Wood and Straw Armchair in the manner of Charlotte Perriand, France Mid-20th Century (sold)

Wood and Straw Armchair in the manner of Charlotte Perriand, France Mid-20th Century (sold)

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This wood and straw armchair was produced in France during the mid-20th century and reflects the design philosophy associated with Charlotte Perriand. During this time, French modernism embraced a return to natural materials, rural traditions, and functional simplicity as a response to earlier decorative excess. Designers sought to combine modernist ideals with local craftsmanship, creating furniture that was honest, practical, and connected to everyday life. Pieces like this one embody the belief that good design should balance comfort, durability, and visual appeal.

The armchair is constructed from solid wood, featuring a robust frame defined by cylindrical legs and softly rounded structural elements. The slightly tapered posts and turned details introduce a subtle sculptural quality while maintaining its overall sense of restraint. The woven straw seat provides warmth and texture, contrasting beautifully with the darker wooden structure and reinforcing the chair’s handcrafted character. The straw weaving is masterfully executed, offering both flexibility and strength, and contributes to the chair’s lightweight appearance despite its sturdy construction. The armrests create an open and inviting posture that enhances comfort without excessive detail. The backrest, formed by horizontal wooden slats and rounded finials, adds rhythm and balance to the composition. Every element feels purposeful, from the visible joinery to the natural finishes. This piece emphasizes material honesty, allowing the grain of the wood and the irregularity of the straw to become central aesthetic features rather than imperfections.

This armchair captures the enduring appeal of mid-century French design. It functions equally well as a dining chair, accent piece, or occasional armchair within both modern and rustic interiors. Timeless in form and rich in texture, it stands as a perfect blend of modernist clarity and traditional craftsmanship.

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Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration.

Dimensions:

25.20 in W x 22.24 in D x 35.03 in H; Seat height 16.73 in; Seat depth 18.89 in; Arm height 25.79 in

64 cm W x 56.5 cm D x 89 cm H; Seat height 42.5 cm; Seat depth 48 cm; Arm height 65.5 cm

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Price category: 5,000 - 7,500 usd / eur

This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.

Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.

Dimensions:

17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in

44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm

Rattan "Canton" Chair by Kay Fisker for Robert Wengler, Denmark ca 1960s

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Price category: 2,500 - 5,000 usd / eur

While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.

Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.

The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information

Dimensions:

34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in

87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm

High-Back Chair with Wicker Seat by Bas van Pelt, The Netherlands 1940s

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Price category: 2,500 - 5,000 usd / eur

Bas van Pelt was one of the key figures in early Dutch modernist design, active during the 1930s and 1940s through his firm “My Home.” His work is recognised for its clarity of construction, careful proportions, and thoughtful integration of natural materials. Van Pelt focused on creating furniture that balanced function and craftsmanship, often incorporating elements such as wicker, rattan, and solid wood to introduce both durability and texture.

This high-back chair by Bas van Pelt combines of strong verticality and refined material contrast. The solid wooden frame establishes a clear architectural outline, with the elongated tall back defining the silhouette. The back is composed by ladder-like horizontal slats that introduce a sense of rhythm while maintaining the openness of the design. The seat is crafted from woven wicker, a material valued for its strength and breathability, which adds a tactile, organic quality to the otherwise linear construction. This contrast between the smoothness of the frame and the texture of the woven surface is central to the chair’s character. The armrests are gently shaped, introducing a subtle curvature that softens the overall form. Below, the legs are connected by stretchers that reinforce the structure and ensure stability. The craftsmanship is evident in the precision of the joinery which contribute to the overall sense of durability and refinement.

This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted frame to the beautiful woven element, the chair remains of hifh quality and ideally suited for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some chips and dents are present. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

25.20 in W x 28.35 in D x 40.95 in H; Seat height 13.39 in; Seat depth 20.08 in; Arm height 23.82 in

64 cm W x 72 cm D x 104 cm H; Seat height 34 cm; Seat depth 51 cm; Arm height 60.5 cm

Pair of Armchairs with Upholstered Seats in the manner of Charles Dudouyt, Europe First Half of the 20th Century

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Price category: 7,500 - 10,000 usd / eur

This pair of armchairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.

Impressive in its simplicity, this pair carries with it the beloved modernist characteristics of simplicity and functionality yet shows the rustic side of European design of the era. The chairs feature sturdy wooden frames with a rich, dark finish that accentuates the natural grain and depth of the wood. The meticulous craftsmanship of the wood’s joinery further enhances the chairs' allure; impeccably constructed with no visible screws, the seamless connections speak volumes about the artisan's dedication to precision and quality. The absence of visible hardware not only contributes to the chairs' aesthetic purity but also underscores the skilled craftsmanship that went into their creation. The grounded stance gives the chairs a quiet strength, while the broad seats invite relaxed, informal lounging. Upholstered in a textured beige fabric, the cushions pair a tactile, inviting surface with the clean lines of the wood and wicker base, achieving a compelling balance between warmth and restraint. The combination of materials and finishes results in visually appealing pieces while adding warmth and comfort to the overall design. The dualism within these chairs is amazing: they can fulfill their functional purpose in an interior while also achieving their aesthetic role.

The essence of early 20th century French design is beautifully captured by this pair of armchairs. Functional yet sculptural, rustic yet refined, they stand as enduring testaments of the striking balance only master woodworkers are able to create.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolourlation. The cushions have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.02 in W × 23.62 in D × 38.58 in H; Seat height 16.34 in; Seat depth 21.26 in; Arm height 22.83 in

61 cm W x 60 cm D x 98 cm H; Seat height 41.5 cm; Seat depth 54 cm; Arm height 58 cm