A Pair of Hans-Agne Jakobsson "Pastoral 376-3" Ceiling Lights for Hans-Agne Jakobsson AB, Sweden 1960s






















A Pair of Hans-Agne Jakobsson "Pastoral 376-3" Ceiling Lights for Hans-Agne Jakobsson AB, Sweden 1960s
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Price category: 5,000 - 7,500 usd / eur
Active between the 1950s and '70s—in the golden age of Scandinavian design—Swedish interior decorator and furniture designer Hans-Agne Jakobsson is best remembered for his softly glowing, glare-free lighting fixtures.
The “Pastoral” series contains Jakobsson’s most celebrated light fixtures, characterised by their brass poles and smoked-glass shades. The design of these "Pastoral 376-3" ceiling lights clearly showcases the Swedish designer’s studies in architecture, with beautiful geometric forms and symmetry dominating the structure. The three shades resemble pressed spheres and hang from the brass pole like fruits, enhancing the organic forms that influenced Jakobsson. The smoked glass shades look equally appealing with the light switched on or off, however when it is on, the brass base truly stands out. Thanks to the arrangement of the bulbs, these lamps divide the light evenly. As evidenced by this model, Jakobsson mastered both the direction and colour of light.
Famed for his imaginative light fixtures, which utilise unique angles and materials to create a soft quality of light, Jakobsson is among the most celebrated Scandinavian lighting designers. His models are timeless, showing how shaping light with the use of materials and colours came naturally to him. These ceiling lamps were created at his own famed workshop, Hans-Agne Jakobsson AB, in Markaryd, Sweden.
Condition:
In good vintage condition. Wear consistent with age and use. Small damage on some glass shades.
Dimensions:
18.89 in W x 18.89 in D x 12.99 in H
48 cm W x 48 cm D x 33 cm H
About the Designer:
Born in 1919 in Gotland, Sweden, Hans Agne Jakobsson is one of the most well-known Swedish lighting designers. He did his carpenter apprenticeship before studying architecture in Gothenburg.
First working as an industrial designer for General Motors, he later founded his own company after being an assistant to the designers Carl Malmsten and Werner West. In 1950, due to Christmas, he added a model of hanging lamps in small strips of pine in one of his stores to soften the lively lighting of the shop window. The people who were passing by were immediately seduced by this hanging lamp, which started it all. He established his own company in 1951: Hans Agne Jakobsson AB and began producing this model in his factories and achieved success abroad as well. In 50 years, he designed more than 2000 lamps with unique designs.
He used materials and experimented with multiple techniques, for example using fabrics with fringes, blown glass of colour and smoked glass. His great diversity resulted in a wide range of timeless lighting models. These pieces continue to seduce design lovers, as they adapt themselves to any interior, without blending into the background.
Today, Jakobsson’s works can be found in private homes as well as public institutions throughout Sweden. The designer passed away in 2009 in Sweden, leaving behind a great legacy.
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Price category: 5,000 - 7,500 usd / eur
Floor lamps produced across Europe in the mid twentieth century often explored new material combinations while maintaining the restrained forms associated with modern design. During this period, artists frequently experimented with metals, finishes, and details to create lighting that felt contemporary while remaining practical for everyday interiors. The combination of the brass body and rattan shade of this floor lamp represents the period.
The lamp’s material choice gives the piece a subtle warmth and sophistication, creating a timeless aesthetic that blends understated luxury with functional craftsmanship. The piece strikes a great balance: while the metal structure provides strength and stability, natural materials soften the overall appearance. The circular brass base transitions into the stem, gracefully curving to support the striking shade. Not only is the brass durable but it develops a beautiful patina over time, adding to the aesthetic value. The adjustable rattan empire lampshade creates a cosy effect when the lamp is lit, as the light peeks through the woven gaps. Since the head of the lamp is adjustable, it allows the user to tailor the light direction, making it a versatile piece. This technical detail allows the expressive structure to combine functionality with visual appeal.
This floor lamp is the perfect way to add a touch of elegance to any space without being overwhelming. Its expert craftsmanship and unique character showcase the beauty obtained when industrial manufacture meets traditional crafts such as rattan weaving.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Minor dents on the brass base. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
22.05 in W x 19.69 in D x 56.30 in H
56 cm W x 50 cm D x 143 cm H
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Price category: 9,000 - 12,500 usd / eur
Paavo Tynell was one of the central figures in the development of modern Finnish lighting. Trained as a metalworker, he co-founded the company Taito Oy in 1918, where he served as managing director and chief designer for several decades. By the 1930s, Tynell was designing lighting for major architectural projects and working alongside figures such as Alvar Aalto, developing an approach in which precise metalwork, simple forms and carefully diffused light came together.
Model “7239” is composed around cylindrical opal glass shades suspended from compact nickel-plated metal structures. Each fixture begins with a circular wall plate, from which a short arm projects horizontally before bending downward at a clean right angle toward the shade. This simple curve gives the lamps a clear architectural profile, while the reflective metal introduces a sharp contrast against the softly luminous glass. The shades have an elongated cylindrical form with gently rounded corners, through which light passes evenly thanks to the opal glass. When lit, the shades turn into warm glowing volumes while keeping the bulb concealed. A shallow metal cap closes the upper part of each shade and visually connects it to the arm above, giving the fixture a particularly resolved transition between glass and metal. The proportions are carefully controlled: the round backplate echoes the width of the shade without competing with it, while the short projecting arm holds the glass just far enough from the wall for its full shape to remain visible.
Seen as a pair, the repeated circles, curved arms and vertical glass forms create a strong rhythm. These model “7239” lamps are particularly effective beside a bed, a mirror or artwork, or arranged along a hallway, as they are perfect for adding warmth without dominating the space.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. Due to the nature and age of the materials, the items have minor marks, scratches, chips and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
5.51 in W x 9.64 in D x 11.81 in H
14 cm W x 24.5 cm D x 30 cm H
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Price category: 2,500 - 5,000 usd / eur
Danish lighting of the 1950s was closely tied to the functional principles of Scandinavian modernism, with designers giving increasing attention to flexibility, compact construction and the quality of light within an interior. Wall-mounted fixtures were particularly suited to this approach, freeing surrounding surfaces while allowing illumination to be positioned where needed.
This wall lamp develops that idea through a long articulated arm constructed in fluted brass. From a narrow vertical wall mount, the arm extends upward through a sequence of bends, creating a pronounced zigzag silhouette before reaching the shade. Along the arm there are multiple pivot points, making the changing geometry of the arm one of the lamp’s most distinctive visual features. The fluting runs along the brass tubing, catching the light across its ridged surface and giving depth to a component that might otherwise appear purely mechanical. At the end, an adjustable fitting supports a simple cylindrical fabric shade, whose soft surface and warm illumination contrasts with the harder, darker character of the metal. The shade is angled downward, directing light toward a specific area while remaining independently adjustable from the larger swing-arm mechanism. The composition is especially effective when seen from the side, while from the front the narrow wall plate almost disappears against the wall, leaving the long brass line to project freely into the surrounding space.
The generous reach and the adjustments make this lamp particularly appealing beside a sofa, reading chair or bed, where it can provide focused illumination without occupying any floor or table space. At the same time, the articulated brass arm gives it a strong graphic presence even when switched off. Its combination of flexibility, warm light and expressive metalwork gives the lamp both the practicality and character associated with Danish mid-century lighting.
Condition:
In good vintage condition. Wear consistent with age and use. The wall lamp has recently been reconditioned and rewired. The shade is a later replacement. The brass is patinated. There are minor dents and scratches in the metal. Due to the age and nature of the brass, the lamp may have marks, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
3.94 in W x 26.97 in D x 10.04 in H
10 cm W x 68.5 cm D x 25.5 cm H
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Price category: 1,000 - 2,500 usd / eur
With a legacy spanning over seven decades, Hans-Agne Jakobsson redefined modern design by seamlessly blending form and function. His designs’ unique quality lies in effortlessly infusing Scandinavian simplicity with a touch of innovation, resulting in pieces that transcend time, like this table lamp.
While Jakobsson designed and produced various types of furniture, his lighting received greater international attention - and not without good reason, as this lamp showcases. The craftsmanship involved in creating this model is evident in the seamless construction and attention to detail, with no visible joints or interruptions in the design’s flow. The body is meticulously crafted from blackened wood, utilising the material’s smooth quality. The wooden base of the model is designed to provide stability, while still maintaining an overall sleek aesthetic. The dark tones and smooth surface evoke visual interest, while the soft glow of the light-coloured shades allow for a warm, inviting atmosphere in any room. True to Hans-Agne Jakobsson’s design vision, this lamp model utilises its quality materials to create a soft quality of light. This piece was created at his own famed workshop in Markaryd in Sweden where the designer and cabinetmaker gave shape to most of his era-defining creations.
These lamps represent a marriage of form and function, a hallmark of Swedish mid-century modern design. Hans-Agne Jakobsson's legacy endures through items like these – timeless examples of how simplicity, combined with thoughtful craftsmanship, can result in pieces that go beyond their utilitarian purpose.
Condition:
In good vintage condition. Wear consistent with age and use. The item has recently been rewired and reconditioned. The shade is a later replacement. Minor marks and scratches on the wooden base. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
12.79 in ø x 17.91 in H
32.5 cm ø x 45.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Hans-Agne Jakobsson was one of the central figures of Swedish lighting design during the post-war decades. After training as both a carpenter and architect, he founded his own company in Markaryd in 1951, where he developed lighting that softened the harsher qualities of electric illumination through carefully designed shades, natural materials and restrained forms. Model “G43” reflects this approach through a particularly light and minimal construction.
The lamp is constructed around a slender white lacquered metal frame, creating a clear vertical axis that gives the piece a light presence. Three thin metal rods create the better part of the stem, spreading outward at the base, each ending in a small rounded foot, while their narrow proportions keep the structure visually unobtrusive. The stem is interrupted by two sections wrapped in brown leather, introducing warmth and texture to the otherwise precise metal construction. A large conical fabric shade sits at the top, its broad proportions creating a strong contrast with the exceptionally slender frame below. The shade becomes the visual volume of the design and filters the light through its fabric surface, producing a soft, warm glow. The simple triangular profile of the shade is balanced by the three-legged base, giving the lamp a clear sense of proportion despite the minimal structure.
The “G43” is a particularly good example of Jakobsson’s ability to give simple lighting a distinct identity through proportion and material. Its narrow frame takes up very little visual and physical space, making it easy to position beside a sofa, lounge chair, or in a corner where a larger floor lamp could feel intrusive. The leather details and warm fabric shade add character to the restrained construction, resulting in a lamp that works equally well as a source of atmospheric light and as an elegant example of Swedish mid-century design.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade was custom made by our in-house atelier. The leather has signs of wear. Minor marks, scratches, and dents on the stem. Due to the age and nature of the materials, the item may have marks and discolouration. The lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
18.50 in ø × 57.48 in H
47 cm ø x 146 cm H
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Price category: 2,500 - 5,000 usd / eur
By the mid-20th century, Finland had emerged as a quiet force in modern design, defined not by spectacle but by sensitivity to light, material, and atmosphere. Finnish designers often pursued a dialogue between illumination and interior space. Among the most influential voices in this movement was Gunnel Nyman, a pioneer of modern glass design who collaborated with manufacturers such as Idman.
Gunnel Nyman (19 September 1909 – 7 October 1948) was a Finnish glass and metal artist, and one of the leading figures of modern Finnish glass design. During the post-war era she transitioned to glassware and collaborated or worked on commission with various glassworks including Riihimäki, Karhula-Iittala and Nuutajärvi. She was also an advocate of early mass-produced glassware, with her work featuring organic lines and focusing on the characteristics of glass itself. This "80115" ceiling lamp embodies the sleek and simple aesthetic that characterised Finnish design in the mid-20th century. Even in the absence of ornamentation, there was always an emphasis on interesting materials. Milk glass, the material of this piece, was appropriately named for its opaque or transparent ivory white tone. It was first created in Venice in the 16th century, and was known as Lattimo. At that time, it was widely used for decorative purposes and continued to be popular during the 20th century, when the material was used for home accents to decorate households. This lamp has an eye-catching rounded cone shape, with a blunted end and soft edges. Thanks to the concealed ceiling holder, the piece is flush mounted, staying close to the ceiling and allowing the glass shade to remain the focal point. Nyman was a master of working with milk glass, and her lamps of this material are some of her most sought-after designs.
Although Gunnel Nyman’s career was cut short by an untimely death, she had enough time to give a new direction to Finnish glass design. At the Milan Triennial in 1951, Nyman was awarded the gold medal for glass posthumously.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The metal has marks and scratches. Due to the age and nature of the materials, the lamp may have marks, and discolouration. Additional imperfections on the glass may be present due to manufacturing inconsistencies and age. All lighting can be converted for US usage.
Dimensions:
9.45 in ø x 9.65 in H
24 cm ø x 24.5 cm H
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Price category: 1,000 - 2,500 usd / eur
In the annals of mid-century modern design, the Swedish designer and architect, Gunnar Asplund stood out as a luminary, and his delicately sculptural creations, such as this "GA9" wall lamp, epitomises the era's sophistication and functional beauty. Erik Gunnar Asplund is celebrated as the godfather of functionalist design in Sweden. His meticulous attention to detail and penchant for marrying form with function is evident in this wall lamp.
This model emphasises geometric simplicity and clarity of form. The “GA9” appears to be inspired by a droplet or floating jellyfish. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. The construction of this model is ingenious, with a bent arm holding the socket in the centre of the luminaire, and another arm supporting the shade. The black metal bends organically into a sinuous form, while the back-plate has a square shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The glass shade has a faint violet tone, visible when the light is turned off. The atmospheric glow makes sure to enhance its surroundings, which is the most basic and fundamental of all lighting principles. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen.
An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their lighting collections, and this “GA9” Gunnar Asplund lamp demonstrates why.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal structure has some marks and scratches. Due to the nature and age of the materials, the item may have discolouration and imperfections. All lighting can be converted for US usage.
Dimensions:
10.23 in W x 15.74 in D x 8.66 in H
26 cm W x 40 cm D x 22 cm H
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Price category: 2,500 - 5,000 usd / eur
This model "C2293/6" chandelier was created in what we now call “the golden age of Scandinavian design”. Hans-Agne Jakobsson was the great Swedish master of lighting, creating some of the most recognizable mid-century modern lamps of Scandinavia. This incredible chandelier is no exception.
The design of this "C2293/6" hanging light clearly shows the Swedish designer’s studies in architecture, with beautiful geometric forms and symmetry dominating the structure. The three cylindrical shades hang from the brass pole like fruits, enhancing the organic forms that influenced Jakobsson. The smoked glass shades look equally appealing when the light is on or off, but when lit, the brass base truly stands out. The prowess of the designer becomes evident as this model stands as a statement piece despite its minimalism. Since the two materials - brass and tinted glass - dictate the look, much attention was paid to their quality and to the craftsmanship that united them into the cylindrical shape to create a timelessly modern look. The design has great proportions, and when lit, it creates an exceptionally atmospheric light, giving the brass a vivid colour as well.
This lamp is truly a testament to the enduring appeal of Swedish modern design and to Hans-Agne Jakobsson's lasting legacy as one of the movement's most significant designers.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials the item has minor marks and chips and may have scratches and discolouration. Additional imperfections may also be present due to manufacturing inconsistencies. The stem length is 198 cm and can be customised by our in-house workshop to a desired length. Please reach our for more information.
Dimensions:
28.35 in W x 25.59 in D x 101.18 in H
72 cm W x 65 cm D x 257 cm H
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Price category: 2,500 - 5,000 usd / eur
Hans-Agne Jakobsson made a significant mark on the design world during the 20th century, particularly through his exploration of minimalist aesthetics and innovative lighting solutions. As these “Patricia” wall lamps showcase, the Swedish designer mastered both the direction and colour of his lighting designs.
These wall lamps have all the characteristics Jakobsson was famous for: they are elegant and stylish, and while the design allows them to be large and shiny, they never become tacky. With each brass arm holding a tinted glass shade, these lamps clearly show Jakobsson’s studies in architecture, with beautiful geometric forms and symmetry dominating the frames. The popularity of brass in Swedish mid-century modern lighting design can be attributed to its golden hue, which adds warmth to the style's streamlined aesthetic. This wall sconce set further exemplify the mid-century modern movement's guiding principles through their clean lines and geometric shapes. The amber glass shades stand out not only through the pairing of materials, but also by their generous size compared to the delicate appearance of the fixtures.
Sconces are a timeless type of lighting fixture that easily elevate their surroundings. These fixtures never go out of style, and this is especially true for mid-century brass models like these lamps. While already stunning individually, they are even more effective when placed in close proximity to each other.
Condition:
In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned and rewired. Minor discolouration on the glass. Some marks and scratches on the metal. The lamps are compatible wit E26 / E27 (standard) fittings.
Dimensions:
12.20 in W x 9.44 in D x 9.44 in H
31 cm W x 24 cm D x 24 cm H
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Price category: 2,500 - 5,000 usd / eur
In an era marked by unprecedented cultural dynamism and bold artistic expression, the Art Deco movement emerged as a testament to modernity and sophistication. This period witnessed the creation of exquisite pieces that epitomised the union of form and function. Edgard Brandt was a renowned designer in the Art Deco era, and was specifically known for his metalwork. This beautiful wrought iron table lamp is made in the manner of Brandt.
This lamp exemplifies the refined geometry and material richness characteristic of the movement. The piece is constructed from patinated bronze and glass, and the materials’ tones elegantly highlight both the age and craftsmanship. The interplay between the rich patina of the bronze and the off-white glass shade creates a harmonious contrast. The visual interest of this lamp is accentuated by the form of the triskele base. It bridges sculptural presence and domestic functionality. It also embodies the enduring qualities of the Art Deco movement in Europe: geometric refinement, tonal richness, and atmospheric light. The qualities transform it into a bold design statement, while still able to complement a modern space.
This light is a perfect representation of its era’s sophisticated style. Its combination of materials makes it a striking addition to any space, whether in a vintage or contemporary interior. It remains timeless, evoking the glamour of the Art Deco period while providing a practical lighting solution.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The metal is patinated. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
7.08 in ø x 17.71 in H
18 cm ø x 45 cm H
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Price category: 5,000 - 7,500 usd / eur
Swedish Grace was an important movement in Swedish design during the 1920s and early 1930s, combining the elegance of classical forms with the simplicity and geometric clarity of early modernism. In furniture and lighting, the style was characterised by carefully considered proportions, decorative metalwork and a restrained approach to ornamentation. This three-armed table lamp from the first half of the 20th century reflects these qualities through its symmetrical construction, contrasting materials, and distinctive arrangement of spherical glass shades.
The lamp features a unique three-armed structure built around a slender central stem, supported by a low circular metal base. The dark vertical column provides a strong central line, while two gracefully curved brass arms extend outward and upward to hold the outer glass shades. Their gentle curves contrast beautifully with the straight stem, creating a balanced and dynamic composition. Each arm terminates in a small metal holder supporting a spherical opal glass shaded. The opaque glass conceals the light sources and diffuses the illumination evenly, producing a warm, atmospheric glow. The contrast between the smooth, rounded glass and the fine metal framework is particularly effective, giving the lamp a light and open appearance despite its substantial elements. When illuminated, the three globes create a striking visual rhythm, while the warm light highlights the golden tones of the brass and the darker finish of the central stem.
The combination of classical symmetry, graceful curves and carefully selected materials makes this table lamp a particularly appealing example of Swedish Grace design. Its three illuminated globes give it a strong decorative presence, making it well suited to a sideboard, console or larger side table where the arrangement can be appreciated from different angles.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the item has some marks, scratches, and discolouration on the brass. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
16.53 in W x 16.53 in D x 17.71 in H
42 cm W x 42 cm D x 45 cm H