Glazed Ceramic Table Lamp with Abstract Relief by Jette Hellerøe for Axella, Denmark 1970s


































Glazed Ceramic Table Lamp with Abstract Relief by Jette Hellerøe for Axella, Denmark 1970s
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Price category: 2,500 - 5,000 usd / eur
Jette Hellerøe was among the ceramic artists who collaborated with the Danish workshop Axella during the 1970s, a period when studio pottery played an increasingly important role in Scandinavian interior design. Axella's production focused on handcrafted stoneware with expressive glazes and decoration, translating the qualities of studio ceramics into functional objects for the home. Hellerøe's designs are characterised by their sculptural forms and carefully worked surfaces, making each lamp unique in its own right.
The piece features a slender, tapering ceramic base with a richly textured glaze. Its surface features tonal variations and a lovely abstract pattern. The base of this piece features decorative motifs which greatly add to the visual interest while also adding depth. This design reflects the approach that an object can be utilitarian yet still anchored in the artistic ceramic traditions that defined Danish craft throughout the mid-20th century. The fabric shade introduces a layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. The earthy tones, ranging from muted browns to softer, lighter hues, reinforce the natural character of the ceramic, allowing the glaze to complement the texture rather than dominate it. What gives this lamp its presence is the way it feels anchored without appearing heavy. The form is simple, yet the surface carries enough detail to hold attention. Whether placed on a side table or console, its material qualities can be appreciated without needing excess ornament to stand out.
Jette Hellerøe’s designs represent the bulk of Axella’s pieces, and lamps like this one demonstrate why her career was so successful. From the carefully modelled ceramic body, tactile relief decoration, and balanced proportions, the lamp is a perfect example of the Scandinavian ceramic tradition.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the ceramic, the table lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
13.78 in ø x 11.02 in H
35 cm ø x 28 cm H
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Price category: 2,500 - 5,000 usd / eur
Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.
Rather than pursuing strict minimalism, Sejersen’s pieces emphasise depth, surface variation, and a bold handmade charm, giving them a strong presence while remaining rooted in mid-century design. This table lamp is a striking example of mid-century Danish ceramic design, combining the era's affinity for natural materials with an emphasis on uniqueness. This particular lamp features a round shaped body crafted from glazed chamotte stoneware, a type of ceramic known for its durability and textured finish. The body thus offers the piece a natural feel enhanced by the organic relief pattern. The appreciation of nature and simplicity can also be observed through the earthy tones of the lamp, mixing with blues in a flowing, organic pattern. The shade is made out of a light-toned fabric complementing the body through its wavy edge.
As a whole, the lamp represents the strengths of Danish mid-century design, where simplicity was a way of allowing material, form, and light to shine. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
13.78 cm ø x 17.52 cm H
35 cm ø x 44.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Scandinavian countries, like Denmark, have achieved world-wide renown by incorporating a modern aesthetic into their traditional craft industries, resulting in era-defining pieces with an unparalleled inventiveness. Produced in the 1960s, this table lamp is a refined example of Danish design where craftsmanship and material experimentation meet timeless functionality.
The lamp’s bold, unique body sits with a grounded presence. The design highlights the ceramic, which shows the natural texture and handmade qualities. The top part of the body features a layered rounded detail, bringing even more visual interest into the composition. The darker tone of the top part creates a beautiful contrast against the light coloured lower body. To maintain the visual rhythm, the beautifully geometric shade brings back the tines of the base, resulting in a homogeneous design. Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century.
Both decorative and functional, this table lamp embodies the quiet sophistication that defines Danish mid-century lighting. As an authentic example of 1960s Danish ceramics, it offers a blend of artistry, craftsmanship, and everyday usability. Stylish yet understated, the lamp stands as a refined expression of Palle Michael Degener and Kähler Keramik’s enduring design legacy.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the ceramic, the lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
17.75 cm ø x 25.79 cm H
40 cm ø x 65.5 cm H
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Price category: 2,500 - 5,000 usd / eur
During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Ernst Keramik was among the generation of manufacturers that handcrafted stoneware to celebrate the individuality of each piece. Their works placed equal emphasis on the ceramic body and its richly varied surface.
Rather than serving merely as a lamp, this piece by Ernst Keramik brings the character of studio pottery into the domestic interior through light, texture, and colour. The sculptural quality of this lamp lies in the striking geometry of its ceramic base. Rising like a column from a broad, faceted plinth, the body’s angular planes catch the light from every direction. The deep blue glaze shifts subtly across the surface, revealing tones that range from earthy browns to deep blues, with glossy highlights accentuating the irregular facets of the stoneware. The finish contrasts beautifully with the restrained shade above, whose simple silhouette allows the ceramic to remain the focal point.
The dialogue between sculptural form and atmospheric illumination gives this piece its enduring appeal. Equally compelling as a ceramic object and as a functional lamp, it reflects the confidence of Danish studio pottery during the period, when artisans increasingly blurred the boundaries between craft, design, and sculpture.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
8.66 in ø x 15.55 cm H
22 cm ø x 39.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Robert Bentsen was among the generation of Danish ceramicists who helped define the character of post-war stoneware production. During a period when Danish ceramics gained international recognition, designers focused on creating forms that highlighted the natural beauty of clay through texture, glazing, and proportion. Artists embraced the functional role of ceramics within the home, while producing pieces that combined artistic expression with the natural beauty of the material.
Model “378” is characterised by a bold body, with a silhouette that narrows from a thick, wide bottom into a thinner, contrasting neck. The stoneware body is enriched by a richly textured surface, where horizontal ridges emphasize the handmade quality of the piece. These ridges create variations in the glaze that subtly shifts in tone across the surface, ranging in earthy browns that catch the light across the shiny surface. The bottom introduces another eye catching detail, contrasting the texture above with a matte, unglazed segment. Above, the cylindrical drum shade introduces a geometric counterpoint to the organic quality of the curved ceramic. When illuminated, the light casts a warm glow that enhances the richness of the glaze and highlights the depth of the textured surface below.
What makes this lamp particularly appealing is the contrast between its restrained form and its highly expressive materiality. The silhouette is simple, yet the surface reveals layer upon layer of visual interest through texture, colour, and craftsmanship. As both a lighting fixture and a ceramic object, model “378” reflects the enduring appeal of Danish stoneware from the 1960s, where utility and artistry were inseparable.
Condition:
In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks and scratches. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.
Dimensions:
15.74 in W x 8.66 in D x 16.92 in H
40 cm W x 22 cm D x 43 cm H
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Price category: 2,500 - 5,000 usd / eur
Henri Keramik was one of the many Danish ceramic workshops that contributed to the flourishing studio pottery movement of the second half of the twentieth century. During this period, Danish designers increasingly explored stoneware as a medium for both functional and decorative objects, embracing organic forms, textured surfaces, and experimental glazing techniques.
This lamp was produced for Henri Keramik in the second half of the 20th century. Henry Nielsen and his wife Else Nielsen owned the workshop from the 1950s, until its closing in the 1990s. They worked within the danish ceramic tradition, creating pieces that celebrated the natural qualities of the material while maintaining the warmth and practicality associated with Scandinavian design. The body of this lamp is defined by its gently tapering, curved form, enriched by a partially glazed surface that shows striking variation in colour and texture. Flowing glazes cascade across the ceramic body, interacting with the rougher unglazed areas and emphasizing the handmade quality of the piece. The earthy tones, ranging from warm browns and sandy tones to darker accents near the base, highlights the richness of the stoneware and recalls the natural palette that often inspired Scandinavian ceramicists. Above, the softly tapered fabric shade introduces a visual lightness that contrasts beautifully with the textured ceramic. Its gently scalloped edge adds a subtle decorative detail while diffusing the light into a warm and inviting glow.
This lamp stands as a compelling example of the enduring appeal of Danish ceramic design, where material honesty and atmosphere remain at the forefront. More than a source of illumination the lamp brings a distinctive character that feels both decorative and timeless, with an ambient touch.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 20.47 in H
40 cm ø x 52 cm H
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Price category: 7,500 - 10,000 usd / eur
Inger Persson (1936–2021) was one of the leading figures of twentieth-century Swedish ceramic design. After studying at Konstfack in Stockholm, she joined Rörstrand in 1959 at only twenty-two years old, during what is widely regarded as the factory's golden age. Working alongside celebrated designers such as Carl-Harry Stålhane, Marianne Westman, and Hertha Bengtsson, Persson developed a highly personal design language characterised by strong forms, rich glazes, and a willingness to move between functional objects and more sculptural creations. Her work is represented in the collections of Sweden's Nationalmuseum, and she remains one of the most recognised names associated with Rörstrand's artistic legacy today.
This pair of table lamps demonstrates Persson's sensitivity to surface and material. The cylindrical stoneware bodies are divided into distinct horizontal bands, each treated with a different glaze. Deep black sections frame the composition above and below, while a speckled band creates a striking contrast through rich brown and off white tones at the centre. Rather than relying on elaborate modelling, the lamps derive their visual interest from the interaction between colour, texture, and the subtle variations created during firing. The vertical form allows the glazes to remain the focal point, emphasising the ceramic quality rather than disguising them as purely functional objects. Above, the pleated fabric shades introduce a softer texture and a warm diffused light that complements the earthy palette of the stoneware.
Persson spent much of her career exploring how simple forms could be transformed through glaze and surface treatment, a quality that is clearly visible here. The lamps function not only as sources of light but also as examples of the experimental ceramic work that made Rörstrand internationally respected during the second half of the twentieth century.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. Due to the age and nature of the material, the items may have marks, and discolouration. These lamps are compatible with an E27 / E26 standard fitting. All lighting can be converted for US usage.
Dimensions:
15.75 in ø x 24.41 in H
40 cm ø x 62 cm H
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Price category: 2,500 - 5,000 usd / eur
LYFA traces its origins back to 1903 and occupies an important position within the history of Danish lighting design. Throughout the twentieth century, the company became known for producing fixtures that combined technical innovation with a strong emphasis on aesthetics and craftsmanship. Working with influential designers and skilled manufacturers, LYFA helped establish many of the qualities now associated with Danish lighting: thoughtful functionality, careful material selection, and a belief that light should enhance both the atmosphere and architecture of a space.
This table lamp reflects those principles through an expressive combination of brass and glass. The base is cast in the form of a stylised leaf, its organic contours spreading outward to create a stable base while introducing a decorative quality rooted in nature. From this base rises a slender curved brass arm that arches gracefully forward, giving the lamp a sense of movement and directing attention toward the shade. The shade itself is crafted from amber-coloured glass with softly flaring sides that widen toward the opening. Its warm tone enriches the light, producing a glow that feels intimate and atmospheric. Small mechanical details at the joint between arm and shade make the lamp adjustable, adding a functional dimension without disrupting the overall elegance of the design.
The lamp demonstrates a fascinating dialogue between natural inspiration and technical precision. The leaf-shaped base and flowing arm introduce the organic inspiration, while the adjustable construction and carefully engineered proportions anchor the piece firmly within early modern lighting design. As a result, it functions not only as a source of illumination but also as a sculptural object with a strong visual identity.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Marks and scratches are present. Due to the nature of the brass, the lamp may have some additional discolouration. The glass shade is a later replacement. The shade has some imperfections due to manufacturing inconsistencies and the age of the item. This lamp is compatible with an E26 / 27 fitting. Due to the age of the lamp we recommend using LED bulbs.
Dimensions:
15.75 in W x 5.12 in D x 13.78 in H
40 cm W x 13 cm D x 35 cm H
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Price category: 2,500 - 5,000 usd / eur
Danish lighting from the mid-century period is celebrated for its ability to make simple materials feel elegant through careful craftsmanship. Rather than relying on elaborate decoration, designers worked with carefully selected woods, metals, and organic materials to create well-balanced silhouettes, allowing the quality of the materials to become the primary visual feature.
Table lamps like this one offered an opportunity to combine functional illumination with the warmth that became synonymous with Scandinavian interiors. This lamp centres around a beautifully turned wooden stem composed of two tapered sections joined by a brass collar. The shaping of the wood creates a subtle hourglass profile, introducing movement while maintaining a strong sense of verticality. The rich tone and visible grain of the timber contrast naturally with the circular metal base below, while the patina of the brass makes the collar chromatically integrated within the design. Above, a broad conical shade expands outward from the narrow stem, creating a pleasing shift in proportion and directing attention toward the illuminated upper section of the piece. The fabric shade softens the light and introduces a textural quality that complements the organic character of the wood.
The appeal of this table lamp lies in the relationship between its materials. The warm timber provides visual richness, the brass accents introduce refinement, and the restrained silhouette allows each element to remain visible without competing for attention. As a result, the piece functions equally well as a source of ambient light and as a carefully crafted decorative object.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lamp has minor marks and scratches. The shade is a later replacement. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.
Dimensions:
15.7 in ø × 22.8 in H
40 cm ø x 58 cm H
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Price category: 2,500 - 5,000 usd / eur
The manufacturer Søholm Stentøj (“Søholm Stoneware”) was one of the oldest and most revered names in Danish ceramics. It was founded in Rønne, on the Baltic island of Bornholm, in 1835 and became known for its distinctive ceramic designs, combining traditional craftsmanship with modern aesthetics. In the middle of the 20th century, Søholm produced a wide range of stoneware in various patterns and shapes, marrying practicality with artistry to create items that feel both grounded and elegant.
This model “1025” table lamp’s small yet bold, rounded body sits with a grounded presence. The overall form highlights the ceramic, which shows its natural texture and handmade qualities. The unique base features a beautiful blue glaze, a clear artistic touch by Søholm. The body features gently rounded edges, adorned with rhythmic ridges along the sides of the model, providing the perfect support for the fabric shade. The model is completed by an off-white pointed shade that softens the light, creating a warm, ambient glow, while adding another layer of visual interest and originality. The sharply geometric shade juxtaposes the curvatures of the body below. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.
Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century. Its clean lines and functional elegance are characteristic of the era, combining minimalist grace with rich materials to create a piece that feels both contemporary and timeless.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
13.58 in ø x 12.20 in H
34.5 cm ø x 31 cm H
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Price category: 1,000 - 2,500 usd / eur
During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Manufacturers such as Søholm, one of Denmark’s most recognised ceramic companies of the period, became known for collaborating with designers who experimented with expressive glazing techniques while maintaining a balance between natural materials, craftsmanship, and everyday use. This model “1015” table lamp reflects that era’s refined yet expressive approach to design.
Einar Johansen was a leading Danish ceramic designer of the mid-20th century, best known for his long collaboration with Søholm. Originally trained as a painter at the Royal Danish Academy of Fine Arts in Copenhagen, he honed his artistic skills before helping define Scandinavian modernism’s emphasis on quality, organic forms, and artistic individuality. His works elevated everyday objects into expressive decorative pieces while preserving functional clarity. This table lamp features a striking ceramic base defined by a pattern resembling peacock feathers, creating a strong visual rhythm. The rich blue glaze introduces depth and tonal variation across the surface, while subtle shifts in colour emphasize the handmade character of the piece rather than objective perfection. The lamp reflects the Scandinavian ability to combine bold form with restrained elegance, resulting in a design that feels both playful and refined.
Timeless and expressive, this table lamp functions not only as a practical light source but also as a carefully composed decorative object. Firmly anchored within the golden age of postwar Scandinavian design, Johansen’s works tread a fine line between art and utility through his use of sculptural forms and deep experimentation with glaze chemistry. His celebrated “blue series” stoneware remains highly sought after by collectors today.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
8.27 in ø x 17.32 in H
21 cm ø x 44 cm H
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Price category: 2,500 - 5,000 usd / eur
Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.
This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features a geometric pattern, which adds to the visual interest of the design. The surface of the chamotte is covered in a thick blur glaze that displays texture, reminding of the material’s natural qualities. The oval shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.
As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.
Condition:
In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.
Dimensions:
12.80 in W x 7.88 in D x 16.54 in H
32.5 cm W x 20 cm D x 42 cm H
Shade:
12.80 in W x 7.88 in D x 6.70 in H
32.5 cm W x 20 cm D x 17 cm H
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Price category: 5,000 - 7,500 usd / eur
Founded on the Danish island of Bornholm in 1835, Søholm became one of the country's most respected ceramic manufacturers, at a time when when studio pottery enjoyed international acclaim. By the 1960s, the workshop had developed a distinctive visual language characterised by earthy glazes, bold relief decoration, and sculptural forms that blurred the boundary between functional objects and ceramic art. Many of its lamps reflect this approach, transforming stoneware into atmospheric lighting while celebrating the expressive qualities of the material.
Model “1208-3” is distinguished by the striking relationship between its slender neck and broad, rounded body. The lower section stands out through an intricate relief decoration composed of intersecting bands, creating a woven, basket-like motif that introduces remarkable depth and texture to the ceramic surface. As light falls across the pattern, the recessed areas catch shadow while the raised elements become subtly highlighted, giving the base a constantly shifting appearance. The earthy glaze further enriches this effect, blending warm browns, sandy beiges, and soft grey undertones that settle differently across the relief, emphasising the handmade character of each lamp. Above this body, the form narrows elegantly beneath the fitting, creating a graceful transition to the simple cylindrical shade. The geometry of the shade provides a deliberate counterpoint to the expressive ceramic below, allowing the base to remain the visual focal point while diffusing the light and balancing the form. The thought-out design and expert detailing reflect the qualities that characterises Søholm's finest ceramic lighting from the 1960s.
As a pair, the lamps create an immediate focal point within an interior. Combining the tactile qualities of handcrafted ceramics with the elegance of Danish modern lighting, they stand as refined examples of the enduring contribution of Scandinavian design.
Condition:
In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The shades are a later replacement. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration.
Dimensions:
19.69 in ø x 25.59 in H
50 cm ø x 65 cm H