Square Oak Stool by Gaskell & Chambers, England First half of the 20th Century




























Square Oak Stool by Gaskell & Chambers, England First half of the 20th Century
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Price category: 1,000 - 2,500 usd / eur
The stool belongs to the English Arts and Crafts tradition, a movement that placed particular value on solid materials, visible construction, and the skill of the craftsman. Produced by Gaskell & Chambers during the first half of the twentieth century, it reflects this interest through its solid oak construction and straightforward joinery.
The stool is constructed around a thick square oak seat supported by four splayed legs. All edges are softly rounded, balancing its otherwise strict geometry, while the broad surface allows the grain of the oak to become a decorative feature in itself, with irregular lines and knots giving each side a different character. The legs are particularly expressive, as they taper gradually toward the floor while curving slightly through their lower sections before ending in small turned ball feet. This shaping gives the stool a more animated silhouette rather than a conventional straight-legged construction. Horizontal stretchers connect the legs below the seat, further stabilising the frame while introducing another layer of visual interest through the open spaces between them. The warm tone and pronounced grain of the oak remain visible across every component, emphasising the unique character of the timber and the craftsmanship of the construction.
Compact yet full of character, the stool has the kind of versatility that makes small pieces of vintage and antique furniture particularly appealing in an interior. Its square top works naturally as occasional seating, but it can just as easily serve beside an armchair as a small side table or stand for an object.
Condition:
In good vintage condition. Wear consistent with age and use. The stool has recently been reconditioned. Due to the nature and age of the material, the item has some marks, scratches, and discolouration.
Dimensions:
11.81 in W × 11.61 in D × 19.68 in H
30 cm W x 29.5 cm D x 50 cm H
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Price category: 5,000 - 7,500 usd / eur
This pair of barstools showcase the Danish principles of interior design: careful proportions, high-quality materials, and an emphasis on functionality. The result was seating models that felt refined enough for domestic settings while retaining the simplicity and durability required for everyday use.
Designers in the post-war period focused on simple, well-made pieces of home-grown and exotic woods alike. Made from richly grained wood, these stools embody the perfect balance of detail and minimalist design. A striking contrast between materials defines the character of this pair. The warm-toned wooden frames and veneered backrests are paired with black leather seats, creating a composition that feels both elegant and inviting. The bent base provides visual softness and ergonomic support, while the slim legs and stretchers maintain an elegant, lightweight profile. Particularly appealing is the way the grain of the wood flows across the backs, introducing movement and depth to an otherwise restrained silhouette. The leather seats add another layer of texture, their dark surfaces grounding the composition and emphasizing the richness of the wood. Defined by clean, smooth lines, and excellent joinery, each of these stools was evidently created by skilled craftsmen.
Placed at a kitchen counter, bar, or high dining table, the pair brings a distinctly Scandinavian sense of ease to an interior. More than simply elevated seating, they reflect the Danish talent for creating furniture that is practical, comfortable, and quietly sophisticated, sure to appeal to generations.
Condition:
In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Due to the nature and age of the materials, some marks and scratches are present. The seats come with their original leather or have been reupholstered by a previous owner, and show some signs of use and minor scratches. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
14.37 in W x 13.58 in D x 39.57 in H; Seat Height 29.92 in; Seat Depth 12.20 in
36.5 cm W x 34.5 cm D x 100.5 cm H; Seat Height 76 cm; Seat Depth 31 cm
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Price category: 2,500 - 5,000 usd / eur
Brutalist furniture emerged as a reaction against refinement and ornament, favouring instead expressive raw materials. Designers and artisans embraced rough textures, asymmetry, and forms that appeared almost primitive in their honesty. While many Brutalist pieces relied on heavy geometric volumes, others explored a more organic language, drawing inspiration from nature and hand-carved objects. Chairs such as this example blur the boundary between furniture and sculpture, where utility merges with artistic expression.
This side chair stands out through its highly sculptural presence and deeply textured surface. Hand-carved from solid wood, the chair preserves a raw and tactile character throughout its form. The seat is formed as a hand carved, rough disc, supported by four irregular legs that taper organically towards the floor. Above, the backrest rises in a dramatic arched form, creating a silhouette that immediately draws the eye. The uneven contours, visible tool marks, and richly textured surface give the piece a sense of organic flow and individuality, ensuring that no two pieces are entirely the same. Rather than concealing the making process, the chair celebrates it, allowing every carved ridge to become part of its visual identity. The dark patinated wood further enhances this effect, creating depth across the surface and accentuating the sculptural quality of the design. Despite its unconventional appearance, the chair balances visual drama with functionality.
More than a seating piece, this chair functions as a work of art. Its expressive form allows it to stand alone as a statement object while still serving its practical purpose. The combination of raw craftsmanship, organic shaping, and Brutalist sensibility offers the chair a powerful presence.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Minor marks, scratches, and discoloration.
Dimensions:
13.78 in W x 13 in D x 33.07 in H; Seat height 17.72 in; Seat depth 12.60 in
35 cm W x 33 cm D x 84 cm H; Seat height 45 cm; Seat depth 32 cm
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Price category: 2,500 - 5,000 usd / eur
Throughout the mid-20th century, European cabinetmakers continued to draw on traditional woodworking techniques while embracing the cleaner silhouettes associated with modern design. Smaller utility pieces from this period, such as this pair of stools, serve a variety of functions while maintaining the same attention to proportion and material quality found in larger furnishings. Their simplicity allowed the beauty of the wood and the skill of the maker to take centre stage.
Reduced to only the necessary elements, this pair showcases the quality of the timber, the precision of the joinery, and the maker's understanding of proportion. Crafted from solid wood, each stool is defined by a compact square seat supported by four gently splaying legs. The construction is straightforward, yet the clear lines and strong craftsmanship prove their quality. Beneath the seats, stretchers connect the legs on all sides, reinforcing the structure while creating a pleasing geometry. These elements not only contribute to the stability of the stools but also add depth and visual interest to the otherwise minimal silhouette. The slightly softened edges of the seats balance the angular construction, preventing the design from feeling austere. The understated appearance of the stools allows the material itself to become the focal point, showcasing the character and natural variation of the wood.
Versatile and enduring, these stools function equally well as occasional seating, side tables, or decorative accents within an interior. Their uncomplicated form allows them to integrate effortlessly into a wide variety of settings, from rustic and traditional spaces to more contemporary environments.
Condition:
In good vintage condition. Wear consistent with age and use. The stools have recently been reconditioned. Some minor chips are present. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration.
Dimensions:
12 in W x 11.61 in D x 18.89 in H
30.5 cm W x 29.5 cm D x 48 cm H
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Price category: 2,500 - 5,000 usd / eur
This beautiful stool was crafted in the manner of French design duo Audoux-Minet. Adrien Audoux and Frida Minet worked together during the mid-20th century. The duo are known for their innovative use of natural, sustainable materials, including rope, wicker, and bamboo. Their work was heavily influenced by the Modernist movement, which sought to create functional and streamlined designs that were accessible to a wider audience.
Like in Scandinavia, there was an early emphasis on wood in most European mid-century design as it connected everyday objects to nature. This stool is a perfect example of this sentiment, and the visual benefits of an understated, organic design. The high quality woven wicker makes the piece an outstanding example of woven furniture. It features a fairly traditional shape with rounded edges and an airy feel. The straightforward shape highlights the understated beauty of the materials, allowing the beautiful woven pattern and the grain of the wood to stand out. The seat is set on three splayed club feet, stained in a rich colour lending a more dramatic presence to the form. The tripod base is ideal for ensuring the sturdiness needed for a classic piece of furniture made to withstand the passage of time. Being functional as well as aesthetically pleasing, the stool will be a great addition to set the tone of a space. The design is strong but subtle, with expert wickerwork thanks to which it can add depth as well as functionality to a space.
The interplay of a simple structure and refined detailing evokes a sense of harmony, aligning with the era’s focus on blending beauty with utility. The organic design makes this piece stand out with an elemental edge. The colour palette further allows it to easily adapt to almost any interior to either complement a space, or to stand as an accent piece.
Condition:
In good vintage condition. Wear consistent with age and use. This stool has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches or discolouration.
Dimensions:
13.39 in ø x 14.37 in H
34 cm ø x 36.5 cm H
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Price category: 2,500 - 5,000 usd / eur
Throughout the 20th century, Scandinavian designers developed a reputation for their devotion to honest materials, functional forms, and a deep respect for traditional craftsmanship. Norwegian furniture makers in particular often took cues from rural design, interpreting it through a modern lens to create pieces that balanced simplicity and comfort. Krogenæs, a Norwegian workshop, embraced these high-quality, yet utilitarian values in their design language and material choices. This pair of stools reflects this commitment with clarity and character.
These low stools feature sturdy, solid oak bases with gently tapered legs and stretchers that reinforce stability while also adding a subtle rhythm to the silhouette. The wood has been left with a natural finish that highlights its warm tone and visible grain. Resting atop each base is a generously padded seat upholstered in soft off-white sheepskin, giving the pieces an inviting texture and a tactile contrast to the structured frame beneath. The sheepskin not only softens the profile but also offers comfort and warmth, both physically and aesthetically. Stools have long been versatile furnishings, used across cultures and eras in functional and decorative ways. In the Scandinavian context, they often served as multi-purpose pieces: footrests, extra seating, or even small tables. The low height of these stools, paired with their plush tops, makes them ideal as ottomans or casual seating options that add an organic softness to an interior. Their modest scale allows them to be moved easily, fitting neatly into both small and open-plan spaces.
This pair captures the essence of Norwegian design in its purest form: practical, beautifully made, and inherently charming. Whether used on their own or paired with a lounge chair, these stools bring a grounded, natural quality to any space.
Condition:
In good vintage condition. Wear consistent with age and use. The seats have been reupholstered recently in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
First Stool:
21.65 in W x 16.14 in D x 15.74 in H; Seat height 15.74 in
55 cm W x 41 cm D x 40 cm H; Seat height 40 cm
Second Stool:
21.25 in W x 16.14 in D x 15.35 in H; Seat height 15.35 in
54 cm W x 41 cm D x 39 cm H; Seat height 39 cm
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Price category: 1,000 - 2,500 usd / eur
This tripod chair has a simple composition that mixes the aesthetics of rural handicraft with international modernism.
While many postwar French designers were embracing new industrial techniques and mass production, some, like Alexandre Noll, personally selected his materials and handmade each unique piece. Like Noll, this chair’s designer paid little attention to trends, preferring to let the material guide the design, letting the shape of the wood be the main source of inspiration. Thanks to this, the chair has an organic form and a focuses on the solid wood as a material. Even at first glance, this chair has a startling rawness, but with its warm-toned and slightly asymmetrical body, it is a greatly-balanced piece. Sensitive touches enliven the design, visible in the careful craftsmanship, especially in the carved seat and tripod legs.
The aesthetic of this tripod chair is somber, giving importance to eerie organic and rugged shapes. Through its eccentric geometries and expressive forms, this chair is the perfect piece to add visual and elemental interest to any interior.
Condition:
In good vintage condition. Wear consistent with age and use.
Dimensions:
14.76 in W x 17.51 in D x 31.49 in; Seat height 18.3 in
37.5 cm W x 44.5 cm D x 80 cm H; Seat height 46.5 cm
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Price category: 5,000 - 7,500 usd / eur
What makes wood so appealing besides its natural beauty is the ease in which it can be cut and the array of beautiful shapes that can be sculpted from it. These mid-century stools, reminiscent of ones created by Krogenæs Møbler in Norway, exude craftsmanship and refined style.
Crafted from solid wood, these tripod stools bear the main design hallmarks of mid-century Scandinavian furniture: simplicity and functionality. There are a couple of design elements that set these stools apart, including their ergonomically carved seats, the splayed legs and the arched stretchers, which all add a touch of intrigue to their otherwise minimalist aesthetic. The masterfully crafted mortise and tenon joints further highlight the arches in the front. The subtle curvature and rounded edges that characterize this pair create a gentle and stylish mid-century modern look that is still based on the organic beauty and qualities of the wood itself. In the world of contemporary interior design, sculptural stools like these have surged in popularity as they can blend seamlessly into modern homes, offering not only practicality but also a sense of nostalgia and authenticity. This pair’s clean lines and cosy wood tones complement various decor styles. Additionally, their enduring appeal lies in their ability to bridge the gap between the past and present, paying homage to mid-century design principles while adapting to the needs of today's interiors. Stools are truly one of the most practical and stylish additions one can make to any room.
Characterized by functionality, simplicity and clean lines, Scandinavian design is all about harmony. As such, these stools are more than just functional furniture pieces; they are also conversation pieces, inviting guests to admire their design and appreciate the craftsmanship that went into creating them.
Condition:
In good vintage condition. Wear consistent with age and use. The pine wood has some scratches and marks.
Dimensions:
18.89 in W x 15.74 in D x 15.55 in H
48 cm W x 40 cm D x 39.5 cm H
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Price category: 1,000 - 2,500 usd / eur
Franco Albini’s best known designs were made of natural materials, especially rattan and bamboo, numerous of which belong to the permanent collections of museums, such as New York’s MoMA. The Italian architect and designer was awarded three times with the prestigious Italian design award, the Compasso d’Oro.
Stools have been staples in European design history, Italy being no exception. The country developed its own distinctive style, where traditional Italian artisanship was met with a luxurious look and quality. Franco Albini would often combined these with raw, inexpensive materials and with new forms of modern minimalism. This stool represents a keystone of the Italian design culture from the mid-20th century through its creative and rigorous composition that expresses a particularly high degree of aestheticism. The quality handwoven rattan makes this stool an outstanding example of woven furniture. It features a unique shape with rounded edges and an airy feel. The flowing lines of the seat are striking, and executed in the organic material, they stand out even more. The design is a blend of old and new: a charming furniture silhouette paired with an organic material and the highest quality of craftsmanship. The scalloped shapes and curvaceous shape lend to a playful, artful, and frivolous spirit. This soft-to-the-eye style elicits a sense of nostalgia, careful craftsmanship, and a fresh take on traditional design. From the masterful use of natural fibres, to the visible joinery techniques, the expert hand work is apparent.
This stool is a wonderful model that is sure to enrich every ambient with its warm tones. In this model, the maker’s extraordinary architectural ideas emerge in their purity and poetry of form, mixing aesthetics with astounding materials. Furthermore, rattan is one of the most timeless and versatile materials for interior design. Its natural look, texture, and welcoming hues are ideal for creating a relaxed feel.
Condition:
In good vintage condition. Wear consistent with age and use. The wood has some scratches and marks.
Dimensions:
17.71 in W x 17.71 in D x 16.14 in H; Seat height 16.14 in
45 cm W x 45 cm D x 41 cm H; Seat height 41 cm
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Price category: 2,500 - 5,000 usd / eur
This “kubbstol” or “kubbestol” is a traditional Scandinavian chair made from a log. The kubbestol was quite common in some districts of Norway from about 1750 to 1960, where it was usually made from logs with significant girth and three to four feet in length.
The tree trunk was hollowed out so that the base (from the seat down) would be cylindrical while the back of the chair continues upward from the seat in a curved shield that makes the chair both snug and comfortable. Most, but not all, kubbestols were decorated with carving, painting, or some combination of the two. This chair has beautiful folk patterns hand carved into it, with visible, raw craftsmanship. Carved and painted decorations would differ from district to district and styles changed over time. While the log is seemingly roughly shaped, this chair is surprisingly comfortable, as functionality has been historically important for Scandinavian furniture makers. The kubbestol was often placed next to the open-hearth fireplace or next to the bed, and it was reserved for the head of the household. Large, impressive farmhouses might have had several richly carved and painted kubbestols as a display of wealth and status.
These days the log chair has become a symbol of Scandinavian roots for many families with ties to Norway, Sweden, or Denmark. The kubbestol is a reminder of our rural heritage and a time when most things in and around the home were made by hand from materials found in nature. Essentially a chair hewn from a tree trunk, this chair is as closely associated with Norway as Peer Gynt, and may have led just as many lives and have just as many tales to tell.
Condition:
In good vintage condition. Wear consistent with age and use. The chair has cracks and marks and discolouration. The hand carved patterns remain in good condition.
Dimensions:
17.32 in W x 21.06 in D x 25 in H; Seat height 14.17 in
44 cm W x 53.5 cm D x 63.5 cm H; Seat height 36 cm
About the Design:
The earliest records of the kubbestol/kubbstol in Scandinavia are in the form of small silver amulets: one from a burial site on the island of Björkö to the west of Stockholm, which dates to the 9th century, and two found amongst a collection of money and jewellery unearthed at Fölhagen on the Swedish island of Gotland and dated to the 10th century.
The three small silver amulets which bear an uncanny similarity, and alongside several other amulets depict the so-called kubbstolar. They are kept today by the Statens Historiska Museum (The Swedish History Museum) in Stockholm. In addition to silver amulets the Statens Historiska Museum also has two amulets in amber, one each from Björkö and Gotland.
Whereby it is important to remember that a representation of a kubbstol created in 9th and/or 10th century Sweden shouldn’t be confused with the physical existence of the kubbstol in 9th and/or 10th century Sweden. That while it strongly implies, they almost certainly were physically in existence in Sweden; they alone confirm that kubbstolar were known in Sweden, and presumably had an importance and significance. Why else use them as amulets, and as amulets crafted from precious, valuable, materials? In 1916 Bernhard Salin noted that “due to lack of time and space, I have to refrain from considering the interesting question of why the kubbstol during the Viking Age was made in the form of a pendant.”
The kubbstol can also be found on a carving originating from the Sanda churchyard according to Hugo Junger, who argues that the enclosed space in which the three figures in the top part of the carving find themselves, is Valhalla, that famed residence where slain, and favoured, Nordic warriors enjoyed the afterlife. While Odin’s chair is only decipherable with an excellent and biased imagination, Frigg’s chair is very clearly a kubbstol. And if Frigg and Odin furnished Valhalla, or perhaps just their private rooms and/or the public reception rooms, with kubbstolar, then that not only makes the kubbstol one of the original seats of power, but bequeaths the kubbstol an importance and significance that justifies amulets crafted from precious, valuable, materials.
Exactly what that significance is and was, other than, potentially, a simple symbol of the power of Odin and/or Frigg, we know not. As with all items of vernacular furniture the search for origins invariably leads one to supposition and fantasy, rather than your actual facts. However, the kubbstol became a symbol of Scandinavian history and culture, with a unique appearance and craftsmanship that contains history just like a book. ~H.
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Price category: 1,000 - 2,500 usd / eur
This stool is aesthetically, a tempered Modernism in design: clean forms without exaggeration with the high-quality work of Danish cabinetmakers. Humble in its material and size, this pine stool still draws attention thanks to its distinctive look and personality.
In the absence of heavy ornamentation, this stool takes pride in its material’s natural qualities. Pine wood became the bamboo of the north in the sense that it lasts at least a hundred years — that’s how long it takes for a pine tree to grow into the lengths when it’s ready to harvest. With its restrained, light colour palette peppered with gnarly knots, pine furniture have been favoured in Scandinavia for centuries and there is a contemporary renewal of interest and appreciation as well. This tripod stool shows why: standing on tapered legs, the seat displays the beautiful patterns of the wood and the simple, elemental joinery technique. The distinguishing feature however, is the shape of the seat. The front side is scalloped with gently rounded edges, creating a modern, stylish look. The construction strips back the unnecessary, showcasing only the essential elements of it. The wood is left in its natural form as much as possible, while also prioritizing functionality and longevity.
Alongside the touchstones of simplicity, functionality, and comfort, Danish design utilizes light, creates use of natural materials, and integrates with nature. This sort of northern minimalism allows people to invite peace into their home without creating a space that is uninviting or cold. Similarly, this stool is full of vitality without being chaotic or overworked.
Condition:
In good vintage condition. Wear consistent with age and use. Some small scratches and marks on the wood.
Dimensions:
16.73 in W x 13.18 in D x 14.17 in H
42.5 cm W x 33.5 cm D x 36 cm H
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Price category: 2,500 - 5,000 usd / eur
Designed by Børge Mogensen in 1955, the “J27” stool remains a solid and practical piece. With a multitude of purposes, form and function remain at the forefront of this design. Almost everyone in Denmark has experienced Børge Mogensen’s designs – from the well-known, modern FDB furniture - like these stools - to countless classics that have furnished both homes and public spaces in Denmark.
This pair of solid beech stools by Danish master, Børge Mogensen, has an outstanding balance with a classic, timeless design. These “J27” models mirror Mogensen’s ideal, which was to create furniture with a restrained aesthetic that serve people. With a clear statement of simplicity, quality and respect for materials, this pair of stools is a great example of Danish Modern design. The functional elements converted into decorative features is characteristic of Mogensen’s design aesthetic. As such, the holes on the seats and stretchers are not only important utilitarian and structural features, they are also visually appealing details that give plenty of character to these stools. Mogensen’s present design was executed by FDB Møbler, the Danish manufactory established in 1942, with a heritage of unfaltering dedication to the perfection and progression of the design craft.
Børge Mogensen believed that furniture should fit the human being, rather than the other way around and that functional quality furniture is paramount. For the book by the bed or when an extra guest needs to be squeezed in at the dining table, this pair of stools is perfect as it is both practical, decorative and thoroughly well-designed.
Condition:
In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood.
Dimensions:
13.77 in W x 13.38 in D x 18.11 in H
35 cm W x 34 cm D x 46 cm H
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Price category: 1,000 - 2,500 usd / eur
Originating from Turkiye, ottomans have long functioned as seating elements, designed to complement larger upholstered pieces while offering flexibility in their use. Through the mid-20th century designers focused on efficient forms that could shift easily between roles - for example as a footrest, an occasional seat, or even storage.
This ottoman captures that approach through its soft and understated construction. The design has a low and gently rounded silhouette, defined my its softness in both shape and material. The rich and slightly irregular character of the sheepskin defines the piece. The fabric catches light differently across its surface and gives the piece a sense of depth despite its simplicity. This material choice also reflects a broader interest in natural textures during the period, where softness and warmth were used to offset the cleaner lines of modern interiors. Beneath, small pine feet provide a subtle lift, preventing the stool from appearing too heavy while introducing a quiet contrast in material. The proportions are compact and well-balanced, making it easy to position alongside a chair or sofa without dominating the space. The oval shape adds a slight variation to the more common square or circular formats, making it feel more organic.
More than just a footstool, pieces like this allow for wider usage, perfect for additional seating options within a limited space. There is no excess detail or dominating structure; instead, the focus remains on the functionality and warm character of this piece.
Condition:
In good vintage condition. Wear consistent with age and use. The ottoman has recently been reconditioned. Due to the nature and age of the materials, the item may have some marks, scratches, and discolouration. The item has recently been reupholstered in a premium sheepskin. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.
Dimensions:
31.50 in W x 22.84 in D x 17.72 in H
80 cm W x 58 cm D x 45 cm H