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Price category: 7,500 - 10,000 usd / eur

This stunning armchair, designed by the renowned French duo Guillerme et Chambron, showcases an exquisite blend of elegant aesthetics and rustic design elements. Crafted in the mid-20th century by Votre Maison, the model reminds us how form and elegance blend together in the duo's exceptional distinctive craftsmanship style.

The solid oak wood frame provides a sturdy yet elegant structure, showcasing the beautiful material. The sculptural form allows for a dynamic visual movement between the different accents of this model. The back is composed of seven oak spindles, standing detached from the arms. The armrests are carved with great precision to serve a double purpose: an aesthetic role, and a functional one thanks to the cushioning. The frame is striking through its composition, yet the look is enhanced even further thanks to the upholstered cushions, which immediately draw the eye with their playful geometry. Like most of their designs, this chair model displays a beautiful contrast between the wooden frame and the elegant light fabric. The material is not only visually appealing but also selected for its comfort and durability, ensuring that the chair is as practical as it is beautiful. This model also shows how Guillerme et Chambron pieces possess an unusual flare.

Guillerme et Chambron’s work not only represents the fusion of function and form, but also exemplifies the mid-century modern and brutalist aesthetic - which they played a pivotal role in shaping. Their emphasis on quality craftsmanship and the use of noble materials like oak has undeniably left a lasting imprint in the world of furniture making, solidifying their legacy in the French design landscape during the mid-century era.

Condition:

In good vintage condition. Wear consistent with age and use. The item has been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration. The chair has recently been reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 35.03 in D x 37.79 in H; Seat height 15.35 in; Seat depth 20.86 in; Arm height 22.24 in

76 cm W x 89 cm D x 96 cm H; Seat height 39 cm; Seat depth 53 cm; Arm height 56.5 cm

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Price category: 30,000 - 40,000 usd / eur

Swedish architect and furniture maker Axel Einar Hjorth worked as the lead designer for Sweden’s Nordiska Kompaniet department store from 1926 to 1938. During this time, Hjorth designed the “Sportstugemöbler” series, (which translates to “sports cabin furnishings”) a collection of wooden furniture designed for country homes. The various models in the sportstugemöbler series took their names from locations in the Stockholm archipelago – including Blidö, Lovö, and Utö.

The “Lovö” model, designed within the series of chalet furnishings, was initially launched by Nordiska Kompaniet in 1932. The series was a response to a new and growing demand for furnishings for leisure houses where the style was more informal. This chair is crafted from local pine wood, while the backrest features iron rivets. The juxtaposition between the pine and iron provides a rustic, sturdy and resilient feel, elevating the timeless look of the model. The chair combines a simple and honest form of the handcrafted style of traditional Nordic “allmoge” furniture, and the international 20th century Modernist movement. The result is a modest yet visually interesting design with a strong silhouette. The pine body is composed of a low, curved back that is slightly tilted in order to increase the sitter’s comfort - highlighting the functional nature of the chair. The seat features a loose, removable cushion, upholstered in a textural, striped fabric. Not only is the design of this model unique, but the colourful, cushion further increases the special character, ensuring remarkable charm. The design is completed by four square, straight legs, offering sturdiness.

The “Sportstugemöbler” series had a lasting influence on Hjorth’s contemporaries, inspiring other big names within Nordic design, such as Carl Malmsten. From an international perspective, this series is the forerunner of later pioneering designs, so it comes as no surprise that these “Lovö” chairs became part of modernist design history.

Condition:

In good vintage condition. Wear consistent with age and use. This chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

20.86 in W x 20.07 in D x 31.49 in H; Seat height 18.50 in; Seat depth 16.92 in

53 cm W x 51 cm D x 80 cm H; Seat height 47 cm; Seat depth 43 cm

About the designer:

Axel Einar Hjorth was born in a small Swedish village named Krokek, just outside Norrköping, on March 7, 1888. At the age of 20, he moved to Stockholm to study architecture and design at the Högre Konstindustriella Skolan.

Although he never graduated, in the 1920s Hjorth started working as a furniture designer for various manufacturers, such as H. Joop & Co., Myrestedt & Stern, Jonssons, and Nordiska Kompaniet. Hjorth’s designs from this period had neoclassical features combined with Swedish Grace. This romantic national style of Sweden was elegant and refined, yet simple. The anniversary exhibition of 1923 in Gothenburg marked the breakthrough of Swedish decorative arts, and made Axel Einar Hjorth a well-respected artist. From October 1926, Hjorth became the chief designer and architect of Nordiska Kompaniet department store in Stockholm. In the 1930s, Hjorth designed a furniture collection out of pine meant for serial production known as Sportstugemöbler (furniture for holiday houses).

Hjorth’s designs, from the luxury of neoclassicism to the severity of functionalism, are sharply distinctive in style, materials, and character. Unlike many of his contemporaries, Hjorth did not conform to the socially oriented ideas produced by Svensk Form (the Swedish Society of Crafts and Design). He played a significant role in the development of Swedish society as a whole, and particularly in Swedish industrial art.

Today Hjorth is often viewed as a precursor to the modern designs popularised by Charlotte Perriand, Jean Royére, Pierre Chapo, or Josef Frank. Recently, there has been a revival of appreciation for his work, showing his genius in a new light.

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Price category: 7,500 - 10,000 usd / eur

Danish Modernism can be visually described by this beautiful wing-back chair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsmanship of the country’s cabinetmakers. This chair is a testament to the quality and craftsmanship of Villy Sørensen.

From the welcoming winged body and the solid wood frame to the cosy sheepskin upholstery, this chair expresses a quality of hygge and a feeling of contentment. The distinctive shape is a result of the two “ears” that encompass the sitter. One of the most notable chair styles that embodies Scandinavian modern design is the wing-back chair. The history of this type of chair can be traced back to the 17th century when they were originally designed to provide protection from drafts in grandiose, often chilly, European homes. With high backs and "wings" on each side to shield the sitter from cold air, these chairs were originally a symbol of prestige and comfort. To balance the sculptural, upholstered body is the beautiful solid wood frame that is left exposed on the sides as it also functions as a decorative element with its geometric angles and curves. The arms and tapered legs are formed from the same piece of wood resulting in a sleek impression. The wood’s colour and smooth surface contrast brilliantly with the sheepskin’s light colour and texture. Thanks to the properties of the sheepskin, this chair provides great, soft comfort as well.

Villy Sørensen had a unique design idiom, which is clearly visible in this model: function, durability, timeless design, and perhaps above all, comfort. This traditional yet playful chair combines all of these attributes, which makes it ideal to be the stylish focal point of any space.

Condition:

In good vintage condition. Wear consistent with age and use. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair has recently been reconditioned and has recently been reupholstered in premium sheepskin. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.92 in W x 32.28 in D x 38.98 in H; Seat height 14.96 in; Seat depth 22.83 in

76 cm W x 82 cm D x 99 cm H; Seat height 38 cm; Seat depth 58 cm

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Price category: 5,000 - 7,500 usd / eur

Artifort was founded in 1890, when Jules Wagemans started a business as an upholsterer in Maastricht. A great deal changed with the arrival of the interior and furniture designer Kho Liang Ie, and in 1959 he recruited the French designer Pierre Paulin, beginning a long and fruitful collaboration between Paulin and the Dutch manufacturer. Pierre Paulin’s model “577” lounge chair, also known as the “Tongue Chair” or “Langue” in French, represents a bold and fluid design language that emerged in the mid-20th century.

Designed in 1967, and produced by Artifort, the chair is a hallmark of Paulin’s sculptural approach to furniture. He believed that “a chair should be more than simply functional”. This "577" lounge chair model features a seamless, flowing form that echoes the curve of a human tongue. The lounge chair offers a fresh departure from traditional seating, embodying the futuristic and organic sensibilities of the 1960s. Constructed with a metal frame covered in foam and upholstered in a beautiful off-white textured fabric, the design prioritises both form and comfort. The low armless profile encourages a relaxed posture and makes it visually striking from all angles. Paulin’s innovative use of materials and emphasis on ergonomic design allowed this chair model to become a functional piece and a statement - ideal for modernist interiors that value design and experimentation.

Today, the “577”/ “Langue” chair stands as a timeless icon of modern design, revered for its originality and enduring appeal. Through this design, Pierre Paulin and Artifort captured a unique moment when comfort, form, and avant-garde aesthetics come together beautifully.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

31.88 in W x 38.18 in D x 24.80 in H; Seat height 14.56 in; Seat depth 22.83 in

81 cm W x 97 cm D x 63 cm H; Seat height 37 cm; Seat depth 58 cm

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Price category: 12,500 - 15,000 usd / eur

This rare "Roset" chair is a striking creation by the Danish designer duo Ole Gjerløv-Knudsen and Torben Lind, manufactured by Mogens Kold in Denmark in the early 1970s. Introduced in 1972, the “Roset” model stands out for its sculptural form and innovative construction, embodying the spirit of Danish modernism with a playful and organic twist.

The chair’s design is both functional and deeply expressive. Its unusual shape evokes the comfort of a nest, welcoming the sitter into a softly embracing form.  The chair’s broad circular seat and gently curved split backrest encourage a relaxed lounging posture, creating an intimate and cocoon-like experience for the user. The feet, resembling fins, not only provide visual dynamism but also ensure stability, giving the piece a grounded yet airy presence. The body is constructed from three laminated plywood panels, precisely joined with visible brass screws that lend a subtle industrial touch while highlighting the craftsmanship and attention to structural detail. The model is upholstered in a premium wool and alpaca blend fabric, chosen for its softness, warmth, and luxurious texture. The light, tactile quality of the upholstery enhances the chair's inviting character and complements the warm natural tones and grain of the plywood shell.

The “Roset” model remains a rare piece that offers both sculptural impact and everyday warmth. It is an ideal statement chair capturing the balance between innovation, comfort, function, and aesthetics, that defines the best of Danish design from the period.

Condition:

Wear due to age and use. Some scratches and marks. Recently reupholstered in premium alpaca - wool blend fabric.

Dimensions:

35.63 in W x 31.50 in D x 23.43 in H; Seat Height 14.17 in

90.5 cm W x 80 cm D x 59.5 cm H; Seat Height 36 cm

About the designer:

Ole Gjerløv-Knudsen (1930-2009) was a Danish furniture architect. He studied at the School of Crafts, graduating in 1952 and then at the Academy of Fine Arts in Copenhagen until 1955. Gjerløv-Knudsen designed furniture series for both carpentry and industrial production in collaboration with fellow Danish furniture designer Torben Lind (1928-2016) from 1962.

Lind’s works showed a commitment to using the finest materials and extraordinary precision to create one-of-a-kind designs. Together, they became well-known for their light furniture in beech and plywood. The duo worked together at PP Møbler, creating furniture that became a trademark of Danish design.

During their long collaboration, Gjerløv-Knudsen and Lind designed numerous successful chair designs representing Danish mid-century modern, with special attention to outstanding comfort and ensuring long-lasting value by using quality materials. Many of their designs were produced by France & Son and Mogens Kold Møbelfabrik. The latter produced some of the most coveted furniture of the mid- 20th century. ~H.

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Price category: 5,000 - 7,500 usd / eur

This armchair is a compelling embodiment of the French design duo Adrien Audoux and Frida Minet. Their design philosophy was centered around a commitment to accessible furnishing made out of natural materials that suit the rhythms of modern life. Active in mid-20th century France, they played a crucial role in shaping post-war design. Drawing inspiration from modernist movements, they steered the view of design towards a more functional, refined, and streamlined aesthetic.

This chair showcases excellent craftsmanship, care, and precision, visible in the smallest details of the design. The woven seat and backrest, composed of finely braided natural fibres, offer both support and comfort, gently adapting to the shape of the body for a relaxed resting experience. Unlike most chairs, this unique design does not utilise the typical four legs - instead, the structure flows seamlessly into a wide curve that comprises the frame and is the visual highlight of the chair’s form. The armrests appear to be curving down and back in two smooth lines, partially creating a supporting base. The structure of the base is further enforced by a stretcher between the two pieces of bentwood, enhancing stability. Another interesting design detail are the cylinder supports at the front where the arms and base meet, which act as a reinforcement while still maintaining harmony with the rest of the piece. This clever element helps to create a scooped base that supports the entire seat. The bent wood creates a fluid connection, giving the seat a sense of suspension - a light, almost floating presence - with the open surface of the seating and back further enhancing the airy characteristic of the armchair. Though the back rail is a separate piece between the two large curved elements it visually continues the line of the arms, creating the sense of a frame that gracefully encloses the seat.

The impressive silhouette of the armchair is defined by the choice of solid bentwood and woven rope as materials, and techniques that require expert skill, all poured into the final result to create this graceful form. The timeless appeal of this piece complements a wide range of interior styles, capable of transforming any environment with its organic appearance in both form and medium.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

25 in W x 27.55 in D x 31.88 in H; Seat height 16.14 in

63.5 cm W x 70 cm D x 81 cm H; Seat height 41 cm

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Price category: 5,000 - 7,500 usd / eur

Ole Wanscher was one of the leading figures of 20th century Danish design. Trained as an architect and later a professor at the Royal Danish Academy of Fine Arts, Wanscher’s work is characterised by restraint, clarity, and a deep respect for craftsmanship. Makers like him believed that good furniture should feel appropriate in its proportions, neither excessive nor incomplete, and that belief is evident throughout his designs.

Model “1755” exemplifies this disciplined yet elegant approach. The chair’s back is composed of three gently undulating horizontal slats that introduce movement without disrupting the overall symmetry of the frame. These shaped rails provide ergonomic support while creating a subtle decorative rhythm across the backrest. The uprights are slightly tapered, lending lightness to the silhouette and preventing the form from feeling heavy. The arms extend from the back, curving forward in a subtle arc that supports the sitter while maintaining visual continuity with the backrest. Transitions and joinery are seamless and organic, demonstrating careful attention to structural flow. The legs are slender and proportioned with precision, connected by thin stretchers that reinforce stability without drawing attention away from the main lines. Every element feels considered, from the thickness of the rails to the spacing between slats, resulting in a chair that is visually calm yet structurally assured. The upholstered seat introduces a measured softness that balances the architectural clarity of the wooden frame. Its tailored form provides comfort while maintaining the light, refined character of the design.

Suitable for use at a dining table, desk, or as an occasional armchair, model “1755” reflects Wanscher’s enduring commitment to proportion, craftsmanship, and the thoughtful reinterpretation of historical furniture making within a modern context.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature and age of the wood, the chair may have some marks, scratches, and discolouration. The seat cushion was newly produced and upholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

24.60 in W x 26.37 in D x 33.85 in H; Seat height 17.12 in; Seat depth 19.68 in; Arm height 25.19 in

62.5 cm W x 67 cm D x 86 cm H; Seat height 43.5 cm; Seat depth 50 cm; Arm height 64 cm

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Price category: 5,000 - 7,500 usd / eur

Ergonomic in its structure, this mid-century armchair showcases the best characteristics of post-war Italian design. These postwar boom years of the 1950s through the 1960s were a greatly influential - and experimental - period for Italian creatives. Striking in its balanced proportions and clean architectural lines, this armchair was born of careful decision making, where every curve, joint and surface was conceptualised with comfort and sculptural grace in mind.

The elegant lines of the chair create a pleasing visual balance, a result of the gently rounded back and pointed wingback crown. The silhouette, with its open construction, is comprised of an enveloping back that flows down in a curve towards the generous seat, forming a cocoon for the sitter. Creating a welcoming impression, the sheltering arms hug the person even further, adding a further layer of relaxation. The arms, slightly overturning at the ends, unfold the form of the design and emphasise its openness and welcoming spirit even further. The dark, splayed legs ensure stability, and their minimal shape allow the chair’s body to shine as the focal point. Acting as complementary elements, the tapered legs on the bottom are in harmony with the sharp peaks at the top of the backrest. Meanwhile, along the midsection, the elegant overspill of the armrests traces the sides, opening up the structure and introducing another intriguing dimension that deepens the visual presence of the piece. The armchair is full of unique design elements, but rather than working against each other, they instead unify the design through their shared aesthetic characteristics. In their own unique way, these small details are striving for the same sophisticated style. Recently upholstered in premium fabric, the chair flourishes in a beautiful, neutral colour that complements any interior.

The subtle colour of the chair, combined with its elegant form, provides a beautiful visual cohesiveness. This armchair is not just a functional sitting element, but also brings its own refined character into the atmosphere of the room, making it simultaneously both charming and practical.

Condition:

in good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

33.07 in W x 31.49 in D x 40.55 in H; Seat height 15.15 in; Seat depth 18.70 in; Arm height 21.45 in

84 cm W x 80 cm D x 103 cm H; Seat height 38.5 cm; Seat depth 47.5 cm; Arm height 54.5 cm

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Price category: 5,000 - 7,500 usd / eur

Bas van Pelt holds a distinctive place in Dutch design history; he is celebrated primarily for his furniture, yet was equally active as an interior designer whose broader spatial vision informed his work. Although his early designs reflected the straight lines associated with The Hague School of the 1920s, this armchair reflects a more assured phase of his career that coincides with the broader development of Dutch modernism. Here, geometric lines soften into gentle curves with a rich use of materials.

The weaved backrest pairs beautifully with the smooth wooden frame, curving to embrace the sitter. It is coupled with a sage green upholstered seat, creating an interplay of line and texture. The seat emphasises an added layer of comfort while still complementing the natural materials used for its construction. The armrests, with their subtle and flowing curves, are carefully shaped to give the chair a sense of movement - juxtaposed with the straight lines and right angles that make up the frame. The overall impression is that of a visually interesting piece full of contrasts, while simultaneously enhancing the comfort of the user at the crucial points of the back, arms, and seat. The legs remain simple in design, serving a primarily structural role, letting the back and seat stand out.

Bas van Pelt’s furniture models are quite rare, with a few preserved in the Stedelijk Museum in Amsterdam for modern art, contemporary art, and design. His progressive designs were, in many ways, ahead of his time. What makes this armchair especially compelling is the combination of materials and techniques that come together harmoniously to make a visually striking piece.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the wood, the item may have some marks, scratches, and discolouration. The chair comes with its original upholstery or has been reupholstered by a previous owner. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

29.52 in W x 24.01 in D x 31.29 in H; Seat height 17.12 in; Seat depth 18.11 in; Arm height 24.21 in

75 cm W x 61 cm D x 79.5 cm H; Seat height 43.5 cm; Seat depth 46 cm; Arm height 61.5 cm

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Price category: 2,500 - 5,000 usd / eur

This smoking chair reveals how European designers approached everyday furniture with an appreciation for both craft and nature. This piece combines classic elements with a more modern, organic design. Using natural materials and traditional techniques, the resulting aesthetic is beautifully eye-catching.

The use of wood and wicker to craft this chair belongs to a tradition that valued honest workmanship and the tactile richness of natural materials - this material choice allowed for the creation of objects that feel grounded, inviting, and timeless. The richly toned wood highlights the warm patina that has developed over decades. The softly sculpted armrests framing the chair bring both elegance and ergonomic comfort to the overall form. The backrest is adjustable, thus allowing for optimal lounging. Woven wicker is the main highlight of the piece. The material is used to construct the seat and tall backrest. The beautifully symmetrical pattern showcases the timeless artistry of artisanal furniture. The rectangular, slim legs create a sleek structure while not abandoning sturdiness. This chair preserves the value and beauty of master craftsmanship and exquisite materials.

This chair brings atmosphere to a space, rather than just ornament, offering warmth through material and form. Whether placed in a rustic setting or paired with more contemporary pieces, it holds its own with quiet confidence. The beauty lies not in novelty but in the enduring clarity of thoughtful making, which is why chairs like this continue to resonate so strongly today.

Condition:

In good vintage condition. Wear consistent with age and use. The chair has recently been reconditioned. Due to the nature of the materials, the item may have some marks, scratches, and discolouration.

Dimensions:

25.78 in W x 33.85 in D x 33.85 in H; Seat Height 13.77 in; Seat depth 23.62 in; Arm height 22.24 in

65.5 cm W x 86 cm D x 86 cm H; Seat Height 35 cm; Seat depth 60 cm; Arm height 56.5 cm

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Price category: 12,500 - 15,000 usd / eur

This armchair and footstool exudes quality and personality from all angles. The basic Danish design principles are all present - the pair is functional, simple at its core, well-crafted, and free of unnecessary ornamentation. During the 1950s, Danish makers led the way in furniture design, with seating pieces to this day being some of the most iconic of their time, and this model is no exception.

The generous seat and back of the armchair are welcoming, with the latter curving in such an angle that the sitter is gently “hugged”. This type of backrest style is called a wingback, originally, it was created as a way to help shield a person from drafts of cold air, and to trap the heat from a fireplace. That is why wingback chairs are sometimes called fireside chairs, as it was a popular style of chair to have pulled up in front of or flanking a fireplace. The embracing back and the curved arms create a welcoming impression, while the back’s elongated corners create visual interest. The generous padded armrests add another layer of relaxation for the sitter, and the luxurious, soft sheepskin upholstery provides great comfort in the name of functionality, while also transforming the chair into a beautiful addition to any interior space. Sheepskin is the ultimate material for comfort, warm in the winter and cool in the summer. The production quality is evident throughout this pair and takes the mid-century idea of “furniture that last for generations” seriously.

The design of this armchair and footstool promotes relaxation and contentment, inviting one to sit back and enjoy a moment of peace. The understated elegance and natural tones create an alluring atmosphere, making it perfect for the purpose of evoking a hyggelig (cosy) environment in any home.

Condition:

In good vintage condition. Wear consistent with age and use. The items have recently been reconditioned. The chair has been reupholstered recently in a premium sheepskin; the footstool is a later addition, upholstered in the same fabric as the chair. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

Chair:

34.64 in W x 35.03 in D x 38.77 in H

88 cm W x 89 cm D x 98.5 cm H

Footstool:

24.40 in W x 21.26 in D x 15.16 in H

62 cm W x 54 cm D x 38.5 cm H

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Price category: 2,500 - 5,000 usd / eur

In the decades after World War II, furniture across Europe pursued a careful balance between simplicity and craftsmanship. In the Netherlands as well as in Scandinavia, there was a rejection of heavy ornament and instead the focus fell on materials like solid wood and textiles while keeping the overall form simple and purposeful. Chairs from this period often reflect a belief that good design should be both visually pleasant and functionally comfortable.

This modernist armchair, in the manner of Jan den Drijver, illustrates these principles through a straightforward yet thoughtful construction. The frame is built from solid wood, finished to reveal a warm, natural grain that highlights its organic beauty. The backrest rises with a gentle backward slope, providing ergonomic support without excess bulk, and the wide, flat armrests extend forward in a smooth and sleek line that aligns with the sitter’s posture. The seat and backrest surround the upholstery, a textured fabric that contrasts softly with the wood while maintaining a neutral palette. The cushions are padded to increase comfort. The legs are sturdy and substantial, ensuring support while not taking away from the rest of the design. This unadorned construction allows the quality of the piece to remain the focus - the clear form, the seamless joinery, and the dialogue between materials allows for the chair to feel timeless and considered rather than fleeting or overtly stylised.

Functionally and visually, this armchair demonstrates how mid-20th century European design could bridge tradition and modernity without sacrificing comfort or structural clarity. It is well suited to domestic living rooms, libraries, or quiet seating nooks while its understated modernism makes it versatile alongside both mid-century and contemporary interiors.

Condition:

In good vintage condition. Wear consistent with age and use. Minor scratches and discolouration. Due to the nature of the material, the item may have some additional marks. The chair has recently been reconditioned and reupholstered in a premium fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information.

Dimensions:

27.36 in W x 31.49 in D x 30.31 in H ; Seat height 16.33 in; Seat depth 21.85 in; Arm height 22.04 in

69.5 cm W x 80 cm D x 77 cm H ; Seat height 41.5 cm; Seat depth 55.5 cm; Arm height 56 cm