Set of Four Oak Dining Chairs with Rush Seats, France 1960s

Set of Four Oak Dining Chairs with Rush Seats, France 1960s

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Price category: 5,000 - 7,500 usd / eur

‎The postwar decades in France marked a flourishing period for modernist design, showcasing the artistry of functional forms and skilled craftsmanship. Furniture from this era embraced clean lines, minimal ornamentation, and leaned on the honesty of materials to reflect the post-war ethos of practicality and renewal.

This set stands as a timeless testament to the exceptional craftsmanship and distinctive style of french creators, forever influencing worldwide design. Each chair is meticulously crafted from rich, warm wood, showcasing the natural beauty of the grain while emphasizing a balance of sturdy yet graceful proportions. The seats are made from woven rush, offering comfort without sacrificing the chair's sculptural integrity. To complete the look, the chairs feature stretchers between the legs, on one hand adding to the strong, angular look, while on the other hand ensuring durability for decades to come. Their proportions and carefully balanced lines speak to the French rural aesthetic, where practicality met understated artistry, combining comfort and rustic charm in an iconic 1960s manner.

With their clean edges, dark colour and straight-forward look, the design of these dining chairs is understated, yet undeniably bold, making them a timeless addition to a room. From bringing a touch of elegance to commanding visual attention, this set adds the character needed in a space.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the wood, the items have some marks, scratches, and discolouration.

Dimensions:

18.1 in W × 17.7 in D × 36.4 in H; Seat height 19.3 in; Seat depth 16.7 in

46 cm W x 45 cm D x 92.5 cm H; Seat height 49 cm; Seat depth 42.5 cm

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Price category: 5,000 - 7,500 usd / eur

This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.

Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.

Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.

Condition:

In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.

Dimensions:

17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in

44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm

Brutalist Oak and Rush Armchair with Upholstered Seat, Spain 1950s

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Price category: 2,500 - 5,000 usd / eur

Derived from the French "brut", meaning raw, Brutalism describes the architectural style that emerged in the mid-20th century, featuring minimalist constructions that showcase bare materials and structural elements over decorative design. It originated post–World War II, when low-cost housing and government buildings were composed of mainly raw, unrefined materials. Similarly, in furniture design, Brutalism inspired creators to follow the same look of deliberate simplicity, honesty and strength.

This armchair stands as evidence why many European architects succeeded at the craft of furniture design; the precision of the structure and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the designer’s focus was evidently on practicality, structural stability, and construction in favour of these principles. The straight lines and the absence of excess decoration are very typical of the era’s designers, who saw possibilities in the aesthetics of modernist design and materials. This beautiful chair’s simplicity and honest look combined with brutalist influences enhances the exceptional craftsmanship. The woven back and upholstered seat gives the piece an organic and cosy impression, all while staying very functional. It is perfect to bring natural charm to a minimalist space. The oak has a beautiful patina due to its age, feature that enhances even more its charm.

Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This armchair serves as both an homage to the past and a testament to the timeless allure of Brutalism.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has marks, and scratches. The arms show discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

25.19 in W x 27.95 in D x 26.77 in H; Seat height 15.74 in; Seat depth 20.86 in; Arm height 23.62 in

64 cm W x 71 cm D x 68 cm H; Seat height 40 cm; Seat depth 53 cm; Arm height 60 cm

Rattan "Canton" Chair by Kay Fisker for Robert Wengler, Denmark ca 1960s

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Price category: 2,500 - 5,000 usd / eur

While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.

Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.

The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.

Condition:

In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information

Dimensions:

34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in

87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm

High-Back Chair with Wicker Seat by Bas van Pelt, The Netherlands 1940s

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Price category: 2,500 - 5,000 usd / eur

Bas van Pelt was one of the key figures in early Dutch modernist design, active during the 1930s and 1940s through his firm “My Home.” His work is recognised for its clarity of construction, careful proportions, and thoughtful integration of natural materials. Van Pelt focused on creating furniture that balanced function and craftsmanship, often incorporating elements such as wicker, rattan, and solid wood to introduce both durability and texture.

This high-back chair by Bas van Pelt combines of strong verticality and refined material contrast. The solid wooden frame establishes a clear architectural outline, with the elongated tall back defining the silhouette. The back is composed by ladder-like horizontal slats that introduce a sense of rhythm while maintaining the openness of the design. The seat is crafted from woven wicker, a material valued for its strength and breathability, which adds a tactile, organic quality to the otherwise linear construction. This contrast between the smoothness of the frame and the texture of the woven surface is central to the chair’s character. The armrests are gently shaped, introducing a subtle curvature that softens the overall form. Below, the legs are connected by stretchers that reinforce the structure and ensure stability. The craftsmanship is evident in the precision of the joinery which contribute to the overall sense of durability and refinement.

This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted frame to the beautiful woven element, the chair remains of hifh quality and ideally suited for everyday use.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some chips and dents are present. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

25.20 in W x 28.35 in D x 40.95 in H; Seat height 13.39 in; Seat depth 20.08 in; Arm height 23.82 in

64 cm W x 72 cm D x 104 cm H; Seat height 34 cm; Seat depth 51 cm; Arm height 60.5 cm