.40 in

49 cm W x 56 cm D x 113.5 cm H; Seat height 50 cm; Seat depth 52 cm; Arm height 62 cm