Pair of Red Upholstered Amsterdamse School Chairs, The Netherlands ca 1930s

Pair of Red Upholstered Amsterdamse School Chairs, The Netherlands ca 1930s

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Price category: 5,000 - 7,500 usd / eur

“Amsterdamse School” was an influential Dutch architectural and design movement that emerged in the early 20th century, and left an indelible mark on the cultural landscape of the Netherlands and on Europe on a larger scale. Beyond its architectural achievements, the Amsterdamse School also extended its influence to interior design and furniture, giving rise to a distinctive style that reflects a harmonious blend of craftsmanship, artistic expression, and social ideals exemplified by this pair of chairs with an enduring appeal, quality, and style.

The Amsterdamse School movement arose in response to the predominant influence of Art Nouveau and Jugendstil in the late 19th and early 20th centuries. Designers sought to integrate form and functionality seamlessly, resulting in furniture pieces that were not only visually striking but also practical. The construction of these chairs is solid and balanced, yet does not shy from a dynamic interplay of shapes: the bold geometry of the backrests contrasts with the smooth linearity of the base. Subtle, intricate detailing can be observed in this pair as well, from the tightly fit upholstery to the carved wooden back and legs, and, before all else, a strong emphasis on craftsmanship. The simple, warm colour palette and gentle design make this pair of chairs an ideal addition to both contemporary and traditional living spaces. It is evident that the maker of these chairs was highly aware of body proportions, prioritising comfort just as much as the visual qualities.

This pair is a timeless addition to any room, blending sculptural presence with everyday functionality. As with much of the Amsterdamse School’s work, these chairs stand as enduring examples of early 20th century Dutch design at its finest; warm, distinctive, and thoughtfully made.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items have marks, scratches, dents, and discolouration. The chairs have recently been reupholstered. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

18.7 in W x 21.45 in D x 34.44 in H; Seat height 20.07 in; Seat depth 17.13 in

47 cm W x 45 cm D x 97.5 cm H; Seat height 53 cm; Seat depth 43.5 cm

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Price category: 2,500 - 5,000 usd / eur

This remarkable armchair was designed by German artist, Willi Ohler. The so-called “Worpsweder” either denote chairs made at the Worpsweder Kunsthütten (Worpsweder arts huts) in Germany, or a specific style of German chairs with solid wood frames, broad armrests, often from tall wood, with woven seats and backs. This piece features all of those characteristics.

Crafted during a time when movements like Modernism were reshaping design worldwide, this early 20th-century armchair reflect a transitional style rooted in both simplicity and elegance. This era emphasises clean lines, unique shapes, and high-quality craftsmanship to achieve timeless pieces like this one. The honey-toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

Worpswede in Lower Saxony is famous nationwide for its long tradition as an artists' colony. Nowadays, about 130 artists and craftsmen and women live there permanently. The artists who created the so called "Worpsweder Kuentlerkolonie" were looking for the simple and original in art and life. The traditional reed and rush woven chairs of this region were greatly appreciated by the artists of the colony, and some of them were still produced around 1900-1920. They have become collectors’ pieces thanks to the craftsmanship that went into each chair’s creation.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the materials the item has minor scratches and discolouration.

Dimensions:

34.64 in W x 33.07 in D x 46.45 in H; Seat height 16.53 in; Seat depth 19.68 in; Arm height 24.80 in

88 cm W x 84 cm D x 118 cm H; Seat height 42 cm; Seat depth 50 cm; Arm height 63 cm

Oak Lounge Chair in Champagne Ponyskin by Wim den Boon, the Netherlands 1960s

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Price category: 5,000 - 7,500 usd / eur

Wim den Boon was a Dutch designer and architect associated with the post-war modernist movement in the Netherlands. After studying interior design at the Academy of Fine Arts in The Hague, he worked alongside artists like Hein Stolle and Pierre Kleykamp to contribute to a number of important post-war interiors, including projects for Schiphol Airport. Den Boon later established himself independently in The Hague, where he designed furniture characterised by restrained compositions, careful spatial treatment, and a preference for unadorned everyday materials.

Influences from De Stijl and Scandinavian modernism remained visible throughout his work, particularly in the balance between strict structure and warmth. This lounge chair reflects that sensibility through its reduced oak construction and tactile ponyskin upholstery. The frame is composed of cylindrical supports and straight horizontal rails, creating a clear geometric outline around the upholstered body. The proportions are low and generous, giving the piece a relaxed, grounded posture. The seat and backrest form a wide lounging space upholstered entirely in champagne-coloured ponyskin. The material introduces a textured surface, giving the otherwise minimal form a sense of movement and depth. Still, the oak remains visible throughout the design, outlining the silhouette and through its slim slats it prevents the chair from appearing overly heavy. The tilt of the backrest softens the strict geometry and contributes to the lounge-like comfort of the piece.

Den Boon was part of the generation of Dutch designers who helped shape post-war modernism in the Netherlands through a restrained and architectural approach to furniture. This chair is proof of his talent. It feels architectural in structure, yet tactile and warm in appearance, reflecting the balance that made Dutch modernist furniture so distinctive during the period.

Condition:

In good vintage condition. Wear consistent with age and use. The lounge chair has recently been reconditioned. Due to the age and nature of the materials, the item may have marks, scratches, and discolouration. The piece has recently been reupholstered in premium ponyskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.79 in W x 34.26 in D x 27.56 in H; Seat height 14.97 in; Seat depth 20.67 in

65.5 cm W x 87 cm D x 70 cm H; Seat height 38 cm; Seat depth 52.5 cm

Haagse School Armchair with Red Upholstered Seat, The Netherlands First Half of the 20th Century

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Price category: 2,500 - 5,000 usd / eur

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. "Typical of The Hague" - that was how the designer spoke of the style. The movement blossomed between 1925 and 1940 and brought uniformity to the cityscape. The Hague School style is closely related to the Amsterdam School and the Bauhaus movement, but has more-so been influenced by Art Deco, and it drew a great deal of inspiration from Berlage's rationalism, the Arts and Crafts movement, and De Stijl.

This chair showcases a robust solid wood construction, with a warm, slightly patinated surface that highlights the natural grain and depth of the material. The frame is deliberately straightforward yet bold, giving the chair a grounded presence that feels both honest and enduring. The design is defined by a subtle architectural quality achieved through wooden slats and panels, characteristic of Dutch seating. From every angle, the chair reveals thoughtful joinery and a careful balance, with no unnecessary embellishment, only purposeful design choices that emphasise durability, comfort, and visual cohesion. The seat is upholstered in a fabric with a deep tone, which allows the focus to remain on the wooden frame. The squared legs are connected by stretchers that reinforce the structure while maintaining a clean visual rhythm.

Haagse School furniture wasn’t flashy but instead focused on being well-made and to fit a warm, comfortable and welcoming home. As this chair exemplifies, blending functionality, good quality natural materials and organic colours with excellent craftsmanship is the key to the success of this design period.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor dents and scratches are present. Due to the nature and age of the wood, the item has some marks and discolouration. The item has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

21.86 in W x 22.64 in D x 34.45 in H; Seat height 21.66 in; Seat depth 20.08 in; Arm height 27.56 in

55.5 cm W x 57.5 cm D x 87.5 cm H; Seat height 55 cm; Seat depth 51 cm; Arm height 70 cm