Set of Four Wood and Woven Rush Dining Chairs, Europe ca 1950s




























Set of Four Wood and Woven Rush Dining Chairs, Europe ca 1950s
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Price category: 2,500 - 5,000 usd / eur
This mid-century dining chair set was born from a desire to create a design that was comfortable, organic and cosy in its simplicity. The design incorporates subtle, yet stunning decorative elements on a base that Scandinavians like to call “honest design”.
This set carries with it the same beloved modernist characteristics applied to American, Scandinavian, and Italian mid-century design – simple, functional – and shows the generally less known rustic side of European design of the era. The aesthetic is defined by the thick, straight wooden lines and the minimal backrests. The backrests are hollowed out, and the shape is the single round element of the design. The structure comprised of wooden blocks creates an airy and sturdy look that is further enhanced by the legs’ stretchers. The overall design of these chairs is reminiscent of the French brutalist pieces of the era with the additional charm provided by the woven rush seats. This design element with expert weaving, pairs beautifully with the solid wood bodies, and gives this set’s pieces their rustic and organic look.
Defined by clean, smooth lines, and excellent joinery, each of these dining chairs was created by exceptionally skilled craftsmen who made sure these chairs are durable, sturdy and functional, while their expertise and use of high-quality wood and rush make each piece a beautiful design heirloom.
Condition:
In good vintage condition. Wear consistent with age and use. Some minor scratches, watermarks and some discoloration on the wood.
Dimensions:
17.51 in W x 18.5 in D x 34.05 in H; Seat height 17.91 in
44.5 cm W x 47 cm D x 86.5 cm H; Seat Height 45.5 cm
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Price category: 2,500 - 5,000 usd / eur
Derived from the French "brut", meaning raw, Brutalism describes the architectural style that emerged in the mid-20th century, featuring minimalist constructions that showcase bare materials and structural elements over decorative design. It originated post–World War II, when low-cost housing and government buildings were composed of mainly raw, unrefined materials. Similarly, in furniture design, Brutalism inspired creators to follow the same look of deliberate simplicity, honesty and strength.
This armchair stands as evidence why many European architects succeeded at the craft of furniture design; the precision of the structure and the rush weaving is evident at first glance, showing great geometric order. Driven by function, the designer’s focus was evidently on practicality, structural stability, and construction in favour of these principles. The straight lines and the absence of excess decoration are very typical of the era’s designers, who saw possibilities in the aesthetics of modernist design and materials. This beautiful chair’s simplicity and honest look combined with brutalist influences enhances the exceptional craftsmanship. The woven back and upholstered seat gives the piece an organic and cosy impression, all while staying very functional. It is perfect to bring natural charm to a minimalist space. The oak has a beautiful patina due to its age, feature that enhances even more its charm.
Its bold, unapologetic aesthetic resonates with those seeking a departure from the sleek minimalism of recent years. This armchair serves as both an homage to the past and a testament to the timeless allure of Brutalism.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the item has marks, and scratches. The arms show discolouration. The seat cushion has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
25.19 in W x 27.95 in D x 26.77 in H; Seat height 15.74 in; Seat depth 20.86 in; Arm height 23.62 in
64 cm W x 71 cm D x 68 cm H; Seat height 40 cm; Seat depth 53 cm; Arm height 60 cm
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Price category: 2,500 - 5,000 usd / eur
While Kay Fisker is considered a leading exponent of Danish Functionalism, his designs show why he was also a great influence on the Danish housing culture. This model was famously brought to Denmark from China by Fisker and there manufactured by Robert Wengler.
Having trained architects and designers such as Finn Juhl, Kay Fisker designed his furniture pieces with the greatest architectural precision and quality. This “Canton” is a one-of-a-kind design, with an immediately recognisable frame and wickerwork. The masterfully woven cane gives this chair an airy look, complimented by the loose, upholstered seat cushion that adds comfort and cosiness to complement the frame. From every angle, this chair is visually arresting; from the front to the sides and back, the curves and geometric lines provide plenty of visual interest. This chair has a distinct designer edge, with clear signs of a skilled architect. The straight lines are mainly in service of the structural stability, while the lower panel in the front are the creation of an equally skilled designer. The back is especially creative, as it flows down to form the armrests and then further down to the legs, creating balance between the curved and straight lines. Fisker, like many of his Danish contemporaries was highly skilled both as an architect and as a furniture designer, and the “Canton” is perhaps the best evidence of that.
The manufacturer, Robert Wengler was a German craftsman who specialised in wicker furniture, and was appointed as a wicker maker to the Danish Crown in 1914. He was a pioneer in working with rattan in the early 20th century and became the most skillful wicker-maker in Denmark.
Condition:
In good vintage condition. Wear consistent with age and use. The armchair has recently been reconditioned. Due to the age and nature of the metal, the armchair may have minor marks and discolouration. The chair has recently been reupholstered in premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information
Dimensions:
34.25 in W x 37.40 in D x 39.17 in H; Seat height 19.68 in; Seat depth 21.65 in; Arm Height 23.42 in
87 cm W x 95 cm D x 99.5 cm H; Seat height 50 cm; Seat depth 55 cm; Arm Height 59.5 cm
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Price category: 2,500 - 5,000 usd / eur
Bas van Pelt was one of the key figures in early Dutch modernist design, active during the 1930s and 1940s through his firm “My Home.” His work is recognised for its clarity of construction, careful proportions, and thoughtful integration of natural materials. Van Pelt focused on creating furniture that balanced function and craftsmanship, often incorporating elements such as wicker, rattan, and solid wood to introduce both durability and texture.
This high-back chair by Bas van Pelt combines of strong verticality and refined material contrast. The solid wooden frame establishes a clear architectural outline, with the elongated tall back defining the silhouette. The back is composed by ladder-like horizontal slats that introduce a sense of rhythm while maintaining the openness of the design. The seat is crafted from woven wicker, a material valued for its strength and breathability, which adds a tactile, organic quality to the otherwise linear construction. This contrast between the smoothness of the frame and the texture of the woven surface is central to the chair’s character. The armrests are gently shaped, introducing a subtle curvature that softens the overall form. Below, the legs are connected by stretchers that reinforce the structure and ensure stability. The craftsmanship is evident in the precision of the joinery which contribute to the overall sense of durability and refinement.
This armchair shows why Bas van Pelt is widely regarded as a Dutch design icon. From the handcrafted frame to the beautiful woven element, the chair remains of hifh quality and ideally suited for everyday use.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Some chips and dents are present. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration.
Dimensions:
25.20 in W x 28.35 in D x 40.95 in H; Seat height 13.39 in; Seat depth 20.08 in; Arm height 23.82 in
64 cm W x 72 cm D x 104 cm H; Seat height 34 cm; Seat depth 51 cm; Arm height 60.5 cm
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Price category: 7,500 - 10,000 usd / eur
This pair of armchairs is designed in the manner of Charles Dudouyt, one of the most distinctive figures in French decorative arts of the interwar period. Dudouyt’s work is often celebrated for its rustic charm, and masterful handling of wood, bridging tradition with the evolving aesthetics of Art Deco and modern design.
Impressive in its simplicity, this pair carries with it the beloved modernist characteristics of simplicity and functionality yet shows the rustic side of European design of the era. The chairs feature sturdy wooden frames with a rich, dark finish that accentuates the natural grain and depth of the wood. The meticulous craftsmanship of the wood’s joinery further enhances the chairs' allure; impeccably constructed with no visible screws, the seamless connections speak volumes about the artisan's dedication to precision and quality. The absence of visible hardware not only contributes to the chairs' aesthetic purity but also underscores the skilled craftsmanship that went into their creation. The grounded stance gives the chairs a quiet strength, while the broad seats invite relaxed, informal lounging. Upholstered in a textured beige fabric, the cushions pair a tactile, inviting surface with the clean lines of the wood and wicker base, achieving a compelling balance between warmth and restraint. The combination of materials and finishes results in visually appealing pieces while adding warmth and comfort to the overall design. The dualism within these chairs is amazing: they can fulfill their functional purpose in an interior while also achieving their aesthetic role.
The essence of early 20th century French design is beautifully captured by this pair of armchairs. Functional yet sculptural, rustic yet refined, they stand as enduring testaments of the striking balance only master woodworkers are able to create.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the nature and age of the materials, the items may have some marks, scratches, and discolouration. The cushions have recently been reupholstered in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
24.02 in W × 23.62 in D × 38.58 in H; Seat height 16.34 in; Seat depth 21.26 in; Arm height 22.83 in
61 cm W x 60 cm D x 98 cm H; Seat height 41.5 cm; Seat depth 54 cm; Arm height 58 cm
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Price category: 5,000 - 7,500 usd / eur
This beautiful chair design was crafted by French duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century, and are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most French mid-century design - it connected everyday objects to nature. These chairs are a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven papercord makes the pieces an outstanding example of woven furniture. They feature a fairly traditional shape with soft edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes these pieces stand out with an elemental edge. The colour palette further allows easy adaptation to almost any interior, functioning to either complement a space or to stand out as an accent.
Today, Audoux and Minet's designs are highly sought after by collectors and are considered important examples of mid-century modern design. Furniture pieces like this pair of armchairs stand out through their unique textures, and their materials, as well as their classic charm.
Condition:
In good vintage condition. Wear consistent with age and use. The chairs have recently been reconditioned. Due to the age and nature of the materials, the items have minor marks, scratches, dents and discolouration.
Dimensions:
17.51 in W x 20.86 in D x 32.28 in H; Seat height 17.32 in; Seat depth 17.51 in
44.5 cm W x 53 cm D x 82 cm H; Seat height 44 cm; Seat depth 44.5 cm