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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

Rather than pursuing strict minimalism, Sejersen’s pieces emphasise depth, surface variation, and a bold handmade charm, giving them a strong presence while remaining rooted in mid-century design. This table lamp is a striking example of mid-century Danish ceramic design, combining the era's affinity for natural materials with an emphasis on uniqueness. This particular lamp features a round shaped body crafted from glazed chamotte stoneware, a type of ceramic known for its durability and textured finish. The body thus offers the piece a natural feel enhanced by the organic relief pattern. The appreciation of nature and simplicity can also be observed through the earthy tones of the lamp, mixing with blues in a flowing, organic pattern. The shade is made out of a light-toned fabric complementing the body through its wavy edge.

As a whole, the lamp represents the strengths of Danish mid-century design, where simplicity was a way of allowing material, form, and light to shine. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

13.78 cm ø x 17.52 cm H

35 cm ø x 44.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Robert Bentsen was among the generation of Danish ceramicists who helped define the character of post-war stoneware production. During a period when Danish ceramics gained international recognition, designers focused on creating forms that highlighted the natural beauty of clay through texture, glazing, and proportion. Artists embraced the functional role of ceramics within the home, while producing pieces that combined artistic expression with the natural beauty of the material.

Model “378” is characterised by a bold body, with a silhouette that narrows from a thick, wide bottom into a thinner, contrasting neck. The stoneware body is enriched by a richly textured surface, where horizontal ridges emphasize the handmade quality of the piece. These ridges create variations in the glaze that subtly shifts in tone across the surface, ranging in earthy browns that catch the light across the shiny surface. The bottom introduces another eye catching detail, contrasting the texture above with a matte, unglazed segment. Above, the cylindrical drum shade introduces a geometric counterpoint to the organic quality of the curved ceramic. When illuminated, the light casts a warm glow that enhances the richness of the glaze and highlights the depth of the textured surface below.

What makes this lamp particularly appealing is the contrast between its restrained form and its highly expressive materiality. The silhouette is simple, yet the surface reveals layer upon layer of visual interest through texture, colour, and craftsmanship. As both a lighting fixture and a ceramic object, model “378” reflects the enduring appeal of Danish stoneware from the 1960s, where utility and artistry were inseparable.

Condition:

In good vintage condition. Wear consistent with age and use. The table lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the age and nature of the stoneware, the lamp may have marks and scratches. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

15.74 in W x 8.66 in D x 16.92 in H

40 cm W x 22 cm D x 43 cm H

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Price category: 2,500 - 5,000 usd / eur

Henri Keramik was one of the many Danish ceramic workshops that contributed to the flourishing studio pottery movement of the second half of the twentieth century. During this period, Danish designers increasingly explored stoneware as a medium for both functional and decorative objects, embracing organic forms, textured surfaces, and experimental glazing techniques.

This lamp was produced for Henri Keramik in the second half of the 20th century. Henry Nielsen and his wife Else Nielsen owned the workshop from the 1950s, until its closing in the 1990s. They worked within the danish ceramic tradition, creating pieces that celebrated the natural qualities of the material while maintaining the warmth and practicality associated with Scandinavian design. The body of this lamp is defined by its gently tapering, curved form, enriched by a partially glazed surface that shows striking variation in colour and texture. Flowing glazes cascade across the ceramic body, interacting with the rougher unglazed areas and emphasizing the handmade quality of the piece. The earthy tones, ranging from warm browns and sandy tones to darker accents near the base, highlights the richness of the stoneware and recalls the natural palette that often inspired Scandinavian ceramicists. Above, the softly tapered fabric shade introduces a visual lightness that contrasts beautifully with the textured ceramic. Its gently scalloped edge adds a subtle decorative detail while diffusing the light into a warm and inviting glow.

This lamp stands as a compelling example of the enduring appeal of Danish ceramic design, where material honesty and atmosphere remain at the forefront. More than a source of illumination the lamp brings a distinctive character that feels both decorative and timeless, with an ambient touch.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 20.47 in H

40 cm ø x 52 cm H

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Price category: 2,500 - 5,000 usd / eur

The manufacturer Søholm Stentøj (“Søholm Stoneware”) was one of the oldest and most revered names in Danish ceramics. It was founded in Rønne, on the Baltic island of Bornholm, in 1835 and became known for its distinctive ceramic designs, combining traditional craftsmanship with modern aesthetics. In the middle of the 20th century, Søholm produced a wide range of stoneware in various patterns and shapes, marrying practicality with artistry to create items that feel both grounded and elegant.

This model “1025” table lamp’s small yet bold, rounded body sits with a grounded presence. The overall form highlights the ceramic, which shows its natural texture and handmade qualities. The unique base features a beautiful blue glaze, a clear artistic touch by Søholm. The body features gently rounded edges, adorned with rhythmic ridges along the sides of the model, providing the perfect support for the fabric shade. The model is completed by an off-white pointed shade that softens the light, creating a warm, ambient glow, while adding another layer of visual interest and originality. The sharply geometric shade juxtaposes the curvatures of the body below. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.

Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century. Its clean lines and functional elegance are characteristic of the era, combining minimalist grace with rich materials to create a piece that feels both contemporary and timeless.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

13.58 in ø x 12.20 in H

34.5 cm ø x 31 cm H

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Price category: 1,000 - 2,500 usd / eur

During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Manufacturers such as Søholm, one of Denmark’s most recognised ceramic companies of the period, became known for collaborating with designers who experimented with expressive glazing techniques while maintaining a balance between natural materials, craftsmanship, and everyday use. This model “1015” table lamp reflects that era’s refined yet expressive approach to design.

Einar Johansen was a leading Danish ceramic designer of the mid-20th century, best known for his long collaboration with Søholm. Originally trained as a painter at the Royal Danish Academy of Fine Arts in Copenhagen, he honed his artistic skills before helping define Scandinavian modernism’s emphasis on quality, organic forms, and artistic individuality. His works elevated everyday objects into expressive decorative pieces while preserving functional clarity. This table lamp features a striking ceramic base defined by a pattern resembling peacock feathers, creating a strong visual rhythm. The rich blue glaze introduces depth and tonal variation across the surface, while subtle shifts in colour emphasize the handmade character of the piece rather than objective perfection. The lamp reflects the Scandinavian ability to combine bold form with restrained elegance, resulting in a design that feels both playful and refined.

Timeless and expressive, this table lamp functions not only as a practical light source but also as a carefully composed decorative object. Firmly anchored within the golden age of postwar Scandinavian design, Johansen’s works tread a fine line between art and utility through his use of sculptural forms and deep experimentation with glaze chemistry. His celebrated “blue series” stoneware remains highly sought after by collectors today.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

8.27 in ø x 17.32 in H

21 cm ø x 44 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features a geometric pattern, which adds to the visual interest of the design. The surface of the chamotte is covered in a thick blur glaze that displays texture, reminding of the material’s natural qualities. The oval shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

12.80 in W x 7.88 in D x 16.54 in H

32.5 cm W x 20 cm D x 42 cm H

Shade:

12.80 in W x 7.88 in D x 6.70 in H

32.5 cm W x 20 cm D x 17 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay, a coarse ceramic material that allowed for sculptural forms and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features an inlay, which adds to the visual interest of the design. The surface of the chamotte displays texture, reminding of the material’s natural qualities. The shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lamp has minor marks and scratches. Due to the nature and age of the materials, the lamp may have discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 21.65 in H

40 cm ø x 55 cm H

Shade:

15.75 in ø x 8.27 in H

40 cm ø x 21 cm H

Base:

6.10 in ø x 3.54 in H

15.5 cm ø x 9 cm H

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Price category: 2,500 - 5,000 usd / eur

Søholm was one of the longest ceramic manufacturers in Denmark, founded in 1835 on the island of Bornholm, a region associated with high-quality pottery and craftsmanship.  Over the course of the 20th century, the company developed a distinctive identity rooted in durable stoneware, tactile surfaces, and beautiful glazing techniques. Søholm’s production increasingly reflected the broader Scandinavian interest in combining functional objects with a more expressive, almost sculptural treatment of materials, resulting in pieces that feel both utilitarian and artistic.

The model “1080” lamp stands out through the clearly defined silhouette and unique glaze. The body widens slightly at the midpoint before tapering toward both the foot and the neck. This shape gives the lamp a structured, almost architectural presence, while still retaining a sense of softness through its rounded transitions. The glaze plays a central role in defining the object: it cascades from lighter tones at the top into darker, earthy hues toward the base, creating a subtle gradient effect. This vertical movement of colour enhances the form. The surface retains slight irregularities, reflecting the handmade nature of the piece. Above, the broad, conical shade introduces a strong geometric element, diffusing the light evenly and balancing the expressive base. The relationship between these two elements creates a cohesive and well-proportioned composition.

This balance between precision and handmade charm is characteristic of mid-century Danish ceramics, where material and process are allowed to remain visible, and so did the hand of the maker. As a result, the lamp functions not only as a source of light, but also as an expressive object that reflects the depth and quality of Søholm’s design tradition.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. Due to the nature and age of the materials, the lamp may have marks, scratches, or discolouration. The shade is a later replacement. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

19.69 in ø x 23.62 in H

50 cm ø x 60 cm H

Shade:

19.69 in ø x 7.87 in H

50 cm ø x 20 cm H

Base:

8.66 in ø x 17.72 in H

22 cm ø x 45 cm H

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Price category: 2,5000 - 5,000 usd / eur

During the 1960s, Danish ceramicists and lighting designers increasingly explored the relationship between sculpture and functionality. Manufacturers such as Søholm, one of Denmark’s most recognised ceramic company of the period, became known for collaborating with designers who explored expressive glazing techniques while maintaining the balance between the organic character of natural materials, craftsmanship and practicality.

This table lamp by Einar Johansen for Søholm embodies that philosophy through its sculptural stoneware base and complex composition. The body is defined by a vertically segmented form, where deep blue glazed sections are framed within darker ceramic edges, creating rhythm and depth across the surface. The elongated silhouette tapers gently upward, giving the lamp an elegant sense of proportion despite the solidity of the stoneware. The glaze itself becomes central to the design, with tonal variation and reflective surfaces emphasizing the handcrafted quality of the piece. Above, the broad conical shade introduces a contrast to the curved ceramic body below. Its off-white fabric diffuses the light evenly, creating a warm ambient glow that complements the richness of the glaze.

The ceramic body feels expressive and architectural, and as a result, the lamp functions not only as a source of light, but also as a carefully composed decorative object that reflects the timeless character of Danish design during the 1960s.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

13.80 in ø x 17.90 in H

52 cm ø x 62 cm H

Shade:

20.50 in ø x 10.24 in H

52 cm ø x 26 cm H

Base:

5.90 in ø x 17.72 in H

15 cm ø x 45 cm H

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Price category: 2,500 - 5,000 usd / eur

The second half of the 20th century was perhaps the most fertile breeding ground for innovation since the industrial revolution. Many Scandinavian lightning designers and companies of the era created innovative and distinctively modern pieces, such as this table lamp. 

The piece features a slender, tapering ceramic base with a richly textured glaze. Its surface features tonal variations and a lovely vertical pattern. The base of this piece features decorative motifs which greatly add to the visual interest while also adding depth. This design reflects the approach that an object can be utilitarian yet still anchored in the artistic ceramic traditions that defined Danish craft throughout the mid-20th century. The fabric shade introduces a layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. A balance between softness and structure characterises this table lamp with the heavy stone body being softened by gentle curves and the pleasant warm light, creating perfect harmony. The overall aesthetic is essentially Scandinavian modern thanks to the combination of interesting material choices and a design that feels organic and natural.

Defined by verticality, this model is uniquely stylish and guaranteed to stand out. Adding illumination to a living space with this stylish table lamp will not only improve the ambience, it will also bring a piece of design history to the space. 

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the nature of and age of the material, the item may have some marks, scratches, and irregularities. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

15.74 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

Dutch ceramic lighting in the 1960s often reflected a close relationship with functional design, where everyday objects were shaped with the same care as artistic ceramic works. Mobach, founded in Utrecht in 1895, built its reputation on traditional craftsmanship and a strong emphasis on hand-thrown forms, while building their centuries-long reputation.

Rather than standardising production, Mobach maintained a workshop-oriented approach, allowing variation in surface and finish to become part of each object’s identity. This table lamp demonstrates that sensibility through its form and richly textured surface. The base is composed of two clearly articulated volumes: a wider cylindrical foot and a narrower, elongated neck, creating a stable yet light composition. The surface is particularly notable, featuring ridges, alongside the already textured surface, enhancing the tactile quality of the ceramic. The earthy tones, ranging from muted browns to softer, lighter hues, reinforce the natural character of the material, allowing the glaze to complement the texture rather than dominate it. Above, the fabric shade introduces a contrasting smoothness, both visually and materially. Its simple, slightly tapered form diffuses the light evenly, producing a warm glow that complements the depth of the ceramic base. The relationship between these elements is balanced and deliberate, with the shade acting as a calm counterpoint to the more expressive base.

What gives this lamp its presence is the way it feels anchored without appearing heavy. The geometry is simple, yet the surface carries enough detail to hold attention. Whether placed on a side table or console, its material qualities can be appreciated without needing excess ornament to stand out.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade has been custom-made by our in-house atelier. Due to the nature of and age of the material, the item may have some marks, scratches, and discolouration. All lighting can be converted for US usage.

Dimensions:

20.47 in ø x 33.66 in H

52 cm ø x 85.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Finn Lynggaard was a prominent Danish designer, working with diverse mediums throughout his career. He began as a painter, studying at the Royal College of Art in Copenhagen, but later pivoted to focus on ceramics. In the years that followed, Lynggaard created a magnitude of large-scale ceramic works and received high recognition both in Denmark and abroad for his work.

This table lamp was designed by the brilliant artist and manufactured by Søholm Stentøj one of the oldest and most revered names in Danish ceramics. This piece captures the refined yet tactile elegance of the manufacturer and of Danish design in the 1960s. Known for their mastery of glazing techniques and attention to form, Søholm produced pieces that are as much decor elements as they are functional lighting. The lamp’s bold, rounded body sits with a grounded presence. The lamp highlights the ceramic, which shows the natural texture and handmade qualities. The body is adorned with a geometric leaf-like detail, bringing even more texture into the composition. The dark tones of the body create a beautiful contrast against the light coloured shade. What unites both elements, however, is their oval shape. This sets the lamp apart from most models, offering a charming alternative to the classic circular shape. A balance between softness and structure characterise this table lamp with the heavy stone body being softened by gentle curves and the pleasant warm light, creating perfect harmony. The overall aesthetic is essentially Scandinavian modern thanks to the combination of interesting material choices and a design that feels organic and natural.

On a trip to Toronto, Canada, in 1970 to lecture on ceramics, one of Lynggaard’s friends persuaded him to experiment with hot glass, and it was "instant love". He quickly became involved in the international studio glass movement. Thanks to Lynggaard's enormous commitment, the Ebeltoft Glass Museum opened on June 28, 1986. Still, he is recognised to this day for his contribution to design, and this lamp is the embodiment of his success.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the nature of and age of the material, the item may have some marks, scratches, and discolouration. This lamp is compatible with an E(27) fitting. All lighting can be converted for US usage.

Dimensions:

11.81 in W × 7.87 in D × 15.75 in H

30 cm W x 20 cm D x 40 cm H