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Price category: 7,500 - 10,000 usd / eur

Inger Persson (1936–2021) was one of the leading figures of twentieth-century Swedish ceramic design. After studying at Konstfack in Stockholm, she joined Rörstrand in 1959 at only twenty-two years old, during what is widely regarded as the factory's golden age. Working alongside celebrated designers such as Carl-Harry Stålhane, Marianne Westman, and Hertha Bengtsson, Persson developed a highly personal design language characterised by strong forms, rich glazes, and a willingness to move between functional objects and more sculptural creations. Her work is represented in the collections of Sweden's Nationalmuseum, and she remains one of the most recognised names associated with Rörstrand's artistic legacy today.

This pair of table lamps demonstrates Persson's sensitivity to surface and material. The cylindrical stoneware bodies are divided into distinct horizontal bands, each treated with a different glaze. Deep black sections frame the composition above and below, while a speckled band creates a striking contrast through rich brown and off white tones at the centre. Rather than relying on elaborate modelling, the lamps derive their visual interest from the interaction between colour, texture, and the subtle variations created during firing. The vertical form allows the glazes to remain the focal point, emphasising the ceramic quality rather than disguising them as purely functional objects. Above, the pleated fabric shades introduce a softer texture and a warm diffused light that complements the earthy palette of the stoneware.

Persson spent much of her career exploring how simple forms could be transformed through glaze and surface treatment, a quality that is clearly visible here. The lamps function not only as sources of light but also as examples of the experimental ceramic work that made Rörstrand internationally respected during the second half of the twentieth century.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. Due to the age and nature of the material, the items may have marks, and discolouration. These lamps are compatible with an E27 / E26 standard fitting. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

LYFA traces its origins back to 1903 and occupies an important position within the history of Danish lighting design. Throughout the twentieth century, the company became known for producing fixtures that combined technical innovation with a strong emphasis on aesthetics and craftsmanship. Working with influential designers and skilled manufacturers, LYFA helped establish many of the qualities now associated with Danish lighting: thoughtful functionality, careful material selection, and a belief that light should enhance both the atmosphere and architecture of a space.

This table lamp reflects those principles through an expressive combination of brass and glass. The base is cast in the form of a stylised leaf, its organic contours spreading outward to create a stable base while introducing a decorative quality rooted in nature. From this base rises a slender curved brass arm that arches gracefully forward, giving the lamp a sense of movement and directing attention toward the shade. The shade itself is crafted from amber-coloured glass with softly flaring sides that widen toward the opening. Its warm tone enriches the light, producing a glow that feels intimate and atmospheric. Small mechanical details at the joint between arm and shade make the lamp adjustable, adding a functional dimension without disrupting the overall elegance of the design.

The lamp demonstrates a fascinating dialogue between natural inspiration and technical precision. The leaf-shaped base and flowing arm introduce the organic inspiration, while the adjustable construction and carefully engineered proportions anchor the piece firmly within early modern lighting design. As a result, it functions not only as a source of illumination but also as a sculptural object with a strong visual identity.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. Marks and scratches are present. Due to the nature of the brass, the lamp may have some additional discolouration. The glass shade is a later replacement. The shade has some imperfections due to manufacturing inconsistencies and the age of the item. This lamp is compatible with an E26 / 27 fitting. Due to the age of the lamp we recommend using LED bulbs.

Dimensions:

15.75 in W x 5.12 in D x 13.78 in H

40 cm W x 13 cm D x 35 cm H

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Price category: 2,500 - 5,000 usd / eur

Danish lighting from the mid-century period is celebrated for its ability to make simple materials feel elegant through careful craftsmanship. Rather than relying on elaborate decoration, designers worked with carefully selected woods, metals, and organic materials to create well-balanced silhouettes, allowing the quality of the materials to become the primary visual feature.

Table lamps like this one offered an opportunity to combine functional illumination with the warmth that became synonymous with Scandinavian interiors. This lamp centres around a beautifully turned wooden stem composed of two tapered sections joined by a brass collar. The shaping of the wood creates a subtle hourglass profile, introducing movement while maintaining a strong sense of verticality. The rich tone and visible grain of the timber contrast naturally with the circular metal base below, while the patina of the brass makes the collar chromatically integrated within the design. Above, a broad conical shade expands outward from the narrow stem, creating a pleasing shift in proportion and directing attention toward the illuminated upper section of the piece. The fabric shade softens the light and introduces a textural quality that complements the organic character of the wood.

The appeal of this table lamp lies in the relationship between its materials. The warm timber provides visual richness, the brass accents introduce refinement, and the restrained silhouette allows each element to remain visible without competing for attention. As a result, the piece functions equally well as a source of ambient light and as a carefully crafted decorative object.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lamp has minor marks and scratches. The shade is a later replacement. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

15.7 in ø × 22.8 in H

40 cm ø x 58 cm H

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Price category: 2,500 - 5,000 usd / eur

The manufacturer Søholm Stentøj (“Søholm Stoneware”) was one of the oldest and most revered names in Danish ceramics. It was founded in Rønne, on the Baltic island of Bornholm, in 1835 and became known for its distinctive ceramic designs, combining traditional craftsmanship with modern aesthetics. In the middle of the 20th century, Søholm produced a wide range of stoneware in various patterns and shapes, marrying practicality with artistry to create items that feel both grounded and elegant.

This model “1025” table lamp’s small yet bold, rounded body sits with a grounded presence. The overall form highlights the ceramic, which shows its natural texture and handmade qualities. The unique base features a beautiful blue glaze, a clear artistic touch by Søholm. The body features gently rounded edges, adorned with rhythmic ridges along the sides of the model, providing the perfect support for the fabric shade. The model is completed by an off-white pointed shade that softens the light, creating a warm, ambient glow, while adding another layer of visual interest and originality. The sharply geometric shade juxtaposes the curvatures of the body below. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.

Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century. Its clean lines and functional elegance are characteristic of the era, combining minimalist grace with rich materials to create a piece that feels both contemporary and timeless.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

13.58 in ø x 12.20 in H

34.5 cm ø x 31 cm H

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Price category: 1,000 - 2,500 usd / eur

During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Manufacturers such as Søholm, one of Denmark’s most recognised ceramic companies of the period, became known for collaborating with designers who experimented with expressive glazing techniques while maintaining a balance between natural materials, craftsmanship, and everyday use. This model “1015” table lamp reflects that era’s refined yet expressive approach to design.

Einar Johansen was a leading Danish ceramic designer of the mid-20th century, best known for his long collaboration with Søholm. Originally trained as a painter at the Royal Danish Academy of Fine Arts in Copenhagen, he honed his artistic skills before helping define Scandinavian modernism’s emphasis on quality, organic forms, and artistic individuality. His works elevated everyday objects into expressive decorative pieces while preserving functional clarity. This table lamp features a striking ceramic base defined by a pattern resembling peacock feathers, creating a strong visual rhythm. The rich blue glaze introduces depth and tonal variation across the surface, while subtle shifts in colour emphasize the handmade character of the piece rather than objective perfection. The lamp reflects the Scandinavian ability to combine bold form with restrained elegance, resulting in a design that feels both playful and refined.

Timeless and expressive, this table lamp functions not only as a practical light source but also as a carefully composed decorative object. Firmly anchored within the golden age of postwar Scandinavian design, Johansen’s works tread a fine line between art and utility through his use of sculptural forms and deep experimentation with glaze chemistry. His celebrated “blue series” stoneware remains highly sought after by collectors today.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

8.27 in ø x 17.32 in H

21 cm ø x 44 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features a geometric pattern, which adds to the visual interest of the design. The surface of the chamotte is covered in a thick blur glaze that displays texture, reminding of the material’s natural qualities. The oval shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

12.80 in W x 7.88 in D x 16.54 in H

32.5 cm W x 20 cm D x 42 cm H

Shade:

12.80 in W x 7.88 in D x 6.70 in H

32.5 cm W x 20 cm D x 17 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay, a coarse ceramic material that allowed for sculptural forms and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features an inlay, which adds to the visual interest of the design. The surface of the chamotte displays texture, reminding of the material’s natural qualities. The shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lamp has minor marks and scratches. Due to the nature and age of the materials, the lamp may have discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 21.65 in H

40 cm ø x 55 cm H

Shade:

15.75 in ø x 8.27 in H

40 cm ø x 21 cm H

Base:

6.10 in ø x 3.54 in H

15.5 cm ø x 9 cm H

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Price category: 2,500 - 5,000 usd / eur

Søholm was one of the longest ceramic manufacturers in Denmark, founded in 1835 on the island of Bornholm, a region associated with high-quality pottery and craftsmanship.  Over the course of the 20th century, the company developed a distinctive identity rooted in durable stoneware, tactile surfaces, and beautiful glazing techniques. Søholm’s production increasingly reflected the broader Scandinavian interest in combining functional objects with a more expressive, almost sculptural treatment of materials, resulting in pieces that feel both utilitarian and artistic.

The model “1080” lamp stands out through the clearly defined silhouette and unique glaze. The body widens slightly at the midpoint before tapering toward both the foot and the neck. This shape gives the lamp a structured, almost architectural presence, while still retaining a sense of softness through its rounded transitions. The glaze plays a central role in defining the object: it cascades from lighter tones at the top into darker, earthy hues toward the base, creating a subtle gradient effect. This vertical movement of colour enhances the form. The surface retains slight irregularities, reflecting the handmade nature of the piece. Above, the broad, conical shade introduces a strong geometric element, diffusing the light evenly and balancing the expressive base. The relationship between these two elements creates a cohesive and well-proportioned composition.

This balance between precision and handmade charm is characteristic of mid-century Danish ceramics, where material and process are allowed to remain visible, and so did the hand of the maker. As a result, the lamp functions not only as a source of light, but also as an expressive object that reflects the depth and quality of Søholm’s design tradition.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the lamp may have marks, scratches, or discolouration. The shade is a later replacement. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

19.69 in ø x 23.62 in H

50 cm ø x 60 cm H

Shade:

19.69 in ø x 7.87 in H

50 cm ø x 20 cm H

Base:

8.66 in ø x 17.72 in H

22 cm ø x 45 cm H

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Price category: 2,5000 - 5,000 usd / eur

During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Manufacturers such as Søholm, one of Denmark’s most recognised ceramic company of the period, became known for collaborating with designers who explored expressive glazing techniques while maintaining the balance between the organic character of natural materials, craftsmanship and practicality.

This table lamp by Einar Johansen for Søholm embodies that philosophy through its sculptural stoneware base and complex composition. The body is defined by a vertically segmented form, where deep blue glazed sections are framed within darker ceramic edges, creating rhythm and depth across the surface. The elongated silhouette tapers gently upward, giving the lamp an elegant sense of proportion despite the solidity of the stoneware. The glaze itself becomes central to the design, with tonal variation and reflective surfaces emphasizing the handcrafted quality of the piece. Above, the broad conical shade introduces a contrast to the curved ceramic body below. Its off-white fabric diffuses the light evenly, creating a warm ambient glow that complements the richness of the glaze.

The ceramic body feels expressive and architectural, and as a result, the lamp functions not only as a source of light, but also as a carefully composed decorative object that reflects the timeless character of Danish design during the 1960s.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

13.80 in ø x 17.90 in H

52 cm ø x 62 cm H

Shade:

20.50 in ø x 10.24 in H

52 cm ø x 26 cm H

Base:

5.90 in ø x 17.72 in H

15 cm ø x 45 cm H

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Price category: 2,500 - 5,000 usd / eur

The second half of the 20th century was perhaps the most fertile breeding ground for innovation since the industrial revolution. Many Scandinavian lightning designers and companies of the era created innovative and distinctively modern pieces, such as this table lamp. 

The piece features a slender, tapering ceramic base with a richly textured glaze. Its surface features tonal variations and a lovely vertical pattern. The base of this piece features decorative motifs which greatly add to the visual interest while also adding depth. This design reflects the approach that an object can be utilitarian yet still anchored in the artistic ceramic traditions that defined Danish craft throughout the mid-20th century. The fabric shade introduces a layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. A balance between softness and structure characterises this table lamp with the heavy stone body being softened by gentle curves and the pleasant warm light, creating perfect harmony. The overall aesthetic is essentially Scandinavian modern thanks to the combination of interesting material choices and a design that feels organic and natural.

Defined by verticality, this model is uniquely stylish and guaranteed to stand out. Adding illumination to a living space with this stylish table lamp will not only improve the ambience, it will also bring a piece of design history to the space. 

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the nature of and age of the material, the item may have some marks, scratches, and irregularities. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

15.74 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

At the turn of the 20th century, Art Nouveau emerged as a reaction against historic revival styles and the mass-production brought about by the Industrial Revolution. It favoured organic lines, natural motifs, and a sense of fluidity. Across Europe, designers sought to create objects that felt alive, drawing inspiration from plants, vines, and patterns found in nature. This table lamp sits firmly within that context, reflecting the period’s fascination with craftsmanship, ornament and atmosphere.

The design of this lamp has a clear focus on the ceramic body. The unique base features a beautiful and organic colour palette with decorative details, giving a clear artistic touch. The base has a plump, rounded profile that feels grounded and inviting. Its ceramic body is covered in a rich, layered glaze that shifts between deep blues, creating a soft gradient. The surface displays texture, reminding of the material’s natural qualities. The fabric shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

Over a century since its creation, this Art Nouveau lamp stands as a timeless testament to an era that celebrated the marriage of art and craftsmanship, where even the smallest details were treated as opportunities for creative expression. This model is a true accent lighting piece, sure to start a conversations about style and beauty.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement.

This lamp is compatible with an E27 fitting. Due to the age of the lamp we recommend using LED bulbs.

Dimensions:

11.81 in ø x 16.33 in H

30 cm ø x 41.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Dutch ceramic lighting in the 1960s often reflected a close relationship with functional design, where everyday objects were shaped with the same care as artistic ceramic works. Mobach, founded in Utrecht in 1895, built its reputation on traditional craftsmanship and a strong emphasis on hand-thrown forms, while building their centuries-long reputation.

Rather than standardising production, Mobach maintained a workshop-oriented approach, allowing variation in surface and finish to become part of each object’s identity. This table lamp demonstrates that sensibility through its form and richly textured surface. The base is composed of two clearly articulated volumes: a wider cylindrical foot and a narrower, elongated neck, creating a stable yet light composition. The surface is particularly notable, featuring ridges, alongside the already textured surface, enhancing the tactile quality of the ceramic. The earthy tones, ranging from muted browns to softer, lighter hues, reinforce the natural character of the material, allowing the glaze to complement the texture rather than dominate it. Above, the fabric shade introduces a contrasting smoothness, both visually and materially. Its simple, slightly tapered form diffuses the light evenly, producing a warm glow that complements the depth of the ceramic base. The relationship between these elements is balanced and deliberate, with the shade acting as a calm counterpoint to the more expressive base.

What gives this lamp its presence is the way it feels anchored without appearing heavy. The geometry is simple, yet the surface carries enough detail to hold attention. Whether placed on a side table or console, its material qualities can be appreciated without needing excess ornament to stand out.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade has been custom-made by our in-house atelier. Due to the nature of and age of the material, the item may have some marks, scratches, and discolouration. All lighting can be converted for US usage.

Dimensions:

20.47 in ø x 33.66 in H

52 cm ø x 85.5 cm H