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‎‎‎‎‎Price category: 2,500 - 5,000 usd / eur

This lovely bookcase designed by Grete Jalk for P. Jeppesen reflects the Danish designer’s aesthetic—clean and highly functional, yet creative.

Danish mid-century pieces were often created with a functional purpose in mind, rather than decorative, as this bookcase exemplifies. Elegant in its simplicity, it puts the emphasis on showcasing the material through a simple, uncluttered design. This model deserts any unnecessary ornamentation in favour of the traditional Danish design philosophy, which centres around craftsmanship and practicality. A “bogkasse”, or bookcase is an essential and timeless piece of furniture in Scandinavian homes, where it serves both a practical and an aesthetic role. This piece features exposed shelves and thanks to their arrangement and the large surfaces, the beautiful grain of the wood is highlighted. The wood grain is warm and expressive, enhanced by a natural finish that highlights the material’s inherent richness. The bookshelf’s open and airy design offers a sense of visual lightness, making it equally suited to display treasured books or decorative objects. The shelves are gracefully integrated, offering both structural integrity and stylistic coherence.

A timeless piece, this bookshelf embodies the era’s philosophy of democratic design—functional, beautiful, and enduring. It serves not only as a practical storage solution but also as a quiet statement of mid-century Danish elegance. Ideal for modern interiors, it remains a collectible example of postwar Scandinavian design at its finest.

Condition:

In good vintage condition. Wear consistent with age and use. The vertical shelves are adjustable. Minor marks and scratches.

Dimensions:

42.51 in W x 11.61 in D x 46.65 in H

108 cm W x 29.5 cm D x 118.5 cm H

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Price category: 2,500 - 5,000 usd / eur

This bookcase is a lovely example of mid-century design, blending form and function. The Italian design language of the 1970s looks just as attractive and fresh today as it did decades ago. Elegance and strength are cleverly combined in this minimalist piece.

Elegant in its simplicity, this bookcase places the emphasis on showcasing the material through a simple, uncluttered design. This model deserts any unnecessary ornamentation in favour of traditional form with the structure being both practical and aesthetically balanced. The proportions are carefully considered, offering a sense of harmony that aligns with the craftsmanship typical of Italian furniture design from the second half of the 20th century. This piece features open shelves and thanks to their arrangement and the large surfaces, the beautiful grain of the wood veneer is highlighted. The material is warm and expressive, enhanced by a natural finish that highlights it’s inherent richness. The bookshelf’s open and airy design offers a sense of visual lightness, making it equally suited to display treasured books or decorative objects.

A timeless piece, this bookshelf embodies the era’s philosophy of democratic design; functional, beautiful, and enduring. It serves not only as a practical storage solution but also as a quiet statement of mid-century elegance.

Condition:

In good vintage condition. Wear consistent with age and use. Some minor chips and scratches.

Dimensions:

33.46 in W x 8.66 in D x 58.66 in H

85 cm W x 22 cm D x 149 cm H

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Price category: 2,500 - 5,000 usd / eur

Modernism is at the core of the design of this shelving system. Modernism brought waves of innovative solutions, materials, and creativity to The Netherlands. At first, most Dutch designers found it challenging to balance modern creativity and classical elegance, but as this model shows, they found a way to overcome that challenge.

The design of this bookshelf model boasts an ingeniously functional and well-thought-out structure crafted from quality wood. In mid-century modern design, the use of wood held a special significance; it was not merely a material choice, but a philosophy that emphasized the natural and organic over the ornate and extravagant. Although the design is asymmetrical it remains minimal. This minimalist approach combined with solid wood creates a timeless appearance that resonates with any design style. Furthermore, furniture such as this piece, held a special place in mid-century design thanks to its open, unobtrusive look. The asymmetrical form accentuates the design, with this decorative element adding depth and visual interest. The craftsmanship is evident in the precision of the woodwork, reflecting the standards of furniture making at the time. This craftsmanship is also highlighted in the design of the shelf’s base, it is more robust than the rest of the piece thus increasing stability and sturdiness. Regardless of where and how it is used, this shelf unit emphasizes the objects placed on it. The beautifully finished details make this an eye-catching classic.

This shelving unit embodies the Dutch commitment to functionality, craftsmanship, and modern design aesthetics. With its organic feel and natural elements, this piece stands out with its timeless appeal. The piece’s simple yet refined structure allows it to integrate into various interior styles, from vintage-inspired rooms to more contemporary settings.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

38.18 in W x 9.05 in D x 74.80 in H

97 cm W x 23 cm D x 190 cm H

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Price category: 2,500 - 5,000 usd / eur

Founded in Stockholm in 1902, Nordiska Kompaniet manufactured many of 20th century’s now iconic Swedish works. One of NK’s designers was David Rosén who was known for balancing tradition and innovation. Rosén designed items that suited the tastes of refined city elites, as well as everyday homes of the expanding middle class. He attended the University College of Arts, Crafts and Design in Stockholm where he mastered the craftsmanship of Scandinavian design, putting a strong emphasis on organic materials and minimalistic, quiet statement pieces like this shelf.

This model “4205881” magazine shelf consists of five horizontal ledges as well as a separating panel in the middle, which showcases the veneered wood’s rich grain beautifully. The interplay of the reddish-brown tones create a warm harmony, lends the surface a sense of depth and refined elegance, aligning perfectly with the gentle softness of the finely curved corners. The open structure of the front and the sides create an airy feel, making it perfect to display magazines and newspapers in a structured manner, or to showcase impressive collections of booklets. The shelves are deep and narrow, providing more than a sufficient amount of storage space. The slender slots with their accessible sides create an honest and functional design element that is elegant. This shelf stands sturdily on the tapered wooden legs, creating a balanced base.

With its elegant shape and careful design, this piece rises above the endless passing of trends, establishing itself as a modern classic in the realm of interior design. A perfect choice that brings a sense of refinement to any setting, whether in the clarity of a professional office or the comfort of a living room. Using clean forms and high-quality materials David Rosén’s timeless works are created to be enjoyed and fully utilised by generations to come.

Condition:

In good vintage condition. Wear consistent with age and use. The back has minor scratches and veneer damage.

Dimensions:

22.83 in W x 13.58 in D x 25.19 in H

58 cm W x 34.5 cm D x 64 cm H

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Price category: 2,500 - 5,000 usd / eur

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At the core of the design of this shelving system is Modernism that brought waves of innovative solutions, materials, and creativity to Italy. At first, most Italian designers found it challenging to balance modern creativity and classical elegance, but as this model shows, they found a way to overcome that challenge.

This model is defined by its clear preoccupation with geometry. The tubular metal sides resemble ladders, allowing the customization of the shelves. The gaze first attaches to these unusual, triangular feet that - like the rest of the metal structure - are painted black, thanks to which the geometrical form stands out even more. The ladder construction has eight levels on which the three wooden shelves can be freely arranged. The blockboards are veneered and stained with an attractive pattern. The resulting organic look contrast beautifully with the metal structure. The design also allows multiple uses; due to its airy and light structure, this model can constitute a whole family of products: It can be used as a table, a bench, or as a stand for a television or books depending on the shelves’ arrangement. Regardless of where and how it is used, it beautifully emphasizes the objects placed on it. The beautifully finished details make this bench an eye-catching classic.

The Italian design language of the 1960s looks just as attractive and fresh today as it did decades ago. Elegance and strength are cleverly combined in this minimalist sculptural piece as the continuity of the structural lines “sketches the space aerially”.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

59.44 in W x 11.81 in D x 47.24 in H

151 cm W x 30 cm D x 120 cm H

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Price category: 2,500 - 5,000 usd / eu‎

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Erling Torvits is one of those Danish mid-century designers of whom not much is known except for the material and aesthetic quality of his works. His best known designs are from the mid 1950s to the mid 1960s, including this beautiful, understated bookcase.

Elegant in its simplicity, this bookcase puts the emphasis on showcasing the material through a simple, uncluttered design. As is the case with its Danish contemporaries, this model also deserts any unnecessary ornamentation in favour of the traditional mid-century design philosophy, which centres around craftsmanship and functionality. A “bogkasse”, or bookcase is an essential and timeless piece of furniture in Scandinavian homes, where it serves a role that surpasses pure functionality. This model features exposed shelves, which is an honest and functional design element. The six individual compartments can be arranged freely thanks to the small carved holes and pegs. The open design makes this model perfect to display anything, from books to design objects as there is generous storage space. Thanks to the airy arrangement of the shelves and the large surfaces, the design showcases the veneered exotic wood’s varied colour and rich grain beautifully. The pattern is so arresting that it can serve as a decorative element in a space on its own.

The Danish company, Klim Møbelfabrik, manufactured many of Torvits’s designs with a focus on Danish craft traditions. The Klim-based company has roots all the way back to 1930, and since its foundation, it has left an innovative mark on the Danish furniture industry.

Condition:

In good vintage condition. Wear consistent with age and use.

Dimensions:

59.05 in W x 10.03 in D x 41.53 in H

150 cm W x 25.5 cm D x 105.5 cm H

About the designer:

Erling Torvits was born in Brande Denmark in 1925 and graduated as a cabinetmaker in 1944. From there he went to Copenhagen and worked at the A.J. Iversen workshop before moving to Herning in Jutland where he set up a small design studio. There he was very active and worked together with many smaller furniture manufacturers all around the country - mainly focusing on cabinets and chairs.

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‎‎‎Price category: 5,000 - 7,500 usd / eur

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This bookcase is made out of thick plywood and features a sculptural and raw look that give it a lot of character.

The sides have rounded out edges that are wider at the base and gradually become narrower towards the middle. The slightly raised angle at the top gives this bookcase a distinctive appearance. At the base, a sculpted arch forms the four legs from the sideboards. The two shelves and top have the same measurements despite the illusion that the round shape of the sideboards create. The bookcase has its original bolts and rings on both sides and a beautiful, strong patina.

The shape of the design, the use of plywood and the distinctive bolts and rings are typical for the work of José Zanine Caldas and his manufactory, Fábrica de Móveis Artísticos Z of this period. However, official documents - as with many Brazilian works - have not yet appeared.

Condition:

In good vintage condition. Wear consistent with age and use. Wood has marks and cracks.

Dimensions:

35.63 in W x 11.82 in D x 31.5 in H

90.5 cm W x 30 cm D x 80 cm H

About the designer:

José Zanine Caldas was born in Belmonte, at the southern coast of Bahia, in 1919. Son to a doctor, Zanine was an autodidact who, from a young age, was fascinated with his environment, especially with trees.

While most architects of his generation studied extensively, Zanine developed his own style through doing and making, and at the age of 20 decided to exchange Bahia for Rio de Janeiro. There he opened up a workshop for architectural scale-models and had the chance to work with pioneering modern architects like Lucio Costa and Oscar Niemeyer.

Large scale furniture with modern design and affordable prices. This was the great advantage of the joinery Móveis Artístico Z founded in 1948 by the architect Zanine Caldas, in partnership with Sebastião Pontes and Paulo Mello, was a great success at the time. Headquartered in São José dos Campos (SP), it maintained its production for almost two decades. The form of creation, idealized by Zanine, was opposed to the market of the time, which was either based on the production of handmade furniture, in solid wood, or in pieces produced in series with an unattractive design. Breaking these paradigms, Móveis Artísticas Z revolutionized manufacturing pieces with improved design and great popular appeal.

Inspired by the local craftsmen who carved boats and furniture from fallen trees, Zanine began experimenting with chiselling and carving large, sculptural works, which became the focus of his later career. Zanine became a big advocate for preservation and in the 1980's, he established the Foundation Center for the Development of the Application of Brazilian Woods (DAM), in an effort to educate and attempt to reverse the rampant destruction of Brazilian rainforests.

Up until his death in 2001, Zanine kept his natural visions alive, and would plant a new tree in place of any tree that was taken down for one of his projects. ~H.