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Price category: 2,500 - 5,000 usd / eur

This Finnish table lamp is a masterful display of 20th century design’s sensibility and craftsmanship. Produced circa the 1930s, it captures the elegant interplay of form and function that defined Nordic lighting design of the era. The lamp showcases a masterful ceramic form crafted by Kerttu Suvanto-Vaajakallio for Kupittaan Savi.

Many of the works made at Kupittaan Savi bridge the gap between traditional handcrafted design and modernist sensibilities. During the first half of the 20th century, when the company was under Kerttu Suvanto-Vaajakallion’s creative direction, it greatly influenced the direction in which the decorative arts in Finland took. This beautiful table lamp is a lovely example of Kupittaan Savi and Suvanto-Vaajakallion’s collaboration and their commitment to innovation. The base of this piece has a plump, rounded profile that feels grounded and inviting. Its stoneware body is covered in a rich, layered glaze in dark earthy tones, creating a natural look. The surface displays texture, reminding of the material’s qualities. The combination of the stoneware and textile shade create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the lamp feel both functional and artistic. The overall aesthetic of this piece is essentially Nordic modern thanks to the combination of interesting materials, texture and a design inspired by nature. The stone body is softened by the horizontal grooves and the pleasant warm light, creating exquisite harmony.

As a whole, the lamp delivers exactly the qualities most sought-out in early Finnish modern design: craftsmanship, clarity, and a quiet but memorable character. This piece shows why Suvanto-Vaajakallio and Kupittaan Savi’s works are valued to this day. It fits in both traditional and contemporary interiors and has the kind of understated elegance that enhances a space.

Condition:

In good vintage condition. Wear consistent with age and use. The table lamp has recently been reconditioned. Due to the age and nature of the stoneware, the lamp may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 standard fitting. All lighting can be converted for US usage.

Dimensions:

16.14 in W x 10.04 in D x 19.09 in H

41 cm W x 25.5 cm D x 48.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen founded Sejer Keramik in Denmark in 1943, where between the 1940s and 70s he developed a distinctive body of work in chamotte stoneware, a type of ceramic known for its durability and textured finish. His lamps are particularly recognised for their tactile surfaces and individually worked glazes, with each example displaying subtle variations created during the firing process.

This table lamp is crafted from glazed chamotte stoneware. The coarse texture of the the material remains visible beneath the glaze, creating a surface that is rich in depth and character. The thick dark blue glaze flows naturally over the recessed details while catching the raised edges, accentuating the geometry of the pattern. At the same time, it introduces a bold, yet elegant colour. The timeless tine integrates beautifully in even the most minimalist environments. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The slim tapering silhouette provides an elegant counterpoint to the rounded base, while the simple cylindrical shade allows the sculptural qualities of the ceramic to remain the focal point. The base features a geometric pattern, which adds to the visual interest of the design.

Combining careful craftsmanship with expressive glazing, this lamp exemplifies Sejersen's approach to functional ceramics. It is equally compelling as a source of ambient light or as a sculptural object, bringing texture, colour, and material richness to an interior without relying on excessive ornament. Whether placed on a side table, shelf, or desk, it pairs easily with both modern and more traditional furnishings.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 24.21 in H

40 cm ø x 61.5 cm H

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Price category: 5,000 - 7,500 usd / eur

Founded on the Danish island of Bornholm in 1835, Søholm became one of the country's most respected ceramic manufacturers, at a time when when studio pottery enjoyed international acclaim. By the 1960s, the workshop had developed a distinctive visual language characterised by earthy glazes, bold relief decoration, and sculptural forms that blurred the boundary between functional objects and ceramic art. Many of its lamps reflect this approach, transforming stoneware into atmospheric lighting while celebrating the expressive qualities of the material.

Model “1208-3” is distinguished by the striking relationship between its slender neck and broad, rounded body. The lower section stands out through an intricate relief decoration composed of intersecting bands, creating a woven, basket-like motif that introduces remarkable depth and texture to the ceramic surface. As light falls across the pattern, the recessed areas catch shadow while the raised elements become subtly highlighted, giving the base a constantly shifting appearance. The earthy glaze further enriches this effect, blending warm browns, sandy beiges, and soft grey undertones that settle differently across the relief, emphasising the handmade character of each lamp. Above this body, the form narrows elegantly beneath the fitting, creating a graceful transition to the simple cylindrical shade. The geometry of the shade provides a deliberate counterpoint to the expressive ceramic below, allowing the base to remain the visual focal point while diffusing the light and balancing the form. The thought-out design and expert detailing reflect the qualities that characterises Søholm's finest ceramic lighting from the 1960s. 

As a pair, the lamps create an immediate focal point within an interior. Combining the tactile qualities of handcrafted ceramics with the elegance of Danish modern lighting, they stand as refined examples of the enduring contribution of Scandinavian design.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been rewired and reconditioned. The shades are a later replacement. Due to the nature and age of the material, the items may have some marks, scratches, and discolouration.

Dimensions:

19.69 in ø x 25.59 in H

50 cm ø x 65 cm H

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Price category: 7,500 - 10,000 usd / eur

Inger Persson (1936–2021) was one of the leading figures of twentieth-century Swedish ceramic design. After studying at Konstfack in Stockholm, she joined Rörstrand in 1959 at only twenty-two years old, during what is widely regarded as the factory's golden age. Working alongside celebrated designers such as Carl-Harry Stålhane, Marianne Westman, and Hertha Bengtsson, Persson developed a highly personal design language characterised by strong forms, rich glazes, and a willingness to move between functional objects and more sculptural creations. Her work is represented in the collections of Sweden's Nationalmuseum, and she remains one of the most recognised names associated with Rörstrand's artistic legacy today.

This pair of table lamps demonstrates Persson's sensitivity to surface and material. The cylindrical stoneware bodies are divided into distinct horizontal bands, each treated with a different glaze. Deep black sections frame the composition above and below, while a speckled band creates a striking contrast through rich brown and off white tones at the centre. Rather than relying on elaborate modelling, the lamps derive their visual interest from the interaction between colour, texture, and the subtle variations created during firing. The vertical form allows the glazes to remain the focal point, emphasising the ceramic quality rather than disguising them as purely functional objects. Above, the pleated fabric shades introduce a softer texture and a warm diffused light that complements the earthy palette of the stoneware.

Persson spent much of her career exploring how simple forms could be transformed through glaze and surface treatment, a quality that is clearly visible here. The lamps function not only as sources of light but also as examples of the experimental ceramic work that made Rörstrand internationally respected during the second half of the twentieth century.

Condition:

In good vintage condition. Wear consistent with age and use. The lamps have recently been reconditioned and rewired. Due to the age and nature of the material, the items may have marks, and discolouration. These lamps are compatible with an E27 / E26 standard fitting. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

The manufacturer Søholm Stentøj (“Søholm Stoneware”) was one of the oldest and most revered names in Danish ceramics. It was founded in Rønne, on the Baltic island of Bornholm, in 1835 and became known for its distinctive ceramic designs, combining traditional craftsmanship with modern aesthetics. In the middle of the 20th century, Søholm produced a wide range of stoneware in various patterns and shapes, marrying practicality with artistry to create items that feel both grounded and elegant.

This model “1025” table lamp’s small yet bold, rounded body sits with a grounded presence. The overall form highlights the ceramic, which shows its natural texture and handmade qualities. The unique base features a beautiful blue glaze, a clear artistic touch by Søholm. The body features gently rounded edges, adorned with rhythmic ridges along the sides of the model, providing the perfect support for the fabric shade. The model is completed by an off-white pointed shade that softens the light, creating a warm, ambient glow, while adding another layer of visual interest and originality. The sharply geometric shade juxtaposes the curvatures of the body below. No aspect of this piece was overlooked in the design process, with the quality craftsmanship being rooted in the rich history of the lamp, as well as in its unique characteristics.

Wherever the lamp is placed, it effortlessly enhances the mood with its refined, polished aesthetic. In addition to its visual appeal, this lamp stands as a testament to the quality and craftsmanship of the mid-20th century. Its clean lines and functional elegance are characteristic of the era, combining minimalist grace with rich materials to create a piece that feels both contemporary and timeless.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement. Due to the nature and age of the materials, the item may have marks, scratches, and discolouration. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

13.58 in ø x 12.20 in H

34.5 cm ø x 31 cm H

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Price category: 2,500 - 5,000 usd / eur

Fridtjof Sejersen was a Danish ceramicist in the postwar period, known for his material experimentation and expressive surface work. From the early 1940s to the late 70s, through his company, Sejer Keramik, Sejersen explored the tactile and visual possibilities of chamotte clay, a coarse ceramic material that allowed for sculptural forms and richly textured glazes. His work sits comfortably within the broader context of Danish modern design, where craftsmanship and artistic individuality were valued as much as functional clarity.

This table lamp model is an object that is both utilitarian, yet anchored in the ceramic traditions that defined Danish craft throughout the mid-20th century. The base has a plump, rounded profile that feels grounded and inviting, while the stem is slender and long. The base features an inlay, which adds to the visual interest of the design. The surface of the chamotte displays texture, reminding of the material’s natural qualities. The shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the material below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

As a piece, this lamp works beautifully in interiors that value character and material honesty. It adds warmth and texture to a room, whether placed on a side table, shelf, or desk, and pairs easily with both modern and more traditional furnishings. Beyond its practical use, it represents a moment in Danish design where studio ceramics and functional objects came together seamlessly.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The lamp has minor marks and scratches. Due to the nature and age of the materials, the lamp may have discolouration. The shade was custom made by our in-house atelier. The lamp is compatible with E26 / E27 (standard) fittings. All lighting can be converted for US usage.

Dimensions:

15.75 in ø x 21.65 in H

40 cm ø x 55 cm H

Shade:

15.75 in ø x 8.27 in H

40 cm ø x 21 cm H

Base:

6.10 in ø x 3.54 in H

15.5 cm ø x 9 cm H

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Price category: 2,500 - 5,000 usd / eur

The second half of the 20th century was perhaps the most fertile breeding ground for innovation since the industrial revolution. Many Scandinavian lightning designers and companies of the era created innovative and distinctively modern pieces, such as this table lamp. 

The piece features a slender, tapering ceramic base with a richly textured glaze. Its surface features tonal variations and a lovely vertical pattern. The base of this piece features decorative motifs which greatly add to the visual interest while also adding depth. This design reflects the approach that an object can be utilitarian yet still anchored in the artistic ceramic traditions that defined Danish craft throughout the mid-20th century. The fabric shade introduces a layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. A balance between softness and structure characterises this table lamp with the heavy stone body being softened by gentle curves and the pleasant warm light, creating perfect harmony. The overall aesthetic is essentially Scandinavian modern thanks to the combination of interesting material choices and a design that feels organic and natural.

Defined by verticality, this model is uniquely stylish and guaranteed to stand out. Adding illumination to a living space with this stylish table lamp will not only improve the ambience, it will also bring a piece of design history to the space. 

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the nature of and age of the material, the item may have some marks, scratches, and irregularities. This lamp is compatible with an E26 / E27 (standard) fitting. All lighting can be converted for US usage.

Dimensions:

15.74 in ø x 24.41 in H

40 cm ø x 62 cm H

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Price category: 2,500 - 5,000 usd / eur

At the turn of the 20th century, Art Nouveau emerged as a reaction against historic revival styles and the mass-production brought about by the Industrial Revolution. It favoured organic lines, natural motifs, and a sense of fluidity. Across Europe, designers sought to create objects that felt alive, drawing inspiration from plants, vines, and patterns found in nature. This table lamp sits firmly within that context, reflecting the period’s fascination with craftsmanship, ornament and atmosphere.

The design of this lamp has a clear focus on the ceramic body. The unique base features a beautiful and organic colour palette with decorative details, giving a clear artistic touch. The base has a plump, rounded profile that feels grounded and inviting. Its ceramic body is covered in a rich, layered glaze that shifts between deep blues, creating a soft gradient. The surface displays texture, reminding of the material’s natural qualities. The fabric shade introduces another layer of warmth, diffusing the light into an ambient glow that complements the ceramic below. Together, the stoneware and textile create a dialogue between weight and softness, cool ceramic and warm illumination. This interplay is what makes the piece feel both functional and artistic.

Over a century since its creation, this Art Nouveau lamp stands as a timeless testament to an era that celebrated the marriage of art and craftsmanship, where even the smallest details were treated as opportunities for creative expression. This model is a true accent lighting piece, sure to start a conversations about style and beauty.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement.

This lamp is compatible with an E27 fitting. Due to the age of the lamp we recommend using LED bulbs.

Dimensions:

11.81 in ø x 16.33 in H

30 cm ø x 41.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Dutch ceramic lighting in the 1960s often reflected a close relationship with functional design, where everyday objects were shaped with the same care as artistic ceramic works. Mobach, founded in Utrecht in 1895, built its reputation on traditional craftsmanship and a strong emphasis on hand-thrown forms, while building their centuries-long reputation.

Rather than standardising production, Mobach maintained a workshop-oriented approach, allowing variation in surface and finish to become part of each object’s identity. This table lamp demonstrates that sensibility through its form and richly textured surface. The base is composed of two clearly articulated volumes: a wider cylindrical foot and a narrower, elongated neck, creating a stable yet light composition. The surface is particularly notable, featuring ridges, alongside the already textured surface, enhancing the tactile quality of the ceramic. The earthy tones, ranging from muted browns to softer, lighter hues, reinforce the natural character of the material, allowing the glaze to complement the texture rather than dominate it. Above, the fabric shade introduces a contrasting smoothness, both visually and materially. Its simple, slightly tapered form diffuses the light evenly, producing a warm glow that complements the depth of the ceramic base. The relationship between these elements is balanced and deliberate, with the shade acting as a calm counterpoint to the more expressive base.

What gives this lamp its presence is the way it feels anchored without appearing heavy. The geometry is simple, yet the surface carries enough detail to hold attention. Whether placed on a side table or console, its material qualities can be appreciated without needing excess ornament to stand out.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade has been custom-made by our in-house atelier. Due to the nature of and age of the material, the item may have some marks, scratches, and discolouration. All lighting can be converted for US usage.

Dimensions:

20.47 in ø x 33.66 in H

52 cm ø x 85.5 cm H

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Price category: 2,500 - 5,000 usd / eur

Danish ceramic design in the 1960s and 1970s saw a shift toward more expressive and tactile forms, as artists moved beyond strict functionalism and began to treat everyday objects as sculptural works. Designers like Bodil Marie Nielsen produced handmade stoneware pieces that emphasised individuality, texture, and organic inspiration. Her work highlights the raw qualities of the stoneware, from its rough surface, weight, and irregularities.

This table lamp is a striking example of Nielsen's approach, defined by its richly textured ceramic base and compact, sculptural proportions. The body is formed from stoneware, shaped into a rounded, vessel-like silhouette that expands at the base before tapering toward the neck. Its surface is highly tactile, featuring an uneven, porous texture that is reminiscent of coral. This gives the lamp a strong visual identity, transforming it from a simple functional object into a piece of ceramic art. The earthy tones of the lamp enhance this organic quality, with subtle variations in colour adding depth and complexity to the surface. Above, the shade introduces a contrasting softness, both in material and form, through its wavy edge. Its curves and light fabric diffuse the illumination gently, balancing the visual weight of the base. The interplay between the rough ceramic and the refined shade allows the base remains the focal point while the shade complements the form rather than overwhelming it.

What distinguishes this lamp is its emphasis on texture as the primary decorative element. The design does not rely on added ornament, but builds character through its surface. This allows the piece to function as both a source of light and a sculptural accent. It reflects a broader movement in Danish design during the period, where craftsmanship and material exploration resulted in objects that feel expressive, and enduring.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement. Due to the nature of and age of the material, the item has visible marks, scratches, and discolouration. This lamp is compatible with an E(27) fitting. All lighting can be converted for US usage.

Dimensions:

13.77 in ø x 17.91 in H

35 cm ø x 45.5 cm H

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Price category: 2,000 - 5,000 usd / eur

Helle Allpass was part of the generation of Danish ceramic designers active during the 1950s and 1960s, a period that marked the height of Scandinavian modern design. Originally trained as an architect, she decided to work in pottery, like her father and grandfather. Allpass started her own workshop north of Copenhagen, where she made stoneware crafts, many of which were large hand thrown pieces.

Helle Allpass embraced the era’s focus on honest materials, balanced proportions, and expressive surfaces. All of these characteristics are clearly visible in this table lamp for Trørød ceramics. Allpass’ work combined restrained silhouettes with richly layered finishes that highlight the handmade nature of each piece. This glazed lamp features a softly rounded ceramic base with a gently tapering profile. The form is accented by a beautifully nuanced glaze, displaying subtle tonal transitions between deep earthy browns, charcoal hues, and lighter sandy notes near the base. The surface texture reveals natural variations created by the handmade nature of the item, as well as the firing process, lending depth and individuality to the lamp. The curved silhouette is complemented by the scalloped fabric shade, whose soft lines echo the organic character of the base. Together, the elements create a harmonious composition where material, shape, and surface come together seamlessly.

Both decorative and functional, this table lamp embodies the quiet sophistication that defines Danish mid-century lighting. As an authentic example of 1960s Scandinavian ceramic design, it offers a blend of artistry, craftsmanship, and everyday usability. Elegant yet understated, the lamp stands as a refined expression of Denmark’s enduring design legacy.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been rewired and reconditioned. The shade is a later replacement.

Dimensions:

16.53 in Ø x 20.47 in H

42 cm Ø x 52 cm H

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Price category: 2,500 - 5,000 usd / eur

Lisbeth Munch-Petersen was a Danish ceramist born in 1909 on the island of Bornholm, Denmark. Scandinavian countries have achieved world-wide renown by incorporating a modern aesthetic into their traditional craft industries, resulting in era-defining pieces with an unparalleled inventiveness. Munch-Petersen was part of a renowned Danish ceramics family, and was celebrated for her ability to translate traditional pottery techniques into modern forms that resonated with mid-century sensibilities.

This lamp features an oval tapering ceramic body with a richly textured glaze. Its surface features tonal variations and a subtle geometric pattern. The glaze work exemplifies Munch-Petersen’s skill, combining grey tones with a textural finish that shifts with the light, giving the piece both visual complexity and organic warmth. The overall aesthetic of this piece is essentially Nordic modern thanks to the combination of interesting materials, texture and a design inspired by nature.

A balance between softness and structure characterises this piece, the stone body is softened by the linearity of the design and the pleasant warm light, creating exquisite harmony. The overall aesthetic is essentially Nordic modern thanks to the combination of interesting material choices and a design that feels organic and natural.

Condition:

In good vintage condition. Wear consistent with age and use. The lamp has recently been reconditioned and rewired. The shade is a later replacement.

This lamp is compatible with an E27 fitting. Due to the age of the lamp we recommend using LED bulbs. This lamp is not UL listed.

Dimensions:

11.81 in W x 7.87 in D x 17.91 in H

30 cm W x 20 cm D x 45.5 cm H